Thursday, January 30, 2014

Reining in Ink Art: Revivalism in the Year of the Serpent

randian 燃点
Ink art

Much as the Beijing winter has been very mild this year, overall, the art of the past year has also felt rather milder and more sentimental from previous years. Let us then explore the production and exhibition of this “old” contemporary art in the most vibrant and active part of the contemporary Chinese art world, Beijing....  >> Read More

正如北京今年的冬天不太冷一样,总体而言,这一年的艺术也比往年更加“温情脉脉”,那么就让我主要以当代艺术的创作和展览最为活跃、频繁的北京为例,来考察一下这种“老式的当代艺术”吧.....>> 更多
Highlights 本周精选
2013 Notes—the Beijing Slant
Xu Bing: A Retrospective
Art Basel Hong Kong
ArtTactic Confidence Report
10th Gwangju Biennale
Centering the Periphery

Top posts in the past year:
Ai Weiwei Interview
Kwan Sheung Chi:
Too Simple, Sometimes Naïve

China in Venice
Meeting Chinese Artists: the Rubells
2013笔记——评点北京
“徐冰回顾展”台北开幕
2014香港巴塞尔艺术展
中国艺术市场信心调研分析报告
第十届光州双年展主题公布
聚焦边缘

回望蛇年:
艾未未访谈
关尚智:Too Simple,
Sometimes Naïve

在威尼斯,有个地方叫中国
会见中国艺术家:唐与梅拉·卢贝尔
Feature 专题
Beijing Slant
Notes on 2013—the Beijing Slant
2013笔记——评点北京

The passing twelve months have seen the greater Chinese scene piqued by scandal, pressure and anti-climax and sprinkled only lightly, it seemed, with really effective art. 2013 felt like a tense and ambivalent year....>> Read More

在过去的12个月里,中国艺术圈充斥着风波、压力与低谷,而似乎少有令人印象深刻的艺术;在这现象的背后是破纪录的拍卖、各种国际展览机会以及艺术家们不变的野心,总的来讲,2013年是紧张而模棱两可的一年...... >> 更多
Chronus Art Center, Shanghai
News 新闻
Xu Bing
“Xu Bing: A Retrospective” in Taipei
“徐冰回顾展”台北开幕
Basel HK
Art Basel Hong Kong
2014香港巴塞尔艺术展
 
Chinese Art Market Confidence Report
Chinese Art Market Confidence Report
中国艺术市场信心调研分析报告
10th Gwangju Biennale
10th Gwangju Biennale
第十届光州双年展主题公布
Top Posts in the Past Year 回望蛇年
Ai Weiwei
I am the World, I Want to Be Forgotten
我就是世界,我想被忘记
Kwan Sheung Chi
Kwan Sheung Chi:
Too Simple, Sometimes Naïve

关尚智:Too Simple, Sometimes Naïve
China in Venice
China in Venice
在威尼斯,有个地方叫中国
Meeting Chinese Artists: Don & Mera Rubell
Meeting Chinese Artists: The Rubells
会见中国艺术家:唐与梅拉·卢贝尔
Review 展评
Centering the Periphery
Centering the Periphery
聚焦边缘

While Beijing and Shanghai may stand as the geographical centers of artistic influence, artists such as the Yangjiang Group are successfully asserting their peripheral locale as the site of critical consideration.... 
>> Read More

阳江组此次个展不及当年的“不合作方式”激进,但仍以其面向艺术及社会的顽固挑衅姿态而保持其果断的立场。在北京、上海仍然作为国内艺术中心城市的同时,阳江组却成功地将其本土主张宣扬为批判性思考的现场...... >> 更多
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