Tuesday, May 5, 2026

The Sceners Gallery works on display by Almine Rech, with Kim Kardashian ~Forma and Temptations~ From the Met Gala to the gallery!!!

 After viewing the material below this exhibit is fun. Many of the design elements were seen ls night on the Red Carpet at the Met Gala. Enjoy and visit the Met!!!

From Met Gala to Sceners Gallery
Kim Kardashian’s wears exclusive Allen Jones 

"FORMS AND TEMPTATIONS"

13 APRIL - 13 JUNE 2026

88, Boulevard de Menilmontant, 75020 Paris

Kim Kardashian wearing custom Allen Jones
MET Gala 2026

© Nadia Lee Cohen
 

Cabinet, Carlo Bugatti, 1900, Italy
Cover story 4/4, Allen Jones, 2021, UK

© Jan Liégeois

Sceners Gallery presents "Form and Temptation", with the participation of Almine Rech Gallery, bringing together works by Allen Jones, Ruhlmann, Bugatti, Legrain, Moser, and Dunand. The exhibition creates a dialogue between early 20th-century design and the pop aesthetic of the 1960s. It explores a pivotal moment when the object is no longer confined to its function or its purely decorative role. Gradually, modernist creators began to conceive of the object as a space of freedom, where form, materials, and proportions became just as important as function.

Hommage au cubisme, Jean Dunand, 1940, France
Red refrigerator, Allen Jones, 2018, UK

© Jan Liégeois

Allen Jones & Kim Kardashian

#scenersgallery#themetgala
#fineartmagazinebog.blogspot.com#sunstormfineartmagazine.com#artfunforever#artfunforall#designartfun#artistsloveart

Cale Chihuly has three new monumental glass works in Venice, May 5,2026 sponsored by Pilchuck Glass School, and Frederik Meijer Gardens and Sculpture Park.

Dales Three works at the Frederik Meijer Gardens & Sculpture Park, with The Pilchuck Glass School are just beautiful.  If your in Venice May 5th, make a visit to see each work displayed. Jamie Forbes, Publisher Finearrmagazineblog.blogspot.com, and SunstormFineartmagazine.com, Love Art Fun !!!


 

CHIHULY: Venice 2026 Opens May 5
with Three Monumental New Works on the Grand Canal
and an Archival Exhibition

Presented by Pilchuck Glass School and Frederik Meijer Gardens & Sculpture Park

 

Venice, May 5, 2026 – Thirty years after transforming the city and its canals with his groundbreaking Chihuly Over Venice project, world-renowned artist Dale Chihuly returns to the source of his inspiration with CHIHULY: Venice 2026. Presented by Pilchuck Glass School and Frederik Meijer Gardens & Sculpture Park, CHIHULY: Venice 2026 will be anchored by three dramatic new sculptures installed along the Grand Canal, celebrating the artist’s enduring dialogue with the city that fundamentally shaped his career. The installations will be accompanied by an interpretive and archival center curated by Suzanne Geiss, housed at the Istituto Veneto di Scienze, Lettere ed Arti at Palazzo Loredan. The exhibition opens May 5, concurrent with the Venice Biennale and in association with The Venice Glass Week 2026, closing on November 14, 2026.

“These three new sculptures are a tribute to the city that's inspired me for the last 60 years. It’s an honor to be back in this beautiful city that has had such an impact on who I am as an artist,” said artist Dale Chihuly.

The three new outdoor works, all viewable from the top of the Accademia Bridge, incorporate new forms to extend the formal vocabulary Chihuly first began developing in Venice and then over the course of his nearly 60-year career.  

 

Gold Tower (2025)
Location: Palazzo Franchetti Garden, Venice, installed 2026
Dimensions: 31 feet tall
Description: Blown glass and steel armature
The Gold Tower is composed of a large variety of glass shapes. While the work is arranged vertically, its internal dynamic is centrifugal, pulling the viewer’s eye in circular motions across the surface. Continual experimentation is visible throughout the work, with new elements emerging that expand the artist’s vocabulary in decisive ways. The many gold tones shift from honeyed translucence to deeper amber, and light penetrates the elements in different ways, producing a layered glow that changes with distance and angle, as well as the time of day.

Blue Green Tower (2025)
Location: Palazzo Balbi Valier, Venice, installed 2026
Dimensions: 26.5 feet tall
Description: Blown glass and steel armature
The Blue Green Tower elements are intentionally limited, so that color and chromatic transition provide the work’s energy. Deep blues anchor the lower part, cooling the base and stabilizing the structure. As the column rises, greens appear and intertwine, producing a gradual chromatic shift. The interaction produces a layered chiaroscuro that changes throughout the day.

End of the Day Chandelier (2025)
Location: Terrace of Palazzo Querini alla Carità, overlooking the Grand Canal west of the Accademia Bridge, installed 2026
Dimensions: 16 feet tall
Description: Blown glass and steel armature
The End of Day Chandelier is composed of hundreds of individually blown elements—coils, tendrils, bulbs, and elongated forms—which are gathered into a single suspended body around a central gravitational axis. Forms radiate, curl, and droop, held in tension by suspension rather than compression. Color operates episodically rather than harmonically. Yellows, blues, reds, and greens cluster and disperse. The work’s name is inspired by traditional glassblowing practice, which repurposes residual glass at the end of the day’s production. 

Descriptions by Suzanne Geiss

 

“What better time to revisit the city that transformed Dale’s life and career than on the 30thanniversary of Chihuly Over Venice? It will be a chance to reflect on his legacy, the impact he has had, and the inspiration we have all received from this remarkable city,” said Leslie Jackson Chihuly, President and CEO of Chihuly Studio, and Project Director of the Venice project in 1996.

The Istituto Veneto di Scienze, Lettere ed Arti, at Palazzo Loredan, in Campo Santo Stefano, presents the archival record of Chihuly Over Venice alongside objects and documentation spanning Chihuly’s broader practice. Photographs, faxes, production notes, and film trace the collaborative process behind the 1996 project—the international glassblowing sessions, the logistical coordination, and the installation of fourteen monumental Chandeliers throughout the city.

The Istituto will also highlight one of Chihuly’s most important innovations, represented by a grouping of Celadon Baskets, made in 2017 to commemorate the 40th anniversary of the Baskets series. These vessels actively embrace asymmetry, collapse, and mutation—unprecedented forms that intentionally challenge the centuries of technical precision and tradition found in Murano glassblowing and demonstrate his uniquely American approach.

 

“Venice has long been a site of transformation for Chihuly—a place where his approach to making fundamentally shifted. CHIHULY: Venice 2026 returns to that moment with greater concentration, bringing decades of experimentation into focus. The Grand Canal sculptures extend the ambition and experimentation that defined Chihuly Over Venice in 1996, while the exhibition at the Istituto Veneto foregrounds the collaborative, process-driven structure of his practice,” said Suzanne Geiss, curator of the Chihuly presentation at the Istituto Veneto di Scienze, Lettere ed Arti at Palazzo Loredan.

Now available is a richly illustrated accompanying exhibition catalog, edited by Geiss. It includes two forewords from the presenting sponsors, an introduction from Leslie Jackson Chihuly, and an important new essay about Chihuly’s practice and the impact of Venice on his career by Geiss. The publication will also offer an in-depth look at the original Chihuly Over Venice project (1995–96), as well as new photography of the sculptures presented along the Grand Canal in 2026.

Istituto Veneto di Scienze, Lettere ed Arti (Palazzo Loredan) 
Campo S. Stefano, San Marco 2945, 30124 Venezia
Hours: Wednesday–Sunday 11:00 a.m. to 7:00 p.m.
Opening hours are subject to change

Dale Chihuly
Dale Chihuly is an American artist who transforms spaces with experiments in color, light, transparency, and form. He is known for his exhibitions and large-scale architectural installations around the world and for revolutionizing the studio glass movement. Chihuly works with a variety of media including glass, paint, charcoal, neon, ice and Polyvitro, and his work is included in more than 200 museum collections worldwide, including Museum of Fine Arts Boston, Metropolitan Museum of Art, Smithsonian American Art Museum, Montreal Museum of Fine Arts and the Victoria and Albert Museum.

Major exhibitions include Chihuly Over Venice (1995–96); Chihuly in the Light of Jerusalem(1999); de Young Museum in San Francisco (2008); Museum of Fine Arts, Boston (2011); Virginia Museum of Fine Arts, Richmond (2012); Montreal Museum of Fine Arts (2013); Royal Ontario Museum, Toronto (2016); Crystal Bridges Museum of American Art, Bentonville, Arkansas (2017); Groninger Museum, Groningen, the Netherlands (2018); Royal Botanic Gardens, Kew, London (2019); Gardens by the Bay, Singapore (2021); and Adelaide Botanic Garden, Australia (2024–25). Chihuly Garden and Glass, a long-term exhibition located at the Seattle Center, opened in 2012.

PRESENTERS
Pilchuck Glass School fosters and educates a diverse worldwide community that explores the creative use of glass in art and design. Pilchuck is an international center for glass art education. Their serene campus in Stanwood, Washington, is nestled in the foothills of the Cascade Mountains amidst a working tree farm.

From May through September every year, Pilchuck’s program offers a series of courses for all skill levels, as well as residencies for established artists in all media. Summer sessions vary in length and offer concurrent courses in a variety of glassworking processes. Immersive workshops taught by world-renowned artists emphasize experimentation and teamwork while fostering individual initiative and expression. New and experienced artists alike often make tremendous conceptual and artistic progress in their short time at Pilchuck. Combining a deep focus on glass, access to a variety of resources, a picturesque Pacific Northwest setting and an ever-expanding international community of artists, Pilchuck has become the most comprehensive educational center in the world for glass artists. 

“Pilchuck Glass School is thrilled to support Chihuly: Venice 2026,” said Donna Davies, Executive Director. “Pilchuck exists because of Dale and his indomitable generosity and vision. The inspiration and collaboration he gleaned from his time in Venice paved the way for him to found a school built on a commitment of collaboration, experimentation and exploration. Since Pilchuck’s first summer workshop under a tent on a hill in 1971, the collision of artistic traditions from around the world has been a hallmark of the Pilchuck experience. Now a globally acclaimed, state-of-the-art facility, this global exchange of ideas continues and is a testament to Dale’s vision, inspiration and global reach.”

Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Michigan, one of the world’s most significant botanic and sculpture experiences, was named the Best Sculpture Park in the United States in the 2023, 2024 and 2025 USA TODAY 10Best Readers’ Choice Awards, and is regularly listed in the 100-most-visited museums in the world and 15-most-visited museums in the United States by The Art Newspaper, the leading global art news publication. The permanent collection highlights hundreds of sculptures from internationally acclaimed artists Magdalena Abakanowicz, El Anatsui, Louise Bourgeois, Alexander Calder, Chihuly, Mark di Suvero, Marshall Fredericks, Henry Moore, Beverly Pepper, Jaume Plensa, Auguste Rodin, Richard Serra, Yinka Shonibare CBE, and Ai Weiwei, among others. Indoor galleries with changing sculpture exhibitions have presented numerous solo shows, including artists Jonathan Borofsky, Edgar Degas, Jim Dine, Richard Hunt, Cristina Iglesias, Michele Oka Donor, George Segal, David Smith and others. The 158-acre main campus features Michigan’s largest tropical conservatory; one of the country’s largest interactive children’s gardens; arid and Victorian gardens with bronze sculptures by Edgar Degas and Auguste Rodin; a carnivorous plant house; outdoor gardens, including a replica 1930s-era farm garden; an 8-acre Japanese garden featuring contemporary sculpture; and a 1,900-seat outdoor amphitheater garden, showcasing an eclectic mix of world-renowned touring musicians each summer. Learning Engagement programs welcome 80,000 students and guests each year. Culinary Arts & Events offerings include weddings, corporate meetings, and award-winning catering. 

“From Grand Rapids to the Grand Canal, Meijer Gardens is celebrating the inimitable art of Dale Chihuly beginning this May,” said Charles Burke, President and CEO of Frederik Meijer Gardens & Sculpture Park. “In Grand Rapids, we will trace the breadth and depth of artistic creation over the past 40 years. On the Grand Canal, we will celebrate the joy and beauty intrinsic to Dale, his practice, and his art.”

Chihuly at Meijer Gardens this May
Continuing a decades-long relationship with Dale Chihuly, Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Michigan, will also present a major U.S. exhibition of his work opening on May 2. CHIHULY at Meijer Gardens will transform both the outdoor gardens and indoor galleries to showcase the artist’s dynamic range and creativity. The exhibition will feature outdoor installations such as Chihuly’s towering sculptures, vibrant Reeds, and other site-specific artworks nestled within Meijer Gardens’ landscapes. Indoors, visitors will experience a rich, varied survey of works, highlighting more than four decades of Chihuly’s artistic evolution. Featured series include Baskets, Macchia, Seaforms, Putti, Ikebana, Persians, Venetians, Cylinders and Rotolo, complemented by original drawings that offer insight into his creative process.


Monday, May 4, 2026

Looks like this was a successful event: The Studio Museum in Harlem House Luncheon on April 24th, honored Sherrilyn Ifill.


Studio Museum in Harlem Honors

Sherrilyn Ifill at Annual Spring Luncheon 

Luncheon hosted in celebration and support

of Museum’s programs


Images (from l to r): Thelma Golden and Sherrilyn Ifill; Top row, from l to r: Lisa Skeete Tatum, Keron Veate Patel, Tonya Lewis Lee, Crystal McCrary, Nicole Ari Parker, Cari Champion. Bottom row, from l to r: Colleen Foster, Lisa Bonner, Jeanine Liburd, and Alexis McGill; Kathryn C. Chenault, Thelma Golden, and Natasha Holiday. Photos: Thelma Garcia for Julie Skarratt Photography 


On Friday, April 24, the Studio Museum in Harlem welcomed more than 350 cultural leaders, art world luminaries, artists, civil rights advocates, business leaders, and philanthropists to its annual spring luncheon. 


This year’s luncheon honored Sherrilyn Ifill, civil rights lawyer and scholar. From 2013-2022, Ifill served as the President and Director-Counsel of the NAACP Legal Defense and Educational Fund, Inc. (LDF), the nation’s premier civil rights law organization fighting for racial justice and equality. Since then, Ifill served as a Senior Fellow at the Ford Foundation, as a Fellow at the Museum of Modern Art in New York, and as the Klinsky Visiting Professor for Leadership & Progress at Harvard Law School. Ifill is currently the Vernon Jordan Distinguished Professor in Civil Rights at Howard Law School Ifill where she founded the 14th Amendment Center for Law & Democracy. 


The program included remarks by Thelma Golden, Director and Chief Curator; and Sherrilyn Ifill


“I have the distinct pleasure of celebrating an outstanding member of the Studio Museum in Harlem community. She is someone who believes deeply in the role of artists as vital collaborators and leaders when it comes to ideating and envisioning what can and could be when it comes to our shared future. She is also someone who has been deeply invested in creating that future for us through her years of civil rights and advocacy work,” Thelma Golden said. “She has dedicated her life to being a generational waymaker for democracy, equality, and freedom in this country, and has undoubtedly impacted the lives of thousands of people—whether through her role as an educator, or through her almost decade-long leadership of the NAACP Legal Defense and Educational Fund.” 

  

WHERE 

Mandarin Oriental 
80 Columbus Circle NY, NY 10023 

  

WHEN 

Friday, April 24, at 12pm ET

  

WHO 

The Studio Museum in Harlem and THELMA GOLDEN, Ford Foundation Director and Chief Curator, honored SHERRILYN IFILL, civil rights lawyer and scholar; and welcomed DIYA VIJ, Commissioner of the NYC Department of Cultural Affairs; ELIZABETH ALEXANDER, President, Mellon Foundation; TONYA LEWIS LEE, Film Producer; CRYSTAL MCCRARY MCGUIRE, Film Producer and Director; NICOLE ARI PARKER, Actor; DAWN PORTER, Film Director; CHRISTOPHE CHERIX, Director, The Museum of Modern Art; SADE LYTHCOTT, CEO, National Black Theater; LEGACY RUSSELL, Executive Director & Chief Curator, The Kitchen; SARAH SUZUKI, Associate Director, The Museum of Modern Art; SAMIRA NASR, Editor in Chief, Harper’s Bazaar; LINDSAY PEOPLES, Editor in Chief, The Cut; and DEBORAH ROBERTS, Journalist and TV Personality, ABC. Artists present included DERRICK ADAMS, GENEVIEVE GAIGNARD, MICKALENE THOMAS, CARRIE MAE WEEMS, and LYNETTE YIADOM-BOAKYE. Members of the Studio Museum’s Board of Trustees were also in attendance, including KATHRYN C. CHENAULT, Board Chair; DR. ANITA BLANCHARD and CAROL SUTTON LEWIS, Vice-Chairs;JOAN S. DAVIDSON, NATASHA HOLIDAY, HOLLY PETERSON, VICTORIA ROGERS, and ANN TENENBAUM, among many others. 

Images (from l to r): Diya Vij and Elizabeth Alexander; Tracy Reese, Carrie Mae Weems, Lynette Yiadom-Boakye, and Thelma Golden. Dawanna Williams, Kimberly Pirtle, Mickalene Thomas, Derrick Adams, and Bevvy Smith.

Photos: Thelma Garcia for Julie Skarratt Photography 

About the Studio Museum in Harlem

Founded in 1968 by a diverse group of artists, community activists, and philanthropists, the Studio Museum in Harlem is internationally known for its catalytic role in promoting the work of artists of African descent. The Studio Museum’s new home, situated at its longtime location on West 125th Street, opened to the public on November 15, 2025. Designed by Adjaye Associates with Cooper Robertson serving as executive architect, the building—the first created expressly for the institution’s program—enables the Studio Museum to better serve a growing and diverse audience, provide additional educational opportunities for people of all ages, expand its program of world-renowned exhibitions, effectively display its singular collection, and strengthen its trailblazing Artist-in-Residence program.


For more information, visit studiomuseum.org.

Visitor Information 

The Studio Museum in Harlem is located at 144 West 125th Street, between Malcolm X Boulevard (Lenox Avenue) and Adam Clayton Powell Boulevard (Seventh Avenue).


The Studio Museum is open Wednesday through Sunday, from 11:00 am to 6:00 pm, with extended hours on Friday and Saturday, from 11:00 am to 9:00 pm. 


The Museum is open to Members on Saturday mornings, from 10:00 to 11:00 am, before the galleries open to the public.


Admission rates are offered as a suggestion, with Sundays free for everyone. Suggested rates are $16 for adults and $9 for seniors (sixty-five years and over), students, and visitors with disabilities (care partners are free). Admission is free for children sixteen and under.


Tickets to the Studio Museum may be purchased online at studiomuseum.org/visit or at the Museum.





Old Salem Farm Spring Horse shows is horse art fun!!!May 5-10, and May 12-17, 8:00 AM-5PM each day

Looks like a great fun family event n North Salem Mass.  


What:

Old Salem Farm Spring Horse Shows

May 5-10 and May 12-17, 2026

8:00 am – approximately 5:00 pm each day

Old Salem Farm, 190 June Rd, North Salem, NY 10560


Free Admission!


Featuring:

The Old Salem Farm Spring Horse Shows host competitions for riders of all levels and ages, ranging from young children on ponies to top international competitors aboard their grand prix mounts. Week 1 (May 5-10) is USEF ‘National-6’ rated for hunters and jumpers and designated FEI CSI3*; Week 2 (May 12-17) is USEF ‘Premier-6’ rated and designated FEI CSI4*.


Many Olympic veterans and championship-level athletes highlight the impressive list of riders entered to compete, including local hero McLain Ward (USA), Rodrigo Pessoa (BRA), Daniel Bluman (ISR), Beat Mändli (SUI), Nayel Nassar (EGY), and Katie Dinan (USA), who will be fresh off her bronze-medal performance at the 2026 Longines FEI World Cup Jumping Final in Fort Worth, Texas! 

Highlights:

  • Sat., May 9: face painting, pony rides, arts & crafts with the North Salem Historical Society, SPCA of Westchester dog adoptions and an ice cream party with Pegasus Therapeutic Riding
  • Sun., May 10: face painting, pony rides, arts & crafts with the North Salem Historical Society, plus the $125,000 Old Salem Farm Grand Prix Presented by J.P. Morgan Private Bank
  • Sat., May 16: face painting, pony rides, arts & crafts with the North Salem Historical Society, A New Chance Animal Rescue dog adoptions, and an ice cream party with the Wolf Conservation Center
  • Sun., May 17: face painting, pony rides, arts & crafts with the North Salem Historical Society, and a visit from the Animal Embassy, plus the $225,000 Empire State Grand Prix Presented by Old Salem Farm


About Old Salem Farm:

Located just one hour north of New York City, Old Salem Farm has a long history of hosting world-class horse shows. The ambiance at the Old Salem Farm Spring Horse Shows is unlike any other venue in the country with over-the-top hospitality and unique shopping offered along Old Salem’s popular Boutique Row. Old Salem Farm food vendors provide meals to go and delicious snack options. 


This year, Old Salem Farm will also showcase equine-inspired art by sculptor Precious Eboigbodin and photographer Drew Doggett. A portion of the proceeds from Doggett’s display and select private commissions will go to support the New Canaan Mounted Troop. 

For More Information:  

Old Salem Farm – www.OldSalemFarm.net


Media Contact: 

Marty Bauman, Press Chief, 508-878-2394, marty@classic-communications.com

Thank you to our sponsors and supporters! 

Facebook  Instagram  X