Showing posts with label gene oliver gallery. Show all posts
Showing posts with label gene oliver gallery. Show all posts

Tuesday, July 26, 2022

Olivel Cole Gallery, INTRODUCING NOON SPIEGEL

 

INTRODUCING NOON SPIEGEL

Noon Spiegel is currently working on large scale paintings, and focusing on exploring the idea of Golden ratio and how it relates to Fibonacci Sequence, Binary Code and Sacred Geometry.

 
 

Noon Spiegel

Untitled, 2022

 
 

Noon Spiegel is a pseudonymous New York City Artist.

Currently he is working on large scale paintings, and focusing on exploring the idea of Golden ratio and how it relates to Fibonacci Sequence, Binary Code and Sacred Geometry.

Noon is also a Sculptor, Filmmaker and Installation Artist. He has done site specific installations in a Public and Gallery setting around New York City area. His short films have been shown at Sundance and other Film Festivals.

Non has had several solo and group shows including Apex Art in New York, Joyce Goldstein Gallery NYC as well as highly publicized solo exhibition at Ticknor Gallery - Harvard University.

He is part of permanent collection of the Rose Art Museum at Brandeis University, as well as numerous corporate and private collections.

 
 

NOW YOU CAN VISIT US FROM THE COMFORT OF YOUR HOME THROUGH A FACETIME GALLERY VISIT

Just schedule your FaceTime appointment calling 305.392.0179 or just replying to this email

***

VISIT US IN PERSON

Monday to Friday from 10 am to 5 pm

Saturday and Sunday by appointment

 
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Friday, June 3, 2022

Oliver Cole Gallery: DUAL PERSPECTIVE June 2nd - July 7th, 2022

 
 

Oliver Cole Gallery is glad to invite you to discover our new exhibition:

DUAL PERSPECTIVE

June 2nd - July 7th, 2022

with works by:

Ai Weiwei, Donald Sultan, Casper Brindle, Anna Kruhelska, William Barbosa, J. Margulis, Silvio Porzionato, John Zoller, Max Patté, Peter Combe, Dan Alva, Nick Veasey.

 
 

Casper Brindle

Untitled | Triptych, 2022

Pigmented acrylic

Piece unique | 48 x 24 in (121.9 x 61 cm) each

 

John Zoller

Interwoven Light Cluster, 2022

Acrylic on canvas

Piece unique | 48 x 48 in (121.9 x 121.9 cm)

 

Anna Kruhelska

Untitled 153, 2022

Hand-folded archival, light-resistant and acid-free paper

Piece unique | 27.5 x 39.5 x 2.5 in (69.9 x 100.3 x 2.5 cm)

 

William Barbosa

Untitled from Serie Banda Continua, 2022

Painted aluminum

Piece unique | 27.5 x 15.5 x 15.5 in (69.9 x 39.4 x 39.4 cm)

 

J. Margulis

Andean Crossing, 2022

Plexiglass sheets, aluminum composite and acrylic paint

Piece unique | 47 x 47 x 4 in (119.4 x 119.4 x 10.2 cm)

 

Peter Combe

Martinksw II, 2019

Mixed media with paint swatches

Piece unique | 18 x 18 in (45.7 x 45.7 cm)

 
 

NOW YOU CAN VISIT US FROM THE COMFORT OF YOUR HOME THROUGH A FACETIME GALLERY VISIT

Just schedule your FaceTime appointment calling 305.392.0179 or just replying to this email

***

VISIT US IN PERSON

Monday to Friday from 10 am to 5 pm

Saturday and Sunday by appointment

#olivercolegalery#fineartmagazine#summerartfun

Wednesday, December 7, 2011

Futzie Nutzle: The Missions

Futzie Nutzle: The Missions
Gene Oliver Gallery is pleased to announce a solo show dedicated to California artist Futzie Nutzle. “Futzie Nutzle: The Missions” feature a collection of oil and pastels evocative of the long history of the twenty one Californian missions built along historic El Camino Real from 1769 to 1823.
Futzie Nutzle is better known for his minimalist black inked drawings published in every issue of Rolling Stone from 1975 to 1980-a real job after exhibits in New York City in the early 70s-, in Tokyo’s Japan Times from 1985 to the late 90s, in Bay Guardian and Metro Santa Cruz, among many others.
 
In 1989, the elusive Nutzle tiptoed away from the social and famed scene he enjoyed for roughly thirty years in Santa Cruz, preferring now seclusion and privacy in San Juan Bautista, half an hour away from the coast. 
Since his last exhibit at the Cabrillo College Gallery in the spring of 2011, his name is associated with the series of vases evolving into cornucopia that he took to somewhat provocative social, cultural and political levels. 
His series of pastels and oil paintings representing the California Missions take anyone used to his former artwork by surprise. And yet, don’t they reflect the Ohio native’s emotional relationship with California, the state he considers home since 1965 when he left Cleveland for Santa Cruz? “I’m moving,” Nutzle says, “from statement or cleverness to the purity of painting and spontaneity.”

 
Four major colors evoke California: the blue of the sky and of the Pacific Ocean, the gold of the vegetation during dry season, turning green during rain season, and the earthy adobe of the early California architecture. 
These four colors are intricately woven in each of Nutzle’s missions, and yet each canvas and pastel keeps a distinct uniqueness from one another. Painted at different times of the day, in different seasons, the missions are shown under California’s extraordinary light which varies so dramatically and yet so subtly over the course of a day. The whitish color of the adobe missions, that distinguishes them from any other religious building in the nation, appears bland in the work of most artists. Nutzle manages to show texture to the plain material and each mission becomes the main protagonist of its unique story. Movement defines California as much as color. Nutzle’s skilled brush and pastel chalk strokes render a gentle breeze dancing through the grass or a gust of wind blowing through the olive pepper trees. 
The San Andrea Fault digs its way near the artist’s studio, and runs along the base of the hill below the mission’s cemetery.
 
In 1906, a violent earthquake shook Central California, destroying the sidewalls of the mission. They were restored in 1976 as well as the original chapel and the well. Nutzle employs the new additions of architecture in a style that represents these vintage views. 
Nutzle spent three to five years drawing and painting the missions. His many pastels and oil paintings of the missions showcase them at different periods of time, under different angles allowing the viewer to appreciate the history behind the missions of California. And of course, the talent of a man who is pursuing his solitary artistic journey, following his heart more than a trend.

Works from Nutzle have been or are currently shown at:
The Modern Museum of Art (New York City NY), Fresno Art Museum  (Fresno CA), Cabrillo College Gallery (Santa Cruz CA), Santa Cruz Art Museum (Santa Cruz CA), Whitney Museum (New York City NY)

Gene Oliver Gallery is located in the heart of historic San Juan Bautista; the gallery occupies a small space in the Plaza Market building. All Drawings and Paintings sold by the gallery are original European and American works from the 19th and 20th centuries, with a particular emphasis on Post-Impressionism, Fauvism, Pop Art and Abstract Expressionism artists. Evelyne and Gene, long time art collectors, also occasionally open their gallery space to a few contemporary artists.

The exhibit “The Missions” will run from 12/2/2011 to 02/29/2012

Opening Reception on 12/10/2011 from 2 :00pm to 5:00pm
 
Gene Oliver Gallery,
 31 Washington St.  San Juan Bautista CA 95045
The Gallery is open on Fridays and Saturdays.