Showing posts with label Corning Museum of Glass. Show all posts
Showing posts with label Corning Museum of Glass. Show all posts

Thursday, October 1, 2026

Corring Museum of Glass awards Kenn Willians, bead meaker, the prestigious Rakow Commission for 2026

Ken Williams is a Northern Arapaho, and the Cattaraugus Tribal Nations artist. His work in  contemporary bead making is extraordinary. Williams will lecture November 5th , 2026  6 pm EST. See all details and his list of awards below. 

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Corning Museum of Glass Announces Ken Williams Jr. as Recipient of the 2026 Rakow Commission

 

CMoG’s prestigious Rakow Commission marks its 40th year by supporting a new work in glass by Ken Williams Jr., the first beadwork artist selected for the commission

Ken Williams Jr. will publicly unveil the work at CMoG during a Connected by Glass lecture on November 5, 2026 at 6 pm EST

Portrait of Jes Fan, image by Andrew Fang courtesy of the artist and Andrew Kreps Gallery, New York.
 

CORNING, NY, October 1, 2026 — The Corning Museum of Glass (CMoG) announced the selection of beadwork artist Ken Williams Jr. (b. 1983, Northern Arapaho and Cattaraugus Seneca) as the recipient of the 2026 Rakow Commission. Marking the Commission’s 40th year, the selection is the first Rakow Commission awarded for beadwork. The completed work will be unveiled on November 5, 2026, during a Connected by Glass lecture by the artist followed by a closer look at the work in the Contemporary Art + Design Galleries.

Williams Jr. began experimenting with beadwork at an early age on the Cattaraugus Seneca Indian Territory and later refined his technique alongside master bead workers from his mother’s Northern Arapaho family. Widely celebrated for his pictorial beadwork, he is using the Rakow Commission as an opportunity to move beyond functional and wearable forms, creating a standalone wall panel. Drawing inspiration from Pop Art and a vibrant color palette, the framed composition features the artist’s cat, Valentino, complete with a thought bubble depicting his favorite foods as part of his “Yum Series.” Williams Jr.’s work, titled, I Am the Hungry Cat, bridges ancestral artistic traditions with a playful, contemporary sensibility, expanding the possibilities of glass as a medium for narrative art.

“Beadwork is something I grew up with,” said Williams Jr. “It is both familiar and comforting, carrying generations of knowledge passed down through my heritage. To have this traditional art form recognized through the Rakow Commission is deeply meaningful. I’ve always used glass beads to tell stories, but experimenting with a new vehicle and format gave me the freedom to try something fresh and personal. Glass beads allow me to honor my ancestors while pushing my practice toward the future, and I’m thrilled to be able to bring that spirit to CMoG.”

“Ken’s work demonstrates how Indigenous artistic traditions engage dynamically with contemporary art,” said Tami Landis, curator of postwar and contemporary glass at CMoG. “By bringing his extraordinary beadwork to a new format and infusing it with his distinct personality and humor, Ken expands our understanding of what beadworking can be. This Rakow Commission celebrates an artist who respects the lineage of his craft while fearlessly innovating within it, and we are excited to bring his vibrant story to our galleries.”

“In a year when CMoG celebrates its 75th anniversary, The Studio marks 30 years, and the Rakow Commission reaches its 40th year, it is especially meaningful to add another first to the Museum’s history: the first Rakow Commission awarded for beadwork,” said Jessica Levin Martinez, president and executive director of the Corning Museum of Glass. “Ken Williams Jr.’s commission reflects the spirit of this milestone moment, honoring the deep traditions of indigenous beadwork while expanding how visitors understand glass as a medium for storytelling and artistic expression.”

The Rakow Commission has been awarded annually by CMoG since 1986 to an artist who is making important strides in contemporary glass. One of the most prestigious awards for artists working in glass, the Commission recognizes global creatives known for technical innovation and conceptual depth, providing a monetary award and resources to continue to push the field forward. Each year, artists are nominated by the curator of postwar and contemporary glass and selected by a committee. Once completed, the commissioned piece is displayed in the galleries. This program is made possible through the generosity of the late Dr. and Mrs. Leonard S. Rakow. Past award winners include Lino Tagliapietra, Jiří Harcuba, Toots Zynsky, Preston Singletary, among others.

A special Connected by Glass program will take place on November 5, 2026, at 6 pm EST, when the 2026 Rakow Commission work will be revealed in the Contemporary Art + Design Galleries. In-person attendees will be among the first to experience the installation immediately following the public talk, which will also be livestreamed. The in-person event is free and open to the public, and online attendees can register to receive the livestream link on the Corning Museum of Glass website. After the lecture, Museum Members are invited to a reception with the artist in the galleries.

About Ken Williams Jr.
Ken Williams Jr. is a contemporary bead worker who began his career at an early age, experimenting as a self-taught artist who learned by observing family and friends. He completed his BA in museum studies at the Institute of American Indian Arts, Santa Fe (2007), and while there took beadwork classes from noted beadwork artist Teri Greeves. Since 2003, he has participated in the Southwest Association for Indian Arts (SWAIA) Annual Indian Market, Santa Fe, and since 2006 in the Heard Museum Annual Indian Market and Festival, Phoenix. Williams Jr.’s work has been widely exhibited and has garnered many awards. It is in many prominent collections, including the Nerman Museum of Contemporary Art, Wheelwright Museum of the American Indian, Heard Museum, Museum of Indian Arts and Culture (MIAC), Montclair Art Museum, Utah Museum of Natural History, Utah Arts Council, National Museum Scotland, and the Hood Museum at Dartmouth College, as well as many private collections nationwide.

About the Corning Museum of Glass
In 2026, the Corning Museum of Glass celebrates 75 years as the foremost authority on the art, history, and science of glass. It is home to the world’s most important collection of glass, including the finest examples of glassmaking spanning 3,500 years. Live glassblowing demonstrations (offered at the Museum and on the road) bring the material to life. Daily Make Your Own Glass experiences at the Museum enable visitors to create work in a state-of-the-art glassmaking studio. The campus in Corning includes The Studio, a year-round glassmaking school celebrating 30 years in 2026, and the Rakow Research Library, with the world’s preeminent collection of materials on the art and history of glass. Located in the heart of the Finger Lakes Wine Country of New York State, the Museum is open daily 9 a.m.– 5 p.m. from April through December. Winter Hours (January–March) are 9 a.m.–5 p.m. on Monday – Tuesday, Thursday – Sunday (closed Wednesdays). Children and teens, 17 and under, receive free admission.

Images
Ken Williams Jr., photo courtesy of the Corning Museum of Glass
Ken Williams Jr., I Am the Hungry Cat (detail), 2026, 40th Rakow Commission Corning Museum of Glass Media 


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Friday, February 1, 2019

The Corning Museum of Glass Will Release a Sequel to Poplar Digital Publication on Venetian Glassworking Techniques by William Gudenrath

Corning Museum of Glass

William Gudenrath at work in The Studio. Courtesy of The Corning Museum of Glass.

The Corning Museum of Glass Will Release a Sequel to Poplar Digital Publication on Venetian Glassworking Techniques by William Gudenrath

Join the Live Launch Party At 9 a.m. EST on February 4 at CMoG.org 

CORNING, NY, February 1, 2019 —
The Corning Museum of Glass (CMoG) will host a live launch party to celebrate its new digital publication, The Techniques of Renaissance Venetian-Style Glassworking, by artist and scholar William Gudenrath. The sequel to the popular title The Techniques of Renaissance Venetian Glassworking(2016), this scholarly electronic resource presents complete video reconstructions of the historical glassworking process.
No matter where you are in the world, join Gudenrath for a live launch party at 9 a.m. EST on Monday, February 4 at CMoG.org. The author will release an exclusive introduction video, which will be followed by the airing of all videos created for The Techniques of Renaissance Venetian-Style Glassworking, and respond live to questions and comments from viewers.

While Gudenrath’s first publication detailed the golden age of Venetian glassworking, the sequel publication follows the Venetian maestros as they fled isolation and restrictive conditions in the lagoon to set up workshops in a variety of locations across Europe—taking their masterful skills and technical prowess with them.
“The story of the spread of Venetian-style glassworking during the Renaissance is a narrative of intellectual-property loss and of bold entrepreneurship,” says Gudenrath in the publication’s introduction. “This electronic resource focuses on the idiosyncratic techniques developed by these Venetian craftsmen, newly untethered from their homeland, and explores their artistic creativity and technical innovation.”

Using detailed 360° photography, high-definition video, text and related images, Gudenrath sheds new light on 20 Venetian-style glass objects, many from The Corning Museum of Glass collection.

Access the full free publication starting February 4 at RenVenetianStyle.cmog.org.

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ABOUT WILLIAM GUDENRATH 


William Gudenrath is a glassblower, scholar, author, lecturer, and teacher. He is recognized internationally as one of the foremost authorities on glassmaking techniques of the ancient world through the 18th century. He has spent many decades studying 
specific works in glass in an attempt to determine how they were made. As such, he was monikered the “glass detective” by the Associated Press after the release of his first electronic resource, The Techniques of Renaissance Venetian Glassworking, in 2016. 

Although much of Gudenrath’s life has been dedicated to the material he fell in love with at the age of 11 upon being introduced to glass through a chemistry set, Gudenrath took a detour in 1974 to earn a bachelor’s degree from the University of North Texas and in 1978 to earn his Master of Music degree from the Julliard School. He, along with his wife Amy Schwartz, moved to Corning in 1995 to design, build, program, and lead The Studio of The Corning Museum of Glass, where Gudenrath continues to serve as the resident advisor.

In addition to his numerous contributions in print and video on many aspects of glass history, Gudenrath is co-chairman, with Lino Tagliapietra, of the technical committee of Venetian Glass Study Days at the Istituo Veneto di Scienze, Lettere ed Arit, in Venice, and serves on the International Advisory Committee UrbanGlass in Brooklyn, NY. His works are sold in the Museum Shops, as well as other exclusive stores and galleries nationwide.

ABOUT THE CORNING MUSEUM OF GLASS


The Corning Museum of Glass is the foremost authority on the art, history, science, and design of glass. It is home to the world’s most important collection of glass, including the finest examples of glassmaking spanning 3,500 years. Live glassblowing demonstrations (offered at the Museum, on the road, and on the water) bring the material to life. Daily Make Your Own Glass experiences at the Museum enable visitors to create work in a state-of-the-art glassmaking studio. The campus in Corning includes a year-round glassmaking school—The Studio—and the Rakow Research Library, with the world’s preeminent collection of materials on the art and history of glass. Located in the heart of the Finger Lakes Wine Country of New York State, the Museum is open daily, year-round. Children and teens, 17 and under, receive free admission.
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