Showing posts with label artfuncollect. Show all posts
Showing posts with label artfuncollect. Show all posts

Thursday, August 27, 2026

A fun Group or newly created collected trading cards ~Mere Mortals Cl Hendry Deals In at Phillips!!! Available to view At Phillip,NYC August 28-30, 10AM -6 PM

 For your self or the kids. This is a fun collection of collectable cards for trade by Cj Hendry Phillips. . 

 

 

Mere Mortals: Cj Hendry Deals In at Phillips

 

 

New York, NY (August 28, 2026) — This August, artist Cj Hendry will present Mere Mortals, a playful and nostalgic exhibition at Phillips New York, inspired by the imaginative world of trading cards and childhood toys.

 

The concept began at home, watching her children trade cards with friends, alongside the wonderfully strange toy creations that have long captured her imagination. Bringing her signature sense of humor and whimsy to the idea, Cj has created a cast of unexpected characters made from a mix of familiar forms and mismatched parts — a world of 52 original characters brought to life as collectible trading cards.

 

Complete with claw machines and collectible surprises, the exhibition invites visitors to play, explore, and reconnect with the excitement of childhood in a hands-on, engaging environment.

"Mere Mortals started as this silly, joyful idea watching my kids trade cards with their friends, and it turned into a whole cast of characters I couldn't stop making," said Cj Hendry. "Getting to bring that world into a space like Phillips, and have people actually play with the work instead of just looking at it, is exactly the kind of collaboration I love."

 

"We're thrilled to welcome Cj back to Phillips with Mere Mortals," said Christine Miele, Sales Director, Ecommerce, Phillips. "Our previous collaborations with Cj and her team were met with tremendous enthusiasm — from her Crowns in New York to juju in Hong Kong — and we're delighted to continue building on that excitement together. This project brings a playful, accessible energy into our space at 432 Park Avenue, and gives our audience a new way to engage with Cj's work, both in person and online."

 

Trading cards and merchandise will be available for purchase on-site at Phillips New York from August 28–30 from 10 am to 6 pm. Prints and editions will be released online at cjhendrystudio.com beginning August 30 at 7:00 pm ET. Merchandise will include trading cards featuring 52 original characters, along with t-shirts, caps, pins, stickers, bags and patches.

 


 

About Cj Hendry:

Cj Hendry is an internationally recognized contemporary artist known for her hyperrealistic drawings and large-scale

installations. Through a distinctive practice that combines technical precision with audience-driven experiences, Hendry has developed a global following and established herself as one of the most influential independent artists working today.

 

About Phillips:

Phillips: where the world’s curious and bold connect with the art, design, and luxury that inspires them. As a leading global platform for buying and selling 20th and 21st century works, Phillips offers dedicated expertise in the areas of Modern and Contemporary Art, Design, Photographs, Editions, Watches, and Jewels. Auctions and exhibitions are primarily held in New York, London, Geneva, and Hong Kong, with representative offices based throughout Europe, the United States, and Asia. Phillips offers a regular selection of live and online auctions, along with items available for immediate purchase. Phillips also offers a range of services and advice on all aspects of collecting, including private sales and assistance with appraisals, valuations, and financial planning.

Visit phillips.com for further information.

 

@maximus_communications / info@maximuscommunications.com / www.maximuscommunications.com

#phillipsnewyork#fineartmagazineblog.blogspot.com #sunstormfineartmagazine.com#artfunnow#artfunphillips#artfuncollect#artfunnyc

 

 

Tuesday, August 25, 2026

Phillip"s Offers the 5th Annule David Hockney Auction of the Fall Season September 19th. . See Details below Link .



 

 


PHILLIPS’ FIFTH ANNUAL DAVID HOCKNEY AUCTION OPENS THE AUTUMN SEASON 

 Alongside the Editions Evening and Online Sales, and London’s First Dedicated Modernism Sale


 LONDON – 24 AUGUST 2026 – Phillips is pleased to present highlights from the David Hockney, Modernism and Editions Evening and Online auctions in London this Autumn. On 19 September, Phillips will present its fifth annual auction dedicated exclusively to David Hockney. The auction will bring together a selection of important works spanning Hockney’s remarkable career, offering collectors an opportunity to engage with the vision of one of Britain’s most influential and enduring artistic voices. On 17 September, Phillips will debut its first standalone Modernism auction, bringing together editions by masters including Pablo Picasso, Joan MirĂ³ and Marc Chagall. The Editions Evening Sale follows, presenting works spanning the 20th and 21st centuries by key figures including Andy Warhol, Banksy, Jonas Wood, Gerhard Richter and Robert Indiana. The Editions Online Sale will run from 3 to 22 September, offering a range of sought-after works at accessible price points.

 

“Our Hockney auctions have proven to be unparalleled in their ability to connect collectors with some of the artist’s most significant and inventive works,” said Robert Kennan, Head of Editions, Europe. “Following the passing of David Hockney, this year’s auction carries a profound significance as we reflect on the extraordinary legacy of one of Britain’s most celebrated artists. With a remarkable sell-through rate of 95% across our past four sales, 73 world auction records achieved, and a growing base of younger collectors engaging with Hockney’s work, Phillips has become a leading destination for the artist at auction. We are honoured to present this important sale and a selection that celebrates Hockney’s exceptional contribution to the history of art, alongside our inaugural Modernism sale and Editions Evening Sale. We look forward to unveiling the preview to the public on 11 September.”

David Hockney Auction: 19 September 2026, 2pm

Modernism Sale: 17 September 2026, 3pm

Editions Evening Sale: 17 September 2026, 5pm

Editions Online Auction: 3-22 September 2026

Auction viewing: 11 – 19 September 2026

Location: 30 Berkeley Square, London, United Kingdom, W1J 6EX

Click here for more information: https://www.phillips.com/calendar/upcoming?Location=London&Departments=Editions

#phillipsauctionhuse#fineartmagazineblog.blogspot.com#sunstormfineartmagazine.com#artfunphillips, #artfunhockney#artfunnow#artfuncollect









Sunday, August 16, 2026

Lew Allen Galleries Indian Market Show Case August 7-September, 5 2026

Santa Fe Indian Market Week returns for the 104th year. Lew Allen  Galleries showcase Frits Cholder, Jaune Quick-to- See Smith, Emmie White Horse.  

INDIAN MARKET SHOWCASE

Fritz Scholder, Jaune Quick-to-See Smith & Emmi Whitehorse

Jaune Quick-to-See Smith Exhibition @ LewAllen Galleries

Jaune Quick-to-See Smith Exhibition @ LewAllen Galleries

On view: August 7 - September 5, 2026

On the occasion of its 50th Anniversary celebration, LewAllen Galleries is particularly pleased to present an Indian Market Showcase of original works by legendary masters Native American Art: Fritz Scholder (1937–2005), Jaune Quick-to-See Smith (1940 - 2025), and featuring celebrated contemporary Emmi Whitehorse.

Presented in tandem, their works offer a profound dialogue on Indigenous identity, history, abstraction, and cultural storytelling.

FRITZ SCHOLDER

Fritz Scholder, Last Indian with American Flag, 1975, serigraph on paper, ed. 67/150, 36.5 x 31 in
Fritz Scholder, Last Indian with American Flag, 1975, serigraph on paper, ed. 83/150, 36.5 x 31 in

Beyond his original fame for having “broken the mold” in the way Native Americans are portrayed in fine art—departing radically from traditional, stereotypical depictions to portray the reality of the Native American’s actual place in contemporary society—Fritz Scholder’s contribution lies in a profound interrogation of Indigenous and metaphysical subjects. Scholder employed a deliberate alchemy of figurative distortion, transforming the human form into a vessel for psychological and philosophical inquiry that bridges the tension between cultural myth and personal reality. This Showcase features paintings and monotypes recently received from the Estate of Fritz Scholder

JAUNE QUICK-TO-SEE SMITH

Jaune Quick-to-See Smith, Spam, 1994, mixed media & collage on paper, 15 x 11 in
Jaune Quick-to-See Smith, Spam, 1994, mixed media & collage on paper, 15 x 11 in

Jaune Quick-to-See Smith’s practice functions as a powerful form of historical revisionism. Operating in the mode of a “trickster”—a sacred shape-shifting role rooted in Indigenous lore and Modernism alike—Smith constructs dense, multi-layered visual records challenging the erasure of Native experiences within the national discourse. Through a synthesis of tribal knowledge, canonical iconography, and pop-art ephemera, her work asserts the primacy of Native narratives within the broader canon of American Modernism. In 2023, Smith became the first Native American artist to be accorded a solo retrospective at the Whitney Museum of American Art in New York.

EMMI WHITEHORSE

Emmi Whitehorse, #1229, Ice Plant, 1999, oil & chalk on paper on canvas, 39.5 x 51.25 x 2 in
Emmi Whitehorse, #1229, Ice Plant, 1999, oil & chalk on paper on canvas, 39.5 x 51.25 x 2 in

Emmi Whitehorse’s serene, atmospheric abstract paintings function as meditative landscapes rooted in an Indigenous and feminist worldview. Drawing inspiration from the Southwestern landscape, Whitehorse creates compositions using layered grounds of oil wash, ContĂ© pencil, pastel, and chalk—translating the intricate visual rhythm of traditional Navajo weaving into fluid abstraction. Centered on the Navajo concept of hĂ³zhĂ³—“walking in beauty”—her work reflects a lifetime dedicated to maintaining a harmonious balance with the natural world. A member of the Navajo Nation with a career spanning over four decades, Whitehorse’s work is held in major international collections, including the Brooklyn Museum, Crystal Bridges Museum, the Whitney Museum of American Art, and the National Gallery of Art, among many others. Whitehorse’s work has been the subject of dozens of museum and gallery presentations and is currently on view at the Wheelwright Museum of the American Indian in Santa Fe through October 3.

LewAllen Galleries
1613 Paseo de Peralta Santa Fe, NM 87501
505.988.3250
Mon - Fri  10 - 6 / Sat 10 - 5
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Wednesday, August 12, 2026

Untitled Art Edit's Collectors Series part four . See details below.

As part of our Edit’s Collection Building series, we explore the personal philosophies, relationships, and experiences that shape how collections take form. In this edition, we speak with Beau Necco, a Miami-based collector and entrepreneur whose approach to collecting is grounded in curiosity, meaningful dialogue, and the connections forged through art with his partner, Heather Martin.


From studio visits and travel to longstanding relationships with artists and galleries, Necco reflects on building a collection through trust, discovery, and the enduring experience of living with work that moves him.

Untitled Art (UA): What does it mean to you to be a collector?

Beau Necco (BN):
To me, collecting is about the connection. The works I live with remind me as much of conversations, friendships, and experiences as they do of aesthetics. Some of the most meaningful moments have been talking with artists, hearing how they think, and understanding what drives them. 

"Seeing work in different contexts and countries — museums, artist studios, regional exhibitions — changes the way you understand it.  Over time, you start noticing threads between artists and movements that help your collection develop naturally.” - BN

Laura Footes, I'll Stay In the Shade, 2025. Image courtesy of Carl Freedman Gallery. 

UA: What do you enjoy most about Miami Art Week?

BN:
The people. It’s always about the people. During Miami Art Week, the entire city transforms into this enormous conversation about culture, design, architecture, music, and art. But for me personally, the best part is always the human side of it — reconnecting with artists, meeting new people, and having those unexpected conversations that only seem to happen during that week. There’s an openness and creative energy that feels really special.

Lola Stong-Brett, When I Didn't Think I'd Feel Again, 2025. Image courtesy of Carl Freedman Gallery. 

UA: Do you have a specific philosophy you adhere to with your collecting and any advice you'd give to emerging collectors for how to meaningfully develop their own collections?

BN:
My advice to emerging collectors is to spend time with artists and galleries before worrying about market conversations. Go to studios, ask questions, read, travel, and trust your eye. You don’t need to buy the biggest name in the room for a collection to have meaning. Often the most rewarding relationships come from supporting artists early and growing alongside them.

Art has always inspired me — visually, emotionally, and intellectually. Over time, what began as admiration evolved into collecting, but the feeling is still the same.” - BN

UA: What, in your opinion, should the role of art fairs be in this moment?

BN:
I think art fairs should create access and dialogue. The best fairs aren’t just marketplaces — they’re cultural meeting points. They introduce people to artists they may never have encountered otherwise and create opportunities for real exchange.

UA: Is there an artist or artists that you discovered or acquired at Untitled Art, and do you have any highlights from the fairs in Miami Beach or Houston?

BN:
Some of my favorite moments last December came while working with Robert Diament from Carl Freedman Gallery at Untitled Art, Miami Beach. I was especially drawn to the work surrounding the Margate artists — Lola Stong-Brett, Laura Footes, and Lindsey Mendick. Their work is now in my home here in Miami.

Honestly, the highlight is rarely about the acquisition itself. It’s about meeting the artists, hearing the stories behind the work, and understanding the environments they come from. I was fortunate to meet Lola and Laura, among many others, and the great Tracey Emin when I visited Margate earlier this year. Those conversations stay with me as much as the pieces do.

To explore the collection of past essays from the Untitled Edit, please visit our website.