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Wednesday, November 2, 2011
1st Photo Week at 5 Pieces Gallery
1st Photo Week at 5 Pieces Gallery 10/31/11 - 11/07/11 |
We would like to invite you kindly to visit our gallery site during the 1st Photo Week of the 5 Pieces Gallery
and enjoy the wide selection of internationally known photographers. In
addition we would like to offer you as a valued client all photographs
with a discount of 10% (code photoweek) for a limited time.
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Selected works |
Tuesday, November 1, 2011
LACDA 'Snap to Grid' Open Call, Every Entry Shown!!
December 8 -December 30, 2011
Opening Reception Thursday December 8, 7-9pm
(in conjunction with the Downtown Art Walk, at our new 4,000 square foot gallery)
Opening Reception Thursday December 8, 7-9pm
(in conjunction with the Downtown Art Walk, at our new 4,000 square foot gallery)
Show your work in our un-juried
exhibit featuring digital art and photography. All entries will be printed
(8.5″x11″ on heavyweight paper) and shown in our gallery arranged in a
grid. Entrants submit JPEG files of original work. Multiple entries are
permitted. Separate registration required for each image. Exhibit is
limited to space available, early entry is advised.
All styles of artwork and photography where digital
processes of any kind were integral to the creation of the images are
acceptable. Digital video stills and screen shots of web/new media are
acceptable. Documentation shots of digital installation and digital
sculpture are acceptable.
Special consideration is given to “Snap to Grid”
artists for inclusion in future exhibits. Entrants to our calls for
submissions form the pool of artists from which we select the majority of
our exhibitors. There have been a large number of “Snap to Grid”
participants who have been included in group exhibits, as well as a number
of solo shows. Proceeds for “Snap to Grid” benefit these gallery programs
and keep LACDA thriving. Exhibit your work, build your resume, and support
our gallery. Everybody wins!
Location:
This call is international, open to all geographical locations.
This call is international, open to all geographical locations.
Show Dates:
December 8-30, 2011
December 8-30, 2011
Deadline for entries:
December 1, 2011
December 1, 2011
Opening Reception:
Thursday December 8, 7-9pm
(in conjunction with Downtown Artwalk)
Thursday December 8, 7-9pm
(in conjunction with Downtown Artwalk)
Entry Fee:
Registration fee is $32US.
Registration fee is $32US.
How your images will be printed and
exhibited:
Entries will be printed (8.5″x11″ on heavyweight paper) and shown in our gallery arranged in a grid.
Every entry is shown.
Entries will be printed (8.5″x11″ on heavyweight paper) and shown in our gallery arranged in a grid.
Every entry is shown.
Submission Rules:
Registration and submission are done online only. JPEG file uploads are the only accepted submissions under 5mb each, and can only be uploaded after registration and payment of Snap to Grid entry fee ($32US per image). Please do not send materials to LACDA. All materials sent to LACDA will not be viewed and cannot be returned.
Registration and submission are done online only. JPEG file uploads are the only accepted submissions under 5mb each, and can only be uploaded after registration and payment of Snap to Grid entry fee ($32US per image). Please do not send materials to LACDA. All materials sent to LACDA will not be viewed and cannot be returned.
Multiple Entries:
Multiple entries are permitted. $32 registration fee for each additional image. Separate registration required for each image.
Multiple entries are permitted. $32 registration fee for each additional image. Separate registration required for each image.
Two easy steps to exhibit your work at
LACDA…
1) Enter as many images as you like here (one registration fee for each image):
1) Enter as many images as you like here (one registration fee for each image):
2) You will automatically be redirected to
our upload page or
you may upload images here at any time:http://lacda.com/upload.html
you may upload images here at any time:http://lacda.com/upload.html
Gallery Statement:
Every year for 50 years the L.A. Municipal Gallery has held its “Open Call” exhibit where any artist can show up with their art and an entry fee (to benefit gallery programs) and the piece is shown. The Los Angeles Center For Digital Art decided to launch an international experiment of the same nature where the artists upload images that are printed and hung by the gallery. The hundreds of works are displayed in a grid like installation (reminiscent of postcard art shows of the 1980′s) where every work submitted is exhibited.
Every year for 50 years the L.A. Municipal Gallery has held its “Open Call” exhibit where any artist can show up with their art and an entry fee (to benefit gallery programs) and the piece is shown. The Los Angeles Center For Digital Art decided to launch an international experiment of the same nature where the artists upload images that are printed and hung by the gallery. The hundreds of works are displayed in a grid like installation (reminiscent of postcard art shows of the 1980′s) where every work submitted is exhibited.
The usual (less than democratic) selection process
where only the precious few are chosen is turned on its head in a
curatorial anarchy where everyone gets to participate and the viewer is
literally left to be the judge. The show represents a snapshot of a
current moment in art history when digital imaging has reached the hands
of the many, an age where culture belongs to the “mobblogers” around the
globe. From Thailand to Texas, amateur to academic, beautiful to banal and
beyond the monumental quantity and variety of “Snap to Grid” becomes an
aesthetic experience where each individual piece adds to an agglomerative
effect that has a life of its own.
Los Angeles Center For Digital
Art
102 West Fifth Street
Los Angeles, CA 90013
www.lacda.com
102 West Fifth Street
Los Angeles, CA 90013
www.lacda.com
212Gallery - Max Vadukul
212GALLERY
artist Max Vadukul collaborates on photos with preeminent Chinese
artist, Ai Weiwei in China, for W magazine’s Art issue
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212GALLERY’s own Max Vadukul recently collaborated with Ai Weiwei, the “most powerful person in the world of art,” according to Art Review magazine.
***
212GALLERY’s own Max Vadukul recently collaborated with Ai Weiwei, the “most powerful person in the world of art,” according to Art Review magazine.
Mr. Ai created a story line for a series of photos that were shot on location in New York, by the photographer Max Vadukul as Mr. Ai looked on, art directing via Skype on a laptop computer from his home in China.
The photos will appear in W magazine’s November issue, the sixth annual one devoted to art. W’s editor, Stefano Tonchi, approached Mr. Ai, the outspoken Chinese artist and dissident, to do the cover not long after he was released from detention. Mr. Ai, was detained by Chinese authorities in the spring, was released under close surveillance in June.
“There is nothing quite like it,” said Vadukul, who had his first U.S. solo exhibition at 212GALLERY last March.
“He has an extraordinary vision,” said Vadukul. “He sees something that nobody else sees. That’s why he’s such an acclaimed artist. I’m mindful that I’m creating his vision. W is known for creating fine art work and then if you bring in a photographer known for his art reportage work- it’s exciting. This is the one assignment which will never be repeated again.”
Not only did Mr. Ai agree to do the cover, but a schema for a series of photos reminiscent of photos he took of the Tompkins Square riots in the 1980s, when he lived in New York. “We left it open to him to create an original work,” said Diane Solway, W magazine’s senior editor.
The resulting scene takes place at Rikers Island. They refer to Mr. Ai’s own confinement, which China’s government has forbidden him from discussing.
For Mr. Vadukul the challenge was in translating Mr. Ai’s aesthetic for W’s fashion readership.
In an October 12th, New York Times article about the collaboration, Mr. Ai specified that he wanted street clothes, in the cover photo, shot in Flushing, Queens. The model, instead, is wearing an outfit by Alexander Wang. Mr. Vadukul made some suggestions — like shooting in black and white, which he said Mr. Ai agreed with — but he was mindful that he was there to execute another person’s vision.
“I would show him the images live on the screen,” explained Vadukul. “We had skype set up in this prison. I was showing him where I’m going to shoot, frame by frame, getting him involved in the process. I felt like I was giving his vision a lot of feeling.”
“It was very surreal,” said Ms. Solway. “We could see him on the screen, scrolling through the images.”
“This is his story,” said Vadukul. “I’m doing what he’s expecting. For me, the excitement has been, firstly, to have the chance to collaborate with an artist of his stature, then to hear him actually give a very strong direction.”
“Art is traditonally most effective when it makes a social comment and he’s certainly succeeded in doing that,” said Vadukul. “He is the big big kahuna out there.”
*Corrections for New York Times article.
***
BIO
Max Vadukul was born in Nairobi, Kenya and currently works and resides in New York City. Best known for black and white and portrait photography, Vadukul follows in the tradition of “art reportage” photography, which he describes as “taking reality and making it into art.”
In the 1990’s he established himself with a large body of work for French Vogue – a large portion of which was created with his wife, the eminent fashion editor Nicoletta Santoro, with whom he has collaborated for years. He has produced three books, is a film director, and recently created a series of dance and music videos for Yoji Yamamoto’s “Coming Soon” clothing line campaign. He has also branded his trademark style on campaigns for Chloe, Commes Des Garcons, Armani, Emanuel Ungaro, Sandro, and HBO's "Six Feet Under."
Vadukul shoots regularly for W Magazine, T: The New York Times Style Magazine, Vogue China, and others. He has long standing relationships with such magazines as French Vogue, Italian Vogue, L’Uomo Vogue and The New Yorker, where from 1996 to 2000, he was staff photographer, a title previously occupied by Richard Avedon.
212GALLERY features innovative, established and emerging international artists working across media including, photography, painting, sculpture and mixed media.
Gallery Hours are Monday through Saturday 10-7 and Sunday 10-6.
212GALLERY 525 East Cooper Avenue, next to Ralph Lauren
Please call 970-925-7117 for further details.
***
BIO
Max Vadukul was born in Nairobi, Kenya and currently works and resides in New York City. Best known for black and white and portrait photography, Vadukul follows in the tradition of “art reportage” photography, which he describes as “taking reality and making it into art.”
In the 1990’s he established himself with a large body of work for French Vogue – a large portion of which was created with his wife, the eminent fashion editor Nicoletta Santoro, with whom he has collaborated for years. He has produced three books, is a film director, and recently created a series of dance and music videos for Yoji Yamamoto’s “Coming Soon” clothing line campaign. He has also branded his trademark style on campaigns for Chloe, Commes Des Garcons, Armani, Emanuel Ungaro, Sandro, and HBO's "Six Feet Under."
Vadukul shoots regularly for W Magazine, T: The New York Times Style Magazine, Vogue China, and others. He has long standing relationships with such magazines as French Vogue, Italian Vogue, L’Uomo Vogue and The New Yorker, where from 1996 to 2000, he was staff photographer, a title previously occupied by Richard Avedon.
212GALLERY features innovative, established and emerging international artists working across media including, photography, painting, sculpture and mixed media.
Gallery Hours are Monday through Saturday 10-7 and Sunday 10-6.
212GALLERY 525 East Cooper Avenue, next to Ralph Lauren
Please call 970-925-7117 for further details.
Fifteenth Annual Boston International Fine Art Show
| THE ONLY SHOW AND SALE OF ITS KIND IN NEW ENGLAND! To benefit The Greater Boston Food BankTickets: $100 & $250 To order tickets, please visit www.GBFB.org or call the show office at 617-363-0405 WEEKEND SHOW & SALE Fri 1-9, Sat 11-8, Sun 11-5 Admission $15, under 12 free. Cafe at the show. Valet parking available. Complimentary catalog and readmission. The Cyclorama Boston Center for the Arts 539 Tremont Street, Boston For information: 617-363-0405 www.FineArtBoston.com |
Friday, November 18, 6:30pm - Art Collecting: A Passion, An Investment, or Both?
Is art a luxury brand, as sensitive to the stock markets as high-end fashion? Or does it represent a safe investment in troubled times, much like gold? Join our panel of experts including Christopher D. Perry, Senior Vice President and Senior Fiduciary Officer, Northern Trust (Boston); Lou Salerno, Questroyal Gallery (New York); and Julie Sherlock, Assistant Vice President, ACE Private Risk Services (New York)
Saturday, November 19, 3:00pm - Shaping the Present: Realist Art Then and Now
For years, people have been saying realist art is coming back. Judging from its growing visibility and the mushrooming of realist art schools nationwide, it's more accurate to say it's here. Join us for this intriguing panel, animated by two national editors and popular BIFAS presenters: Joshua Rose of American Art Collector and Peter Trippi of Fine Art Connoisseur.
Additional information on special programs is available at www.FineArtBoston.com
Saturday, October 29, 2011
Call for Artists: Crossing Identities - Mexico
Rare Performance of Theatrical Adaptation of John Cage's James Joyce, Marcel Duchamp, Erik Satie: An Alphabet
RARE PERFORMANCE OF THEATRICAL ADAPTATION OF JOHN CAGE’S JAMES JOYCE, MARCEL DUCHAMP, ERIK SATIE:
AN ALPHABET
AN ALPHABET
Performed in the Fisher Center’s Acoustically Superb Sosnoff Theater
Presented by the John Cage Trust and New Albion Records
ANNANDALE-ON-HUDSON, N.Y. – The Richard B. Fisher Center for the Performing Arts presents John Cage’s James Joyce, Marcel Duchamp, Erik Satie: An Alphabet on Friday, November 11 and Saturday, November 12 at 8 p.m. The rarely performed theatrical piece stars John Kelly and is directed by Laura Kuhn, with music and sound design by Mikel Rouse and set design by Marco Steinberg. The program is produced by the John Cage Trust at Bard College andNew Albion Records. Tickets are $15, $25, $35, and $45. To purchase tickets call the Fisher Center box office at 845-758-900, or go to fishercenter.bard.edu.
Cage’s Alphabet began life as a highly imaginative radio play in 1982, a commission from Klaus Schöning and Cologne’s West German Radio (WDR). Working on the principles of collage, Cage created a cast of unlikely characters— the three title artists, Henry David Thoreau, Buckminster Fuller, Robert Rauschenberg, Brigham Young, and seven others. The result is a remarkably democratic intermingling of perspectives, suffused throughout with humor and irreverence for the particulars of history.
In 2001, nearly a decade after Cage’s death, director Laura Kuhn created a theatrical version of the radio play, directing its premiere in Edinburgh that same year. Sound and music designer Mikel Rouse collaborated with Kuhn and a team of composers, musicologists, and performers, collecting and cataloguing sounds for Cage’s score, which consists of almost 200 sounds “as varied and suggestive as the dialogue itself: a lawn mower, x-rays, an earthquake, a Xerox machine, a bullfight, and a marriage ceremony, to name just a few,” says Rouse.
Acclaimed actor John Kelly will perform the role of the Narrator, which he created for the theatrical version of the work. The cast also includes Mikel Rouse as James Joyce; Larry Larson as Jonathan Albert; Joan Retallack as Buckminster Fuller; Emma Reed as Mao Tse Tung; Victoria Miguel as Thorstein Veblen;Richard Teitelbaum as Robert Rauschenberg; John Seidman as Marcel Duchamp; Ferran Carvajal as Oppian; Trevor Carlson as Brigham Young; and Robin Preiss as the wife of Brigham Young. Erik Satie will be played by Merce Cunningham (on tape). Ralph Benko, in the role of Henry David Thoreau, has dropped out and is replaced by Rebeccah Johnson.
This production of James Joyce, Marcel Duchamp, Erik Satie: An Alphabet celebrates the onset of John Cage’s centennial year, the first of many events scheduled to take place around the world. It also celebrates the fourth year of the John Cage Trust’s residence at Bard College.
For tickets and information call the Fisher Center Box Office at 845-758-7900, or go to fishercenter.bard.edu.
The John Cage Trust at Bard College was established in 1993 as a not-for-profit institution whose mission is to gather together, organize, preserve, disseminate, and generally further the work of the late American composer John Cage. Its founding trustees were Merce Cunningham, artistic director of the Cunningham Dance Company; Anne d’Harnoncourt, Director of the Philadelphia Museum; and David Vaughan, Archivist of the Cunningham Dance Foundation, all long-time Cage friends and associates. Laura Kuhn, who from 1986 to 1992 worked directly with John Cage, serves as both a founding trustee and ongoing executive director.
New Albion Records was founded in San Francisco in 1984, to explore the world of art music. Its current catalogue includes 138 releases. In recent years, with the onset of the Internet, its focus has moved from recording projects to concert events. New Albion has partnered with the John Cage Trust and Merce Cunningham Dance Company.
Friday, October 28, 2011
57th Talbot Street Art Fair
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Editions, Artists', Books 2011 - NYC November 3-6
mfc-michèle didier
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From November 3 to 6, 2011
Booth 8 - Third Floor
Former Dia/Former X Initiative
548 West 22nd street - Chelsea, New York
ANNETTE MESSAGER
CLAUDE CLOSKY
Inside a Triangle
JIM SHAW
Dream Object Book
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mfc-michèle didier66, rue Notre-Dame de Nazareth, F-75003 ParisOpen from Tuesday to Saturday, from 12 am to 7 pmT: +33 (0)1 71 97 49 13 – M: +32 (0)474 54 01 07info@micheledidier.com – www.
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Art Show & Benefit
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Utah Arts Festival
Utah Arts Festival
Call to Artists
WHAT: Fine Art Festival
WHERE: Library Square in Downtown Salt Lake City, Utah
WHEN: June 21 - 24 2012
Noon - 11pm Daily
Noon - 11pm Daily
NOTEWORTHY:
*Ranked 14th in Fine Arts Festivals by Arts Fair Source book in 2011
*Limited to 150 juried artists in 15 media categories
*Total Featured Artist and Best of Show Artists award packages valued at $4,800
*Jury fee - $35 Booth fee - $500 ($600 for corner space)
The 36th annual Utah Arts Festival is scheduled for June 21 - 24 2012 at the Library Square in downtown Salt Lake City. More than 150 visual artists from across the country are juried in to participate in our Artists Marketplace. The Utah Arts Festival is the largest outdoor multi-disciplined event held in Utah. Having garnered numerous awards internationally, nationally and locally, the Festival remains one of the premiere events that kick off the summer in Utah each June. More than 80,000 patrons enjoy four days of award-winning fine arts in the Artist Marketplace, live performances on five stages, street theater, a fine arts exhibition, a film program, children's art and culinary arts.
NOW ACCEPTING APPLICATIONS:
Deadline: March 1, 2012
Notification: March 16, 2012
Booth fee due: April 6, 2012
Apply at: www.zapplicaton.org
For more information please visit: www.uaf.org
Email questions to: amanda@uaf.org
Art After Dark - Art, Music, Wine & Cheese
YOU are invited... to the next Art After Dark OCTOBER 28, 2011 7 - 9PM In the Art League's Jeanie Tengelsen Gallery October's Featured Artist: Science Fiction and Fantasy artist/illustrator David O. Miller demonstrates an interactive presentation of fun and excitement. October's Participating Artists: Shain Bard - Madona Cole - Xiaomin Kang Ross McTyre - John R. Redlich - Dave Rogers Boyd Schockley - Alice Sprintzen Music by Denise Romas Acoustic Guitarist & Singer We guarantee a very special experience. PLEASE JOIN US! Roberta Erlagen & Linda Louis, Co-Chairs Visit www.artafterdark-li.org for upcoming dates and a slideshow of September's event. |
Thursday, October 27, 2011
2012 Uptown Art Expo
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