Wednesday, October 7, 2026

Phillips Highlights for the October Editions & Works on Paper New, York City. October 7, 2026 . Details below.

 See the array of prints for sale at the upcoming NCY Phillips Auction for prints, and works on paper. 


 

PHILLIPS ANNOUNCES HIGHLIGHTS FROM THE OCTOBER EDITIONS & WORKS ON PAPER AUCTIONS IN NEW YORK

 

From Salvador Dalí's Surrealist Chess Set and Giorgio Morandi Masterworks to a Remarkable Selection of Works by Andy Warhol, Sale Series to Showcase the Breadth of Modern and Contemporary Printmaking

 

 

NEW YORK – 7 OCTOBER 2026 – Phillips is pleased to present highlights from the Fall 2026 Editions & Works on Paper auctions in New York, spanning three distinct sales across the house’s live and online platforms. Featuring works by Salvador Dalí, Giorgio Morandi, Pablo Picasso, Andy Warhol, Yayoi Kusama, and David Hockney, the series begins on Thursday, 22 October, with Modernism and the Editions & Works on Paper Evening Sale. The sale continues on Saturday, 24 October, with this session including works from the personal collection of celebrated gallerist Vivian Horan. The season will conclude with an online sale comprising 109 no-reserve lots, open for bidding from 20-28 October.  Ahead of the sales, Phillips welcomes the collecting community in to view the works in person at 432 Park Avenue from 15–23 October.

 

Kelly Troester and Cary Leibowitz, Deputy Chairpersons and Worldwide Co-Heads of Editions, said “On the heels of our fantastic September sales in London, our October offerings in New York underscore the remarkable depth and diversity of the Editions and Works on Paper category, from rare Surrealist masterworks and exceptional Modernist prints to iconic Post-War and Contemporary editions. The three auctions we are proud to present bring together outstanding examples by artists including Victor Brauner, Yves Tanguy, Many Ray, Roy Lichtenstein, Hank Willis Thomas, Pat Steir and many more. Together, they reflect the enduring appeal of the medium and the continued enthusiasm we are seeing from collectors worldwide.”

 


Willis Thomas, Pat Steir and many more. Together, they reflect the enduring appeal of the medium and the continued enthusiasm we are seeing from collectors worldwide.” 

 


 

Modernism 


 

Returning for its fourth season, Modernism comprises 63 lots by leading American and European avant-garde masters, showing the continued strength in demand for the category. The sale features rare and exceptional works by Surrealist masters including Salvador Dalí, Yves Tanguy, Man Ray, André Masson, Joan Miró, Victor Brauner, and David Smith. Leading the group is Dalí's rare Échecs (Hommage à Marcel Duchamp) (Chess, Homage to Marcel Duchamp). Created circa 1971, the complete set of 32 silver- and gold-vermeil chess pieces was cast from the artist's and his wife Gala's fingers, Dalí's teeth, and the salt and pepper shakers of New York's St. Regis Hotel. Of the intended edition of 45, only 8 examples were ultimately produced. 

 

Also among the sale’s highlights are four exceptional Still Life etchings by Giorgio Morandi, including Grande natura morta con la caffettiera (Large 

Still Life with Coffee Pot) from 1933. Widely regarded as the zenith of 

Morandi's print-making oeuvre, the group demonstrates the artist's 

Pablo Picasso 

Portrait de jeune fille, d'après Cranach le 

Jeune II (Portrait of a Young Girl, after 

Cranach the Younger II), 1958 

Estimate: $50,000–70,000 

To be offered in Modernism unparalleled ability to transform familiar objects into deeply contemplative studies of form, light, and space. 

 

Featured in Important Works from the Collection of Vivian Horan, the 

respected New York dealer and founder of her eponymous gallery, Picasso’s Portrait de Jeune Fille, d'après Cranach le Jeune II (Portrait of a Young Girl, after Cranach the Younger II) is a rare trial proof printed on the reverse of a poster advertising a 1957 Vallauris ceramics exhibition. Likely among the earliest impressions pulled, the work offers a fascinating glimpse into Picasso's creative process and the development of what would become one of his most celebrated linocuts. 

  

Post-War and Contemporary Works 

Among the Post-War and Contemporary highlights from the Evening Sale is a remarkable group of 25 works by Andy Warhol, including iconic images, rare trial proofs, and early hand-colored lithographs. Leading the selection is Apple, from Ads; created in 1985, the work features the Macintosh logo at a moment when personal computing was rapidly reshaping contemporary culture. Also on offer is Queen Elizabeth II of the United Kingdom, from Reigning Queens from 1985, which showcases Warhol's exploration of celebrity, power, and mass media through portraits of some of the world's most recognizable women. Mick Jagger from 1975 will also be on offer, signed by both the artist and the legendary Rolling Stones frontman. 



 

Additional Evening Sale highlights include Roy Lichtenstein's complete portfolio La Nouvelle Chute de l'Amérique (The New Fall of America), 1992; Yayoi Kusama's whimsical and surreal Night, 1989; and David Hockney's celebrated Lithographic Water Made of Lines, Crayon and a Blue Wash, 1978-80, depicting one of the artist's most enduring motifs, the swimming pool. 

 

The auction also features important editioned works by Donald Judd, Jeff Koons, and KAWS. Judd's Untitled, 1991, published by Edition Schellmann, originally conceived on a restaurant receipt, exemplifies the artist's rigorous approach to form, with precisely engineered planes of aluminum creating dramatic effects of light, shadow, and depth. Offering a distinctly contemporary counterpoint are Koons’ Seated Ballerina (Wood) from 2015 and KAWS's THE MESSAGE (2025), ambitious sculptural editions whose craftsmanship and scale blur the boundaries between editioned works and unique objects. 


To be offered in Modernism 

Projet pour l'Offrande (Project for the 
Offering), 1941 
Estimate: $15,000–25,000 
To be offered in Modernism 
  Salvador Dalí 

Échecs (Hommage à Marcel Duchamp) (Chess, Homage to 
Marcel Duchamp), 1971 
Estimate: $30,000–50,000 To be offered in Modernism 
  Victor Brauner 
Personnage (Character), 1943 
Estimate: $25,000–30,000 


 
 

















Jean Dubuffet Parcours (W. 1266), 1981 
Estimate: $6,000–9,000 
To be offered in Modernism 
 
 
 
  Andy Warhol 
Mick Jagger, 1975 
Estimate: $80,000–120,000 To be offered in the Evening Sale of 
Editions & Works on Paper  Donald Judd
Untitled (ultramarine blue) (S. 27), 1991 
Estimate: $70,000–100,000 
To be offered in the Evening Sale of Editions & 
Works on Paper 



 
 
 As Phillips marks its 230th anniversary in 2026, the house celebrates more than two centuries at the forefront of the  global market for Modern & Contemporary Art, Design, and Luxury. Founded in 1796 by the charismatic auctioneer 
 
 Harry Phillips, the company has, since its earliest days, offered a distinct and forward-looking approach to sales and  collecting. Over the centuries, Phillips has delivered record-breaking results and landmark offerings, while also  pioneering new modes of collecting via the likes of Dropshop. Through its partnership with Bacs & Russo, Phillips  continues to lead the industry in watches, setting new benchmarks for excellence, innovation, and connoisseurship.  Today, Phillips remains true to the entrepreneurial spirit of its founder while redefining the role of a 21st century  auction house. 
 
 
 
Auction: Modernism: 22 October | Editions & Works on Paper: 22 & 24 October  
Auction viewing: 15 – 23 October  
Location: 432 Park Avenue, New York, NY  
Click here for more information: Modernism| Editions & Works on Paper 
 
ABOUT PHILLIPS 
Phillips: where the world’s curious and bold connect with the art, design, and luxury that inspires them. As a leading global platform for buying and selling 20th and 21st century works, Phillips offers dedicated expertise 
in the areas of Modern and Contemporary Art, Design, Photographs, Editions, Watches, and Jewels. Auctions  
and exhibitions are primarily held in New York, London, Geneva, and Hong Kong, with representative offices based throughout Europe, the United States, and Asia. Phillips offers a regular selection of live and online auctions, along with items available for immediate purchase. Phillips also offers a range of services and advice on all aspects of collecting, including private sales and assistance with appraisals, valuations, and financial planning. 
Visit phillips.com for further information. 
 
*Estimates do not include buyer’s premium; prices achieved include the hammer price plus buyer’s premium. 




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Keys Art Presents a conversation with artist Irina Alimanestianu. October 10th, 4:30-6:00 PM . See belwo details


The art is pretty and interesting. Catch the talk with the artist.  
Keyes Art

KEYES 

 

45 Main St | Sag Harbor NY

In Conversation with IRINA ALIMANESTIANU

Saturday, October 10th, 4:30–6:00 PM 

Flesh and Bark, What Touches, 2026
Watercolor, marker, graphite, ink on handmade paper
22 x 30 in 

Irina Alimanestianu’s  paintings operate as visual excavations. Born in New York to Romanian parents, and raised between Western Europe and the East End, she treats landscape as stratifications where personal memory, classical history, myth and the subconscious form distinct but interwoven layers. Painting and collage work together to visually fracture time and space on the canvas.

 

In her recent paintings, fragments of temples, columns, and mythic narratives surface across the work.  Gods, ruins, and metamorphoses appear as if remembered by the landscape itself. Pictorial space is sliced, grafted, and reassembled.

The Gladiator Who Wears a Pink Helmet, 2026
Watercolor, marker, graphite, ink on handmade paper
22 x 30 in

Wind in His Hands, 2026

Watercolor and ink on paper
22 x 30 in

Teepee Do, 2026
Watercolor and ink on paper
22 x 30 in

A Heart's Rhythm, 2026
Watercolor and ink on paper
22 x 30 in

Infinite Memories and a Few Choice Ones, 2026
Oil on canvas
10.5 x 11.5 in

For more information, please contact info@juliekeyesart.com
 

 


KEYES ART 
631-808-3588


www.juliekeyesart.com


@keyesartgallery

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Ray Grasse introspective recent Ray's SunStack ~Secrets~ Catch the interestings introspective. Below.

 

“Secrets affect you more than you’d think. You lie to keep them hidden. You steer talk away from them. You worry someone’ll discover yours and tell the world. You think you are in charge of the secret, but isn’t it the secret who’s actually using you?”
― David Mitchell, Black Swan Green

One never knows all the secrets harbored by one’s parents, and one of the great surprises of my own life occurred well into my thirties. I was at the family home one day, banging around on the piano, and overheard my mother talking to my father on the other side of the room, when she casually made passing reference to her “first husband.”

Stunned, I swiveled around on the piano bench and said, “What did you just say?”

Realizing she had just divulged something entirely new to me, she paused a second and remarked, trying to be as casual as possible, “Oh, I thought I told you about that...I know I told your brother about it back when he got divorced, but I thought I told you, too...”

She then proceeded to relate to me the story of how she was working in a munitions factory in Las Vegas during World War II, sometimes handling explosive materials, when she met and married an older gentleman from the area. He owned a taxicab company, and had once been a bootlegger for Hollywood figures like Jean Harlow. But he turned out to be overly controlling of her, so after a year of marriage she procured a divorce and moved back to the Midwest. She spoke wistfully on another occasion about the time one year later when he traveled all the way across the country to show up at her workplace in Illinois, essentially begging her take him back. She said it broke her heart to send him away, since she still loved him.

I’ll never forget the sensation of learning about that entire episode so late in my life. It was one of those odd times when I’ve honestly wondered whether I was dreaming or awake.

My father had secrets of his own, which I found out about in an especially roundabout way, although those didn’t impact me in quite the same way.

He was born in 1905 in Door County, Wisconsin, and raised on a farm, but at the age of twenty traveled to the big, brawling town of Chicago. This was the Roaring Twenties, and he eventually found work as a mechanic in a Cadillac garage. But in his off hours he apparently had quite a good time visiting the speakeasies, dating women, and earning a nickel for each woman he danced with at the Aragon Ballroom (a pastime offered women at some venues during the Depression). He was very good-looking, so he amassed quite a collection of nickels.

One day I received a message through Ancestry dot com from a woman who said she and I were apparently related—closely so. It turns out her mother was born in Chicago during the 1920s around the time my father was working there. But her mom never found out who her father was. All signs point to my father. It became clear to me that while having his rip-roaring time in Chicago, dad got this woman’s mother pregnant, and may well have never even known about it. The upshot being, this woman’s mother was a half-sister to me, and she was herself a half-niece to me. And my dad was her grandfather, of course.

That’s not all. My brother Greg moved to Phoenix for several years in the 1990s, and attended a church in the area every Sunday. He noticed that there was an older man in the congregation who looked so much like my father he could have passed for his twin. It was startling. Curious about the stranger, Greg eventually struck up a conversation with him to find out more about him and his past.

Lo and behold, the stranger was born in Chicago in the mid-1920s, right when my father was working there, and just like that woman’s mother from Ancestry dot com, he never found out who his blood father was. Greg decided not to tip his hand as to his real intentions for questioning him, since he didn’t know whether he might be opening up an emotional pandora’s box for the fellow. Do I personally doubt he was a half-brother to me? Not really. (The stranger would have been around 30 years older than me, incidentally—quite an age difference, but my father didn’t have me until he was almost 50.)

I’ve been thinking a lot about secrets lately. Of course, some secrets are actually good to keep. You don’t really need to be telling your friends and neighbors about the embarrassing mishap you had in the bathroom this morning, or about the trip you had to make to the local food kitchen recently because your cupboards were bare. But some secrets are not so good, like those involving great shame over some past misdeed, or a public humiliation you had in high school. Those can metastasize over time, if you keep pushing down on them hard enough.

Everyone has their secrets. I do, you do, the woman walking by on the street has hers, the Pope has his. There is an ocean of secrets inside each of us, and that is as much if not more about who we really are as all those features and behaviors we openly display to the world. Anton Chekhov put it like this

“He had two lives: one, open, seen and known by all who cared to know, full of relative truth and of relative falsehood, exactly like the lives of his friends and acquaintances; and another life running its course in secret.” (The Lady With the Little Dog and Other Stories(

But over the years I’ve come to wonder a great deal more about the secrets we keep from ourselves. The ones we’re conscious of can at least be addressed—but the others? They operate in the shadows. A classic example is racism. Many years ago, I knew a dyed-in-the-wool racist who hated every member of a certain skin color. On a conscious level, he’d convinced himself this was because of the perceived faults of that group (this, despite the fact he’d never actually had a negative run-in with anyone from that race himself). Having gotten to know him quite well over time, I realized that he actually hated himself, and was simply projecting that disgust onto an entire community of people.

We all do things similar to that, to one extent or another, camouflaging our real intentions and reasons without realizing it. Whether that unawareness on our parts is due to fear or some strange amalgam of defense mechanisms, I don’t know, but I’m sure there are many layers of such emotional maneuverings extending down deep into our past that involve actively hiding truths from ourselves.

Mind you, there is no absolute necessity for any of us to become aware of all these buried secrets. No federal law demands it. But for someone who’s interested in self-understanding and in peeling away the layers of that psychological onion, it can be transformative to engage the process.

So, what are some ways of going about that?

Dreams are a powerful tool, and can tell us truths about ourselves that rational methods can’t quite capture. It takes a certain symbolic talent to accurately interpret dreams, it’s true, but simply noting the repetitive situations or issues portrayed in dreams can alone reveal a great deal about what is occupying your subconscious. I remember a few years ago when I was feeling relatively upbeat about my life as a result of things going smoothly with my work; yet during that period I started having recurring dreams about war—something I normally never dream about. Obviously, there was some issue or conflict taking place within me, and those dreams prompted me to look more closely at certain anxieties I was having but had brushed aside as not being important. Yet they were important, and I realized I’d been turning a blind eye to a moral conflict involving a professional decision I had to make, which I was in denial about. The dreams corrected that.

Therapy is certainly a valuable method, of course—having someone outside of you who can look at your issues from a more objective standpoint. The key there is to zero in specifically on those areas involving matters of shame, humiliation, fear, obsessions, addictions, and embarrassment—each of these being cellar doors into that subterranean realm of secrets.

One especially simple method of unearthing secrets is to carefully see what—and who—pushes your buttons in daily life. To paraphrase Carl Jung, those things which irritate us in others offer a surefire window into your own unconscious “shadow” issues. Is it the egotistical co-worker whose constant bragging rubs you the wrong way? Or a specific political leader whose personality quirks drive you crazy? I mentioned earlier about racism, which is a particularly common example. Instances of extreme button-pushing like these almost always mirror qualities or traits one doesn’t want to face in oneself.

Some would even suggest that those buried secrets can be mirrored back to us in the symbols and synchronicities of waking life, especially those which involve recurring situations that frustrate and encode key lessons around one’s dysfunctions. Do you continue to run into similar problems centering around matters of deception? Did you experience synchronicities involving the recurring name of a celebrity who was recently mired in a scandal? As with our nightly dreams, such coincidences require a keen symbolic eye to properly interpret.

In the end, there is one thing I’m sure of. If we choose to engage in this archaeological excavation of the soul, we need to be gentle with ourselves, loving even. We’ve all made mistakes, we’re all human, we’ve all hidden things from both others and ourselves because they’re painful. But however horrible those secrets may seem to you, they’re not the entirety of who you are.

So, gaze into those secrets with clear eyes and zero judgment. The world is hard enough without us having to make it even harder.

Ray Grasse is a writer, astrologer, and photographer living in the American Midwest. He is author of ten books including The Waking Dream, An Infinity of Gods, and Under a Sacred Sky. His websites are www.raygrasse.com and www.raygrassephotography.com.


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