Reception November 17th, 2012
Exhibition through February 3rd, 2013
Contact Heidi Leigh / 212.226.7374
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Nicoletta Ceccoli's most recent collection of paintings is inspired by the interplay between bitterness and sweetness. Sweets, whether cakes or candy, are universal icons of pleasure and desire and generally regarded as positive, happy things. Ceccoli turns our assumptions on their side by using sweets to highlight the pleasurable aspects of these sugary treats while at the same time showing us the conflict we feel towards our appetites. Her paintings depict dreams of lovely things, but with darkness lurking just behind them, like the dark side of childhood nursery rhymes. The new works will be unveiled at an opening reception on November 17th from 6 to 8 pm. The reception is free and open to the public with RSVP requested to rsvp@afanyc.com. Exhibition on view through February 3rd, 2012.
AFA is located at 54 Greene Street (corner of Broome Street), in the SoHo neighborhood of New York City. Hours are Monday - Saturday, 10am - 7pm and Sundays 11am - 6pm. To request more information contact Heidi Leigh at heidi@afanyc.com or 212.226.7374.
Nicoletta Ceccoli is from San Marino and graduated from the Institute of Art in Urbino. Her paintings are beautiful and intriguing, consistently striking a delicate balance between disturbing and enchanting. At first glance, her work masquerades as youthful and innocent but a darker narrative inevitably unfolds. Each painting is rife with symbolism that sparks the viewer's imagination and inspires a deeper level of consideration. Ceccoli's work has been exhibited worldwide including solo exhibitions in the US, Italy and France.
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AFA | At AFA, we are inspired by wildly imaginative artwork that indulges the senses and engages the emotions with layers of symbolism and dark complexity. We exhibit paintings, drawings and sculptures created by extraordinary established and emerging artists who are highly skilled and have a unique vision.
Artwork copyright protected. All Rights Reserved.
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