Wednesday, July 1, 2026

Up Comig Phillips London Austin July 16, 2026 below preveiw




 
 
PHILLIPS ANNOUNCES HIGHLIGHTS FROM THE JULY 
MODERN & CONTEMPORARY ART SALE IN NEW YORK 
 
Auction on 16 July Set to Feature a Cross-Century Selection Spanning 
Impressionism, Early Modernism, Post-War Abstraction,  and Contemporary Practice 
 
Werner Bronkhorst Kicks Off His Auction Debut with From Every Corner, Channeling the Global Fever of the World Cup 
 
  
Werner Bronkhorst Isa Genzken 
From Every Corner, 2026 Basic Research, 1989 Estimate: $100,000–150,000 Estimate: $80,000–120,000 
 
NEW YORK – 29 JUNE 2026 – Phillips is pleased to announce highlights from the Modern & Contemporary Art Sale taking place on 16 July in New York. Spanning late 19th-century painting through early modernism, Post-War abstraction, and contemporary practice, the sale presents a wide-ranging survey of more than a century of artistic production. The exhibition will be on view at Phillips New York from 9–15 July, offering collectors and audiences the opportunity to engage with a thoughtfully curated selection of works across periods, geographies, and artistic movements. 
 
Leading the sale is Werner Bronkhorst’s From Every Corner (2026), marking the artist’s debut at a major international auction house. Emblematic of Bronkhurst’s signature style, the monumental composition features 48 football players in motion across a vivid green ground — a work whose sale is made all the timelier against the backdrop of enthusiasm across the globe for the ongoing World Cup. Ahead of its sale in New York, From Every Corner will be previewed in Los Angeles beginning 9 July at 8175 Melrose Avenue as part of Werner Bronkhurst’s exhibition Big Balls, before it goes on view at Phillips’ Los Angeles galleries ahead of the sale in New York.  

  
Pierre Eugène Montézin 
La Fenaison en Normandie 
Estimate: $30,000–50,000 
 
 


Additional highlights from the sale reflect the breadth of the category, from European landscape painting to early 20th-century figuration. Pierre Eugène Montézin’s La Fenaison en Normandie captures the enduring appeal of the pastoral through a luminous treatment of rural life, while Alice Neel’s early The Lost Phoebe, executed circa 1930, offers a rare glimpse into the formative years of the celebrated American 
The Peaceful Livingroom (2014) transforms a quiet interior complete with a housecat into a meditation on color and domestic intimacy. 
 
Contemporary highlights further underscore the range of the sale. Carol Bove’s 2012 
YES! THIS DAMN UNIVERSE! coincides with her major survey exhibition Carol Bove,  currently on view at the Solomon R. Guggenheim Museum, New York, through 2 August Carol Bove 
YES! THIS DAMN 2026, where her work engages questions of perception, scale, and spatial relationships. UNIVERSE!, 2012 Rashid Johnson’s  2012 Nukeout exemplifies his materially driven practice.  Estimate: $20,000 - 30,000 

Rashid Johnson’s  2012 Nukeout

Alice Neel The Lost Phoebe, circa 1930 Estimate: $40,000–60,000

painter. Post-War and late 20th-century practices are represented through diverse approaches to abstraction and figuration. Sir Frank Bowling’s Bumble Bee exemplifies his layered, color-driven surfaces, while Isa Genzken’s Basic Research (1989) transforms the textures of her studio floor into a richly worked abstract surface, recording traces of her immediate environment through a process of imprint and gesture. Chris Ofili’s Triangle – Fall (2017) belongs to the artist’s richly worked “triangle” series, while March Avery’s 

Rashid Johnson 
Nukeout, 2012 
Estimate: $70,000–100,000 
 

    
Sir Frank Bowling, R.A. Chris Ofili 
Bumble Bee, 2003 Triangle – Fall, 2017 
Estimate: $20,000–30,000 Estimate: $60,000–80,000 Alice Neel 
The Lost Phoebe, circa 1930 
Estimate: $40,000–60,000 
March Avery 
The Peaceful Livingroom, 2014 
Estimate: $20,000–30,000 
 

 
 
  
 
 As Phillips marks its 230th anniversary in 2026, the house celebrates more than two centuries at the forefront of the  global market for Modern & Contemporary Art, Design, and Luxury. Founded in 1796 by the charismatic auctioneer 
 
 Harry Phillips, the company has, since its earliest days, offered a distinct and forward-looking approach to sales and  collecting. Over the centuries, Phillips has delivered record-breaking results and landmark offerings, while also  pioneering new modes of collecting via the likes of Dropshop. Through its partnership with Bacs & Russo, Phillips  continues to lead the industry in watches, setting new benchmarks for excellence, innovation, and connoisseurship.  Today, Phillips remains true to the entrepreneurial spirit of its founder while redefining the role of a 21st century  auction house.
 
Auction: 16 July 2026 
Auction viewing: 9–15 July  
Location: 432 Park Avenue New York, NY 10022  
Click here for more information: https://www.phillips.com/auction/NY010926  
 
ABOUT PHILLIPS 
Phillips: where the world’s curious and bold connect with the art, design, and luxury that inspires them. As a leading global platform for buying and selling 20th and 21st century works, Phillips offers dedicated expertise in the areas of 
Modern and Contemporary Art, Design, Photographs, Editions, Watches, and Jewels. Auctions and exhibitions are     
primarily held in New York, London, Geneva, and Hong Kong, with representative offices based throughout Europe, the United States, and Asia. Phillips offers a regular selection of live and online auctions, along with items available for immediate purchase. Phillips also offers a range of services and advice on all aspects of collecting, including private sales and assistance with appraisals, valuations, and financial planning. Visit phillips.com for further information. 
*Estimates do not include buyer’s premium; prices achieved include the hammer price plus buyer’s premium.   
 
PHILLIPS NEW YORK – 432 Park Avenue, New York, NY 10022 
PHILLIPS LONDON – 30 Berkeley Square, London, W1J 6EX 
PHILLIPS HONG KONG – G/F, WKCDA Tower, West Kowloon Cultural District, No. 8 Austin Road, West Kowloon 
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Ray Grasse is a rennasiance artist. ~The Deep Sea~ a musical composition inspired by Debussy is belwo.

 Ray Grasse is a noted astrologer, photography, musician, and writer on metaphysical topics. I admire his body of work, and artist process. Check out Ray's websites, and posts. See the ~Deep Sea ~below. Jamie Forbes

THE DEEP SEA 

Though I grew up mainly on the rock and roll music of the 60s, my mother introduced me to a different kind of music when she played Debussy’s “Clair de Lune” on the piano, and later on, played a recording of his orchestral composition “La Mer” (the Sea) on the family record player.

There was something about Debussy’s work that affected me profoundly. I became obsessed with his compositions, and struggled to express similar feelings of my own on the piano, which I had some lessons in years earlier. I had also been deeply impacted by the soundtracks composed by Bernard Hermann for films like “Journey to the Center of the Earth” and “Jason and the Argonauts, and those influences couldn’t help but find their way into my efforts, too.

Me at 18 playing the family piano, my father reading the paper behind.

And so was in freshman year during college that I began work on a piece I’d later title “The Deep Sea.” Things progressed slowly, and it took a full four years to complete. Not having an actual orchestra at my disposal, I used the four track recorder I bought from a college classmate to overdub layers of background voices to simulate the effects of string sections.

But it would be over 30 years before I’d actually get into a formal studio to do a fully fleshed-out recording of the piece, at my friend Bill Kavanagh’s studio in Oak Park, Illinois. With the new synthesized sounds available nowadays I was able to create more of an orchestral effect, and finally finished it in 2006.

An important twist in the story happened when I sent a copy of the recording to my old friend Rebecca Romanoff, who had married my old teacher Goswami Kriyananda (of Chicago) and moved to the south of France — not far from my ancestral stomping grounds in Grasse, France, fittingly enough. Rebecca had been playing with the visual possibilities of computer graphics, and in 2012 surprised me with a beautifully executed video to accompany my composition. 

Sadly, she passed on from cancer not long after, but left us with this beautiful work. I hope you enjoy it. —R.G. 


Ray Grasse is a writer, astrologer, and photographer living in the American Midwest. He is author of ten books, and a CD of his music is available on Amazon, titled The Sea Withinhttps://www.amazon.com/Sea-Within-Ray-Grasse/dp/B00PK1WZPW/

www.raygrassephotography.com

https://www.raygrasse.com/

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The Art of Horsemanship: see Colorado Jumping Tour Summe 3.

 I applaud the hours of practice, the breeding care and artful form of the Jumpers. Some of the most exquisite photos in sport reveal the style and grace of the horseman  and rider as one. 

https://coloradohorsepark.com/

https://jump-nee.com/venues/colorado-jumping-tour/

https://www.instagram.com/p/DWPV9O7kuZ9/

Templon Galleries artist Abdelkader Benchamma wil paint a new mural for the the ceiling of the French Embassy NYC, in conjunction with the French Institute for Culture and Education.

Hi All our Fine artmagazineblog.blogspot readers. ~Movement! will be the thematic of the work to be pained on the ceiling of the French Embassy at the historic Payne Whitney Mansion  mansion  in participation with MYC to preserve and restore historic places. 

ABDELKADER BENCHAMMA

 

 

VILLA ALBERTINE COMMISSIONS ABDELKADER BENCHAMMA TO REIMAGINE THE CEILING OF ITS BALLROOM

PAYNE WHITNEY MANSION, VILLA ALBERTINE, NEW YORK
SEPTEMBER, 2026

 

Abdelkader Benchamma’s monumental project has been selected to transform the ceiling of Villa Albertine’s Ballroom, at the heart of one of New York’s most significant cultural landmarks.

 

Villa Albertine, the French Institute for Culture and Education within the French Embassy in the United States, is delighted to announce the selection of Abdelkader Benchamma to create a monumental work for the ceiling of its Ballroom, one of the most emblematic spaces within the Payne Whitney Mansion, home to Villa Albertine in New York, which hosts numerous cultural, intellectual and diplomatic events.

 

This project reflects Villa Albertine’s commitment to preserving and reactivating historic spaces through contemporary creation and the free movement of ideas. By commissioning a leading living artist to transform the Ballroom ceiling, Villa Albertine continues its broader effort to reimagine the Payne Whitney Mansion while honoring its architectural legacy.

« Stella Terrea is a vast mural in perpetual motion. It is dynamic in its very making, created in situ, in dialogue with the scale and tensions of the space, yet seemingly still through the delicacy of its execution: an invitation towards contemplation.

 

Its title refers to a mysterious substance sometimes reported after meteorite falls. Known as “star jelly,” astromyxin, or stella terrae (“star of the earth”), it is surrounded by myths and contradictory interpretations, as though the celestial realm could never be fully defined, explained, or contained. From this idea emerges the installation: to reintroduce a poetic force into the sky at a time when outer space is increasingly becoming a territory to control, exploit, and colonize.

 

The project will re-enchant the Ballroom ceiling by drawing upon imaginaries rooted in the history of celestial and cosmological representations, from painted ceilings to star charts. It engages in particular with the Nebra Sky Disk (c. 1600 BCE), one of the oldest known depictions of the heavens, and the Dunhuang Star Atlas (7th century), which records more than 1,300 stars.

 

At its core, the mural tells an essential story: humanity’s relationship with the sky, shaped by observation, knowledge, and imaginative narratives. It situates itself within a long continuum of ways of representing the cosmos while offering a contemporary interpretation of that legacy.

Ultimately, it is an act of survival and continuity: that of a humanity that continues to observe, interpret, and project itself toward the heavens. »

— Abdelkader Benchamma

Selected figurative elements will be created in conjunction collaboration with American artist Raymond Pettibon, continuing the series of collaborative drawings the two artists have developed together since 2019. This unprecedented partnership anchors the project within a unique Franco-American artistic dialogue.

 

The Ballroom ceiling commission represents a new chapter in the ongoing transformation of Villa Albertine’s historic headquarters. The Ballroom, a majestic reception space overlooking Fifth Avenue, is the beating heart of the institution, hosting major artistic, intellectual, and diplomatic events each year. Following landmark projects including the Atelier by designer Hugo Toro and Albertine bookstore by designer Jacques Garcia, this initiative furthers Villa Albertine’s commitment to bringing contemporary creation into dialogue with architectural heritage.

 

Villa Albertine will unveil this significant commission in September 2026. The project further advances Villa Albertine’s mission to foster dialogue and exchange between the United States, France, and the French-speaking world through contemporary creation.

 

This commission has been made possible through the exceptional support of the Sisley-d’Ornano Foundation, with additional support from French Heritage Society’s New York Chapter and Ann and Bill Van Ness.

 

The project was developed in close collaboration with the Centre national des arts plastiques (CNAP), a leading institution for contemporary public commissions and international artistic competitions. The competition received 225 submissions, demonstrating the vitality and diversity of contemporary French creation.

 

 

— Villa Albertine.

 

 

 

 

Au bord des mondes, Le Prix Marcel Duchamp, Centre Pompidou, Paris, 2024. Photo © Tanguy Beurdeley.

 

TEMPLON

Paris | Bruxelles | New York

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