Reining in Ink Art: Revivalism in the Year of the Serpent

Reining in Ink Art: Revivalism in the Year of the Serpent  水墨，放当代艺术一马吧！——2013年的复古 Much as the Beijing winter has been very mild this year, overall, the art of the past year has also felt rather milder and more sentimental from previous years. Let us then explore the production and exhibition of this “old” contemporary art in the most vibrant and active part of the contemporary Chinese art world, Beijing....  >> Read More 正如北京今年的冬天不太冷一样，总体而言，这一年的艺术也比往年更加“温情脉脉”，那么就让我主要以当代艺术的创作和展览最为活跃、频繁的北京为例，来考察一下这种“老式的当代艺术”吧...... >> 更多

Highlights 本周精选

2013 Notes—the Beijing Slant Xu Bing: A Retrospective Art Basel Hong Kong ArtTactic Confidence Report 10th Gwangju Biennale Centering the Periphery Top posts in the past year: Ai Weiwei Interview Kwan Sheung Chi: Too Simple, Sometimes Naïve China in Venice Meeting Chinese Artists: the Rubells 2013笔记——评点北京 “徐冰回顾展”台北开幕 2014香港巴塞尔艺术展 中国艺术市场信心调研分析报告 第十届光州双年展主题公布 聚焦边缘 回望蛇年： 艾未未访谈 关尚智：Too Simple, Sometimes Naïve 在威尼斯，有个地方叫中国 会见中国艺术家：唐与梅拉·卢贝尔

Feature 专题

Notes on 2013—the Beijing Slant 2013笔记——评点北京 The passing twelve months have seen the greater Chinese scene piqued by scandal, pressure and anti-climax and sprinkled only lightly, it seemed, with really effective art. 2013 felt like a tense and ambivalent year....>> Read More 在过去的12个月里，中国艺术圈充斥着风波、压力与低谷，而似乎少有令人印象深刻的艺术；在这现象的背后是破纪录的拍卖、各种国际展览机会以及艺术家们不变的野心，总的来讲，2013年是紧张而模棱两可的一年...... >> 更多

News 新闻

“Xu Bing: A Retrospective” in Taipei “徐冰回顾展”台北开幕 Art Basel Hong Kong 2014香港巴塞尔艺术展

Chinese Art Market Confidence Report 中国艺术市场信心调研分析报告 10th Gwangju Biennale 第十届光州双年展主题公布

Top Posts in the Past Year 回望蛇年

I am the World, I Want to Be Forgotten 我就是世界，我想被忘记 Kwan Sheung Chi: Too Simple, Sometimes Naïve 关尚智：Too Simple, Sometimes Naïve

China in Venice 在威尼斯，有个地方叫中国 Meeting Chinese Artists: The Rubells 会见中国艺术家：唐与梅拉·卢贝尔

Review 展评

Centering the Periphery 聚焦边缘 While Beijing and Shanghai may stand as the geographical centers of artistic influence, artists such as the Yangjiang Group are successfully asserting their peripheral locale as the site of critical consideration....  >> Read More 阳江组此次个展不及当年的“不合作方式”激进，但仍以其面向艺术及社会的顽固挑衅姿态而保持其果断的立场。在北京、上海仍然作为国内艺术中心城市的同时，阳江组却成功地将其本土主张宣扬为批判性思考的现场...... >> 更多

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