Sunday, June 14, 2026

The Pollock Krasner House Study Center update: Vitrual summer programs and more with Joyce Raimondo.

Joyce Raimondo offers virtual programs for you eas if your not in the Hamptons. or can't get out and about. See below details.
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Virtual Art Programs with 

Joyce Raimondo, Education Coordinator


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Express Yourself - Virtual Tour of the Pollock-Krasner House


Tuesday, June 16, 1:00pm - 2:00pm (EDT)


Art Educator Joyce Raimondo will guide us live on Zoom through Jackson Pollock and Lee Krasner's home and studio, a national landmark in East Hampton, New York. We will discover the creative ways that Pollock and Krasner expressed their feelings with paint. Explore the art displayed in their home and see the barn studio filled with paint splatters -- evidence of their masterpieces.


Offered by the East Hampton Library


Click Here to Register


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Creative Visions


Wednesday, June 17, 12:00pm - 1:15pm (EDT)


How can you see with clarity your aspirations for the future? We will begin with an inspirational presentation featuring Pollock, Krasner, and other artists who realized their creative dreams. Then discover the power of clear thought as you envision the world you want to create for yourself and others in a collage vision boarding workshop. Supplies: glue, scissors, magazine pictures, surface for your art. Or, create digital images or draw. Hosted by Joyce Raimondo, Education Coordinator, Pollock-Krasner House and Study Center.


Click Here to Register


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Recycle for Art


Thursday, June 18, 2:00pm - 3:00pm (EDT)


Discover how famous artists Picasso, Pollock, and others turn trash into creative treasures. Then create your own art using recycled materials. Have a stiff board, recycled items, scissors, and glue on hand. 


Offered by the Larchmont Public Library


Click Here to Register


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War and Peace in Modern Art


Thursday, June 18, 3:00pm - 4:00pm (EDT)


From Picasso’s Guernica to his Doves of Peace, Joyce Raimondo presents modern artists’ response to war and their visions of peace. Following the presentation, participants are invited to use their creative power to envision peace in a painting or drawing.


Offered by the Cutchogue New Suffolk Library


Click Here to Register


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Ready, Set, Paint!


Friday, June 19, 12:00pm - 1:00pm (EDT)


Go on a virtual tour of Jackson Pollock and Lee Krasner’s barn studio followed by a presentation of studios of other iconic modern artists. Then we will explore practical aspects of studio set up and preparation needed to optimize creative output. Before you set out to create, maximize your readiness!


Click Here to Register


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Image: Pablo Picasso, Dove, lithograph, 1949


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The Art World's Premier Fair at Art Basel Basel opens June 18-21,2026. It's a great opportunity to see the art buying trends for collectors large and small.

 

The tripoli Gallery exhibits Albert Metoyer~The Synchronicity Talisman: An Ancient Future Amulet Feast~ July 3- August 3, 2025

This is a fun art exhibition wth mystical overtones. If your on the Hamptons catch it!!!!
Image Above: Angelbert Metoyer, Divide the Waters (Invisible Man #2), 2026, mixed media on paper, 11.75 x 8.5 inches (29.845 x 21.59 cm) © Angelbert Metoyer 2026

Angelbert
Metoyer

The Synchronicity Talisman: An Ancient Future Amulet Feast
JULY 3 – AUGUST 3, 2026

 

OPENING RECEPTION: FRIDAY, JULY 3, 7 – 9PM


TRIPOLI GALLERY

26 Ardsley Rd. Wainscott, NY

Tripoli Gallery is excited to present The Synchronicity Talisman: An Ancient Future Amulet Feast, an exhibition of new paintings. Opening with a reception for the artist on Friday, July 3rd, from 7 – 9pm, the exhibition will remain on view until August 3rd.
 
The Synchronicity Talisman: An Ancient Future Amulet Feast is an Afrofuturist vision that bridges ancestral memory, mythological consciousness, and speculative futures. Inspired by the cosmologies and traditions, the mythic archetypes found across the ancient world, this work imagines time as circular rather than linear, where ancestors, descendants, and living communities commune through symbols, technology, and spirit. The talisman serves as a sacred vessel of remembrance and transformation, while the amulet feast becomes a ritual gathering of knowledge, resilience, and
collective renewal.

Image Above: Angelbert Metoyer, Van Glorious, 2026, mixed media on paper, 11.75 x 8.5 inches (29.845 x 21.59 cm) © Angelbert Metoyer 2026

Drawing upon core principles of Afrofuturism, the project reclaims Black identity within narratives of science, innovation, and cosmic destiny. It honors the wisdom encoded in oral traditions, celestial observation, sacred geometry, and mythic journeys while envisioning liberated futures beyond colonial limitations. Through synchronicity, imagination, and cultural memory, this creation celebrates Black existence as both ancient and futuristic, earthly and transcendent, rooted and infinite.

Angelbert Metoyer (b. 1977, Houston, TX) studied at the Atlanta College of Art and Design before transferring to Texas Southern University. His work ranges from painting to sculpture, video to sound art and performance. He has mounted numerous solo and group exhibitions both nationally and internationally and his work can be found in the permanent collections of the Houston Museum of Fine Art, Houston, TX; Williamsburg Museum of 21st Century Art, New York, NY; African American Museum of Contemporary Art, Dallas, TX; Museum of Fine Arts, Leipzig, Germany; MMT Collection, Memphis, TN; Contemporary Arts Museum Houston, Houston, TX; and The ACE Collection, Houston, TX. Included in Tripoli Patterson's first curated exhibition in 2005, followed by the Butter Lane Barn exhibition in 2006, Metoyer has been an integral part of the development of Tripoli Gallery. 

26 Ardsley Road, Wainscott, NY 11975
(Enter via East Gate Rd.)

Hours: 10am – 6pm
Sunday 12 – 5pm
Closed Tuesday
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Tripoli Gallery · 26 Ardsley Road · Wainscott, New York 11975 · USA
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Saturday, June 13, 2026

SWPK Gallery exhibits, ~in Diaspora:Korean Artists~ June 25-September 26, 2026. This show is excellent. Enjoy the images.

Il Lee, TW - 2502, 2025, oil and acrylic on canvas, 32 x 27 inches

 

In Diaspora: Korean Artists in 1970s New York

Myong Hi Kim, Po Kim, Tchah Sup Kim, Woong Kim, Il Lee, and Choong Sup Lim


JUNE 25 – SEPTEMBER 26, 2026

OPENING: THURSDAY, JUNE 25, 6–8 PM


SWPK Gallery / The Sylvia Wald and Po Kim Art Foundation
417 Lafayette St, 2nd Floor, NYC. www.swpk.org

 
RSVP FOR THE OPENING
Tchah Sup Kim, Between Infinities (Two Lines), 1978, Copper plate etching, 22 x 25 inches
Myong Hi Kim, Dongja with Peach, 2007, Oil pastel on chalkboard, 90 x 60 inches

The 1970s marked a pivotal moment in the history of Korean artists working in New York. As the city emerged as the center of the international contemporary art world, artists arriving from Korea encountered new artistic movements, including Abstract Expressionism, Minimalism, Conceptual Art, and post-studio practices. Living between cultures, they navigated questions of identity, memory, and belonging while adapting to an unfamiliar social and artistic environment. Rather than choosing between Korean traditions and Western modernism, these artists forged distinctive visual languages that reflected both their cultural heritage and their experiences of migration.

This exhibition brings together six influential artists, Myong Hi Kim, Po Kim, Tchah Sup Kim, Woong Kim, Il Lee, and Choong Sup Lim, whose practices reveal the diverse ways Korean artists contributed to New York’s dynamic artistic landscape. Working across painting, drawing, sculpture, assemblage, and installation, they transformed the experience of diaspora into a catalyst for experimentation and innovation. Their works engage themes of memory, spirituality, labor, materiality, and cultural translation, demonstrating how artistic expression can emerge from the tensions and possibilities of living between worlds.

Myong Hi Kim addresses migration and memory through layered drawings on reclaimed blackboards, surfaces marked by erasure and renewal that serve as metaphors for displacement and cultural inheritance. Po Kim fused the gestural energy of Abstract Expressionism with the rhythmic sensibility of East Asian calligraphy, creating paintings that balance emotional intensity with meditative reflection.

Tchah Sup Kim developed a distinctive visual language that merged abstraction with symbolic imagery. Drawing from Eastern philosophy, mythology, and personal reflection, his paintings explore themes of transformation, spirituality, and cultural exchange. Woong Kim created contemplative works through repeated layers of oil paint and mixed media, producing subtle textures and tonal variations that emphasize duration, restraint, and lived experience.

Il Lee developed a distinctive abstract language through the accumulation of countless ballpoint pen marks, transforming an everyday writing instrument into a powerful tool for exploring time, movement, and process. His densely layered abstractions create immersive fields of depth and energy, while his later acrylic and oil paintings continue this exploration of line, form, and space through a process-driven approach grounded in experimentation and material sensitivity.

Choong Sup Lim developed an innovative practice that combines painting, sculpture, and installation through stretched fabric, thread, wood, and constructed forms. Built through processes of repetition and accumulation, his works transform simple materials into dynamic spatial structures that evoke memory, labor, and cultural transition.

Together, these artists represent an important chapter in the history of Korean art in America. Their works reveal how migration became a source of creative transformation, generating new forms of abstraction and material exploration while expanding the language of contemporary art. Through their diverse practices, they offer enduring reflections on identity, memory, and belonging, demonstrating how artistic innovation emerges through movement, adaptation, and cultural exchange.

 

Choong Sup Lim, Gil-ssam, 2000-2006, Natural Korean cotton threads, wood, oil paint, acrylic, and U.V.L.S. gel, 30 x 200 inches 
Po Kim, Together and Apart, 1970, Acrylic on canvas, 60 x 72 inches
Woong Kim, Untitled, 2026, Oil and mixed media on canvas, 20 x 16 inches

ABOUT SWPK GALLERY

SWPK Gallery — The Sylvia Wald & Po Kim Art Foundation — is a non-profit organization committed to promoting East-West cultural exchange through the arts by sponsoring and hosting art exhibitions of national and international artists. For more information, visit: swpk.org

In Diaspora: Korean Artists in 1970s New York is produced in collaboration with the Donghwa Cultural Foundation.

SWPK Gallery
417 Lafayette Street, 2nd Floor
New York, NY 10003
Phone: 212.598.1155

Email: info@waldandkimgallery.org
Media inquiries: Odelette Cho ocho@waldandkimgallery.org
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