Band of Vices presents the artist Tania Benegas~Where Fiber Becomes Landscape~See details below to view Banegas's work.

 

THE ARTIST'S HAND Tania Banegas Where Fiber Becomes Landscape

For the second edition of The Artist’s Hand—a Band of Vices series bringing collectors closer to the vision, discipline, and singular process behind the work—we turn our attention to Tania Banegas.

Tania Banegas EL SOL NO DEJA DE SALIR, 2026 Acrylic paint, cotton fibers on canvas 12 x 12 x 1.5 in (30.48 x 30.48 x 3.81 cm)

Tania Banegas - her process in 45 secs.

In De La Tierra, Still Waiting, Inez, and El Sol No Deja De Salir, Banegas transforms fiber into something that feels simultaneously botanical, geological, bodily, and abstract. Cotton, linen, cashmere, acrylic fibers, and paint are built into dense, tactile surfaces that seem to grow beyond the canvas rather than simply rest upon it. De La Tierra moves through earthen browns, blush, and cream like strata or terrain; Still Waiting compresses the language into an almost monochromatic black field; Inez becomes an exuberant study in saturated pink; and the pale blue of El Sol No Deja De Salir gives the same material vocabulary an unexpected sense of air, light, and quiet.

Tania Banegas STILL WAITING, 2026 Acrylic paint, cotton and acrylic fibers on canvas, wood frame 13.75 x 13.75 in (34.92 x 34.92 cm)

What connects these four works is Banegas’s ability to make softness carry weight. Her surfaces are lush and inviting, but they are also meticulously constructed; repetition, density, color, and touch become the architecture of each composition. Viewed together, the works reveal how dramatically a single artistic language can shift in mood—from earth to darkness, from sensuality to serenity—without losing its identity. Banegas asks us not simply to look at the work, but to become aware of our desire to touch it, to trace its forms, and to experience material as something emotional. That tension between restraint and abundance is where the work becomes especially compelling.

Tania Banegas INEZ, 2026 Acrylic paint, cotton and acrylic fibers on canvas, wood frame 21.5 x 17.5 in (54.61 x 44.45 cm)

Tania Banegas DE LA TIERRA, 2025 Acrylic paint, cotton, linen and cashmere fibers on canvas 24 x 12 in (60.96 x 30.48 cm)

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Please Note Our Location

Band of Vices is located in the Historic Downtown Los Angeles Arts District. Located at 1700 S. Santa Fe Avenue, Suite 371, south of the 10 freeway, ample free parking is available in the south parking lot (1800 S. Santa Fe Avenue), adjacent to the building. Our neighbors in the building include Vielmetter, Nicodim and Patricia Sweetow galleries.

For all sales & media inquiries, please contact HELLO@BandofVices.com   Band of Vices - DTLA 1700 S. Santa Fe Avenue, Suite 371, Los Angeles, CA 90021 #bandofvices#fineartmagazineblog.blogspot.com #sunstormfineartmagazine.com#artfunlandscapes#arfunfiber#artfunnow#fineartfiber

Monica Ikegwu returns to exhibit `Rea in Red~ At Band of Vices. September 19-October 17, 2026. Changing up the color landscape of viewing another others1

 My Opinion: Monica Ikegwu removes color as the identifying premise in her portraits. She presents "Faces" to be discovered as the landscape she in her subjects. though a red lense.  This interesting and innovative concept allows the painter and viewer to exchange a spontaneous connection with each personality displayed. Jamie Forbes, Publisher Fineartmagazineblog.blogspot.com, and SunStormfineartmagazine.com

MONICA IKEGWU Read in Red 19 September — 17 October 2026 Opening & Artists Reception Saturday, 19 September, 2-5pm Exhibition Walk-through with Monica Ikegwu Saturday, 19 September, 3:30pm (no rsvp required) Monica Ikegwu, RED JOSHUA, Oil on canvas, 12 x 8.8 in, 30.48 x 22.35 cm, 2026 Band of Vices welcomes Monica Ikegwu back for Read in Red, her fourth solo exhibition with the gallery. Monica first exhibited with Band of Vices in 2018 as part of & Introducing. Since then, she has participated in several BoV exhibitions, including We’ve Always Been Here (2019), Masterpiece (2020), GAZE with Tommy Mitchell (2021), They Might Be Giants (2022), Duo (2023) and New Growth (2025). For Read in Red, Ikegwu presents 43 portraits rendered almost entirely in shades of red. “For these works I wanted to know what happens when others see Black people not for their race, but just as a person,” Ikegwu says. “No focus on skin color, just the person.” Monica Ikegwu, RED MILDRED, Oil on wood panel, 5.5 x 4 in, 13.97 x 10.16 cm, 2026 By moving away from natural skin tones, Monica removes one of the first visual distinctions we often use when looking at another person. “You can’t see who has dark skin, who has light skin, all you see is their face,” she says.  Red then takes on another role. For Monica, the color carries a wide range of emotional associations. “Red is one of the few colors that has a vast spectrum of emotion,” she explains. “Love to hatred, passion to anger.” Many of the subjects are presented with restrained or neutral expressions, leaving room for viewers to bring their own associations to each face.The exhibition consists primarily of intimate 5.5 × 4 inch oil paintings on wood panels, along with three larger oil-on-canvas portraits. Together, the works create a series of individual encounters connected through a single palette. Monica Ikegwu, RED TRAE, Oil on wood panel, 5.5 x 4 in, 13.97 x 10.16 cm, 2026 “We’ve known Monica’s work since 2018, and it has been meaningful to see how her practice has developed over the years,” says Terrell Tilford, Founder and Creative Director of Band of Vices. “There has always been a strong sense of discipline in the work. With Read in Red, she is approaching portraiture from a slightly different place and asking us to think about what we see first when we look at another person.” Ikegwu earned her BFA in Painting from the Maryland Institute College of Art and her MFA in Painting from the New York Academy of Art. Her work has been exhibited at institutions including the Baltimore Museum of Art, Saint Louis Art Museum, Schirn Kunsthalle Frankfurt, Cincinnati Art Museum and Art Gallery of Toronto. Her work is also held in the collections of the Saint Louis Art Museum, Baltimore Museum of Art, Columbus Museum of Art, Petrucci Foundation and Muskegon Museum of Art. “With these 43 portraits, we hope you are able to experience these individuals not through the lens of race, but through the full range of emotion found in color.” Read in Red is presented concurrently with the group exhibition, Hey, Sis.   Checklist Request - Read in Red Press Release - Read in Red Please Note Our Location   Band of Vices is located in the Historic Downtown Los Angeles Arts District. Located at 1700 S. Santa Fe Avenue, Suite 371, south of the 10 freeway, ample free parking is available in the south parking lot (1800 S. Santa Fe Avenue), adjacent to the building. Our neighbors in the building include Vielmetter, Nicodim and Patricia Sweetow galleries.  For all sales & media inquiries, please contact HELLO@BandofVices.com   Band of Vices - DTLA 1700 S. Santa Fe Avenue, Suite 371, Los Angeles, CA 90021

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