| | November’s Untitled Circle traces connections across eight cities represented by our community of exhibitors, highlighting the distinct artistic perspectives, local contexts, and compelling voices that shape each place. Discover this month’s highlights from across our international network as we continue the countdown to Miami Beach’s 15th edition next month. |
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| Juan Covelli: Cosmograma en espacio latente Policroma, Medellín
Through Wednesday, November 11
The exhibition at Policroma engages with the rock art of the Serranía de La Lindosa located in Guaviare, Colombia, not to illustrate it or to interpret it archaeologically in the traditional sense, but to intervene in the frameworks through which it has been read. By confronting three concepts of the gaze, the image becomes a vector, the archive a dataset, and history a probabilistic model. AI serves as a critical tool: drawing on databases of pictograms and scientific depictions of fauna, the artist trains models that do not seek reconstructions, but new iterations that make visible the conflict between cosmology, taxonomy, and probability. |
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| | Alexandre Wagner, Fogo-Fátuo, 2026. Image credit to Sergio Guerini, courtesy of Kutlesa. |
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| Alexandre Wagner: Fogo-Fátuo Kutlesa, New York
Opens Thursday, November 12
Kutlesa’s second solo presentation of Wagner’s work alludes to the Brazilian Portuguese term for will-o’-the-wisp, which describes a fleeting phenomenon in which bluish or greenish flames appear above the ground, produced by gases released as organic matter decomposes. Within this atmosphere of obscurity and transformation, his paintings take shape. Rather than depicting landscape as a stable or identifiable subject, the artist approaches it as a space of emergence. |
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| Yanma Fofana and Fanny Irina: Près d'Elle The Bridge Gallery, Paris
Through Friday, November 13
The two-artist dialogue, curated by Louise Thurin at The Bridge Gallery, brings together paintings and ceramics around motherhood and filiation. The artists met in 2018 at Beaux-Arts de Paris. What began as a chance encounter between two students became a friendship, and over the years, something closer to family. Près d'elle is the first time their work shares the same walls. |
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| Tancredi di Carcaci: Corpus Palo Gallery, New York
Opens Friday, November 13
For his second solo exhibition at Palo Gallery, di Carcaci’s latest show brings together works in bronze, porcelain, stoneware, and mixed-media coin panels to examine the relationship between the human body and the objects we create throughout history. In his exploration of this core theme, alluded to in the title, he utilizes tensions between fluidity and weight, precision and chance, and Antiquity and Modernity. |
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| | Katie Shapiro, Speck of Gold, 2025. Image courtesy of Hannah Sloan Presents. |
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| Katie Shapiro: The Other Side of the Moon Hannah Sloan Presents, Los Angeles
Through Saturday, November 14
At Hannah Sloan Presents, Shapiro expands photography into sculptural, immersive form, exploring the invisible dimensions of human experience: personal, historic, and cosmic. By layering her images within glass, mirrors, and obsidian, she evokes what lies beyond perception. Shapiro treats the moon as a mirror of the subconscious and an archetype of the feminine, cyclical time, and rebirth. Pairing lunar imagery with fleeting fragments of her children, she frames motherhood as a cosmic act of excavation and healing. |
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| | Liene Bosquê, Miami stadium 70s, 2026. Image courtesy of La Cometa. |
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| Liene Bosquê: Vestigios La Cometa, Miami
Through Tuesday, November 17
La Cometa offers a profound reflection on the built environment's fragility and the limits of forgetting. Bosquê’s work functions as an exercise in contemporary archaeology, turning the gallery space into a site where remembering and observing go hand in hand—an invitation to pause and question the hidden layers of memory lying beneath the surface of the city we walk every day and, most importantly, the places we envision and how we are going to inhabit them.
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| Caleb Hahne Quintana: Don’t Get Lost in Heaven Newchild, Antwerp
Through Thursday, November 19
In his inaugural solo exhibition in Belgium, Mexican-American artist Quintana presents an intimate group of small-scale paintings at Newchild, many executed on copper, that move between portraiture, landscape, still life, and fleeting scenes of everyday life. Drawing from his upbringing in the American Southwest, his Mexican heritage, and his family’s history of migration, the artist explores memory, place, and belonging through images that move fluidly between lived experience and recollection.
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| | James Miles. Image courtesy of Creativity Explored. |
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| Drawn Together Creativity Explored, San Francisco
Through Saturday, November 21
Guest-curated by Auriel Garza, the exhibition explores ideas of friendship and community in a group show of Creativity Explored’sstudio artists. Throughout the exhibition, communal moments are framed in varied ways: sparsely described, richly patterned, or visually dense environments ranging from the local supermarket to the athletic field, and from the dance floor to the family dining table. Connection often forms through physical touch, coordinated movement, and shared passions and talents.
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| As the Moonbird flies 1301PE, Los Angeles
Through Saturday, November 21
1301PE presents a group exhibition of Shane Cotton, Simone Griffin and Fiona Pardington. These artists reflect on ancestral legacies and histories that consider the complexities of bicultural identity prevalent across Aotearoa New Zealand and Australia. The works in As the Moonbird flies bring European and Indigenous ways of seeing into conversation. Together, their practices explore how inherited ways of understanding can be carried forward, transformed, and reimagined through contemporary art. |
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| | Yosub Koh, Avoid, 2025. Image courtesy of Latitude Gallery. |
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| Yosub Koh and Angela Fang Zirbes: Me & My Plurals Latitude Gallery, New York
Through Saturday, November 28
Koh and Fang Zirbes push the genre of figure painting beyond its conventional potential for singular, teleological depictions of figures, and instead suggest that everyone is a plurality at Latitude Gallery. This exhibition therefore employs opacity as a method to approach the painted figures, the paintings, and the artists in a poetic and sensual manner that embraces their plurality without generalization, and to provide a moment of repose from the digital society for the audience. |
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| | José Fiol installation. Image courtesy of Galeria Reus. |
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| José Fiol: El hombre que sabía demasiado Galeria Reus, Mallorca
Through Tuesday, December 1
Fiol takes the life of Ivor Montagu as its conceptual framework. A filmmaker, producer, communist activist, founder of the International Table Tennis Federation, and a figure connected to British intelligence through his family, his work blurs the boundaries between historical research, painting, installation, and performance. Galeria Reus’ exhibition invites reflection on how images, narratives, and gestures circulate across disciplines, revealing hidden connections between cinema, diplomacy, espionage, and contemporary art. |
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