Monday, March 18, 2019

If your on London, Catch the Repetto Gallery, Threading Spaces, Opening March 25 6PM


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THREADING SPACES

Nedda Guidi,  Elisabetta Gut
Maria Lai,  Franca Sonnino
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From March 26th to May 3rd Repetto Gallery in London will exhibit more than 20 artworks by Nedda Guidi, Elisabetta Gut, Maria Lai and Franca Sonnino. The thread – traditionally linked to the female world – becomes in this exhibition the trait d'union between these artists, that all worked in Rome between the 70s and the 80s. 

Opening March 25th from 6pm
Repetto Gallery - Modern and contemporary fine art
23 Bruton street, 2nd floor, W1J 6QF London, United Kingdom
Mon - Fri 10am-6pm ¦ +44(0)2074954320

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Custot Gallery, Spring Brake, March 18-May 30th. Dubai


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Thursday, March 14, 2019

Carey Maxon, Great I love this image! Catch Carey Maxon, March 20th.


Maxon's work visits the supply chain of our societal consumption. I think this is a positive contribution to the ecological conversation. Great Eco-art statement!!! Nice to see activism in art.... Jamie Forbes, Fine Art Magazine 


On View Exclusively Via Artsy Beginning March 20th

View Press Release Below or Click Here to Download
Carey Maxon, Cost Not Lost (Diallo), 2019, Pig's blood & ink on paper, 23 × 31 in


Jenn Singer Gallery
www.jennsingergallery.com
info@jennsingergallery.com
917.722.6119


CAREY MAXON: EYESIGHT
On view via Artsy beginning March 20, 2019

Jenn Singer Gallery presents Carey Maxon: EYESIGHT, a solo exhibition of paintings & drawings by Carey Maxon, whose work is held in the collections of the Brooklyn Museum of Art, Museum of Modern Art (MoMA) & Whitney Museum of American Art.

The Rwandan genocide, Syrian war, shooting of Amadou Diallo, sex trade, blood diamonds and the high cost of death and questions of worth of a human life are all part of the darkness held up as a mirror in Carey Maxon’s newest work.

The almost primordial imagery reflecting back to us through the paintings includes rough depictions, scribbled misspelled text, faltering lines, distorted yet almost offputtingly whimsical figures and exaggerated shape and color. These reflections are evidence of one woman's experience of a world that is loose around the edges and deeply troubled.

As Maxon explains, “the drawings naming human genocides in a broken, jumbled scrawl replete with spelling errors and word fragments are unselfconscious expressions of my own frustration in the redundant, harrowing recognition of the many corrupt layers in mass devastation. Failure to comprehend goes along with grief.”

What makes the work feel especially raw is Maxon’s crude use of pig’s blood in the palette. In addition to being an artist, life has taken Carey Maxon from her studio in Brooklyn, NY to Tuscany, Italy where she now works on an olive oil farm.  Annual rituals in Tuscany include the winter pig slaughter and feast, where no part of the animal goes to waste. A deeper connection to the earth and the rawness of life through such a different lens is slowly altering the artist’s medium. Captivated by the color alone, she incorporated some of the remaining blood into her latest works. While the use of animals' blood may make some uneasy, or downright angry, it is the most honest medium one could ask for given the darkness of the subject matter.

Throughout the exhibition, Carey Maxon’s typical dot work is strewn about in some works, but then suddenly comes together in soothing order and repetition in others. The artist’s visual impressions remain high contrast, glaring and unstable and may relate to a unique visual phenomenon she has experienced since a young age. Visual snow, convergence insufficiency and optic migraines are part of her working norm. It’s not only the way she sees, but a new way of seeing, living and processing.

As Maxon states, “a reduced palette and the repeated dot on line pattern connote the most basic rhythms of life; the heartbeat and the passing of time - sensations readily available even to the blind - and a humble order from which we all descend”.

Carey Maxon's artworks are available for online viewing via Artsy (artsy.net/jenn-singer-gallery). Acquisition inquiries may be sent to Jenn Singer Gallery (info@jennsingergallery.com).
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Are you an artist in LA? Check out 1717 an experimental collective at the Institute of Contemporary Art, Los Angeles! Looks great!

1717, an experimental collective at
the Institute of Contemporary Art, Los Angeles

MEET THE FOUNDERS
ICA LA celebrated the launch of 1717 with a Founders Gathering, attended by individuals who joined the collective before January 1, 2019. Get to know the Founders by checking out the yearbook HERE.
1717 is a new philanthropic concept for ICA LA and its exploration of contemporary art and ideas.

1717 provides year-round programming built on the intention to ConnectLearn, and Care. Through Studio Nights, volunteer outings, and city-wide excursions, the collective will undertake a comprehensive approach to navigating contemporary culture.
Join today to receive your invitation to attend the Spring exhibition private preview for members of  1717 on Sunday, March 17,
prior to Open House.

Join Today
$40 Annually
VISIT + FOLLOW 
Institute of Contemporary Art, Los Angeles
1717 E. 7th Street
Los Angeles, CA 90021
Admission is always free. 
#ICALA
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In Berlin? Catch the very fun exhibition: Berry Kim's Berrylin March 19th opening 6-9 PM Rnjoy!



SomoS is delighted to present “B E R R Y L I N,” a solo exhibition by Artist-in-Residence Berry Kim (South Korea), in which she reinterprets the visual and textual language of Berlin using a fresh gaze and lots of humor. 
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Berry Kim’s B E R R Y L I N, is a liberated realm freed from the pressures and expectations of South Korean society, yet, like Berry’s earlier work, still heavily based on the reinterpretation of urban life and consumer culture. A bright pop-culture world that playfully, but not uncritically, re-imagines the commercial and materialistic everyday goings-on of fashion, beauty, street life, art, and nightlife, B E R R Y L I N is a one-of-a-kind romp through a fantastical world, inspired by her time living in Berlin. Characters, landmarks, city streets, labels, brands and signs are animated and take on new meanings, and influences as extensive as 19th Century German iconography and art history, the Weimar Republic, to modern day club culture and computer games are channeled into witty, absurdist and irreverent artworks. 
Berry’s immersive installation consists of mixed-media works, painting, drawings, large scale fabric prints, objects, and wearable art – in between subversive department store, delirious apartment, and Wunderkammer, it parodies a hyper image/status-focused consumer society.
Opening Reception: March 19, 2019, 6-9pm
Open March 20 – 27, Tue-Sa, 2-7pm
Entry free 
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Wednesday, March 13, 2019

In NYC catch Patrick Pietroli Hugo Galerie exhibition Patrick Pietropoli March 23-April 1




472 WEST BROADWAY, NEW YORK, NY 10012                WWW.HUGOGALERIE.COM                212.226.2262
        

NEW YORK CITY-- FOR IMMEDIATE RELEASE

PATRICK PIETROPOLI: COINCIDENCES

SOLO EXHIBITION

23 March - 21 April, 2019

ARTIST RECEPTION ON SATURDAY, MARCH 23, 6-8PM
(RSVP TO info@hugogalerie.com)


     



HUGO GALERIE is pleased to present Coincidences, a solo exhibition featuring Patrick Pietropoli and his vision of when architecture and the figure collide. This show presents an entirely new body of work—one that takes the typical subject matter of the vedutisti and transforms it.

Vedutisti is an Italian word for painters whose canvases are as vast as they are intricate; these artists produce large works of sweeping vistas without sacrificing a single detail. Whether bustling cityscapes or ceremonial interiors, their scenes always depict architecture and figures with astonishing accuracy. Pietropoli is internationally recognized for his exceptional skill among contemporary vedutisti painters. With this collection, he gives a surrealistic spin to the historic genre.

Inspired as ever by what he describes as “the entanglement of complex shapes,” Pietropoli here eschews the usual formula of architecture and the figure to give us architecture within the figure. He even plays with the very concept of architecture—sometimes referring to what we might expect, such as a coffered ceiling or French facade; occasionally evoking the distinct framework of modern furniture; and other times referencing the structure of art history itself, inserting famous paintings and archetypes into his precise silhouettes. Like looking through a stereoscope, the silhouettes are cut-out windows into another dimension.

Discussing this compelling body of work, Pietropoli offered a quotation by Isidore Ducasse, a writer celebrated by the surrealists: “…beautiful as the chance meeting on a dissection table of a sewing machine and an umbrella.” This aphorism captures the essence of his new collection—an esoteric collage of images ripe with wit and talent. Rather than burden his paintings with prefabricated analysis, Pietropoli intends for viewers to decrypt each canvas in their own ways. And these works are certainly worth contemplating for years to come, as they slowly unfold in painted layers.

HUGO GALERIE is a fine art gallery in New York City specializing in contemporary figurative painting and sculpture. The gallery represents an international roster of artists working in a variety of media and range of genres. Please direct inquiries to info@hugogalerie.com.

 Above: Acrobates, Oil on canvas, 52” x 38” (106.7 x 96.5cm) | Armchair, Oil on canvas, 63” x 63” (160 x 160cm) | Brutus’ Family, Oil on canvas, 78” x 56” (198 x 142.3cm)


 
For further information, prices and photographic material, please contact the gallery at 212.226.2262or info@hugogalerie.com.
 
Gallery hours are from 10:00am to 6:00pm daily.
 
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In the area Looks like fun!!!Art Fair 14C Jersey City, George Billis Gallery, March 15-17th,








Please join us in Room 848 for Art Fair 14C, from March 15th through 17th.
VIP Hours 
Friday, March 15th, 4 - 9pm
Saturday, March 16th, 11am - 8pm
Sunday, March 17th, 11am - 7pm

Fair Hours 
Saturday, March 16th, 12 - 8pm
Sunday, March 17th, 12 - 7pm

For complimentary VIP and day passes please follow the link below. 

Art Fair 14C - VIP Passes 
Art Fair 14C - Day Passes 

Hyatt Regency Hotel 
2 Exchange Place 
Jersey City, NJ 07302 
artfair14c.com 


GEORGE BILLIS GALLERY
 
525 W. 26th STREET, GROUND FLOOR
NEW YORK, NY 10001
Phone: (212) 645.2621
Email: gallery@georgebillis.com 
Website: www.georgebillis.comFacebook: facebook/georgebillisgallery 
Hours: Tuesday - Saturday, 10am - 6pm.

New York Map 
The George Billis Gallery marks its 21st year in the Chelsea Art district and its sister gallery is located in the burgeoning gallery district of Culver City in Los Angeles.
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Tuesday, March 12, 2019

In Kingston NY catch the 1 mile Gallery openin gfor Mark Hogancamp Opening March 23,6-9. Send me pic if you go, share the fun


One Mile Gallery


Mark Hogancamp Reception
One Mile Gallery
March 23, 6-9pm

Mark Hogancamp
Mark Hogancamp

Artist reception for ongoing Mark Hogancamp exhibit at One Mile Gallery from 6pm-9pm March 23, 2019

Mark Hogancamp brings his work back to Kingston for an extended show at One Mile Gallery through May. We are open SATURDAYS ONLY during this off-season exhibit from February 16 to May 25. Hogancamp is a photographer and storyteller, but prefers to think of himself as a film director. He’s the creator of Marwencol, a 1/6 scale, WWII-era Belgian village in which he stages and photographs a complex narrative of Nazi intrigue, lesbian melodrama, and Sgt. Rock-style heroics.

On April 8, 2000, Mark Hogancamp was attacked outside of a bar by five men who beat him nearly to death. After nine days in a coma and 40 days in the hospital, Hogancamp was discharged with brain damage that left him little memory of his previous life. Unable to afford therapy, Hogancamp created his own by building a 1/6-scale World War II-era Belgian town called Marwencol in his yard and populating it with dolls representing himself, his friends, and his attackers. In the ensuing years, Hogancamp has rehabilitated his physical wounds by building from scratch the town’s structures and meticulously customizing the small dolls and props; he has come to terms with his psychological ones by involving these figures in elaborate and often violent narratives related to his attack and recovery. Hogancamp’s photographs of the town debuted in ESOPUS 5 in 2005; he was the subject of ESOPUS subscriber Jeff Malmberg’s critically acclaimed documentary Marwencol in 2010. In 2013, filmmaker Robert Zemeckis (Forrest Gump, Cast Away) announced that he would direct a feature film based on Hogancamp’s life and work from a script written by Caroline Thompson (Edward Scissorhands) starring Steve Carell as Mark. The film,Welcome to Marwen, was released December 21, 2018.

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Welcome to Marwen DVD and Blu-ray release date is set for April 9, 2019 and available on Digital HD from Amazon Video and iTunes on March 26, 2019
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Auction April 5, 2019

Sothebys


Sotheby’s auction on 5 April 2019 will be led by exceptional rare photographs by El Lissitzky, Margaret Bourke-White, Imogen Cunningham, August Sander, Mark Hogancamp and Ansel Adams. This sale will feature a broad selection of photographs covering the full history of the medium, from early American daguerreotypes to large-scale Contemporary works by the most innovative artists of the 20th and 21st centuries. 

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Add your name to our mailing list for announcements atonemilegallery@gmail.com

Contact the gallery at onemilegallery@gmail.com
or telephone 845 338 2035 or 917 715 2877
 
One Mile Gallery
475 Abeel Street Kingston NY 12401
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Huntington Arts Council calls for member artists to create their simmer Magazine Cover. Be Adventurous Give it a try


The Huntington Arts Council is offering our artist members* an exclusive opportunity to create original art work for the cover of 
the Summer issue of Arts Cultural News. The editorial focus of the Summer issue is the Huntington Summer Arts Festival which will 
be celebrating its 54th year. Members are asked to submit work 
that has been inspired by and represents the energy and excitement of the Festival.

Since 1965 this performance event has brought the community together to experience live music, theatre and dance. The submissions will be reviewed by a panel and one work will be 
chosen as the Huntington Summer Arts Festival cover of the newspaper. A stipend of $250 will be awarded and the artist and their work will be featured in the newspaper.
*Not a member? Not too late. 

Questions call 631-271-8423
About Huntington Arts Council
Now celebrating its 56th Anniversary, the Huntington Arts Council is a legitimate 501(c)(3) not-for-profit organization which enriches the quality of life of Long Islanders with programs and services that address the needs and interests of artists, cultural organizations and the community. The Council's programs reach over one million Long Island residents, and it serves the entire region with its cultural listings at www.huntingtonarts.org. The Huntington Arts Council has been designated a "Primary Institution" by the New York State Council on the Arts, a title meaning "vital to the cultural life of New York State." The Council is the official arts coordinating agency for the Town of Huntington, and serves as the primary regranting agency on Long Island for the New York State Council on the Arts (NYSCA), in addition to its services to over 600 member cultural organizations and individual artist members. Programs are made possible in part by funding from the New York State Council on the Arts, the Town of Huntington, the Suffolk County Department of Cultural Affairs, the County of Suffolk, corporations, foundations and individuals.