Pollack Krasner House Study Center Update week of Oct. 27th, 2926

Joyce Raimundo has put together some terrific grogames for the the week are accessible and interesting. 

___________________________________________________________________________ Virtual Art Program with  Joyce Raimondo, Education Coordinator All virtual programs are free! Tuesday, October 27, 2026, 1 -2:00 pm Celebrating Lee Celebrate Lee Krasner's birthday (October 27th) with a virtual tour of Krasner's home and studio, and a presentation about Lee's life and work. Following, special guests; Gail Levin, Author, Lisa DiLiberto, who assisted Lee, and Ann Chwatsky, photographer, will share their recollections of Lee (pre-recorded). Then get creative as you cut, tear, and glue to create a collage inspired by Lee Krasner’s technique. Have these supplies on hand: paper, drawing or paint supplies, a surface for your collage, scissors, glue. Offered by East Hampton Library Click here to register with library ___________________________________________________________________ Tuesday, October 27, 2026, 2 -3:00 pm What's My Line? Pencil Drawing Following a presentation of Pollock’s early graphite drawings, we will explore basics of observational drawing and modeling with pencil. From cross hatching, blending, and highlighting, this workshop will teach you creative ways that you can use pencil to create light and shade. Supplies; several sheets of paper, pencil, sharpener, eraser. Offered by Larchmont Library Click here to register ____________________________________________________________ Wednesday, October 28, 2026, 2 - 3;15 pm Rip It Up! Lee Krasner Collage Workshop Rip up your artwork! Paste the fragments and make a new collage painting! Discover Lee Krasner’s monumental collages made by ripping, cutting, and gluing pieces of her former artworks to create bold new compositions. Joyce Raimondo will then demonstrate collage techniques as participants work alongside each other on Zoom. Supplies:; scissors, glue, two papers(or other surface for your artwork), paint or drawing supplies. Click here to register _______________________________________________________________ Thursday, October 29, 2026, 1 - 2:00 pm Wild about Watercolor Workshop Why would an artist sprinkle salt onto a painting or let water drip onto it? In this workshop, we will experiment with a variety of watercolor techniques. Then paint an outdoor scene or abstract art using these techniques. Have on hand watercolor supplies, salt, and oil pastels optional. Offered by East Hampton Library Click here to register with library

Pollace-Krasner House and Study update

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The Bard Graduate Center events in NYC ticket info & details listed below.

 

Listen to Your Earrings: Remaking Our Relationships with Native American Jewelry  A lecture by Henrietta Lidchi (Ethnological Museum of Berlin and the Museum of Asian Art)  Wednesday, November 4 6 pm BGC Lecture Hall 38 West 86th Street, NYC  Get Tickets Detours, Constellations, and Failure: Researching Unlikely Objects in Uncertain Times  An Alumni Spotlight Lecture by Antonio Sánchez-Gómez (Parsons School of Design, the New School)  Wednesday, November 11 6 pm BGC Lecture Hall 38 West 86th Street, NYC  Get Tickets Material World Wander the galleries after hours and encounter objects—and people—with stories to tell. Join artists, designers, collectors, and curious friends for a new annual celebration at BGC, with creative director Richard Tuttle. Thursday, November 5 7–11 pm 38 West 86th Street, NYC Get Tickets    COLLECTIBLE New York 2026 Discover a curated perspective on contemporary collectible design at COLLECTIBLE New York 2026, in a new venue on 86th street. 20% off tickets with code BGC2026.   Friday, November 6–Sunday, November 8 A former movie theater 210 East 86th Street, NYC  Get Tickets Exhibition Tours Join a Thursday Tour and explore the Goddesses in the Machine: Fashion in American Silent Film exhibition with a Bard Graduate Center gallery educator.    Thursdays 12:30–1:15 pm BGC Gallery 18 West 86th Street, NYC Get Tickets Images from top to bottom: (1) Julian Lovato (1925–2018, Santo Domingo Pueblo), silver and coral necklace, ca. 1970s. Wheelwright Museum Collection, Daniel E. Prall Fund and anonymous donor. (2) Antonio Sánchez-Gómez, composition based on graphic advertisement "Las quemaduras duelen y pueden traer una infeccion," published in El Tiempo over several months in 1945. (3) Details of a garment featured in Goddesses in the Machine: Fashion in American Silent Film, on view at Bard Graduate Center. (4) Photo by Collectible New York. (5) Viollet-le-Duc Drawing Worlds Gallery Tour led by Khushi Choudhary (MA'27). Photo by Matteson Quint.

DEGREE PROGRAMS & ADMISSIONS 38 West 86th Street New York, NY 10024 212.501.3000 admissions@bgc.bard.edu BARD GRADUATE CENTER GALLERY 18 West 86th Street New York, NY 10024 212.501.3023 gallery@bgc.bard.edu

Copyright © 2026 Bard Graduate Center, All rights reserved.

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Serpentine Pavilion 2026, Lanza Atelier on view till October 25, 2026! Details below!

 The lineup listed  is interesting for all. Details below. 

LAST CHANCE TO SEE THE SERPENTINE PAVILION 2026, BY LANZA ATELIER | SERPENTINE SOUTH | ON VIEW UNTIL 25 OCTOBER 2026 This year's Pavilion was designed by the Mexican architecture studio LANZA atelier, founded by Isabel Abascal and Alessandro Arienzo. This groundbreaking commission, first launched in 2000 with Dame Zaha Hadid, has introduced the UK’s inaugural structures by many of the most influential figures in international architecture. LANZA atelier emphasises the role of design in everyday interactions and identifies the pursuit of beauty as a recurring theme in their work. The Mexico City-based architecture studio founded by Isabel Abascal and Alessandro Arienzo, has anchored the 2026 Serpentine Pavilion on the English architectural feature known as a serpentine, or crinkle-crankle, wall. The wall derives its stability from its curving form, requiring fewer bricks than a straight wall. The name of the Pavilion, a serpentine, is inspired by this feature, which makes up the Pavilion’s south wall and subtly references the nearby Serpentine Lake, whose gentle curve evokes the form of a serpent. The north wall of the structure is in dialogue with the surrounding landscape, curving around the nearby tree canopy. A translucent roof allows light and air to permeate the space, softening the boundary between enclosure and openness. The roof rests lightly on brick columns which evoke a grove of trees. LANZA atelier chose brick as the primary material to celebrate the distinctly English garden tradition and establish a conversation with the existing brick façade of the Serpentine South Gallery, which was originally built as a tea pavilion. The Pavilion is constructed from a rhythmic repetition of brick columns that transform the wall from opaque to permeable. Image: Serpentine Pavilion 2026, a serpentine, designed by LANZA atelier, founded by Isabel Abascal and Alessandro Arienzo. Aerial view © LANZA atelier. Photo: Iwan Baan. Courtesy Serpentine.

PUBLIC ART | JESÚS RAFAEL SOTO: PÉNÉTRABLE BBC JAUNE (1999; 2023 EDITION | SERPENTINE SOUTH | ON VIEW UNTIL 25 OCTOBER 2026  Serpentine features the presentation of a public sculpture by Jesús Rafael SOTO, launching a dynamic summer programme in the park. Situated in the vicinity of Serpentine South, Pénétrable BBL Jaune (1999; 2023 Edition) is on show until 25 October 2026. This is the first outdoor presentation of the artist’s work in the UK. Art situated in the park has become central to Serpentine’s year-round activities, extending its exhibitions beyond the gallery walls and into the surrounding landscape.   Pénétrable BBL Jaune (1999; 2023 Edition) exemplifies the artist’s lifelong interest in movement, space and tactility. Born in Venezuela in 1923, SOTO became one of the leading exponents of kinetic art and created more than seventy Pénétrable sculptures of various sizes and colours throughout his seven-decade long career: works composed of metal rods and nylon strands suspended in space through which viewers are invited to enter. Image: Jesús Rafael Soto, Pénétrable BBL Jaune (1999;2023 Edition). © Jesús Rafael Soto / ADAGP, Paris 2026. Courtesy Atelier Soto, Paris and Galerie Perrotin. Photo: George Darrell. Courtesy Serpentine ABOUT SERPENTINE Building new connections between artists and audiences, Serpentine presents pioneering contemporary art exhibitions and cultural events with a legacy that stretches back over half a century, from a wide range of emerging practitioners to the most internationally recognised artists, writers, scientists, thinkers, and cultural thought leaders of our time.   Based in London’s Kensington Gardens, across two sites, Serpentine North and Serpentine South, Serpentine features a year-round, free programme of exhibitions, architectural showcases, education, live events and technological activations, in the park and beyond the gallery walls.   The Serpentine Pavilion is a yearly pioneering commission, which began in 2000 with Dame Zaha Hadid. It features the first UK structures by some of the biggest names in international architecture.   Public art has emerged as a central strand of Serpentine’s programme. Major presentations include a collection of Eduardo Paolozzi’s sculptures (1987), Anish Kapoor’s Turning the World Upside Down (2010), Lee Ufan presented Relatum – Stage (2018-19), Christo and Jeanne-Claude’s London Mastaba in the Serpentine Lake (2018), I LOVE YOU EARTH by Yoko Ono (2021), Dominique Gonzalez-Foerster In remembrance of the coming alien (Alienor), (2022), Alexandra Daisy Ginsberg’s Pollinator Pathmaker (2022 - 2023), Gerhard Richter’s STRIP-TOWER (2023), Yayoi Kusama’s Pumpkin (2024), Esther Mahlangu’s mural Umuntu ngumuntu ngabantu (2024) and David Hockney’s A Year in Normandie, 2026. Giuseppe Penone’s Albero folgorato (Thunderstruck Tree) (2012) and Idee di pietra (Ideas of Stone), 2010–2024 (2025); Pénétrable BBL Jaune (1999; 2023 edition) by Jesús Rafael Soto are currently on view in Kensington Gardens. Proud to maintain free access for all visitors, Serpentine reaches an exceptionally broad audience and maintains a profound connection with its local community.  FOR MORE INFORMATION PLEASE CONTACT   Nicholas Smirnoff, Head of Communications: nicholass@serpentinegalleries.org, +44 7570 291 018

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Prune Nourry~Visionaries, Petit Palace, Palace celebratng little know women sculptors. October's lecture on the 23rd. from 12:30-1:30. Celebrate women in art ,

VISIONNAIRES, PETIT PALAIS, PARIS © Laurent Edeline, © Éléa-Jeanne Schmitter À l’invitation du Petit Palais, Prune Nourry met en lumière, dans l’exposition « Visionnaires», des sculptrices méconnues ou oubliées. Malgré des contraintes sociales et un accès limité aux formations artistiques, ces pionnières sont parvenues à s’imposer dans un milieu majoritairement masculin. Invited by the Petit Palais, Prune Nourry pays tribute to little-known or forgotten female sculptors in Visionnaires. Despite social constraints and limited access to artistic training, a handful of pioneering women succeeded in making their mark in a predominantly male field. Prune Nourry sculptant dans son atelier / Prune Nourry sculpting in her studio © Éléa Jeanne Schmitter La collection du Petit Palais en témoigne : à peine quatre pour cent des œuvres conservées ont été réalisées par des femmes. De la galerie des sculptures au jardin, les dix-huit portraits créés par Prune Nourry ravivent la mémoire de sculptrices de la fin du XIXe et du début du XXe siècle.  À la demande de l’artiste, trois historiennes de l’art ont rassemblé les écrits et les portraits photographiques de sculptrices ayant vécu ou travaillé à Paris. Parmi elles figurent Sarah Bernhardt, Hélène Bertaux, Selma Hortense Burke, Daria Gamsaragan, Käthe Kollwitz, Jane Poupelet, Nancy Elizabeth Prophet, Consuelo de Saint-Exupéry et Wang Jingyuan. The Petit Palais collection reflects this: barely four percent of its works were created by women. From the sculpture gallery to the garden, the eighteen portraits created by Prune Nourry for the spaces of the Petit Palais bring to life a panoply of female sculptors from the late nineteenth and early twentieth centuries.  At the artist’s request, three art historians collected writings and photographic portraits of female sculptors who lived or worked in Paris at that time, a cosmopolitan artistic capital. These include Sarah Bernhardt, Hélène Bertaux, Selma Hortense Burke, Daria Gamsaragan, Käthe Kollwitz, Nancy Elizabeth Prophet, Consuelo de Saint-Exupéry and Wang Jingyuan. Vue de l'exposition, Petit Palais / Exhibition view, Petit Palais © Laurent Edeline Inspirée par la puissance de leurs créations et la force de leur engagement, Prune Nourry met à l’honneur leur parcours à travers des portraits monumentaux dont le style synthétique affirme une présence forte. En écho à la collection de sculptures du Petit Palais, l’artiste choisit le plâtre pour la réalisation de ces bustes inédits. Chacune des visionnaires possède des yeux en marbre inspirés de la statuaire polychrome du Petit Palais.  Inspired by the power of their creations and the strength of their commitment, Prune Nourry pays tribute to their careers and choices in monumental portraits stripped back to their essentials to let their presence speak for itself.  She chose plaster to echo the Petit Palais sculpture collection, and marble for the eyes, drawing on the museum's polychrome statuary. Œuvres monumentales dans l'atelier de la Gare de Saint-Denis - Pleyel, Grand Paris Express Monumental artworks at the Gare de Saint-Denis - Pleyel studio, Grand Paris Express © Aurelia Casse À travers son œuvre, Prune Nourry poursuit son travail en faveur de la visibilité et de la reconnaissance des femmes dans l’histoire de la sculpture. Through her works, Prune Nourry seeks to increase the visibility and recognition of women in the history of sculpture.  Conférence inaugurale : 23 octobre 2026, 12h30 - 13h30 Auditorium du Petit Palais En accès libre dans la limite des places disponibles Lien vers les détails Opening Lecture: October 23, 2026, 12:30–1:30 p.m. Petit Palais Auditorium Free admission, subject to availability and capacity Link to the details Informations pratiques Dates : du 20 octobre 2026 au 24 janvier 2027 Lieu : Petit Palais - Musée des Beaux Arts de la Ville de Paris, Avenue Winston-Churchill, 75008, Paris Horaires : du mardi au dimanche, 10h - 18h  #prunenourryparis#fineartmagazineblog.blogspot.com #sunstormfineartmagazine.com#artfunpars#fineartparis#fineartfun#artfunsculptors,