Phillips to Offer Marc Chagall’s Le Père in the New York Evening Sale of 20th Century & Contemporary Art !

Phillips to Offer Marc Chagall’s Le Père in the New York Evening Sale of 20th Century & Contemporary Art    The Most Significant Early Painting by the Artist to Appear on the Market in Decades   Recently Restituted to the Heirs of David Cender in a Landmark Decision by the French National Assembly   Marc Chagall Le Père, 1911 Estimate: $6-8 Million   NEW YORK – 6 OCTOBER 2022 – On 15 November, Phillips will offer Marc Chagall’s Le Père in the New York Evening Sale of 20th Century & Contemporary Art. Executed in 1911, during a transformative period in the artist’s career, the painting is among fifteen works of art that the French Government have restituted earlier this year — part of an ongoing effort to return works in its museums that were wrongfully seized by the Nazi Party during World War II. A long-treasured part of the collection of David Cender, a musical instrument-maker from Łódź, Poland, the work was taken from him in 1940 before he was sent to Auschwitz with his family. By 1966, it had been reacquired by Chagall himself, who held a particular affinity for the painting, as it portrays his beloved father. In 1988, the Musée national d’art moderne, Centre national d’art et de culture Georges-Pompidou in Paris received the painting by dation from Chagall’s estate. Estimated at $6-8 million, this is the first work from this group of fifteen restituted artworks to appear at auction.   Jeremiah Evarts, Deputy Chairman, Americas, and Senior International Specialist, 20th Century & Contemporary Art, said, “Phillips is honored to play a role in the incredible journey that this painting has taken over the last century. Chagall’s legacy is vital to the history of Western art, with Le Père standing as a masterwork within the art historical canon. The heart-wrenching and compelling history of the painting after its completion, all leading to the wonderful news of its return to the Cender Family makes the story of Le Père all the more fascinating. We commend the French government for their dedication in returning such important works in their collection to the families of their rightful owners.”   Le Père is a rare, dynamic portrait which signifies the artist’s pivotal transition from art student in Saint Petersburg to one of the defining figures of European Modernism. During the winter of 1911-1912, Chagall moved into La Ruche, an artists’ commune on the outskirts of Montparnasse. The works he created over the next three years are among the most highly regarded of his career, with his portraits bearing particular significance. Throughout his lifetime, Chagall revitalized the inherited traditions of portrait painting. He painted dreamy and fantastical portraits of lovers, religious figures, villagers, and his beloved family throughout his seven-decade career.  Le Père is an intimate portrait of the artist’s father Zahar, a quiet and shy man who spent his entire life working in the same manual labor job. Portraits of the artist’s father are rare within Chagall’s oeuvre. Far from the generalized symbols of lovers that dominated much of his later paintings, this early work is a remarkably personal and heartfelt depiction.   The early owner of this painting, David Cender, was a prominent musical instrument maker in Łódź, Poland who created pieces of the highest class for the eminent musicians of the era, as well as being a musician and music teacher in his own right. In 1939, David married Ruta Zylbersztajn and soon after their daughter Bluma was born. Prior to 1939, 34% of Łódź's 665,000 inhabitants were Jewish, and the city was a thriving center of Jewish culture. In the spring of 1940, David Cender and his family were forced to leave their home and move into the ghetto, leaving behind numerous valuable possessions including their collection of artwork and musical instruments. While David survived the war, his wife, daughter, and other relatives were killed at Auschwitz.   Chagall reacquired the work by 1966 and it remained in his personal collection through the remainder of his life. In 1988, Musée national d’art moderne, Centre national d’art et de culture Georges-Pompidou in Paris received by dation from the Chagall estate Le Père along with 45 paintings and 406 drawings and gouaches. Ten years later, the work was deposited into the Musée d'art et d'histoire du Judaïsme in Paris, where it was been on view for twenty-four years.   Earlier this year, on 25 January 2022, the French National Assembly unanimously passed a bill approving the return of the fifteen works of art; the bill was then passed by its Senate on 15 February. The Minister of Culture, Roselyne Bachelot, praised the decision saying that not restituting the works was “the denial of the humanity [of these Jewish families], their memory, their memories.” The historic passing of this bill marks the first time in more than seventy years that a government initiated the restitution of works in public collections looted during World War II or acquired through anti-Semitic persecutions.   On April 1, 2022, Le Père was returned to the heirs of David Cender by the Parlement français in Paris.   Coming to auction for the first time, Le Père is a treasured and rare example from the artist’s early oeuvre. It’s inclusion in this landmark restitution signifies a historic moment in cultural history.     Auction: 15 November 2022, 432 Park Avenue, New York, NY Click here for more information: https://www.phillips.com/auctions/auction/NY010722

ABOUT PHILLIPS Phillips is a leading global platform for buying and selling 20th and 21st century art and design. With dedicated expertise in the areas of 20th Century and Contemporary Art, Design, Photographs, Editions, Watches, and Jewelry, Phillips offers professional services and advice on all aspects of collecting. Auctions and exhibitions are held at salerooms in New York, London, Geneva, and Hong Kong, while clients are further served through representative offices based throughout Europe, the United States and Asia. Phillips also offers an online auction platform accessible anywhere in the world.  In addition to providing selling and buying opportunities through auction, Phillips brokers private sales and offers assistance with appraisals, valuations, and other financial services. Visit www.phillips.com for further information.   *Estimates do not include buyer’s premium; prices achieved include the hammer price plus buyer’s premium.   PRESS CONTACTS:             NEW YORK – Jaime Israni, Public Relations Director, Americas     jisrani@phillips.com   LONDON – Katie Carder, Head of Press, Europe                            kcarder@phillips.com     PHILLIPS NEW YORK – 432 Park Avenue, New York, NY 10022 PHILLIPS LONDON – 30 Berkeley Square, London, W1J 6EX PHILLIPS HONG KONG – 14/F St. George’s Building, 2 Ice House Street, Central Hong Kong

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Marc Chagall - Nassau County Museum of Art

Marc Chagall
Museum Galleries To Become a Treasure House of
Chagall’s Works, Including First Local Showing of
1957 Bible Series of Hand-Colored Etchings

July 21—November 4, 2012

 

“If we had nothing of Chagall but his Bible, he would be for us a great modern artist."
Art Historian Meyer Schapiro [Columbia University]

“The Bible is life, an echo of nature, and this is the secret I have endeavored to transmit."
Marc Chagall

Two years ago, Ambassador Arnold Saltzman, the founding president and current executive vice president of Nassau County Museum of Art, proposed a highly ambitious undertaking—an exhibition that would make the museum’s galleries a treasure house of works by Marc Chagall. The museum’s former director, Constance Schwartz, was enlisted to organize an extraordinary exhibition of Chagall’s work, more extensive than any other previously seen in this area, and including paintings being shown to the Long Island public for the first time. Saltzman and Schwartz reached out for important loans from the many collectors, galleries and museums that they had established relationships with over the years. These efforts have resulted in Marc Chagall, a major exhibition that features significant paintings and a large selection from Chagall’s series of 105 hand-colored etchings of Bible stories that he produced in 1957. These etchings have never before been seen on Long Island. Marc Chagall, opening at Nassau County Museum of Art on July 21, 2012 and remaining on view through November 4, 2012, is supported by the Saltzman Family Foundation and The David Berg Foundation.

The works selected for the exhibition demonstrate how Chagall, throughout a long and distinguished career, incorporated facets of his early Russian-Jewish heritage into multilayered works. Chagall’s storytelling paintings portray a fantastic pictorial world where heaven and earth seem to meet, and couples are always in love. It’s a world where people and animals—cows, goats, donkeys, horses and birds—float upside down or sideways, irrespective of the laws of gravity. Chagall’s hypersensitive imagination is palpable as he shares with the viewer his memories of family in brilliantly colored works set amidst the houses and streets of his native Vitebsk.

The Bible etchings on view in Marc Chagall are on loan from the Haggerty Art Museum of Marquette University in Milwaukee. Chagall’s biographer, Franz Meyer, wrote: “Chagall’s ties with the Bible are very deep indeed; the forms that people its world are a part of his own inner life, part of the living Jewish heritage, and thus are archetypes of a greater, more intensive world.”  In Marc Chagall—The Graphic Works, Meyer speculates that the significance of the Bible in Chagall’s work was rooted in his early childhood experiences in Russia.

Marc Chagall (1887-1985) was the eldest of nine children born to a poor Russian-Jewish family in the village of Vitebsk. His artistic talent was evident early with a distinctive style of images from childhood emerging during his studies with Leon Bakst in St. Petersburg. Working in Paris from 1910 to 1914, Chagall began to produce paintings inspired by Russian folklore and village life. During World War I, Chagall returned to Russia, ascending to the post of Commissar for Fine Arts in Vitebsk. It was there that he produced works that were to become his most famous—images in strong, bright colors depicting otherworldly states that fused fantasy, nostalgia and religion. He returned to France permanently after World War I, save for the years of the Nazi occupation when he fled to the safety of New York and its environs.

The museum is offering several exhibition-related programs to enhance understanding and enjoyment of the Chagall exhibition. Artists of the 20th Century: Marc Chagall is a 50-minute film screening daily from July 21 through November 4; the film explores Chagall’s Russian-Jewish roots. Lunchtime lectures on the exhibition will be offered on August 23, September 20 and October 25, On October 6, Director Emerita and Guest Curator Constance Schwartz discusses the exhibition; she will be joined by art collector Ambassador Arnold A. Saltzman, the museum’s founding president. On September 15 a Klezmer Band presents a concert of the spirited music heard at Jewish weddings and celebrations in the Russia of Chagall’s youth. Art historian and author Charles A. Riley II, Ph.D. returns to the museum on October 13 with a talk about Chagall’s artwork for the performing arts, especially opera and dance. Children’s programs in connection with the Chagall exhibition include Friday morning readings of Eastern European folklore on July 27, August 3 and August 10, followed by a family-friendly exhibition tour and supervised art activities. Show Us Your Collections! on August 18 will encourage youngsters to share their prized possessions and create new art with a variety of materials. Discover Chagall’s Childhood World on October 20 features a real petting zoo to echo the animal characters seen in Chagall’s paintings of his native Village of Vitebsk; children will be guided in creating pastel representations of their own neighborhoods. Log onto nassaumuseum.org/events for details on these and other programs at the museum.

Nassau County Museum of Art, governed by a privately elected Board of Trustees, is chartered and accredited by New York State as a not-for-profit, private educational institution. The museum’s programs and exhibitions are made possible through the support of Nassau County under County Executive Edward P. Mangano and the Nassau County Legislature, as well as memberships, admissions, special events, private and corporate donations, as well as government and foundation grants.

Educational programs at the museum are made possible through the generosity of The New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, the DeWitt Wallace Fund for Youth - a donor-advised fund at the Long Island Community Foundation, Bank of America, David Lerner and Associates, and Nassau County Museum of Art Ball and Benefactors Dinner. Additional generous educational support is provided by Capital One Bank, Milton & Sally Avery Foundation, North Shore Autism Circle, The Ridenour Endowment Fund, and TD Bank Foundation.

Nassau County Museum of Art is located at One Museum Drive in Roslyn Harbor, just off Northern Boulevard, Route 25A, two traffic lights west of Glen Cove Road. The museum is open Tuesday-Sunday, 11 a.m.-4:45 p.m. Docent-led tours of the exhibition are offered at 2 p.m. each day; tours of the mansion are offered each Saturday at 1 p.m.; meet in the lobby, no reservations needed. Tours are free with museum admission. Family art activities and family tours are offered Sundays from 1 pm; free with museum admission. Call (516) 484-9338, ext. 12 to inquire about group tours. Admission is $10 for adults, $8 for seniors (62 and above) and $4 for students and children (4 to12). Members are admitted free. There is a $2 parking fee on weekends (members, free). The Museum Store is open Tuesday through Sunday, 11 a.m. to 4:30 p.m. Call (516) 484-9337 for current exhibitions, events, days/times and directions or log onto nassaumuseum.org.