Friday, August 12, 2011

Have an Old or Torn American Flag That Needs a Proper Disposal?

photo

 Give us your Tattered and Torn... American Flags

If you have an old tattered or torn American Flag
 that you would like to retire for proper disposal

The American Legion
Greenlawn post 1244
In Cooperation with the 
Art League of Long Island
 is providing 
 a Flag Drop Box
in the lobby of 
Art League of LI
for the month of August

All Flags will be disposed of in a ceremony that is befitting 
their status as the symbol of our
Great Country

Thank you in advance for your cooperation.

Be the Artist You Want to Be!


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Art Exhbition at the Art League's Jeanie Tengelsen Gallery

John Davis Gallery

Peter McCaffrey
m a r k i n g s

On Thursday, August 18th, there will be a group of artists with individual exhibitions for the Main Galleries, Sculpture Garden and Carriage House. The work will be on display through September 11th with a reception for the artists on Saturday, August 20th from 6:00 until 8:00 p.m.

Main Galleries:
Peter McCaffrey
m a r k i n g s

Peter McCaffrey


"A picture of the soul was a crudely drawn circle of chalk on the blackboard in my first year of parochial school. Any transgressions against God were depicted as small strokes marking the surface. A venial sin, like fibbing, was a small peck. Something more serious like murder, a mortal sin, would fill in the circle with a swirl of lines that would completely blacken the surface. I found the little cartoons of animals that my Father drew were much more interesting. They were something to keep, and I longed to imitate the way they were made. My crayon drawings of circus animals had more soul than that chalk circle.

Animals and nature have been the focus of my work. Animals seem gifted with senses that have never been lost, or guided by voices we will never hear. One drifts along with the noise of the herd unconsciously keeping up and not bumping into things. Painting pulls me out of the lockstep by concentrating my attention on the things I would pass blindly by. Spending some time in the country has brought me in closer contact with the subjects I find most interesting. Teaching an undergraduate class of painting animals at the zoo has helped me articulate the groundwork with which I need to start. The drawing is an integral part of the work. Gold leaf has the effect of "canonizing" the subject.

"They are not brethren, they are not underlings; they are other nations, caught with ourselves in the net of life and time, fellow prisoners of the splendour and travail of the earth." (Henry Beston)"

         Peter McCaffrey
         2011


Sculpture Garden
Ben Butler
On Making

Ben Butler



"Everything has a source. When the order of things eludes us, we often mistake complexity for chaos, and therefore miss the wonderful sources of things.

All things, under close enough observation, will reveal the complete stories of their making. My objects simply reveal themselves much more readily than most, and therefore hope to teach us something about looking.

The spirit of science, of discovery and illumination, is central to my art. Ultimately, everything made is first found.

Yet, for both art and science, successful work must allow others not to simply rediscover what you have discovered, but to make, through the work, their own discoveries. The work then remains alive."

         Ben Butler
         2011



Elevator Shaft Installation
Susan Chrysler White
Yin & Yang,
Kachina (detail) 2010, acrylic and enamel on plexiglass, 14' x 8'

Susan Chrysler White


"My Kachinas are two of the first sculptural hanging pieces I have completed that are not site-specific commissioned installations. In these three dimensional pieces I have been researching how my paintings, in my aesthetic vocabulary of excess, have a strong connection with historical and contemporary manifestations of the chandelier. The exploration of light, space, transparency and calligraphic drawing all find a home in these elongated quasi-figural forms. Flat painted plexiglass pieces hang radially, suspended from a central rod, forming dense dimensional environments in which the viewer is both allowed to move around and, in the case of the hanging in the John Davis Carriage House Gallery, will be allowed to view from above and below on different floor levels."

         Susan Chrysler White,
         2011



Second Floor Carriage House
Christopher Walsh
Paintings



Christopher Walsh


"My oil paintings explore a territory that suggests fractal structures, circuit boards and urban landscape. The underlying theme in my art is an exploration of how consciousness and identity are shaped by the rhythms of our everyday experience. On a daily basis, the city is a vocabulary of source material: traffic lights, overpasses, billboards, spires, windows, facades and grids, combine to create a large collage. A collage that has contradictions to it. It has a structural, man-made element, but it's unplanned. There are layers of both growth and decay. For example, I might find myself at the same stoplight every day, at a certain time, with a certain light, and I can't help but compose a picture that's subconsciously stored in my memory of that.

At the same time, this process of identifying with my environment breaks down in the studio into a formal vocabulary that is intentionally ambiguous and fragmentary. There's something neurological about my response to this vocabulary during the process of painting. I search for triggers and synapses, as I struggle to define an image. My visual memory of the city is confronted by an approach to materials that is improvisational and painterly.

With line, fragments of form and blocks of color I build compositions that contain a precarious balance of light and dark, architecture and space, gesture and geometry. Improvising off a grid or axis, I see the painting surface as an arena for a dialogue between thought and action, impulse and intent.

The images that emerge are colorful, rhythmic, and tactile."

         Christopher Walsh,
         2011



Second Floor Carriage House
Fran O'Neill


Fran O'Neill


"The de-stabilizing of symmetry, patterns and the expected within a simple or complex composition is what I strive to find and do. It is the 'rupture' within the presumed regularity of a repetitious field that I explore. I deliberately look for these moments to build upon through painting and drawing; layering and exploring color, through dramatic or subtle shifts."

         Fran O'Neill,
         2011



Third Floor Carriage House
Kristin Locashio
Paintings

Kristin Locashio


"In these new paintings I utilize a range of tools and methods to broaden and vary the expressive possibilities of paint. Working intuitively I develop structure through the painting process, allowing the composition to materialize and dematerialize in an effort to achieve a wholeness in the painting. Improvisation with paint and its' liquid materiality is the driving force behind these works, the result being a lasting visual reminder of the experience of making."

         Kristin Locashio
         2011



Fourth Floor Carriage House
Jenny Snider


Jenny Snider


"I will be showing new vehicles, made expressly for the unusual interior space in the Carriage House at the John Davis Gallery. Made of tinted and painted paper mache, they will hang on walls and stand on the floor, like the wooden vehicles exhibited in 2002 at the Bowery Poetry Club in New York City. In both color and surface, paper mache echoes the concrete walls of the carriage house."

         Jenny Snider,
         2011



Gallery hours are Thursday through Monday, 11:00 till 5:00 p.m. For further information about the gallery, the artists and upcoming exhibition, visit

www.johndavisgallery.com

or contact John Davis directly at 518.828.5907 or via e-mail: art@johndavisgallery.com.


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BORDERS by Steinunn Thórarinsdóttir in Dad Hammarskjöld Plaza

Steinunn Thórarinsdóttir's Borders on display at Dag Hammerskjöld Plaza

The New York City Department of Parks & Recreation is pleased to announce the exhibition BORDERS by Steinunn Thórarinsdóttir in Dag Hammarskjöld Plaza from March 24 through September 30, 2011. The installation features twenty-six androgynous, life-size sculptures, thirteen aluminum and thirteen cast iron, which extend throughout the park from First to Second Avenue on East 47th Street. BORDERS will be the park’s largest exhibition to date and the first exhibition to incorporate the entire park.
 “Dag Hammarskjold Plaza is the gateway to the United Nations and a hub of international activity that serves thousands of people and hosts hundreds of political events each year,” said Parks & Recreation Commissioner Adrian Benepe.  “The new public art installation, BORDERS, will connect many diverse constituencies to new artistic experiences.  It will foster conversation and provide a significant backdrop for daily events at this public space.”
BORDERS was created specifically for Dag Hammarskjöld Plaza and directly responds to the park’s design and infrastructure, as well as the United Nations headquarters located at the eastern end of the park. Thórarinsdóttir’s figures, standing along the main park corridor and seated on park benches, mirror each other in silent conversation and form unseen borders that visitors are welcome to cross—serving as ambassadors between sculptures. The exhibition addresses humanity and cultural diversity, an exceptionally appropriate theme for one of the most culturally and politically active sites in all of New York City.
Steinunn Thórarinsdóttir (b.1955) studied at the University of Portsmouth Fine Art Department in England and the Accademia di Belle Arte in Bologna, Italy. She has been working professionally for over 30 years and has exhibited widely in Europe, Japan, the United States, and Australia. Her works are in private, public, and corporate collections around the world. She has completed commissions at Leifur Eiríksson International Airport, Iceland, and the two-part memorial Voyage in Hull, England, and Vik, Iceland among others.  Thórarinsdóttir recently finished a 9 meter high sculpture for the University of Aberdeen in Scotland.  Her exhibition Horizons which was first exhibited in early 2007 at the Katonah Museum, New York has since traveled to six venues. Among them are the Dixon Museum and Gardens, Memphis, Tennessee; and Nathan Manilow Sculpture Park, Illinois.  On January 31, 2011, Horizons inaugurated the new sculpture garden of the Georgia Museum of Art where it will be on view through June 30, 2011. Thórarinsdóttir lives and works in Reykjavik, Iceland.
Steinunn Thórarinsdóttir is the latest in a long list of distinguished artists to be exhibited with the Department of Parks & Recreation, including Robert Indiana, Mark DiSuvero, Dennis Oppenheim, Beverly Pepper, and Jessica Stockholder. Parks & Recreation’s public art program has consistently fostered the creation and installation of temporary public art in parks throughout the five boroughs. Since 1967, collaborations with arts organizations and artists have produced hundreds of public art projects in New York City parks.
Special thanks to Scott White Contemporary Art, Friends of Dag Hammarskjöld Plaza, the Consul General of Iceland in New York City, the Icelandic Embassy in Washington, D.C., The Icelandic Ministry of Culture, Iceland Naturally, Visit Iceland, Visit Reykjavik, Icelandic Art Center and Eimskip Shipping Company.
For installation images click here.
Weblinks:
nycgovparks.org
walkingoffthebigapple.com
wn.com
juxtapoz.com
icelandnaturally.com
iceland.is
For additional information on Steinunn Thórarinsdóttir you can visit www.steinunnth.com or www.scottwhiteart.com.
Picture 1
Picture 2
Picture 4
Photographer: James Ewing.
Courtesy of Scott White Contemporary, James Ewing and the artist.

Naples Art Association at The von Liebig Art Center

The Art of Bill Carman

 Bill Carman Header
Animazing Gallery welcomes the critically acclaimed painter Bill Carman to its SoHo gallery this fall for an exhibition, sale and artist's reception. Carman, an enigma in the contemporary art market, will unveil a collection of more than  40 paintings on copper and paper, comprising his largest show to date. 

"I live on the fringe of mainstream fantasy/sci-fi, dip a toe into surrealism, flirt with symbolism and even occasionally scratch the surface of mainstream illustration..." - Bill Carman (bio)

RSVP is required for the artist's reception and exhibition unveiling from 6-9PM on Saturday October 22nd, 2011. The collection will be on display and for sale through November. Animazing Gallery is located at 54 Greene Street (at Broome). The exhibition is free and open to the public seven days a week; Monday-Saturday 10-7, Sunday 11-6. Contact 212-226-7374 or pr@animazing.com for details.

Tuesday, August 9, 2011

John Botte - The 9-11 Photographs





John Botte evite


Presented by The Morrison Hotel Gallery 
John Botte: The 9-11 Photographs

September 4th thru September 24th

Artist Reception Sunday, September 11th 3:00 PM - 7:00 PM
Open to the public.   
   
Gallery at Calamut
22 West 22nd Street
2nd Floor
New York, NY 10010

Hours:
Monday thru Friday 8:30 AM - 6:00 PM
Saturday 9:00 AM - 5:30 PM
Sunday 12 PM - 5:00 PM

Art SD11

The Art Dossier LLC

ART SAN DIEGO 2011 Fair Guide

Fair Guide

Bonita Springs National Art Festivals

Bonita LogoCenter of the Arts of Bonita Springs
presents:  

Bonita Springs National Art Festivals

Call to Artists

**NEW: Third Festival Added (February)**


WHAT:  3 Fine Art and Fine Craft Events

WHERE: Promenade at Bonita Bay, Bonita Springs, Florida

WHEN: Saturday and Sunday
           January 14-15, 2012
           February 11-12, 2012
           March 10-11, 2012

NOTEWORTHY:

*3 separately juried events.
Artists may participate in one, two or three events.

*Long history of excellent sales.

*Each show limited to 211 juried fine artists and craft persons.

*Jury/Booth Fees ($30/$400); a few larger spaces available at extra cost.

*Cash Awards.

*Friday setup and drive up to your space to unload.

*Artist amenities.

*For more details about the shows, click HERE
These highly regarded festivals offer artists the opportunity to present their fine art and fine craft in a high traffic area during the busiest time of the winter season.  Bonita Springs, adjacent to Naples is populated by upper-income residents. Quality of the work exhibited attracts knowledgeable art lovers and buyers.  These festivals have all the characteristics for success: location, venue, audience and ambiance and are consistently top-ranked among all outdoor shows nationwide!

For 2011, a third festival has been added, in February, during the height of the tourist and snowbird season.

NOW ACCEPTING APPLICATIONS:

Deadlines:
January Festival: October 1, 2011
February Festival: November 1, 2011
March Festival: December 1, 2011


For more details, artist's prospectus, entry form and festival layout map, visit:
http://artinusa.com/bonita/app/
 
Email inquiries to:
artfest@artinusa.com

You may also contact:

Barry Witt
239-992-1213

For additional information about the Center for the Arts of Bonita Springs:
http://www.artcenterbonita.org/

Last Week to Enter FilmsOnArtists 2011 Juried Show

FOAHEADER


Last week to enter FilmsOnArtists 2011 Juried Show!

Win a documentary film about your art and a solo show at Rogue Space | Chelsea.




Juried Show


Following the success of our 2010 international, all-medium juried art show and award of the top prize of our "Artists Exhibition Package", FilmsOnArtists is proud to announce our 2011 competition. 

40 artists will be juried by our judge David Masello for a show at our gallery Rogue Space | Chelsea. From that show one artist will be selected to have a solo show, reception and a screening of the documentary we create about their art. 

As an artists friendly initiative FilmOnArist does not take commission from sales. However we ask that artists who sell work during our juried show make a tax-deductable donation to FOA's Haitian Children's Art Project at the Maranatha School and Orphanage in Port-Au-Prince. 

FilmsOnArtists (FOA) is a new media production company based in the Chelsea district, NYC that creates enlightening and inspirational documentaries about artists around the globe. Our intent is to illuminate and educate via the experiences of the creatives who are interpreting our world.

  
FOA FOOTER

Artist Eddie Rehm "Reveals" Latest Works


Artist Eddie Rehm “Reveals” Latest Works   
 
NEW YORK, NY, USA
AUGUST 6, 2011
 
 
Eddie Rehm:  Abandonment to Revelation
"The 21st century will not consist of perfect execution but of a concept analogous to the moral of the times. That time is now"          -Rehm 2011-
Orchard Windows Gallery
37 Orchard Street
Lower East Side, NY 10002
Between Hester and Canal Sts.
F train two blocks away 
 
 
Exhibition Dates
October 17, 2011 - October 30, 2011
Monday to Sunday: 12:00 pm to 9:00 pm
 
 
Artist Opening Reception
October 21, 2011 – 5:00 pm to 9:00 pm 
 
Closing Reception 
October 28, 2011 – 5:00 pm to 8:00 pm
 
This event is free and open to the public
 
The Orchard Windows Gallery has invited celebrated New York artist, Eddie Rehm, back for his third solo exhibition.  "Instant Gratification Abstract is a term I use to describe my art and the style in which I present each piece,” says Rehm, when asked to describe his work.  Rehm’s art has been displayed throughout New York, Chicago, Milwaukee, and Pennsylvania, as well as many local Art Leagues and Associations.  His work will also be displayed in the upcoming 2011 Art Basel Miami, along side internationally renowned contemporary artists. 
 
Rehm’s last show Belligerence which consisted of a full gallery conceptual installation, created an aggressive buzz, aptly fitting the show’s title. “With an overwhelming positive response from collectors, patrons, and press publications, I am excited about continuing our artistic collaboration, representing Rehm’s work and giving him another exhibition,” says Dino Eli, owner of Orchard Windows Gallery. 
 
On the theme of his new show, Abandonment to Revelation, Rehm reveals his impetus:  “My work is my interpretation of today’s society, since I have lived a life that many Americans are also currently enduring.  I have been abandoned, slandered, divorced, bankrupt, homeless, and jobless.  I have recently lost not just friends, but family.  I have suffered through so many conflicting emotions simultaneously:  belligerence, anger, depravity, sorrow, indifference, and pain.  I have lost it all!  So art to me is therapeutic; it’s my way of working through all of these recent personal, but somehow collective, tragedies.  At the same time, each person’s experience is unique, and while I feel everyone can relate to these experiences in some way, my art transcends that experience, representing my journey toward enlightened ideas and raw emotion through progressive thought.  Through these gut-retching experiences or perhaps in spite of them, I am meeting myself again as if for the first time.  In doing so, through my art, I am asking the very questions that most people won’t, can’t, or bury down deep so they don’t have to deal with them.  I am not ashamed of these questions or where they lead us, but intrigued!  Through these tribulations, I have learned that we are, at the same time, our own best friend and worst enemy, and despite this, we can find our own answer.  So I have come full circle and this work is the beginning of this enlightenment.”
 
If this does not spark your curiosity, then you should check out the exhibition simply to get a forward
looking glimpse of what 21st century art will be.  According to Dino, “His style is unique, raw, and refreshing.  I believe it's only a matter of time before the whole world knows who he is.”
 
Attached Paintings:
 
“Defamation of American Morality”
Oil, Acrylic & Industrial Products
6ft by 8ft by 4ft
2011
 
“Belligerent  Self-Worth”
Mixed Media
22” by 32”
2011
 
“Abandonment to Revelation”
24” by 26”
Mixed Media
2011
 
“Impeding Ones Will”
Mixed Media
22” by 32”
2011
 
Ed paint slip 045.jpg 
Photo                                         
Eddie Rehm
2011
 
Please feel free to call or e-mail anyone listed below if you need any further information or have questions.  Please contact by e-mail if this release is used for print, online, or any other form of press publication. Thank You.
 
 
ARTIST:
631-579-3530 

EVENT ORGANIZER / CURATOR
Heather Powers
 
GALLERY OWNER / DIRECTOR
Dino Eli

First Friday Artwalk


First Friday Artwalk- August 5th, 2011
6:00-8:00PM
  


TFAAS Final Presentation


nall in front of mpsaic used in GRand Palace Exhibit sponsored by Christian Dior Perfumes jpg


Pl Abada, Gabrielle, Abada, St. Cyr, nall, Marion de Flers, A. Renner,Kristen Killion


Nall Studio, 414 Equality Avenue, Fairhope, Alabama , 36532, USA.