Saturday, April 12, 2014

Open call to Artists: ALL HAIL GWAR!


Open call to Artists: ALL HAIL GWAR!
Dave Brockie Memorial Art Show to open at MF Gallery on May 3rd, 2014

213 Bond St. Brooklyn, NY 11217 (917)446-8681 info@MFgallery.net


March 2014 marked the untimely and tragic death of our good friend Dave Brockie, a.k.a. Oderus Urungus of the band GWAR. On Saturday May 3rd, MF Gallery is having a special memorial art show dedicated to this legendary artist.
Dave collaborated many times with MF Gallery, from his solo show / performance piece in 2004 to GWAR's Crack-a-thon in 2010 and 2011 and numerous group shows throughout the years.

This is an open call to all artists who want to memorialize the Universe's Greatest Scumdog, or the man behind the mask...
The gallery will accept all submissions representing GWAR/ Oderus/ Brockie, as long as they are received by April 25th. Interested artists should email info@mfgallery.net for mailing address and more details.

The Opening Party, on Saturday May 3rd (7-10pm) will be a cash & carry sale, with one third of the proceeds going to The Dave Brockie Foundation.
Donations can also be made directly to The Dave Brockie Foundation at: http://www.gwar.net/dave-brockie-foundation
Special party events and details, t.b.a. Admission is free and open to all ages.

Artists, fans and friends of GWAR / Dave are all invited to come see the show and celebrate this great man's life with MF Gallery!

MF Gallery is located at 213 Bond St. in Brooklyn, NY. Take the F or G train to Bergen St. The A or C to Hoyt/Schermehorn or the R to Union.
For more information, contact Martina Secondo Russo at (917)446-8681 or info@MFgallery.net

 
 




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CHRISTOPHER ABBOTT IN JOSH MOND'S JAMES WHITE


** FIRST LOOK **
CHRISTOPHER ABBOTT IN JOSH MOND'S JAMES WHITE
BORDERLINE FILMS LAUNCHES KICKSTARTER CAMPAIGN
Download this photo and exclusive behind the scenes stills here
Read more about the JAMES WHITE Kickstarter campaign here

JAMES WHITE, the new feature from award-winning Borderline Films, starring Christopher Abbott, Cynthia Nixon, and Scott “Kid Cudi” Mescudi, just launched a Kickstarter campaign. The film is the feature-length directorial debut of Borderline Films' Josh Mond.
Christopher Abbott ("Girls," MARTHA MARCY MAY MARLENE) stars as the epnonymous JAMES WHITE in this frenetic coming of age story about a young New Yorker struggling to take control of his reckless, self destructive behavior in the face of momentous family challenges. The film is explores the close relationship between a single mother and her son. 
Borderline Films, is made up of three filmmakers: Mond, Antonio Campos, and Sean Durkin. Ten years after founding Borderline as film students at NYU, their feature films have played at the Cannes Film Festival, Sundance Film Festival, New York Film Festival, and Toronto International Film Festival, been nominated for five Independent Spirit Awards, four Gotham Awards, and won Best Director at Sundance (Sean Durkin for MARTHA MARCY MAY MARLENE).
To support each other in achieving their goal of making their first features on their own terms, Mond, Campos, and Durkin rotate roles in the filmmaking process. When one of them writes and directs, the other two produce, and they all support each other creatively and financially. If someone needs time to work on a script, the other two will direct commercials and split the money three ways.
JAMES WHITE has officially wrapped production. The film's Kickstarter campaign will be used to collect funds for post-production, including editing, sounds design and mixing, and securing music rights. 

We welcome your coverage!
For more information on JAMES WHITE and Borderline Films, email Adam Kersh at Adam@BrigadeMarketing.com
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Friday, April 11, 2014

New York-based designer Jamie Zigelbaum to create spectacular immersive installation as Design Miami/ Basel's 2014 Design Commission



https://origin.ih.constantcontact.com/fs171/1115921937155/img/50.jpg


THE GLOBAL FORUM FOR DESIGN

June 17-22, 2014
         Hall 1 Süd, Messe Basel, Switzerland






New York-based designer Jamie Zigelbaum to create spectacular immersive installation as Design Miami/ Basel's 2014 Design Commission

Dennis Freedman, Creative Director of Barneys New York announced as inaugural curator of the new Design At Large program.




Triangular Series in Event Hall rendering. Credit. Carl Albrecht.png

Every June, Design Miami/ Basel commissions a monumental work by an early-career architect or designer offering a platform for experimentation and engagement with an international audience. The Design Commissions are a biannual event, taking place in June as part of Design Miami/ Basel and in December as part of Design Miami/.

Suspended from the ceiling of the entrance hall of the Herzog & De Meuron-designed Basel Exhibition Centre, the forms that make up Jamie Zigelbaum's Triangular Series resemble highly evolved stalactites, blurring the boundary between life and not-life. Pulsing with light and responding with a unique sensitivity to the people sharing the space with them, 59 large, suspended tetrahedra of varying sizes will be scattered throughout the space to create an all-encompassing, immersive environment for visitors as they arrive and depart the fair.

Constructed from translucent acrylic, the refined forms of Triangular Series are the outer shells of a highly sophisticated interactive system. The heart of each form is a synthesis of custom electronics, including high-power LEDs, advanced sensors and software that allows each form to communicate with both individuals in the space, as well as each other. Each form has a luminous respiratory system, a gentle rhythm of illumination that is uniquely its own. As visitors approach each object, their respiration changes and the forms react. The tetrahedrals also communicate with each other, synchronizing rhythms of illumination through an invisible, digitally-mediated dialogue. While each form is itself an individual, synthetic organism, together they act as one - an emergent presence that transcends each's individuality.

In designing Triangular Series, Zigelbaum was interested in communicating the concept of entrainment - a phenomenon affecting both the organic and inorganic worlds by which rhythms fall in step with one another. Entrainment is seen, for example, in the synchronized flashing of Malaysian fireflies, in the human heart rate, and in the way that pendulum clocks placed close to one another will gradually assume the same period. The inventor of the pendulum, Dutch scientist Christiaan Huygens, first observed the phenomenon in the 17th century, calling it an "odd sympathy."

Left alone, the light quality and 'respiration' pattern of the Triangular Series forms will likewise fall into synchronicity - the arrival of a moving figure in their space acts as a disruptive force, modifying their behavior; they will switch from cool white to a warm quality of LED light, and respond to the movement of the bodies through the space. "For me, the process of creation is about understanding," says Zigelbaum. "I hope that the process of understanding the world around us is translated through the work. I'm interested in using technology to explain harder-to-communicate ideas; in Triangular Series it is to create a dialogue between organic and inorganic entities." Conceived as rather alien beings in the space, the forms in the series are designed to be beautiful, crystalline, sensate objects, but not necessarily comforting ones.

#TriangularSeries #DesignMiamiBasel



Design At Large

Design Miami/ Basel 2014 sees the inaugural edition of Design At Large, a curated display of inspiring large-scale design installations stationed around the center oculus on Design Miami/ Basel's first floor. Selected from proposals solicited from exhibiting galleries, the Design At Large program will reflect the diverse character of the fair itself, from the recreation of historic interiors to the latest in interactive technology. Dennis Freedman, Creative Director of Barneys New York will serve as curator of the 2014 inaugural program. "The Design At Large program provides a unique opportunity to show work outside the traditional boundaries of the gallery space," said Freedman. "The process was fascinating and results diverse, with installations ranging from a 1956 prototype methacrylate reinforced polyester living unit (Bulle 6 Coques) by Jean Benjamin Maneval to a more recent monumental scale "Drawing Machine" designed by Eske Rex, constructed out of wood, steel, concrete, paper, and a ball point pen."

Freedman's passion for collecting design began in the late 1990's. While studying at university, he became fascinated by the Radical Italian Design movement of the late 1960's featured in such influential magazines as Domus and Abitare and exhibited in Emilio Ambasz's groundbreaking 1972 exhibition, "The New Domestic Landscape" at the Museum of Modern Art (MoMA), in New York. It was this interest, which would soon unfold with his first purchase; an early edition 1971 Capitello chair by Studio 65. His extensive collection includes a world-class assortment of prototypes and early editions of significant furniture and decorative objects spanning a period of over 50 years - beginning in the early 1960's to more recent designers of today; which include: Superstudio, Ugo La Pietra, Offincina Undici, Martine Boileau, Archizoom Associati, Studio 65, Joris Laarman and Gruppo Strum.

The inaugural Design At Large program features:

Drawing Machine by Eske Rex presented by Galerie Maria Wettergren
Drawing Machine is a construction involving two pendulums, each suspended from a tower and connected through "drawing arms" and moveable joints that are set in motion by hand. A ballpoint pen resting on a drawing surface covered with the paper is mounted at the point where the pendulums come together and the force of the momentum is represented through drawings on paper, serving as a tool which investigates the relationship between time and movement.   

Wood Ring by Chris Kabel presented by Galerie kreo  
Wood Ring is a circular wooden bench by Chris Kabel, 118 inches in diameter and composed of wooden elements carved in a trapeze shape from a single tree trunk which can reach 33 feet long. Placing the different elements side-by-side, Kabel reproduces exactly the wood grain, which strengthens the majesty and the organic quality of the work. The round-shaped bench is both public and intimate, inviting users to share the internal space, or decide to isolate if facing outwards.

Thread Wrapped Architecture 020514 by Anton Alvarez presented by Gallery Libby Sellers
Commissioned for Design At Large, Alvarez will create 3m high free-standing open structures with his Thread Wrapping Machine. The work is inspired by architectural arches that have been formed through the thread-wrapping process, and is the next exciting stage of development of Alvarez's highly successful wrapped furniture and objects.

Ice Angel by Dominic Harris presented by Priveekollektie
Ice Angel blends the act of youthful playfulness when creating snow angels with modern digital manipulations, making the viewer assume the role of both performer and portrait subject. As the user moves their arms a new wing shape appears, unfurling from the shoulders, moving and displacing virtual snow. The wings are created dynamically and are linked to the participant.

SÉANCE by Sheila Hicks presented by Demisch Danant
SÉANCE, an interactive 'color lab' installation by celebrated American artist Sheila Hicks, invites participants to actively engage in an act of color play, to discover and experiment with the juxtaposition of color and to gain insight into one of the most fundamental aspects of Hicks' design process. Participants are invited to sit and experiment with color combinations guided by their own personal associations, and to share and trade with others to create a unique color narrative.     

Bulle 6 Coques by Jean Benjamin Maneval presented by Jousse Entreprise
Presented at the Salon des Arts Ménagers in 1956, urban architect and theorist Jean Maneval's housing unit made entirely of plastic remained a prototype until 1986 when Batiplastique invested in its industrialization.  Maneval's "six shell" bubble was used to equip an experimental holiday village set in Gripp in the Hautes-Pyrenees, with each pod is made up of shells joined together by waterproof, easily removable seals, and is suspended on a metal framework.

#DesignAtLarge #DesignMiamiBasel

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ART COLOGNE April 10 - 13, 2014



ART COLOGNE
April 10 - 13, 2014
  


We are looking forward to welcoming you at the fair!
You find Galerie Thomas at booth B-038, hall 11.2.!

With best regards,

Silke Thomas + Raimund Thomas


P.S. Please take a look inside our latest fair brochure of Galerie Thomas.


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Rich, Willing + Olivia in Milan


Rich, Willing + Olivia in Milan

Whilst Brilliant (Charles Brill) and the rest of the RBW team man our Brooklyn
fort, Rich (Theo Richardson), Willing (Alexander Williams) and myself are in
Milan!

If you too are in this fine Italian city and would like to meet during these final
days of the Salone, please feel free to contact me via the email address below.

Olivia Sholler

Joan Miró: Paper and Poetry selected prints and illustrated books

 LESLIE SACKS FINE ART
Brentwood

Joan Miró: Paper and Poetry
selected prints and illustrated books

Exhibition closing this Saturday, April 12



 

Surrealism had an enormous impact on the art world following its beginnings
 in France ca. 1924, directly influencing artists as diverse as Motherwell 
and Picasso. Only a relatively small number of artists remained anchored in 
this movement after World War II.  Among the most prominent of these was
 Joan Miró whose view and practice of art were and remain revolutionary.
Surrealism was concerned with undermining our preconceived notions of both
 art and reality at large. This is evident in such iconic surrealist images as Dali's
 ubiquitous clock draped over a tree limb which called into question the reality
 of mathematically measured time, and Magritte's painting of a pipe (Los
 Angeles County Museum of Art) emblazoned with the phrase, " Ceci n'est 
pas
 une pipe - This is not a pipe," which indeed it is not, but rather a picture of
 a pipe.
Miró's works frequently invoke the mythic, and his vocabulary has a 
pictographic quality not unlike images of the earth and sky painted by tribal
 societies all over the world since time immemorial.  Such pictographs, 
as frequently seen in petroglyphs, sometimes developed into sophisticated 
systems of writing, as in the case of the first Chinese characters which are 
pictograms. Examples of pictographic and calligraphic images are seen
 throughout the works in this show. 

There is also an innocence about the simplicity of Miro's palette that 
evokes the sense of childlike wonder adults can still feel gazing up at
 a clear night sky. By conjuring this magical, poetic state of awe 
and wonderment, Miro undermines the mundane state of mind by which 
we all too frequently limit our world view.



An important part of this exhibition is the display of illustrated 
books which are Miró's interpretations of works of poetry. These are not
 bound books but rather loose leaf portfolios of prints and sheets of
 letterpress text. (The prints in these books can be framed as one would 
frame any stand-alone print while retaining the rest of the book in its
 portfolio.) The complete catalogue of Miró 's works in this genre,
 meticulously compiled by the Swiss scholar and publisher Patrick Cramer
, a close associate of Leslie Sacks, records 262 books, albums and 
catalogues. These books with their beautiful hand printed images
 reflect not only the aforementioned associations with poetry, 
mythology, pictographs and calligraphy but also the rich European 
heritage of illuminated manuscripts. 


LESLIE SACKS FINE ART
 11640 San Vicente Boulevard, Los Angeles, CA 90049 (map)
(310) 820-9448  info@lesliesacks.com
www.lesliesacks.com

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art galerie siegen

ifp_one06_interform-portrait-by-falk-von-traubenberg
eröffnung
am sonntag 13. april 2014, 11 uhr
opening reception
sunday, 13th april 2014, 11 am
13.04. - 21.06.2014
art galerie siegen
fürst-johann-moritz-strasse 1
57072 siegen / germany
artgalerie-siegen.de
selbstsicht - portraits im kunstlicht
fotografie und installation
Die Arbeiten Falk von Traubenbergs zeigen eine Breite künstlerischen Schaffens, der – trotz Umsetzung in verschiedenen Weisen – stets ein verbindendes Element zu Grunde liegt: Er setzt sich in allen seinen Arbeiten mit dem Individuum auseinander, regt den Betrachter an zur Reflektion über das Sichtbare und das Verborgene, über Oberflächen und Substanz, über das Bleibende und das Vergängliche. Eine Grundfrage die ihn antreibt ist die Frage nach der Wahrnehmung der eigenen, inneren Bilder und damit die Frage nach der Wahrnehmung der Wahrheit. Durch seine Arbeiten schafft der Künstler Raum für die Sichtbarwerdung der inneren Bilder. Er bietet diesen Bildern eines jeden Betrachters eine Plattform zur Entfaltung und freilich höchst individuellen Auseinandersetzung mit ihnen. Voraussetzung dafür ist die Bereitschaft des Betrachters, die Plattform zu erkennen, seinen eigenen Bildern den durch die Kunstwerke eröffneten Freiraum zu gewähren und sich selbst die Auseinandersetzung mit ihnen, den mit ihnen verbundenen Erinnerungen, Hoffnungen, Zielen und Träumen zu gestatten.
seeing oneself - portraits in the artificial light
photography and installation

The spectrum of Falk von Traubenbergs work – despite its diverse manifestations – is based on one common denominator: In all of his works, he deals with the individual, animates the viewer to reflect on the visible and the hidden, on surfaces and substance, on the constant and the ephemeral. A basic catalyst of his work is the question about the perception of one’s own internal images, and thereby, the question about the perception of truth. In his works, the artist creates screens for the internal images of each viewer to become visible, platforms for them to unfold on. Prerequisites for this personal and highly individual face-off to work out is the willingness of the viewer to open up, allowing these screens to conjure up unique internal images – along with connected memories, hopes, goals and dreams – and to let them come alive internally.
weitere infos :: futher informations
traubenberg.net
art-galerie-siegen-iterform-textur-portraits-von-traubenberg
::
tv
MENSCH WIRTSCHAFT!
heinz lohmann im gespräch mit falk von traubenberg
hamburg1, 13.03.2014, 21:15 uhr
link zur sendung (mediathek): mensch wirtschaft
::
::
::
falk von traubenberg

conceptual art and photography

senke 3

d - 22393 hamburg

germany
::
sie erhalten diese email da sie im update verteiler von falk von traubenberg sind.

falls sie keine weiteren informationen erhalten wollen, antworten sie bitte auf diese email mit dem betreff abmelden - danke.
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STAGE FRIGHT NEW YORK PRESS DAY




 Inline image 2
STAGE FRIGHT
NEW YORK PRESS DAY

WHEN | Tuesday, April 22nd, Time TBC
WHERE | Magnolia Pictures
49 West 27th Street, 7th Floor
Between Broadway and 6th Avenue
WHO | Writer/Director Jerome Sable and Composer Eli Batalion

For interview opportunities please contact:

Kathleen Schumann | Kathleen@frankpublicity.com
Jordan Lawrence | Jordan@frankpublicity.com

Inline image 1

SYNOPSIS | STAGE FRIGHT tells the story of a snobby musical theater camp terrorized by a bloodthirsty masked killer who despises musical theatre. “Scream” meets “Glee” in this genre-bending R-rated horror-musical.
CAST | Allie MacDonald, Douglas Smith, With Minnie Driver and Meat Loaf
PRODUCERS | Ari Lantos, Jonas Bell Pasht, Ben Murray

STAGE FRIGHT Opens in Theaters on Friday, May 9th and is currently available on iTunes and VOD

SCREENINGS FOR PRESS DAY COVERAGE:

Tuesday, April 15th at 6pm – Park Avenue Screening Room
500 Park Avenue at 59th Street

Wednesday, April 16th at 4pm – Park Avenue Screening Room
500 Park Avenue at 59th Street
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John Davis Gallery News


John Simon Guggenheim Memorial Foundation





John Davis Gallery News:
Judith Simonian receives 2014 Guggenheim Fellowship
Judith Simonian, Fruit on Blue Table, acrylic on canvas, 8 x 10 inches


In its ninetieth annual competition for the United States and Canada, the John Simon Guggenheim Memorial Foundation has awarded 177 Fellowships (including one joint Fellowship) to a diverse group of 178 scholars, artists, and scientists. Appointed on the basis of prior achievement and exceptional promise, the successful candidates were chosen from a group of almost 3,000 applicants.
The gallery is pleased to announce that Judith Simonian has received a fellowship this year (Creative Arts, Fine Arts). Judith had a solo exhibition at the John Davis Gallery in February and will be showing larger paintings again in August.
Judith is represented in New York City by the Edward Thorp Gallery.
Congratulations, Judith!

Gallery hours are Thursday through Monday, 11:00 till 5:00 p.m.  For further information about the gallery, the artists and upcoming exhibitions, visit
or contact John Davis directly at 518.828.5907 or via e-mail: art@johndavisgallery.com.
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FIT NEWS




From: Cheri Fein, Executive Director of Public and Media Relations
            212 217.4700press@fitnyc.edu

Summer Institute: Sustainability in Fashion and Textiles
June 16-19, 2014
Fashion Institute of Technology
Seventh Avenue at 27 Street

The Fashion Institute of Technology presents an intensive, four-day summer series of lectures, discussions, site visits, and hands-on workshops focusing on sustainability and technology in fashion and textiles. Designed for industry professionals, as well as academics wishing to broaden their understanding of sustainability and how to support its integration into the industry, this interdisciplinary program is important for designers, technologists, and educators, as well as those seeking greater business and professional knowledge.
Topics include: Life Cycle Assessment; World Fiber Consumption; Alternative Fabrics and Fibers; Sustainable Fibers in the Textile Supply Chain; Quality Assurance; and Cause-Related Marketing.
For course details and registration information, visit fitnyc.edu/summerinstitute.

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