Wednesday, July 1, 2026

Ray Grasse is a rennasiance artist. ~The Deep Sea~ a musical composition inspired by Debussy is belwo.

 Ray Grasse is a noted astrologer, photography, musician, and writer on metaphysical topics. I admire his body of work, and artist process. Check out Ray's websites, and posts. See the ~Deep Sea ~below. Jamie Forbes

THE DEEP SEA 

Though I grew up mainly on the rock and roll music of the 60s, my mother introduced me to a different kind of music when she played Debussy’s “Clair de Lune” on the piano, and later on, played a recording of his orchestral composition “La Mer” (the Sea) on the family record player.

There was something about Debussy’s work that affected me profoundly. I became obsessed with his compositions, and struggled to express similar feelings of my own on the piano, which I had some lessons in years earlier. I had also been deeply impacted by the soundtracks composed by Bernard Hermann for films like “Journey to the Center of the Earth” and “Jason and the Argonauts, and those influences couldn’t help but find their way into my efforts, too.

Me at 18 playing the family piano, my father reading the paper behind.

And so was in freshman year during college that I began work on a piece I’d later title “The Deep Sea.” Things progressed slowly, and it took a full four years to complete. Not having an actual orchestra at my disposal, I used the four track recorder I bought from a college classmate to overdub layers of background voices to simulate the effects of string sections.

But it would be over 30 years before I’d actually get into a formal studio to do a fully fleshed-out recording of the piece, at my friend Bill Kavanagh’s studio in Oak Park, Illinois. With the new synthesized sounds available nowadays I was able to create more of an orchestral effect, and finally finished it in 2006.

An important twist in the story happened when I sent a copy of the recording to my old friend Rebecca Romanoff, who had married my old teacher Goswami Kriyananda (of Chicago) and moved to the south of France — not far from my ancestral stomping grounds in Grasse, France, fittingly enough. Rebecca had been playing with the visual possibilities of computer graphics, and in 2012 surprised me with a beautifully executed video to accompany my composition. 

Sadly, she passed on from cancer not long after, but left us with this beautiful work. I hope you enjoy it. —R.G. 


Ray Grasse is a writer, astrologer, and photographer living in the American Midwest. He is author of ten books, and a CD of his music is available on Amazon, titled The Sea Withinhttps://www.amazon.com/Sea-Within-Ray-Grasse/dp/B00PK1WZPW/

www.raygrassephotography.com

https://www.raygrasse.com/

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The Art of Horsemanship: see Colorado Jumping Tour Summe 3.

 I applaud the hours of practice, the breeding care and artful form of the Jumpers. Some of the most exquisite photos in sport reveal the style and grace of the horseman  and rider as one. 

https://coloradohorsepark.com/

https://jump-nee.com/venues/colorado-jumping-tour/

https://www.instagram.com/p/DWPV9O7kuZ9/

Templon Galleries artist Abdelkader Benchamma wil paint a new mural for the the ceiling of the French Embassy NYC, in conjunction with the French Institute for Culture and Education.

Hi All our Fine artmagazineblog.blogspot readers. ~Movement! will be the thematic of the work to be pained on the ceiling of the French Embassy at the historic Payne Whitney Mansion  mansion  in participation with MYC to preserve and restore historic places. 

ABDELKADER BENCHAMMA

 

 

VILLA ALBERTINE COMMISSIONS ABDELKADER BENCHAMMA TO REIMAGINE THE CEILING OF ITS BALLROOM

PAYNE WHITNEY MANSION, VILLA ALBERTINE, NEW YORK
SEPTEMBER, 2026

 

Abdelkader Benchamma’s monumental project has been selected to transform the ceiling of Villa Albertine’s Ballroom, at the heart of one of New York’s most significant cultural landmarks.

 

Villa Albertine, the French Institute for Culture and Education within the French Embassy in the United States, is delighted to announce the selection of Abdelkader Benchamma to create a monumental work for the ceiling of its Ballroom, one of the most emblematic spaces within the Payne Whitney Mansion, home to Villa Albertine in New York, which hosts numerous cultural, intellectual and diplomatic events.

 

This project reflects Villa Albertine’s commitment to preserving and reactivating historic spaces through contemporary creation and the free movement of ideas. By commissioning a leading living artist to transform the Ballroom ceiling, Villa Albertine continues its broader effort to reimagine the Payne Whitney Mansion while honoring its architectural legacy.

« Stella Terrea is a vast mural in perpetual motion. It is dynamic in its very making, created in situ, in dialogue with the scale and tensions of the space, yet seemingly still through the delicacy of its execution: an invitation towards contemplation.

 

Its title refers to a mysterious substance sometimes reported after meteorite falls. Known as “star jelly,” astromyxin, or stella terrae (“star of the earth”), it is surrounded by myths and contradictory interpretations, as though the celestial realm could never be fully defined, explained, or contained. From this idea emerges the installation: to reintroduce a poetic force into the sky at a time when outer space is increasingly becoming a territory to control, exploit, and colonize.

 

The project will re-enchant the Ballroom ceiling by drawing upon imaginaries rooted in the history of celestial and cosmological representations, from painted ceilings to star charts. It engages in particular with the Nebra Sky Disk (c. 1600 BCE), one of the oldest known depictions of the heavens, and the Dunhuang Star Atlas (7th century), which records more than 1,300 stars.

 

At its core, the mural tells an essential story: humanity’s relationship with the sky, shaped by observation, knowledge, and imaginative narratives. It situates itself within a long continuum of ways of representing the cosmos while offering a contemporary interpretation of that legacy.

Ultimately, it is an act of survival and continuity: that of a humanity that continues to observe, interpret, and project itself toward the heavens. »

— Abdelkader Benchamma

Selected figurative elements will be created in conjunction collaboration with American artist Raymond Pettibon, continuing the series of collaborative drawings the two artists have developed together since 2019. This unprecedented partnership anchors the project within a unique Franco-American artistic dialogue.

 

The Ballroom ceiling commission represents a new chapter in the ongoing transformation of Villa Albertine’s historic headquarters. The Ballroom, a majestic reception space overlooking Fifth Avenue, is the beating heart of the institution, hosting major artistic, intellectual, and diplomatic events each year. Following landmark projects including the Atelier by designer Hugo Toro and Albertine bookstore by designer Jacques Garcia, this initiative furthers Villa Albertine’s commitment to bringing contemporary creation into dialogue with architectural heritage.

 

Villa Albertine will unveil this significant commission in September 2026. The project further advances Villa Albertine’s mission to foster dialogue and exchange between the United States, France, and the French-speaking world through contemporary creation.

 

This commission has been made possible through the exceptional support of the Sisley-d’Ornano Foundation, with additional support from French Heritage Society’s New York Chapter and Ann and Bill Van Ness.

 

The project was developed in close collaboration with the Centre national des arts plastiques (CNAP), a leading institution for contemporary public commissions and international artistic competitions. The competition received 225 submissions, demonstrating the vitality and diversity of contemporary French creation.

 

 

— Villa Albertine.

 

 

 

 

Au bord des mondes, Le Prix Marcel Duchamp, Centre Pompidou, Paris, 2024. Photo © Tanguy Beurdeley.

 

TEMPLON

Paris | Bruxelles | New York

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