Friday, September 18, 2026

Zilla Luentenegger opns at theMuesum Tinguely, September 22, 2026, 6:30 onwards!

The whimsey of the moving cat in the image is mechanically enhanced by Jean Tinguely's machines. 


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Opening of Zilla Leutenegger's exhibition

week 39 opening



We cordially invite you to the opening and preview of the exhibition Zilla Leutenegger. Zwischenraum / Hindurchzuschaun on Tuesday, September 22, 2026 at 6:30 pm .

Zilla Leutenegger is one of the most influential voices in contemporary Swiss art. With around ten multimedia installations and a selection of monotypes, the artist is present in various locations throughout the museum. Her quiet, poetic video drawings encounter the mechanical dynamism of Jean Tinguely's machines.

Program:

  • Zilla Leutenegger in conversation with curator Andres Pardey
  • A sumptuous aperitif with music by Max Küng
  • Free admission to the exhibition


We cordially invite you to the opening and preview of the new exhibition Zilla Leutenegger. Spaces Between on Tuesday, September 22, 2026 from 6:30 pm onwards.

Programs:

  • Conversation between Zilla Leutenegger and curator Andres Pardey.
  • Generous aperitif with a DJ set by Max Küng
  • Free visit through the exhibition
week 39 opening

Inclusive
Management of machTheater

Join us for a guided tour of the collection presentation from a different perspective. What machTheater has in common with Jean Tinguely is a love of movement and play, as well as the joy of surprise, interaction, and dialogue with the audience.

Sunday, September 20, 2026, 1:30-2:30 p.m.
Cost: Museum admission, max. 20 people.
>> Registration deadline : September 18, 2026

>> Learn more

Experience the collection through a new lens on this guided tour through the collection Jean Tinguely . What machTheater has in common with the artist is a love of movement and play, as well as the joy of surprise, interaction and dialogue with the audience.

Sunday, September 20, 2026, 1:30-2:30 pm
Costs: museum admission,
>> Registration required by September 18, 2026.

>> Find out more

FOG Festival: Noémi Büchi

Replacement event for Dasha Rush

New: Noémi Büchi will close out the FOG Festival 2026 with her audiovisual live performance Exuvie .

Sunday, September 20, 2026, 9 p.m.
Cost: 19 / 10 CHF, Duration: 50 min, >> Tickets

Alternative Event for Dasha Rush

New: For the closing performance of FOG Festival 2026, Noémi Büchi presents her audiovisual live performance Exuvie .

Sunday, September 20, 2026, 9 pm
Costs: 19 / 10 CHF, duration 50 min, >> Tickets

week 39 opening
week 39 opening

Sound bar with rewired

As part of the Sound Bar series, we invite music enthusiasts to present their music collections and share insights into their musical background and interests. It takes place on the last Thursday of every month, starting at 6 pm, and admission is free. This time featuring rewired (a queer collective).

Thursday, September 24, 2026, from 6 p.m.
Free entry, in Solitude Park if the weather is nice

Rewired: «We are a collective centering queer, intersectional voices – using art, music and discussion to re-wire queer visibility and representation on their own terms. This evening gives you a glimpse into our upcoming project Apartment in Between . Join us for an evening in which we create a living room shaped by queer music and voices from around the world.»


As part of the Sound Bar, we invite prominent guests from arts and politics interested in music to present their music collection to us and reveal something about their musical background and interests. Every last Thursday of every month.
This time with rewired (queer collective).

Thursday, September 24, 2026, from 6 pm
Free admission, in Solitude Park, weather permitting

Extra Muros | Barracks
Yuck Miranda - GAYisa

In his new play GAYisa, Yuck Miranda addresses the living conditions of Mozambican miners in South Africa.

Thursday & Friday, September 24 & 25, 2026, at 8 pm each day
Location: Basel Barracks
Cost: 15/25/35 CHF, Duration: 80 min.
>> Learn more

In his new piece GAYisa, Yuck Miranda addresses the living conditions of Mozambican mine workers in South Africa.

Thursday & Friday, 24 & 25 September 2026, 8 pm
Location: Basel Barracks
Costs: 15/25/35 CHF, duration 80 min.
>> Find out more

week 39 opening
week 39 opening

Roche 'n' Jazz
Bänz Oester

«TOGETHER» with Albin Ormegard, Malcolm Braff and Genius Wesley.

Experience a captivating evolution of spiritual jazz.

Friday, September 25, 2026, 4-6 pm
Cost: Museum admission
In cooperation with the bird's eye jazz club
>> Learn more

Experience a captivating evolution of spiritual jazz.

Friday, September 25, 2026, 4-6 pm
Costs: museum admission
In cooperation with the bird's eye jazz club
>> Find out more

Late Thursday |
Free entry to the museum

Every Thursday, the museum is open later for you, from 6 pm to 9 pm. Enjoy free admission to all permanent and special exhibitions , as well as a free program with guided tours , a sound bar , and much more.

Make Thursday night museum night: explore all permanent and temporary exhibitions free of charge from 6 to 9 pm, and enjoy a varied program of free guided tours , Sound Bar events and more.

week 39 opening

Current exhibitions
On View

Labouring Bodies
Until November 8, 2026

Nicolas Darrot. Fuzzy Logic
Puppet theatre with the protagonist Shaman
Opening of the 4th figure on November 5, 2026

Zilla Leutenegger. INTERSPACE / TO LOOK THROUGH
From September 23 – March 7, 2027

La roue = c'est tout. Collection presentation

Public guided tours every Sunday at 11:30 am, short guided tours on Thursdays at 7 pm, family guided tours every second Saturday at 2 pm.
Late Thursday : Free entry from 6 pm
>> All events
>> Booking private guided tours

Labouring Bodies
Until 8 November 2026

Nicolas Darrot. Fuzzy Logic
Puppet theater featuring Shaman
Vernissage of the 4th figure will take place on November 5, 2026

Zilla Leutenegger. SPACES BETWEEN
September 23, 2026 – March 7, 2027

La roue = c'est tout. Permanent exhibition

Public guided tours every Sunday at 11:30 am, short tours on Thursdays at 7 pm, tours for families every 2nd Saturday at 2 pm.
Late Thursday : Free admission from 6 pm onwards
>> All events
>> Bookings of private tours

#museumtinguely#fineartmagazineblog.blogspot.com#sunstormfineartmagazine.com#fineartmodern, fineartswiss#fineartzillaluentenegger#artfuninternational#artfunnow


 

Out of Sight, Out of Mind theArt of Storytelling by Ekaterina Sky at Carnegie Hall October 22, for NYC Climate Week . See details below

 The art of storytelling by  Ekaterina Sky brings Climate Change into focus. Art is a powere way to convey the importance of sustainability on planet earth!!!  


Out of Sight, Out of Mind: Impact Artist Ekaterina Sky Brings Climate Storytelling to NYC Climate Week

Impact Artist Ekaterina Sky.

Nobody thinks the forest fire 10,000 miles away has anything to do with them. Until it does.

Your water is contaminated.

Your neighborhood is underwater.

Your house is on fire.

Suddenly, you care.

Impact Artist Ekaterina Sky arrives at NYC Climate Week taking on one of the biggest challenges facing the climate conversation: out of sight, out of mind. If it isn’t your home, your water or your air, how do you make it matter?

Ekaterina has built her work around closing that gap. Her art has taken her to COP30, the United Nations global climate summit, and to the stage at Carnegie Hall. Now she brings that work to NYC Climate Week as a speaker at the Transformative Impact Summit.

Ekaterina Sky takes “out of sight, out of mind” and brings it into the room.

Inside every Prayer for the Earth painting is something you can’t see: a handwritten prayer for the planet, sealed beneath sustainable 24 karat gold leaf.

The series will take center stage October 22, when Ekaterina brings Prayer for the Earth to Beverly Hills for an exclusive, invitation-only exhibition.

As an invited panelist at the Transformative Impact Summit, Ekaterina will tackle why artists are becoming an increasingly important voice in the climate movement and the role art can play in turning awareness into action.

 

Ekaterina is available for commentary on:

      Are we speaking the wrong language about climate change? Ekaterina speaks 4 languages, but calls art her 5th and most powerful. Can art break through where statistics and headlines don’t?

      Have we become numb to catastrophe? Fires, floods, disappearing forests. Ekaterina takes the opposite approach, using beauty instead of fear to make people stop and pay attention.

      What happens when the problem feels too big to matter? Ekaterina turns an overwhelming global problem into something one person can actually do, including a model built around planting 165 trees per person.

      What is art actually for? Can a painting do more than hang on a wall? Ekaterina is using art as a starting point for participation, conversation and action.

           

Works from the Prayer for the Earth series, finished in sustainable 24 karat gold leaf.

#nycclimateweek,#ineartmagazineblog.blogspot.com#sunstormfineartmagazine.com#fineartclimate#fineartun, #fineartearth, 


Thursday, September 17, 2026

Peter Max the defining Pop Artist of the '1960's dies at 88. I am sorry the world has lost an artistic iconic figure.

I met Peter Max at his apartment on Riverside Drive Manhattan around 1984 or 5 . He was already one of the most famous artist of the era pursuing the next go round  of fame in multiple prints and licencing imagery. I was Honored he granted/requested SunStorm Fine Art Magazine, publisher  Jamie Forbes, and Victor Forbes, editor in chief, t o interview him. Forbes and I worked frequently jointly interviewing people for many years. Peter ws Peter! Always flamboyant, gracious, and warm we met many times over the next decade or so. Seeing his friend and publicist Elizabeth Derringer, and manager Gene Lutz, in Max Studios, or at favored restaurant of choice over time. My condolence to Liz, Gean, the family and all who fell they lost a magical kindred spirit through the memorable and loved art.  " Peter Max is one a handful of artist who will be remembered 100 like the impression that he loved" was my quote when Peter's name came up in business or other conversations knowing I was honored to know him.  May Peter's  Memory be a blessing. Jamie Forbes, Publisher, Fineartmagazineblog.blogspot.com, SunstormFineArtMagazine.com 




 

Wednesday, September 16, 2026

The Davis Museum Wellesley College Opening September 25 a collection displays~Shi Stories a thousand years of stone collecting.

If you are a lover of artifacts , collections and carvings in stone this will be a fascinating trip  to see in person all of the works displayed, 

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Shi: Stories in Stone opens at the Davis Museum, tracing a 1,000-year tradition of stone collecting

 

Exhibition unites geoscientists, art historians and literary scholars around an encyclopedic stone collection donated by Alan Helms: Opens Sept. 25

CLICK HERE FOR HIGH RES IMAGES FOR SHI: STORIES IN STONE/DROPBOX FOLDER

 

WELLESLEY, Mass. (September 2026) — For at least a thousand years, collectors in China have gathered and studied shi 石, stones prized for capturing, in miniature, the mountains, clouds and other forms of the natural world. This ancient tradition will be explored in Shi: Stories in Stone, an exhibition that opens Sept. 25 at the Davis Museum at Wellesley College and runs through May 30, 2027. The exhibition is free and open to the public Tuesday through Sunday, 11 a.m. to 5 p.m.

 

The shape of 石 shi, the Chinese character meaning "stone" or "rock," mimics a small stone falling from a high cliff. The word “shi” can be associated with three categories of material: rocks, minerals, and fossils that people have collected and studied for centuries. In English, these stones are commonly called scholar’s rocks. This name indicated that historically, an educated elite led the collection of shi. Today, people from around the world collect stones, and new types of shi are collected and appreciated, showing the tradition is vital and evolving. 

Photo caption: China, Yellow Wax Stone, Modern period, 20th century, Quartz from Qingyuan City, Guangdong Province, China, 20th-century wooden stand, Southern openwork style, Gift of Alan Helms 2024.15.10a-b

 

To build on this tradition and explain its modern-day appeal, Shi: Stories in Stone offers cross-disciplinary perspectives on nature, science, art, and culture. The exhibition brings together scholars of science, art and literature to examine an encyclopedic stone collection donated to the museum by Alan Helms, professor emeritus of English at the University of Massachusetts Boston and the University of Paris.

 

“Everyone can be a shi collector,” said the exhibition’s curator Yuhua Ding, the Davis Museum's Kemper Assistant Curator of Collections and Academic Affairs, who worked with art institutions, collectors, and contemporary artists to organize the exhibition.

 

The exhibition offers multi-sensory activities that let visitors touch, hear, and appreciate the stone through audio, videos, an interactive map, and 3D prints created by Wellesley College art professors and students.

Photo caption: China, Malachite in the Shape of the Laughing Buddha, Modern period, 20th century, Mineral, copper carbonate hydroxide from Guangdong, Hubei, or Jiangxi provinces, 20th-century wooden stand, Northern style, Gift of Alan Helms 2017.148

 

Among the works on view is Ying Stone in the Form of Spiraling Incense Smoke, a 20th-century limestone form from Yingde county in Guangdong province, mounted on a carved wooden stand in the Southern openwork style. Its name comes from its shape. Chinese people liken stone forms to mountains, animals, people, or figures from folktales. Collectors consider these rocks to possess vitality and anthropomorphic qualities. The exhibition groups its holdings by the three categories shi has traditionally described: rock, mineral and fossil. It asks what each has meant to scientists, artists and writers across centuries of study.

 

“This exhibition is an important cultural and historical exploration that we hope will connect visitors to nature, in addition to learning about Chinese art histories,” said Dina Deitsch, the Davis Museum’s new Ruth Gordon Shapiro ‘37 Director. 

 

Contributing to the exhibition are: Katrin Monecke, associate professor of geosciences at Wellesley and David Teng-Olsen, professor of art. Wellesley students Eliza Yiru Mei '27 and Idie Park '26, Michelle C. Lee. Andrew W. Mellon, an assistant professor of French and Francophone studies at Wellesley, and Gillian Yanzhuang Zhang, adjunct professor at Boston College, also shaped the exhibition's development. Loans from the Herbert F. Johnson Museum of Art and the Harvard Art Museums supplement the collection.

 

Shi: Stories in Stone is funded in part by a donation from Morgan Stanley, with support from Eric Hamburger, and by major funding from the Alice Gertrude Spink Art Fund, the Sandra Cohen Bakalar '55 Fund, the Davis Museum Endowed Fund for International Cultural Programming, and the Davis Museum Asian Studies Advancement Gift. Additional support came from Kate and Gerald Chertavian, Henri Chen Kezhan, Mathieu O. Gaulin, Marilyn Hamburger, Mee-Seen Long '72, Kemin Hu, Praise Shadows Art Gallery, Sophie Sa '65, Yvonne L.C. Wong, Yu-Wen Wu, and the Xutizhai Collection.

 

For more information, call 781-283-2051 or visit www1.wellesley.edu/davismuseum/visit/directions.

 

ABOUT THE DAVIS MUSEUM

A vital resource for communities on the Wellesley College campus and beyond, the Davis Museum is one of the oldest and most acclaimed academic fine art museums in the United States. Its signature Rafael Moneo building houses collections that span the history of art worldwide, from antiquity to the present. Guided by commitments to diversity and inclusion, excellence and innovation, and access for all, the Davis is at the core of Wellesley's liberal arts mission of educating women to make a difference in the world. With exceptional encyclopedic holdings, rotating special exhibitions, and enriching public programs, the Davis warmly welcomes all visitors, including scholars and students of all ages. For visitor information: https://www.wellesley.edu/davismuseum/visit/directions.

 

ABOUT WELLESLEY COLLEGE AND THE ARTS

The Wellesley College arts curriculum and the highly acclaimed Davis Museum are integral components of the College's liberal arts education. Departments and programs from across the campus enliven the community with world-class programming — classical and popular music, visual arts, theatre, dance, author readings, symposia, and lectures by some of today's leading artists and creative thinkers — most of which are free and open to the public.

Since 1875, Wellesley College has been a leader in providing an excellent liberal arts education for women who will make a difference in the world. Its 500-acre campus near Boston is home to some 2,400 undergraduate students from 49 states and 58 countries.

#davismuseumwellesleycollege,#ineartmagazineblog.blogspot.com #sunstormfineartmagazine.com#artfunfoever#artfunnow#fineartcollection

Templon Gallery is going to be at the Armory September 24-27, 2026 at Booth 115

The NYC Armory show is always the best place to see~WHATS SHAKING AND MOVING THE ART WORLD~ 

 

THE ARMORY SHOW

SEPTEMBER 24 - 27, 2026

 

BOOTH 115

JAVITS CENTER | NEW YORK

 

 

Templon Gallery is participating in The Armory Show 2026 with a selection of artists who explore the enduring nature of figuration, the representation of the body, and the various ways in which artists are redefining our experience of space and image.

 

The exhibition will highlight several New York-based artists, including Will Cotton, Iván Navarro, Kehinde Wiley, Gregory Crewdson, and David Smalling, alongside international artists such as Omar Ba, Chiharu Shiota, and Jitish Kallat. Their works reflect the richness and diversity of the New York art scene and its dialogue with contemporary issues of representation. The booth also takes a historical perspective, featuring two important works by George Segal and Philip Pearlstein, two major figures in the New York art scene who profoundly shaped the renewal of the representation of the human figure in the 20th century.

 

This intergenerational and international selection thus highlights a continuity between the history of the New York art scene and its most contemporary expressions, making the human figure an ever-evolving space for experimentation and critical reflection.

 

 

With works from Abdelkader Benchamma, Omar Ba, Michael Ray Charles, Francesco Clemente, Will Cotton, Gregory Crewdson, Jitish Kallat, Iván Navarro, Prune Nourry, Philip Pearlstein, George Segal, Chiharu Shiota, David Smalling and Kehinde Wiley. 

 

 


 

 

Will Cotton - Shoeing, 2021, oil on linen, glitter, 244 x 183 cm - 96 x 72. Photo © Will Cotton.

 

Iván Navarro - Polka, 2022, neon light, sapele wood, mirror, one-way mirror and electric energy, 159 x 101,5 x 20,5 cm - 62 1/2 x 40 x 8 in. Photo © Thelma Garcia.

 

Chiharu Shiota - State of Being (Stethoscope), 2023, metal frame, stethoscope, thread, 50 x 50 x 30 cm - 19 3/4 x 19 3/4 x 11 3/4 in. Photo © Charles Roussel.

 

Kehinde Wiley - Portrait of Autumn Jones, 2026, oil on canvas, 91 x 70 cm - 35 3/4 x 27 1/2 in. Photo © Artist's studio.

 

For more informations about the fair:

thearmoryshow.com

 

(Header) Omar Ba - Be Aligned with the Same dreams - 3, 2025, acrylic, pencil, oil, Indian ink and Bic pen on canvas, 200 x 150 cm - 78 3/4 x 59 in. Photo © Charles Roussel.

 

TEMPLON

Paris | Brussels | New York

Press contact: Théa Chevalin | thea@templon.com  | + 33 (0)1 42 77 84 16

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