Friday, July 31, 2026

The Consrvation Center Up Date! se below for details.

 

Keys Art opening reception Lucy Villeneuve August 1, 6-8 pm. See details below

Keyes Art

Good Grief explores the dialectics of life. Over the past year, Lucy Villeneuve has developed this collection around the coexistence of seemingly opposing truths: grief and gratitude, the child and the adult, the unfamiliar and the idea of home, and the serious pursuit of joy. Through an evolving personal language of recurring symbols and intuitive mark-making, Lucy creates paintings that embrace complexity without demanding resolution. The depths of grief are woven together with immense love. 
The adult shaped by grief watches over her inner child bumbling around her studio. Together, these works become a practice of dialectics, an ongoing exercise in living in the "yes, and." Lucy sees this as an increasingly important pursuit in a world that often seeks certainty as a form of comfort. Upside-down homes, scribbles, ladders, and abstract forms define the whimsical visual language through which these ideas unfold. Her recent work marks a shift from large-scale abstraction to intimate paintings, some measuring just 2 × 2 inches. Created in gouache and watercolor on paper, Good Grief marks a significant evolution in her practice and is the first presentation of this new body of work. Lucy Villeneuve is an artist based in Springs, New York. She holds a B.A. in Psychology and an M.S.Ed. in Education and spent several years as a middle school art teacher before dedicating herself fully to her studio practice. Good Grief is her first solo exhibition since making that transition. 
 

Preview

The Parts of Me That Can Swim, 2026 Goache on paper 26x36
 

This is me!, 2026 Watercolor and Goache on paper 14x14

 

In the Attic of my 9 y.o. Heart, 2026 Goache and watercolor on paper 26 x 36

 

Instagram
Artsy
Artnet
TikTok

Copyright 2026 Keyes Art, All rights reserved.

 

Elenor Harwood Gallery Open Studio Pop up at the Gallery August 4-8 Summer Party 5-8 PM

 

Kira Dominguez Hultgren
Open Studio Pop-Up at the Gallery
August 4-8th
&
MSP Summer Party, August 8th, 5-8pm

Kira Dominguez Hultgren takes over the gallery August 4-8th to do an open studio pop-up! You can weave with her in the gallery (there are backstrap looms set up) or just come say hi while she picks up patterns in interactive altars and within oddly shaped frame looms.

Punjabi dhurrie weaving, Swedish linens, and other slantwise Indian zigzag stripes play across the gallery. Kira also has work in Video Craft at the Museum of Craft and Design on 3rd Street until August 16th.

Also, please join us to celebrate summer at Minnesota Street Project on August 8th! 5-8pm
For inquiries please contact Eleanor Harwood
+1 415 867 7770 & eleanor@eleanorharwood.com
The Fell Line, 2025
Handspun and industrially spun wool, sari silk, untwisted hemp rope, and other yarn; loom bars
70” x 63” x 4”
 
Student Weaving on a Backstrap Loom

Current Exhibitions, Recent Installations, and Publications

Video Craft, Curated by Sarah Mills and Ariel Zaccheo, Museum of Craft and Design, San Francisco, February 28–August 16, 2026

You Stretched Diagonally Across it, curated by Su Wu, The Fabric Workshop and Museum, Philadelphia, July 15, 2026–January 3, 2027

So I told her I was half-Indian, permanent installation, Institute for Advancing Just Societies, Stanford UniversityIn the Silence Between Mother Tongues, Gifts of Art, Fine Arts Museums of San Francisco, 2025
 
Photos By Shaun Roberts
 

Kira Dominguez Hultgren Artist Bio

Kira Dominguez Hultgren (b. 1980, she/they, Oakland, CA) is a 2024 Center for Craft Research Fund recipient, 2024 Illinois Arts Council Fellowship recipient, and a 2024 United States Artists Fellow.
They studied postcolonial theory and literature at Princeton University, and studio arts and visual and critical studies at California College of the Arts. Their research interests include material and embodied rhetorics, re-storying material culture, and weaving as a performative critique of the visual. Dominguez
Hultgren weaves with the material afterlife of a so-called multiracial family: Chicanx-Indigenous-Indian-Hollywood Hawaiian-Brown-Black. Instead of being passed down, weaving and textile processes are brought up, resurrected from family stories and fabrics. Questions about cultural appropriation and codeswitching, exoticism, and performing cultural misrecognitions occupy their practice.

Dominguez Hultgren has exhibited their work broadly including shows at the Museum of Arts and Design, Lehmann Maupin Gallery, Ballroom Marfa, the San Jose Museum of Quilt and Textile, the Roswell Museum, Montgomery Museum of Fine Art, and Eleanor Harwood Gallery in San Francisco. Their public art projects include installations with the city of Berkeley, the city of Phoenix, and an upcoming installation at Stanford University’s Institute for Advancing Just Societies.

When not in the studio, Dominguez Hultgren teaches weaving as an assistant professor at the School of the Art Institute of Chicago in Fiber and Material Studies.
 

Eleanor Harwood Gallery
1275 Minnesota Street, Suite 105
San Francisco, CA 94107

www.eleanorharwood.com
+1.415.867.7770

#elenorharwoodgallery#ffineartmagazineblog.blogspot.com#sunstormfineartmagazine.com, #artfunnow#artfunsummer#artfumweaving#artfunhappy,