Showing posts with label artfunnow. Show all posts
Showing posts with label artfunnow. Show all posts

Thursday, October 29, 2026

Documentary film maker Ken Burns named the Inaugural Recipient of the David M. Rubenstein Prize for American History. See details below

 The prize is in honor of the 25th Anniversary of the United States. 




Ken Burns Named the Inaugural Recipient of the David M. Rubenstein Prize for the Advancement of American History

Annual Prize, established by The New York Historical and endowed by David M. Rubenstein, Honors Excellence in Promoting American History

—The New York Historical is pleased to announce that documentary filmmaker Ken Burns is the inaugural recipient of the David M. Rubenstein Prize for the Advancement of American History, created in honor of the 250th anniversary of the United States. The award, founded by financier and philanthropist David M. Rubenstein, pays tribute to an individual who has made significant contributions to promoting knowledge and understanding of American history. 

 

Following a call for nominations earlier this summer, which resulted in hundreds of entries, a jury made up of experts including historian Beverly Gage, scholar Annette Gordon-Reed, biographer Jon Meacham, journalist Fareed Zakaria, and Made by Us Executive Director Caroline Klibanoff selected this year’s recipient. Ken Burns receives $250,000 and a citation certificate to be presented at a gala dinner on February 20, 2027, in Palm Beach, Florida, where he will be interviewed by Mr. Rubenstein. The news will also be shared in a full-page advertisement in the New York Times and Washington Post. 

 

 

“Ken Burns’s work reflects our highest aspirations with the David M. Rubenstein Prize,” said the jury. “Always asking the question, ‘Who are we as Americans?’ Ken’s films have brought the history of the nation to more people in our time than perhaps any other body of work by one person, shedding light on our virtues and our vices. His commitment to storytelling and his rigor as a historian is a model for the field.”

 

“I am hugely appreciative and humbled by this extraordinary recognition,” said Ken Burns. “David Rubenstein and The New York Historical jointly represent the very best of what it means to be civically minded, working to preserve our history and educate our public, understanding that an informed and questioning citizenry is what the founders meant by a virtuous republic. Our films rely on the work of generations of historians and archivists and what amounts to a collective conversation about who we are as a people. I am very fortunate to be part of this conversation about a country I love. And equally, it’s an honor to join David and The New York Historical to ask all Americans to be part of a conversation that I am confident will go on for another 250 years, hopefully allowing us to even better achieve the ideals of our founding documents.”

“Ken Burns’s films, whether exploring major historical conflicts, iconic American institutions, or the biographies of consequential Americans, invariably succeed in finding their way to the center of our national conversation,” said Louise Mirrer, president & CEO of The New York Historical. “This is because of the profound insight Ken's work offers into the nation’s past and his gift for presenting history to the broadest possible public. These qualities, among others, make him the quintessential inaugural recipient of an award that celebrates the advancement of American history. We are thrilled to honor Ken with the 2026 David M. Rubenstein Prize and are deeply indebted to David Rubenstein for establishing this prize.”

Ken Burns has been making documentary films for 50 years. Since the Academy Award-nominated Brooklyn Bridge in 1981, Ken has gone on to direct and produce some of the most acclaimed historical documentaries ever made, including The Civil War; Baseball; Jazz; The War; The National Parks: America’s Best Idea; Prohibition; The Roosevelts: An Intimate History; The Vietnam War; Country Music; The US and the Holocaust; The American Buffalo; Leonardo da Vinci; and, most recently, The American Revolution. Future film projects include Martin Luther King Jr., LBJ & the Great Society, Emancipation to Exodus, and CIA, among others. Ken’s films have been honored with dozens of major awards, including 17 Emmys, two Grammys, and two Oscar nominations. In September of 2008, at the News & Documentary Emmy Awards, Ken was honored by the Academy of Television Arts & Sciences with a Lifetime Achievement Award. In November of 2022, Ken was inducted into the Television Academy Hall of Fame.

 

The David M. Rubenstein Prize for the Advancement of American History seeks to honor a living historian, writer, teacher, filmmaker, podcaster, social media producer, or leader of a professional, philanthropic, or cultural organization who consistently and significantly helps the public to better understand the nation’s past. Nominations for next year’s prize will open in 2027. 

   

The television series History with David M. Rubenstein, filmed in The Historical’s Robert H. Smith Auditorium, airs on local PBS stations across the nation. A rich library of Mr. Rubenstein’s interviews are also available via The Historical’s podcast For the Ages, which launched in June 2021.

 

About The New York Historical 
New York’s first museum, The New York Historical is a leading cultural institution covering over 400 years of American history. Our offerings span groundbreaking exhibitions; peerless collections of art, documents, and artifacts; acclaimed educational programs for teachers and students nationwide; and thought-provoking conversations among leading scholars, journalists, and thinkers about the past, present, and future of the American experiment. The New York Historical is a museum of museums and a collection of collections. We are home to the Patricia D. Klingenstein Library, the Center for Women’s History, the DiMenna Children’s History Museum, and the future American LGBTQ+ Museum. We elevate the perspectives and scholarship that define the United States’ democratic heritage and challenge us all to shape our ongoing history for the better. Connect with us at nyhistory.org or at @nyhistory on Facebook, Twitter, Instagram, TikTok, YouTube, and Tumblr.

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Wednesday, October 28, 2026

Casey Chalem Anderson's two images will be seen in a new NetFlix film. See Details belwo.

This is positive news from Casey. Congratulations!

The N’oreaster That Walked Me onto a Netflix Set


In the 10/28/2026 edition: 
By casey on Oct 23, 2026 03:02 pm
Jumbo Advancing Wave 48 x 72 oil/canvas by Casey Chalem Anderson

Jumbo Advancing Wave 48 x 72 oil/canvas by Casey Chalem Anderson

View From The Bridge, Oil on wood, 24in x 24in

When Shannon Wiley of Sea Green Designs phoned and asked, “Would you want to have your paintings in a film?” my first response was, “Well, what kind of film?” My mind raced through the possibilities: student film, porn film. I needed a little more information before picturing my paintings on the big screen.

The connection began with a six-by-four-foot ocean wave. Shannon had selected it for above the fireplace at the Hamptons Design House, and images of that installation were on her website. That’s where the set designers found it. Which is how they found me. I’ve been focusing on larger canvases. At that scale, a painting can shift the atmosphere of a whole room. The project turned out to be “Women Like Us,” the upcoming Netflix film starring Whoopi Goldberg, Vivica A. Fox, Vanessa Williams, and Jennifer Lewis, with Michelle Obama as an executive producer.

When I spoke with the set designer, she asked if I had other paintings. I sent images, and she said, “I think we want to take all of them.” Ultimately, they rented nine of my paintings for the production at the Pridwin Hotel on Shelter Island. Renting work for a film was entirely new to me.

A few days later I was invited to come check out the set. A man with an earpiece directed me to park at the bottom of the hill, parallel to the raging steel-grey water churned up with whitecaps.  A nor’easter was brewing and the evidence was here. I held on to my hat as I made my way to the hotel entrance. The first thing I saw was one of my large wave paintings against a forest green wall.

Inside, a hubbub of activity filled the air. People were opening boxes, unpacking, taping things. Everyone seemed to know their job, working together in a coordinated and focused way. I was surprised by how many people it took to bring the set together. None of the stars were there during my visit. I met the set designer and an art director, both welcoming and genuinely enthusiastic about the paintings. Hearing that felt wonderful. My contact told me to wander, so I spent about forty-five minutes soaking it in.

Some of my paintings were already hanging, but at one point I looked up and saw that “View from the Bridge”, had been moved to a wall while I was there. That Towd Point view, salt marshes, and water took its place in a new setting. It became part of someone else’s story. What struck me was the care; nothing felt casual. Everything within the camera’s view seemed chosen to help tell the story.

It was a thrill to see my work shape the feeling of being by the sea.  I can’t wait to see the finished film and discover how the paintings appear on screen.

These paintings carry the sea indoors, its shifting light and quiet force. They hold a sense of presence that draws us back to the shoreline again and again.

Warmly,

Casey

 

 


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The Haines Gallery is hosting the Screening " Elevating Untold Stories & Native Resilience Through Art & Peacekeeping in Yelamu~ Wednesday Nov 4 at the Gallery 5:30-73:30. See details below.

During November, Native American Heritage Month, The Haines Gallery joins the American Indian Cultural District (AICD) in San Francisco,  to tell the story/ map Genocide with Native American culture. 
 
 

Film Screening: Elevating Untold Stories & Native Resilience Through Art & Placekeeping in Yelamu

Co-Presented by the American Indian Cultural District and Haines

Wednesday, November 4 at Haines Gallery

5:30 PM – 7:30 PM

Film Screening to begin at 6:00 PM

Followed by a Q&A with Sharaya Souza (Executive Director, AICD) and Dianne Albright (Operations Manager, AICD)

 

This November, during Native American Heritage Month, join American Indian Cultural District (AICD) and Haines for a screening of Elevating Untold Stories & Native Resilience Through Art & Placekeeping in Yelamu, a documentary film honoring the cultures, histories, lived experiences, and resilience of Indigenous peoples in Yelamu (San Francisco).


Produced by AICD as part of the Mapping Genocide Project and broader Indigenize SF Initiative, the film centers Native perspectives to examine whose histories have been celebrated and memorialized in San Francisco’s public realm—and whose have been erased. At the same time, audiences are invited to reimagine the future of Yelamu through an Indigenous lens, creating space for community dialogue about representation, truth, and healing.


This screening is presented in conjunction with AICD’s Mapping Genocide, on view at the San Francisco Public Library’s Main Branch through January 21, 2027; Haines Gallery’s 250 Years, Indigenous Futures, which closes on November 7, 2026; and a series of public art installations presented by AICD at Fort Mason.


This event is free and open to the public. Seating is limited—please RSVP through Eventbrite.

 
RSVP here
 

Related Exhibitions

 

Mapping Genocide

Presented by AICD at the

San Francisco Public Library

Main Library, 100 Larkin Street

San Francisco, CA 94102

On view through January 21, 2027

LEARN MORE
 

Public Art Installations at Fort Mason

Sphere installations by Edward "Redbird" Willie and Drew Valencia;

Commissioned murals by Jewelina Acosta and Brittany Burrows

Presented by AICD at

Fort Mason Center for Arts & Culture, Building D Lobby

 

250 Years, Indigenous Futures

Victoria Grace Canby, Jordan Ann Craig, Sky Hopinka, Brad Kahlhamer, Terran Last Gun, Jamie Okuma, Wendy Red Star, and Keith Secola

Haines Gallery

On view through November 7, 2026

LEARN MORE
 

Sales Inquiries: alexandra@hainesgallery.com

Press Inquiries: irene@hainesgallery.com

 

Images: 1) Jackie Fawn, detail from Mapping Genocide Project, 2025. © American Indian Cultural District; 2) Jackie Fawn, detail from Mapping Genocide Project, 2025. © American Indian Cultural District; 3) Installation view of artworks by Brittany Burrows, Edward "Redbird" Willie, and Drew Valencia at Fort Mason; 4) Installation view of 250 Years, Indigenous Futures at Haines. Photo: Shaun Roberts

 
Email            Instagram            Facebook
 

2 Marina Boulevard, Building CSan Francisco, CA 94123 US

Tue - Sat: 10:30 AM - 5:30 PM

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The Huntington Arts Council's 15 Annuel ~Nightmare on Main Street~ October 27- November 15, 2026. Showcasing student art 6-12. Detail below


Huntington Arts Council is excited to present the 15th Annual Nightmare on Main Street, Student Exhibition Juried by Gina Ienopoli. Please join us for the Nightmare on Main Street Reception, Thursday, October 29, 2026, from 4PM - 7PM at our Main Street Gallery, 213 Main Street, Huntington NY, 11743. All are welcome to attend.

The exhibition is on view in our Gallery and on our website www.huntingtonarts.org through November 15, 2026. Gallery hours are Tuesday - Friday, 10AM - 4PM.

The Nightmare on Main Street Exhibition engages student artists from grades 6-12 across Nassau, Suffolk and Queens County school districts. Congratulations to all the 157 students who submitted entries to the show. The Juror has chosen 45 pieces to be featured in the Main Street Gallery by the following students: Delina Afewerki, Talia Aguirre, Samuel Allison, Talia Almaliah, Madeline Altman, Elianna Attah, Rhiannon Aull, Schaila Kathrisse Bandong, Keira Barrie, Hannah Bieler, Damian Campos, Ian Cangemi, Tess Carey, Sophia Carnesi, Nicholas Coiscou-Dragotta, Angela Colin, Hira Danish, Danielle de Masi, Cadence Dondero, Emily Federico, Anna Jenkins, Selena Jiang, Aiden Lee, Bella Li, Anastasia Lin, Grace Lin, Wilhabelle Louisjean, Alana Mahmud, Ugonna Okwu, Sharmia Oladipo, Karin Pan, Sophia Pane, Jamie Pietsch, Camila Rosales, Emma Rosenfeld, Marchello Sellitto, Ronnie Suri-Finn, Kayla Tsai, Leah Vanel, Kaya Wagner, Tommy Wasylyshyn, Sofia Watson, Tammy Xie, Zhiqian Zhang, Charlotte Ziegler. The remaining 112 pieces of artwork will be featured in the online gallery on our website www.huntingtonarts.org.

About the Juror: Gina Ienopoli, born in 1997 on Long Island, New York, pursued her studies at The Fashion Institute of Technology in NYC from 2015 to 2019. Skills ranging from graphic design and product photography to mural painting and film photography, Ienopoli’s eclectic practice explores the surrealist realm while adhering to a dark aesthetic. The artist’s stylistic choices reflect her ambition to portray dark, moody themes in a vibrant or confrontational manner for the viewer. During her time in school, she was shortlisted for the Sony World Photography Awards for her notable piece, “The Idealist,” a portrait of a woman blowing out a birthday candle while having icing for hair. This photograph was showcased at Somerset House in London, alongside works from other esteemed photographers around the world. Additionally, her photography series titled "Abandoned" and the photograph "Feeling Alive," which explores urban decay throughout desolate buildings, has received numerous recognitions over the years from the Adobe Design Achievement Awards, Juxtapoz's High Art, Holy Apostles Gallery, and The Patchogue Arts Council. Since 2022, Ienopoli has been residing and working in New York City, concentrating on freelance projects and her small punk merchandise business “Ghouligans”.

About Huntington Arts Council

Now celebrating our 63rd year, the Huntington Arts Council is a 501(c)(3) not-for-profit organization which enriches the quality of life of Long Islanders with programs and services that address the needs and interests of artists, cultural organizations and the community. The Council's programs reach over one million Long Island residents, and it serves the entire region with its cultural listings at www.huntingtonarts.org. The Huntington Arts Council has been designated a "Primary Institution" by the New York State Council on the Arts, a title meaning "vital to the cultural life of New York State." The Council is the official arts coordinating agency for the Town of Huntington, and serves as the primary regranting agency on Long Island for the New York State Council on the Arts (NYSCA), in addition to its services to over 600 member cultural organizations and individual artist members. Programs are made possible in part by funding from the New York State Council on the Arts, the Town of Huntington, the Suffolk County Department of Cultural Affairs, the County of Suffolk, corporations, foundations and individuals.

Huntington Arts Council | info@huntingtonarts.org | huntingtonarts.org

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Huntington Arts Council, Inc. | 213 Main Street | Huntington, NY 11743 US

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