Tuesday, September 1, 2026

Cooper Cole Gallery Exhibition of Geoff McFrtridge~GrassLands~Closes September 5, 2026

 

Cooper Cole Gallery Logo
Geoff McFetridge 
Grasslands
Closing Saturday, September 5, 2026

COOPER COLE is pleased to present Grasslands, a solo exhibition of new paintings by Geoff McFetridge.

This new body of work extends McFetridge’s ongoing investigation into perception, memory, and the spaces between observation and imagination. Figures, animals, architecture, and landscape elements occupy scenes that feel at once recognizable and elusive, suspended between lived experience and dream.

The paintings evoke a cinematic stillness reminiscent of Alex Colville’s psychologically charged scenes, yet they turn westward into a distinctly unreal landscape where narrative remains suspended and unresolved. While rooted in observations of the everyday, the works in Grasslands carry traces of the vast horizons and spatial sensibilities of the Canadian prairies where McFetridge was raised. Familiar motifs appear transformed, existing somewhere between recollection and invention, certainty and dream.
 
Materially, the exhibition marks a subtle shift in the artist’s approach. Layers of oil paint are applied over graphic acrylic foundations, creating surfaces that feel atmospheric and luminous. Rich colours emerge through veils of softened paint, producing an effect that is both saturated and sun-bleached. Contrast is deliberately reduced, flattening distinctions between foreground and background, and dispersing attention across the entire composition. Rather than directing the viewer toward a central protagonist, the paintings invite a slower form of looking in at which figures and environments exist in quiet relation to one another.
 
 
Geoff McFetridge (b. 1971, Calgary, Alberta, Canada) is interested in how images exist in between or outside of language, and in turn how this encourages more open-minded approaches to cognition. In his paintings, images become language; in the artist’s words, “it should feel like something, rather than look like something.” In the pictorial spaces he creates, definitions are less finite and can slip between interpretations. As indicated by their titles, many of his paintings whimsically play with the bodily experience of design, using simplified figures to both think about forms and collective experiences.

McFetridge received his BFA from the Alberta College of Art and Design and his MFA from the California Institute of the Arts. McFetridge was part of the infamous Beautiful Losers exhibition which debuted in downtown New York in 1991 and went on to tour the world. He has continued to exhibit in international galleries including Cooper Cole, Toronto; Contemporary Calgary, Calgary; Half Gallery, New York; V1 Gallery, Copenhagen; Gallery Target, PlayMountain, Tokyo; and Heath Gallery, Los Angeles. McFetridge has also been included in museum exhibitions at the Vancouver Art Gallery, Vancouver; the Santa Monica Museum of Art, Santa Monica; the Walker Art Center, Minneapolis; the Yale University Art Museum, New Haven; Museum of African American Art (MAAA), and The Geffen Contemporary at MoCA; Los Angeles. McFetridge currently lives and works in Los Angeles, California, USA.
 
 
Geoff McFetridge 
Grasslands
Closing Saturday, September 5, 2026
 

Cooper Cole


Thursday - Saturday: 12-5pm


info@coopercolegallery.com
+1.416.531.8000

 

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To view full exhibition and artwork documentation on our website click here.
 
 
For all other inquiries please contact the gallery:
info@coopercolegallery.com
+1.416.531.8000
 

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Monday, August 31, 2026

Qutar Museums: see Design Doha Noveebr 5 2026 through January 2027 Exhibition Program details and dates below.

There will be 15 exhibitions, large scale public installations, and multiple program presentations. This looks like a creative, and bright place to visit.  

QATAR MUSEUMS ANNOUNCES DESIGN DOHA 2026 EXHIBITION PROGRAMME, TRANSFORMING DOHA INTO A MAJOR PLATFORM FOR CONTEMPORARY DESIGN   

Taking place from 5 November 2026 through 31 January 2027 in the heart of Doha, the expanded second edition of the biennial will present over 15 exhibitions, large-scale public commissions, and a wide-ranging programme of activations featuring designers from across the MENASA region 

 

PRESS IMAGES AVAILABLE FOR DOWNLOAD HERE 

 

Doha, Qatar, 31 August 2026 — Design Doha, Qatar’s premier contemporary design platform, will return for its highly anticipated second edition, from 5 November 2026 to 31 January 2027.  The biennial will unveil an expansive exhibition programme and showcase the work of over one hundred multidisciplinary designers and studios from across the MENASA region (Middle East, North Africa, and South Asia) and their diasporas. The 2026 edition will be centred in one of Doha’s most significant heritage districts, Fereej Al Asmakh.  

Design Doha was established under the leadership of Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, Chairperson of Qatar Museums. The 2026 edition is led by Fahad Al Obaidly, Director of Design Doha, with Glenn Adamson serving as Artistic Director to guide the biennial’s curatorial vision and international dialogue. 

Building on the remarkable success of its inaugural edition in 2024, Design Doha 2026 marks a significant expansion in scale, ambition, and international reach. The biennial will present more than 15 exhibitions, headlined by Arab Design Now 2026, curated by Noura Al Sayeh and bringing together 81 designers, 78 new commissions and 15 films, with a production scale rarely seen in regional design exhibitions. The participating designers represent 27 countries, working across more than 15 disciplines ranging from architecture, furniture, and product design to craft, urbanism, sound, and social design. 

Central to this edition is Fereej Al Asmakh, one of Qatar’s most significant heritage districts, which will serve as a key hub for Design Doha 2026. Rather than functioning solely as a backdrop for exhibitions, Al Asmakh will be a site of cultural production, community engagement, and design-led urban renewal, drawing on the region’s deep well of generational knowledge. The biennial proposes contemporary creative and cultural solutions for the newly renovated district, respecting its historic importance and heritage.  

With its expanded footprint, the biennial aims to demonstrate how design and creativity can transform a city responsibly. This expanded presence establishes Design Doha as an activator of spaces and a knowledge platform for cultural exchange and transmission. The biennial connects designers and makers with the public, production networks, international design experts, and new professional opportunities. The biennial nurtures local and regional talent, encourages global exchange, and further enhances Doha’s position as a creative capital in the region. Design Doha is committed to its mission of developing sustainable creative economies in the long term while cementing design’s role in improving current and future living conditions for everyone. 

At the core of Design Doha 2026 is the headline exhibition Arab Design Now 2026, curated by Noura Al Sayeh, reinforcing Design Doha’s role as a platform for critical inquiry and exchange. The exhibition will examine contemporary design in the Arab world through five thematic frameworks: Narration and Ornamentation; Land and Agrarian Practices; Landscapes of Production and Extraction; Crafts, Technology, and Community; and Belonging and Migrating. 

Alongside Arab Design Now 2026, exhibitions will unfold across Doha, including Msheireb and Fereej Al Asmakh, as well as in Qatar Museums institutions, heritage sites, and public spaces, transforming the city into a connected network of design experiences. The biennial will present these exhibitions in collaboration with leading regional and international institutions including Turquoise Mountain, Irthi Contemporary Crafts Council, Ithra, Liwan Design Studios and Labs, among others.  

Extending the biennial beyond traditional exhibition spaces and into the fabric of the city, Design Doha 2026 will launch Public Design Commissions, an ambitious programme curated by Javier Peña Ibáñez, Director of Concéntrico, the International Festival of Design and Architecture in Logroño, Spain. Through an open call across the MENASA region, ten designers, architects, and urban practitioners were selected to reimagine public spaces across Qatar. As a first stage, five of these winning proposals will result in context-responsive installations that explore architecture, crafts, sustainability, and cultural identity, activating public spaces across Doha through innovative design interventions. Together, these commissions position the biennial as a site of active experimentation, exchange, and long-term design legacy. 

Recognising emerging and established voices across the region, the Design Doha Prize returns in 2026 with four winners selected across the categories of Craft, Product Design, Furniture Design, and Emerging Talent. The Prize is chaired by H.E. Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, with a 24-member international jury headed by Iranian-French architect and designer India Mahdavi. Winners will be announced on 7 November 2026 during the biennial’s opening week, reinforcing Design Doha’s commitment to supporting the next generation of design leaders. Together, the four winners will receive a support package comprising QAR 800,000 in funding, in addition to mentorship and opportunities to further develop, showcase, and expand the reach of their work. 

Two major bilingual publications—one dedicated to Arab Design Now 2026, and a second documenting the full scope of the biennial—will be complemented by a robust schedule of talks, workshops, and networking platforms.  

As part of Qatar’s 2026 Years of Culture initiative, Design Doha will also partner with institutions and designers from across Mexico. This collaboration underscores shared narratives of landscape, craft, and material intelligence across regions shaped by desert ecologies. A major exhibition by Mexico-based designer Fernando Laposse will explore systems of cultivation, community, and material transformation, drawing connections between Mexico and Qatar’s environmental and cultural histories.  

Fahad Al Obaidly, Director of Design Doha, said, “Design Doha 2026 marks the next chapter in the biennial’s evolution. What began as a platform to map the design landscape of the MENASA region has developed into an institution that understands design as a system of knowledge shaped by language, landscape, ecology, craft, and the accumulated intelligence of generations. By extending the biennial into the public realm and placing equal emphasis on research, making, and collaboration, Design Doha positions Qatar as a place where design is not only exhibited, but cultivated, produced, and shared. In doing so, the biennial contributes to Qatar’s broader ambitions for cultural, social, economic, and environmental development, strengthening the connections between heritage, innovation, industry, education, and international exchange.”  

Glenn Adamson, Artistic Director of Design Doha, said, “Design Doha 2026 expands both the biennial’s scope and international reach. This edition illuminates a constellation of voices across the MENASA region and beyond, demonstrating how design operates through dialogue and exchange. Together, these projects affirm Qatar as a global point of orientation for the future of design.” 

Further details and press images for Design Doha 2026, including exhibitions and the prize, are available to download. Details of the Public Design Commissions programme will be announced at a later date.  

Early bird tickets for Design Doha 2026 will be available via www.designdoha.org.qa

Exhibitions 

Arab Design Now 2026 - Headline Exhibition 
Curated by Noura Al Sayeh, Arab Design Now 2026 presents the work of 81 designers, artisans, and makers. Placing equal emphasis on process and product, the exhibition explores how geography, craft, technology, manufacturing, and social conditions shape design today.  

Themes and Participating Designers: 

On Narration and Ornamentation 
Dima Srouji and Hooda Shawa, Shahira Fahmy Architects, Abdulrahman Al Muftah, Zoubida, Atelier Aziz Alqatami, Hassene Jeljeli, Selma Lazrak, Dar Arafa Architecture, Ahmed Angawi, Mehdi Dakhli, Hind Al Saad, Talin Hazbar, Tarek Shamma, Roham Shamekh, Faissal El-Malak, Shaikha Al Sulaiti, Imane Mellah 

On Land – Agrarian Practices 
Aziza Chaouni Projects, Sakiya, Mirna Bamieh, Boo Design Studio, Local Industries + Studio Folder + Kazna Asker, MODEEN, Samer Selbak, Hall Haus, FADAA, IBKKI, Studio Aya Moug, Aya Haidar, Adrian Müller, Nuhayr Zein, Shepherd Studio + Abdulla Buhijji, Samah Hijawi, Studio Bazazo 

Landscapes of Production – Landscapes of Extraction 
Shaha Raphael, Ammar Kalo, Ammar Khammash, Twelve Degrees, Harness the Heat, Sama Al Saket, Karim + Elias, Material Cultures, Fatima Nickahdar, Omar Chakil, STUDIO-DA, KAMEH, Al Tqadum, Carl Gerges Architects, Mohamad Nahleh and Rana Haddad, Mohamed Amine Hamouda, India Mahdavi 

Crafts, Technology, and Community 
Tahir Sultan, Mhairi Boyle, Maryam Al Jomairi, Dima Al Tawil, Nourredine Amir, Victoria Dabdoub, Ayham Hassan, Zineb Kertane, Nathalie Khayat, Nada Al Mulla, Lobna Sana, Farah Abdelhamid, Ibbini Studio, Ola Saad Znad, Wesam Al Asali, Tamara Kalo 

Belonging and Migrating 
Abdel El Tayeb, Studio Safar, Sarah Elawad, Maryam Turkey, Dina Satti, Ramdane Touhami, Rand Abdul Jabbar, Shireen Taweel, Architecture and Other Things, Aisha Al Suwaidi, Emii Alrai, Hussein Shikha, Yassine Ben Abdallah  

Aslan’s Love Story 
Partner: Turquoise Mountain 
Curator: George Tadros 

Aslan’s Love Story traces the life of Nabulsi tile artisan Jalal Aslan through crafts shaped by love, memory and loss. Connecting four craft traditions through the stages of a Palestinian wedding, the installation positions making as testimony, rather than closure. Craft becomes an evolving cultural force, sustaining identity amid displacement and fragmentation. 

The Sower  
Artist: Fernando Laposse 
Curator: Mario Ballesteros 

Presented by Design Doha in partnership with Qatar Canada Mexico 2026 Year of Culture, The Sower is Fernando Laposse’s first exhibition in the MENA region. Drawing on fifteen years of collaboration with rural communities, it connects Mexico and Qatar through desert ecologies and the history of trade. New works explore memory and environmental responsibility, with a living seed bank at the centre of the exhibit, proposing design as cultivation and farming as culture. 

Design Labs II  
Partner: Irthi Contemporary Crafts Council 
Curator: Reem Saif Al Mazrouei 

Design Labs II represents a pivotal chapter in Irthi Contemporary Crafts Council’s research. Through bespoke collections co-created by Irthi artisans and regional and international designers, and grounded in the organisation’s Architecture of Culture publication, the exhibition transforms nine recipes into installations and furniture. In doing so, it repositions craft as a living, adaptive methodology, recognising artisans as cultural co-authors who shape the future through collaboration, knowledge, and innovation. 

Post-Oil 2026  
Partner: Saudi Modern Initiative 
Curators: Turki and Abdulrahman Gazzaz 

Post-Oil 2026 examines five materials—glass, concrete, steel, aluminum, and asphalt—that reshaped Saudi Arabia and the GCC during the oil boom. Through artistic and design investigations, the exhibition reflects on how industrialisation transformed urban form, construction logic, political approach, and cultural perception, embedding new economies into the built environment. 

The Thread That Binds  
Partner: TheLoveTriangle Collective 
Curator: Rana Rmeily  

The Thread That Binds celebrates Khous and Khaizaran weaving traditions rooted in palm fronds and reeds. Conceived as a participatory installation, artisans and visitors weave collectively over time, allowing patterns to emerge through shared labour and exchange. The work unfolds as a living archive, foregrounding process as communal authorship rather than a finished object. 

Monumental: A Monobloc’s Memoir  
Partner and Curator: Houhou 

Monumental examines how the “Monobloc” chair embedded itself in collectivistic Arab culture. Surrealist sculptural reinterpretations of the ubiquitous plastic chair elevate the everyday to architectural scale, reframing a familiar object as both a cultural archive and a contemporary monument. 

BU’ED NADHAR - Beyond Immediate Vision 
Partner: Liwan Design Studios and Labs  
Director and Curator: Aisha Nasser Al Sowaidi 

Bu’ed Nadhar, meaning “beyond immediate vision,” frames design as a temporal and reflective practice that navigates memory, material knowledge, and cultural continuity, shaping the environments of tomorrow while remaining accountable to the past. Presented at Liwan Design Studios and Labs, the exhibition features 27 works developed through five residencies and collaborative experiments by 21 artists across the Gulf and neighbouring regions. 

The Muqarnas of Sadu  
Partner: Al Sadu Society 
Artist: Ghadeer Mohammed 
Curator: Sahar Almuscati 

The Muqarnas of Sadu merges the two-dimensional language of Sadu weaving with the three-dimensional geometry of Muqarnas architecture. Using parametric modelling and aluminium construction, traditional motifs are translated into spatial form, transforming surface into structure. Composed of modular elements that filter light and reflection, the installation renders heritage as layered, multidimensional, and dynamically reinterpreted. 

Design from Oasis 
Partner and Curator: King Abdulaziz Center for World Culture (Ithra)  

The Design from Oasis showcases Ithra’s ongoing investment in cultural ecosystems that interweave craft, material knowledge, and collective memory. Drawing inspiration from Al Khoos Initiative, this exhibition presents design as a practice embedded in place, tradition, and community interaction. Al Khoos Initiative celebrates the date palm as a cultural and ecological anchor in Saudi Arabia, foregrounding palm weaving (khoos) as a living craft that bridges heritage and contemporary design sensibilities.   

Beyond The Letters  
Partner: TypeAraby 
Curators: Ali Asali and Basma Hamdy 

Beyond The Letters approaches Arabic and Persian typography as a living system of knowledge rather than a purely graphic form. Framing script as architecture of meaning shaped by spirituality, geography, and embodied practice, the exhibition expands letterforms into spatial, material, and relational environments. Through installations, textiles, sculptural works, and participatory formats, ancestral calligraphy enters dialogue with contemporary technologies, including generative systems and AI. 

INTERLACED: Dialogues in Design  
Partner: FROMM. 
Curator: Etienne Bastormagi 

INTERLACED: Dialogues in Design explores the intersection of Arab heritage and contemporary global practice through furniture and objects conceived as sites of exchange. Tracing the region’s historic role as a crossroads of trade and craft circulation, the exhibition frames design identity as shaped by movement and mediation. 

Threading the Ceremony  
Partner: Studio Design LO 
Curators: Ester Lipsch and Lubna Osman 

Rooted in the Sudanese Jirtig marriage ritual, Threading the Ceremony reinterprets ceremonial space as architectural installation. A Nubian pyramid clad in woven Firka fabric frames objects associated with marriage rites, while the fabric becomes a metaphor for memory under strain, suspended between continuity and disruption. 

Migrating Heritage  
Partner: Ministry of Culture of the Republic of Azerbaijan, Azerbaijan National Carpet Museum 
Curator: Konul Rafiyeva 

Migrating Heritage explores how textile knowledge travels across time, media, and communities. Centred on the Azerbaijani nomadic object məfrəş, the exhibition brings historical woven objects into dialogue with contemporary design and media practices, positioning textile as a medium of memory, ecological intelligence, and cultural transmission. Rather than reconstructing heritage, the project reinterprets it through contemporary curatorial practice, opening new perspectives on mobility, sustainability, and living knowledge. 

From Fable to Fiber: The Kalila wa Dimna Triptych 
Partner: Iwan Maktabi 
Curators: Louis Barthélemy in collaboration with Iwan Maktabi  

From Fable to Fiber presents a contemporary triptych of hand-knotted textile works by Louis Barthélemy in collaboration with Iwan Maktabi. Inspired by the timeless animal fables of Kalila wa Dimna, first translated into Arabic in the 8th century, the project reinterprets these allegorical tales through a vibrant contemporary visual language. Each wall-mounted rug merges traditional craftsmanship in wool and silk with playful modern symbolism, creating richly layered narrative objects that bridge past and present, East and West.  

Traces of the Desert Light 
Partner: SANAE 
Curator: Tine De Beck 

Traces of the Desert Light explores design as a sensory and relational process shaped by material, architecture, and Doha’s distinctive luminosity. Bringing together collaborative works by Morevi x Majdulin Nasrallah, Moss Studio × Josef Gereige, Ayse Habibe Kucuk, and Studio Khachatryan x Shaikha Al-Sulaiti x Ángela Ramos Garcés, the exhibition foregrounds craft as shared knowledge rooted in tactility and dialogue. 

Light & Process 
Partner: MODEEN 
Curator: Andia Modeen 

Light & Process brings together over a decade of development of MODEEN’s luminary objects, exploring the studio’s design process from ideation and prototyping to final product. Blurring lines between disciplines and redefining the boundaries between art and design, the process is shown through sketches, prototypes, and experimentation, which culminate in final pieces born of collaboration and the reimagining of earlier works. The exhibition reveals the creative conversation between handmade craftsmanship and contemporary technologies to produce hybridised, enigmatic objects that exist at the intersection of traditional and contemporary formats of design. 

More information about the exhibitions will be released soon.  

Design Doha 2026 is part of Evolution Nation, a campaign honouring Qatar’s cultural journey over the past 50 years, since the founding of the National Museum of Qatar. Curated by Qatar Creates, the national initiative positions Qatar as a global hub for art, culture, and creativity. 

-ENDS- 

ABOUT QATAR MUSEUMS 
Qatar Museums (QM), the nation’s preeminent institution for art and culture, provides authentic and inspiring cultural experiences through a growing network of museums, heritage sites, festivals, public art installations, and programmes. QM preserves and expands the nation’s cultural offerings, sharing art and culture from Qatar, the Middle East, North Africa, South Asia (MENASA), and beyond with the world and enriching the lives of citizens, residents, and visitors.  

Under the patronage of His Highness the Amir, Sheikh Tamim bin Hamad Al Thani, and led by its Chairperson, Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, QM has made Qatar a vibrant centre for the arts, culture, and creative exchange in the Middle East and beyond. QM is integral to the mission of developing an innovative, diverse, and progressive nation, bringing people together to ignite new thinking, spark critical cultural conversations, and amplify the voices of Qatar’s people. Since its founding in 2005, QM has overseen the development of museums including the Museum of Islamic Art (MIA) and MIA Park, Mathaf: Arab Museum of Modern Art, the National Museum of Qatar (NMoQ), 3-2-1 Qatar Olympic and Sports Museum, ALRIWAQ Art + Architecture, and QM Gallery Katara. Future institutions  include Dadu, Children’s Museum of Qatar, the Art Mill Museum, the Qatar Auto Museum, and the Lusail Museum.  

Through its Creative Hubs and recurring festivals and biennials, such as M7, Fire Station, Liwan Design Studios and Labs, the Tasweer Qatar Photo Festival, and Design Doha, QM initiates and supports projects that nurture artistic talent and create opportunities to build a strong and sustainable creative infrastructure.  

It is within this spirit of growth and ambition that QM proudly celebrates Evolution Nation, a campaign honouring Qatar's cultural journey over the past 50 years, since the original founding of the National Museum of Qatar. Curated by Qatar Creates, Evolution Nation highlights both the nation's cultural milestones and its bold aspirations for the future.  

Animating everything that QM does is an authentic connection to Qatar and its heritage, a steadfast commitment to inclusivity and accessibility, and a belief in creating value through invention.  

For more information visit https://qm.org.qa

ABOUT DESIGN DOHA
Established in 2024 by Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, Chairperson of Qatar Museums, Design Doha is a premier international design biennial celebrating contemporary design, innovation, and creativity in the MENASA region and beyond.  Design Doha serves as a global platform for exhibitions, installations, awards, and special events, bringing together designers, industry leaders, and visionaries from local Qatari institutions and around the world. Fahad Al Obaidly serves as Director, with Glenn Adamson as Artistic Director. 

The second edition of Design Doha will take place from 5 November 2026 to 31 January 2027.
Opening Days: 5–7 November 2026  

Exhibitions on view: 5 November 2026–31 January 2027 

FIND US ONLINE: 
Qatar Museums 
X:@Qatar_Museums| Instagram: @Qatar_Museums| Facebook: @QatarMuseums 

Design Doha 
Instagram: @designdohabiennial 
Website: https://designdoha.org.qa/en/ 

Mohammed Khamis Al Abdulla — Qatar Museums 
mfaraj@qm.org.qa
+974 5592 0088

Image credit: The Thread That Binds. Partner: TheLoveTriangle Collective. Photography by Tarek Moukaddem. Courtesy of Tarek Moukaddem.

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Lehman College Art Gallery Educator Open House September 9, 4:00-5:00 PM , Registration required details below.

Come early or later but see ~Does this Taste Funny ~ exhibition . It looks like great fun if your in the Bronx




Educator Open House

REGISTRATION REQUIRED

Elizabeth Murray

Do I Love You from Rooftops With Flying Geese, 2003

Courtesy of GEMINI G.E.L.

Calling all educators!


Join us at Lehman College Art Gallery on

Wednesday, September 9, from 4:00–5:00 PM

for a special educator preview of Does This Taste Funny? Humor in Contemporary Art, before the exhibition’s opening reception at 5 PM.


Teachers of all grade levels, from Pre-K through Grade 12, and all subject areas are invited to explore this lively exhibition featuring the work of 40 contemporary artists, including Cindy Sherman, Elizabeth Murray, Peter Saul, and more.


Enjoy light refreshments, connect with fellow educators, and learn more about Lehman College Art Gallery’s school programs and educational offerings. Come discover ways contemporary art, humor, satire, absurdity, and wordplay can spark conversation and inspire classroom engagement.


Educator Preview

Wednesday, September 9

4:00–5:00 PM


Stay for the Opening Reception from 5:00–8:00 PM and be among the first to experience Does This Taste Funny?



Free and open to educators.

Click Here to Register
ALL PROGRAMS TAKE PLACE AT LEHMAN COLLEGE ART GALLERY

Lehman College Art Gallery is located in the Fine Arts Building
Enter at Gate 5 on Goulden Ave

Lehman College Art Gallery’s exhibitions and programs are made possible through generous support from, The New York City Department of Cultural Affairs; New York State Council on the Arts; Charina Foundation, Inc.; Jarvis and Constance Doctorow Family Foundation; Edith and Herbert Lehman Foundation; Milton and Sally Avery Arts Foundation; Pierre and Tana Matisse Foundation; The Keith Haring Foundation; and The New Yankee Stadium Community Benefits Fund.

 Website
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Lehman College Art Gallery | 250 Bedford Park Blvd. West | Bronx, NY 10468 US

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RGR Galleria exhibition for Cesar Paternosto opens September 3, 2026 in Mexico City. Details below!

Paternosto abstractions are viewed from the artists lense inclusive of time spent in the the Americas. Argentina, Mexico, and the US were all home base to Paternosto.  

Galería RGR announces the representation of César Paternosto

© Pedro A. Sánchez Tornero
The gallery will present César Paternosto: Abstract Stone, the artist's first solo exhibition in Mexico since 1986, curated by Gabriela Rangel. The exhibition opens September 3, 2026, during GAMA Week in Mexico City.
Galería RGR is proud to announce the representation of César Paternosto (b. 1931, La Plata, Argentina), a painter, sculptor, and theorist whose work locates the origins of abstraction in the Americas rather than in Europe. The gallery will open Abstract Stone, the artist's first solo exhibition in Mexico since 1986, on September 3, 2026.

In 1969 Paternosto began painting on the lateral edges of his canvases, keeping the front a single unbroken color, most often white. He called it la visión oblicua, the oblique vision. The work cannot be taken in from the front alone: the viewer has to move around it, and the painting becomes an object. Lucy Lippard has written on his work since 1981, and in 2020 Hans Ulrich Obrist published a book-length interview with him, introduced by Lippard.

César was making this argument long before the field was ready to hear it. He looked at Andean stone and Andean weaving and found a way into abstraction that did not pass through Europe. That is the conversation this gallery has been having since it opened, and he belongs in it.
— Ricardo González Ramos, Founder and Director, Galería RGR

Beginning in 1977, Paternosto traveled repeatedly to Peru and Bolivia to study Inca stonework and Andean weaving. The research produced both a new body of work and an argument in print: that abstraction has a genealogy in the Americas independent of European modernism. He set it out in Piedra abstracta: la escultura inca, una visión contemporánea, published in 1989 by the Mexican publisher Fondo de Cultura Económica, and expanded it for the English-language edition, The Stone and the Thread: Andean Roots of Abstract Art (University of Texas Press, 1996). The exhibition takes its title from the first of these two books.

Transforming the support of painting was a project of the Río de la Plata avant-garde that César Paternosto brought up to date and carried into an important debate with Minimalism. His recovery of the memory of an Andean abstraction that predates the West is another of the layers added to the body of work Paternosto has bequeathed to the History of painting, with a
capital H.

— Gabriela Rangel, Executive Director, Museum of Contemporary Art, Tucson, and Artistic Director of Galería RGR, 2023–2025

Abstract Stone brings together thirteen works made between 1969 and 2021, most of them acrylic on canvas. The earliest, Tlön, is from 1969, the year Paternosto moved the marks to the edge of the canvas. The exhibition is weighted toward the painting that came out of the Andean research, including Tambo Colorado II (1991), and continues through Cuarteto(2006) and later work.

At Galería RGR, Paternosto joins artists with whom he crossed paths over the course of his career. In 1966 he took the first prize at the III Bienal Americana de Arte in Córdoba, Argentina, where Carlos Cruz-Diez won the grand prize from a jury chaired by Alfred H. Barr, Jr. In 1971, Jesús Rafael Soto acquired Paternosto's Discurrimiento (1970) for the collection he was then assembling in Ciudad Bolívar, Venezuela, which opened two years later as the Museo de Arte Moderno Jesús Soto. In 1974, all three showed together in Madrid, at Galería Aele. His work will now be shown alongside theirs, in the gallery's exhibitions and at international art fairs.


 
About César Paternosto

César Paternosto was born in La Plata, Argentina, in 1931. He lived in New York from 1967 to 2004 and has lived in Segovia, Spain, since then. His painting Duino (1966) is currently on view at the Museum of Modern Art in New York, in the collection gallery Hard Edges, Expanded Fields, and his work is held by the Solomon R. Guggenheim Museum in New York, the Museo Nacional Centro de Arte Reina Sofía in Madrid and the Museo de Arte Moderno de Buenos Aires. He has presented recent solo exhibitions at the Museo Nacional Thyssen-Bornemisza in Madrid (2017) and the Museo Nacional de Bellas Artes in Buenos Aires (2019). In 2026, the Universidad Nacional de La Plata awarded him an honorary doctorate, and its Centro de Arte presented La imaginación geométrica, his first retrospective in the city of his birth.
ARTIST PAGE
 
Exhibition Opening
Galería RGR
General Antonio León 48
San Miguel Chapultepec, 11850
Mexico City

Thursday, September 3, 2026
Opening: 11 a.m.
Reception: 5 p.m.

GAMA Week Hours:
Thursday 09/03 - 11:00 – 19:00
Friday 09/04 - 11:00 – 18:30
Saturday 09/05 - 11:00 – 18:30
Sunday 09/06 - 11:00 – 15:00
 
 
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