Tuesday, March 1, 2011

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Fine Art Magazine Home: "NYC ARt Fairs in March

NYC ARt Fairs in March


The Armory Show

The Armory Show

Piers 92 and 94, 12th Avenue

at West 55th Street

March 3-6

Wednesday-Saturday: Noon-8pm
Sunday: Noon-6pm

volta ny

VOLTA NY

7 West 34th Street

March 3-6

The Art Show

Park Avenue Armory

Park Avenue at 67th Street

March 2-6

fountain

Fountain New York

Pier 66 Maritime

26th Street & 12th Avenue

in Hudson River Park

March 3-6

independent

Independent

548 West 22nd Street

March 3-6

Moving Image

The Tunnel

269 11th Avenue

March 3-6

pulse

Pulse

Metropolitan Pavilion

125 West 18th Street

March 3-6

red dot

Red Dot

82 Mercer Street

March 3-6

scope

Scope New York

320 West Street (West Side Highway)

Across from Pier 40

March 3-6

Verge Art Brooklyn

81 Front Street and surrounding DUMBO locations

March 3-6

CHECK OUT FINE ART MAGAZINE'S BLOG

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The Armory Show
Piers 92 and 94, 12th Avenue
at West 55th Street
March 3-6
Wednesday-Saturday: Noon-8pm
Sunday: Noon-6pm



VOLTA NY
7 West 34th Street

March 3-6





The Art Show
Park Avenue Armory
Park Avenue at 67th Street
March 2-6




Fountain New York
Pier 66 Maritime

26th Street & 12th Avenue

in Hudson River Park

March 3-6




Independent
548 West 22nd Street

March 3-6




Moving Image
The Tunnel

269 11th Avenue

March 3-6





Pulse
Metropolitan Pavilion

125 West 18th Street

March 3-6




Red Dot
82 Mercer Street

March 3-6





Scope New York
320 West Street (West Side Highway)
Across from Pier 40

March 3-6




Verge Art Brooklyn
81 Front Street and surrounding DUMBO locations

March 3-6


CHECK OUT FINE ART MAGAZINE'S BLOG
Click here to view full page"

Saturday, February 26, 2011

M Gallery will host an Open House and Reception on Saturday, February 26, 2011 from 4pm – 8pm.



“American Tonalism:  New Works by Patrick Milbourn and Lee Anne Morgan”
Painter, Patrick Milbourn and photographer, Lee Anne Morgan, bring  forth their newest expressions of the American landscape.  It’s a he-sees, she-sees exploration – one captures with a paint brush while the other caresses with a camera.
The styles are complementary.  Muted  colors harmonize hazy fields, dreamy pastures, and soft lit paths.  The journey is subtle and the imagery narrative.  One yearns to be there, enjoying the serenity as tonal nuances define the moment.
Patrick Milbourn is a Master Pastellist and an award-winning artist whose work has been recognized by the Pastel Society of America, the National Academy of Art, the Salmagundi Club and the prestigious American Academy of Arts and Letters.  His works are in private collections in Europe, Asia and the US.  Patrick has recently been inducted into “Who’s Who in American Art”.
Lee Anne Morgan experiments with various techniques in photography and painting, sometimes merging the two, but most often retaining the purity of each medium.  She has created a unique technique – a ‘painterly’ style using cameras, lenses, and natural lighting with simple-to-complex subjects . . .  all brought into her “dry darkroom” for final work and printing.  She’s exhibited in solo and group exhibits, and her work resides at the Samuel Dorsky Museum at SUNY/New Paltz, as well as in private collections.
M Gallery will host an Open House and Reception on Saturday, February 26, 2011 from 4pm – 8pm.
M Gallery, open since 2005, is located at 350 Main Street in Catskill, New York. 
Information is available at 518-943-2189 or 518-943-0380.  The exhibition will be  through  March 15, 2011.   www.mgallery-online.com

On Thursday, March 3rd, a new exhibition will open at John Davis Gallery.

Barry Bartlett
Sculpture

Angels and Animals, 2010, 27 x 18 x 18 inches, porcelain

Angels and Animals, 2010, 27 x 18 x 18 inches, porcelain


On Thursday, March 3rd, a new exhibition will open at John Davis Gallery. The work Barry Bartlett will be displayed in the main galleries. There will be a reception for the artist on Saturday, March 5th from 6 - 8 p.m. and the show will run through Sunday, March 27th, 2010.

Barry Bartlett has been exhibited throughout the U.S., most recently in solo shows at the Gary Tatintsian Gallery in NYC; Anna Kustera Gallery, NY and a series of group show -Maryland Art Place, MD, Baltimore Clayworks, MD. Islip Art Museum, NY and the Neuberger Museum, Rotunda Gallery Brooklyn, NY. He is a recipient of two National Endowment for the Arts Fellowships in the Visual Arts. The work has been reviewed in the American Ceramic and Ceramic Monthly magazines. He is currently a Faculty member at Bennington College, Bennington VT and has taught there since 1987.


"A visit to Bartlett's Hudson valley studio reveals shelves stacked floor-to-ceiling and three deep with used ceramic hobby moulds. Reading their labels, one encounters a kind of found poem: Monk head/ White horse/ Dreams of long ago/ Jesus/ Robert E Lee/ Standing clown/ Eagle/ Elephant cookie jar/ Lighthouse/ Elf. This is just a small fraction of the thousands of moulds Bartlett collected from a craft supplier who was going out of business a few years ago. One might wonder how a serious artist like Bartlett is able to turn such banal, kitschy imagery into meaningful works of art.

Yet Bartlett has been using these hobby moulds as the primary building blocks in his work for the past three years, with surprising effects. "The moulds are like a curse," Bartlett jokes. Beer steins, forest creatures, holiday themes, and religious iconography are the visual vocabulary out of which Bartlett constructs his ceramic sculptures' visual poetry.

Bartlett's work reveals the mutability of images, their susceptibility to reinterpretation, their ubiquity and mystery. It also dares to embrace the most banal forms of the ceramic craft multiple in order to re-appropriate and transform them into unique artworks. The sculptures are so appealing, in part, because they appear to be simultaneously effortless and highly self-conscious. As he navigates the challenges of both medium and content, Barry Bartlett makes ceramic art about politics, while at the same time confronting the politics of ceramic art."

     Excerpts from an upcoming review by K E Gover, in Ceramics: Art and Perception

Winter gallery hours are Thursday through Monday, 11:00 till 5:00 p.m. For further information about the gallery, the artists and upcoming exhibition, visit

www.johndavisgallery.com

or contact John Davis directly at 518.828.5907 or via e-mail: art@johndavisgallery.com.

Sundram Tagore Gallery New York: Friday, March 4 Opening of Facing East: Asian Group Show


BARD PRESENTS EXHIBITION OF ROYAL PHOTOGRAPHS FROM THE NEPALESE COURT, MARCH 4 TO 18

BARD PRESENTS EXHIBITION OF ROYAL PHOTOGRAPHS FROM THE NEPALESE COURT, MARCH 4 TO 18

Reception for Visions of Patrimony: Photographs from the Court of Nepal (1908–1965) To Be Held on March 10


ANNANDALE-ON-HUDSON, N.Y.—The programs of anthropology, art history, Asian studies, history, photography, and religion at Bard College host the exhibition Visions of Patrimony: Photographs from the Court of Nepal (1908–1965) from March 4 to 18 in Woods Studio at Bard College. The show’s reception will be held on March 10 at 5:00 p.m. in Woods Studio. Laura Kunreuther, assistant professor of anthropology, will introduce the historical and cultural context of the photographs. Cristeena Chitrakar will speak briefly about how the photographs are currently used by her family today. Both the reception and the exhibition are free and open to the public.

Visions of Patrimony exhibits photographs from the collection of Dirgha Man Chitrakar (1877–1951) and his son Ganesh Man Chitrakar (1906–1985), who served as official court photographers for the Shah King of Nepal and the ruling family oligarchy of Rana Prime Ministers (r.1846–1951). The exhibition explores the dual patrimonies of two lineages of Nepalis brought together in these photographic images—the extravagantly visible ruling elite and their invisible photographers. Spanning from the early 20th century to 1965, shifts in the photographs over time correlate with the changing logic and interests of the Nepali state, as they move from portraits and political ritual to aerial photographs of the land and quaint portraits of Nepali farmers. During the Rana oligarchy, photography worked doubly to secure their rule: its very use symbolized their privileged status, and the images themselves were a means of visualizing their patrimony by documenting extended families, political and religious rituals, the consumption of foreign commodities (i.e. clothing, technology), and recreational activities (such as hunting).

The photographs displayed in Visions of Patrimony were printed in Nepal several years ago from the original glass negatives taken between 1900 and 1946 and acetate negatives taken between 1946 and 1975. These negatives make up the patrimony of the court photographers’ descendants, the Chitrakars. Chitrakar means “artist” or “painter” in Nepali. Prior to the advent of photography, Dirga Man produced paintings for the ruling elite, in accordance with his profession by birth. After learning the craft of photography, he was appointed to a permanent position as part of the “art department” of the ruling prime minister of the time, Chandra Shumsher Rana. Once the Rana oligarchy was overthrown in 1951, the photographers continued to work as visual documentarians for the state and institutions closely tied to the state. Ganesh Man, for example, took a job as official photographer during the early years of USAID, which worked closely with the government and has been one of the key financers for developing Nepal. His son, Kiran Man, now works as the director and chief cameraman for the state television, Nepal TV, the primary and most watched television channel, at least until 1990. We are fortunate to have these photographs to exhibit, thanks to Dirga Man’s great-granddaughter and Ganesh Man’s granddaughter, Cristeena Chitrakar, who is currently a student at Bard College.


PHOTO AVAILABLE FOR DOWNLOAD AT www.bard.edu/news/press

CAPTION INFO: Col. Chandra Jung Thapa, 1910
PHOTO CREDIT: Courtesy of Ganesh Photo Lab, Photographer: Dirgha Man Chitrakar 
 

Friday, February 25, 2011

Jose Barbera Retrospective Exhibition

FOR IMMEDIATE RELEASE : Jose Barbera Retrospective Exhibition
Please join us at Brilliance In Color on Friday, March 4th for our special First Friday Art Walk Exhibition.
Jose Barbera was one of the great Spanish landscape artists of the 21st century, born on October 1, 1945 in Valencia, Spain.
Barbera developed a love of art early in life and at the age of twelve he began his formal training. Barbera described himself
as a representational landscape painter. His favored subjects were the landscapes of Spain’s sunbathed beaches and ancient
mountain villages with their weathered white stucco and terra-cotta clay tile roofs and as an avid gardener he also loved to
paint beautiful rose bushes.
Barbera was without a doubt a painter with the ability to transmit the unique light of Spain into his works. When
an artist possesses such talent, technique and sensitivity, a truth emerges from his art in a manner that is natural and
simple...both fresh and spontaneous. Barbera’s unique paintings have captivated collectors the world over...from
Saudi royalty to Hollywood icons. Barbera has also been honored with several awards and many prominent exhibitions.
During the last three years of his life Barbera would travel through out Spain’s scenic countryside searching for new inspiration
in familiar places. He painted as much as he could, these were to be the last works Barbera would produce. The originals in this
special retrospective exhibition will be the last opportunity for many collectors to enjoy the unique paintings of Barbera.
Exhibition Dates: March 4th thru April 24th, 2010
Opening Event: March 4 – 5, 2010 (Fri. & Sat.)
Call the gallery for more event information: 904-810-0460

Tally Beck Contemporary Exhibits Chinese and Thai Works At SCOPE Art Fair NY

Tally Beck Contemporary


Be Takerng Pattanopas, N-O-W-H-E-R-E- No. 2, 2010 (Ink on paper, 2ft x 2ft 11 in.)

Tally Beck Contemporary Exhibits Chinese
and Thai Works At SCOPE Art Fair NY

NEW YORK February 25, 2011—Tally Beck Contemporary will participate in SCOPE New York and feature artwork by Chinese artists Anne Li, Chen Ping, island6 and Thai artists Be Takerng Pattanopas and Songwoot Kaewvisit.

Tally Beck Contemporary is a Bangkok-based art consultancy that opened its New York gallery’s doors in October 2010. It aims to bring the newest and best Asian contemporary art to the rest of the world while introducing international expression into the emerging art scenes of Southeast Asia.

The artists the gallery brings to Scope this year will range from new talent to firmly established names in the Asian contemporary scene. Anne Li is a Chinese photographer, trained in Paris, whose photographs embody a crisp refinement and reveal the artist’s unique insights into humanity and formal concerns. Chen Ping, also from China, but currently based in Tasmania, plays with the border between abstraction and representation in his highly textured, monumental oils. Island6 is an artists’ collective in Shanghai that collaborates on dynamic LED pieces that provide an electronically animated commentary on Orientalism.

Thai artist Be Takerng Pattanopas is noted for his intricate pen drawings that meticulously attempt to define three-dimensional space on paper.  From Thailand’s northeastern Isaan region, painterSongwoot Kaevwisit monumentalizes Thai traditional medicine with larger-than-life photorealism.

SCOPE will run from March 2-6, 2011 at 320 West Street (across from Pier 40 and between Houston and Spring Streets).  Tally Beck Contemporary will host a cocktail reception at their booth, C28, on Saturday, March 5, 4 pm.

If you would like complimentary tickets to SCOPE NY, please email Hanting Zhu, Gallery Manager athanting@tallybeckcontemporary.com.
 

FUTUREFARMERS ARTIST COLLECTIVE TO CREATE NEW WORK FOR GUGGENHEIM MUSEUM'S INTERVALS CONTEMPORARY SERIES




FUTUREFARMERS ARTIST COLLECTIVE TO CREATE NEW WORK FOR GUGGENHEIM MUSEUM'S INTERVALS CONTEMPORARY SERIES

Public Invited to Participate in an “Urban Thinkery” through Artist-Led Programs at the Museum and Across the City of New York

Exhibition: Intervals: Futurefarmers
Venue: Solomon R. Guggenheim Museum, 1071 Fifth Avenue, New York
Location: Rotunda and off-site in several locations across the city of New York
Dates: May 4–14, 2011

(NEW YORK, NY - February 24, 2011) – From May 4 to May 14, 2011, the Solomon R. Guggenheim Museum will present Intervals: Futurefarmers, the fourth installment of its contemporary art series designed to reflect the spirit of today’s innovative practices. For its Intervals project, the San Francisco–based art collective Futurefarmers is creating a site-specific installation on the Rotunda floor of the museum and organizing intimate participatory programs for the public in various spaces around the city of New York.

The exhibition is organized by David van der Leer, Assistant Curator, Architecture and Urban Studies.

The Leadership Committees for the Intervals series and Intervals: Futurefarmers are gratefully acknowledged.

Futurefarmers creates projects that are diverse both in terms of their production and their strategies of audience engagement. If anything typifies a Futurefarmers project, it is a balance of critical and optimistic thought with the use of inventive and pragmatic design elements. Recent works include antiwar computer games; an online registry of unused arable land sites in San Francisco that could be used for gardening and food production; and lunchboxes that incorporate hydrogen-producing algae. For the Guggenheim’s Intervals series, Futurefarmers is creating a ten-day “urban thinkery” centered around a shoemaker’s atelier consisting of a cobbler’s bench and shoe racks and installed in the Guggenheim Museum’s Rotunda. The atelier is an open interpretation of Simon the Shoemaker’s fifth-century Athens studio in which Socrates supposedly had extensive philosophical discussions with Simon and local youth.

The Futurefarmers shoemaker atelier is the anchor for a series of off-site actions and events taking place throughout the city. Three Sole/Soul Sermons, commissioned by Futurefarmers and written and delivered by contemporary writers, will be offered in the atelier. The collective will also host intimate public Dialogues with contemporary thinkers and participants in special interior and exterior spaces around the city, as well as conduct a series of Ink Gathering walks with special guests and small groups of enthusiastic visitors. During these walks, the groups collect sidewalk dirt, the main ingredient in a unique Futurefarmers ink that will be used to transcribe the Sole/Soul Sermons and the Dialogues for posterity in participatory urban actions called the Pedestrian Press. Three times during the project, passersby on the streets will be called upon to form the Pedestrian Press and help print the texts, using 36 specialized printing shoes, on long strips of paper that will be rolled out along New York sidewalks.

In addition, the Sackler Center for Arts Education at the Guggenheim Museum, in collaboration with Futurefarmers, will offer exhibition-related programs for people of various ages, ranging from hands-on workshops entitled Making Our Own Rules (in which each participant is asked to create a system of measurement—a ruler—based on the length of his/her foot) to screenings of the film Examined Life (2008) by Astra Taylor. The full schedule of programming offered in conjunction with Intervals: Futurefarmers is listed below. All programs are free with museum admission or, if held outside held outside the museum, free. Further details will be posted on guggenheim.org/futurefarmers and will later be announced via Twitter feeds @Guggenheim and #Futurefarmers.