The Segal Center's Online "European Stages"_Volume 13 published another volume

Martin E. Segal Theatre Center Publications Announces European Stages Volume 13 – Free – Now Online europeanstages.org/ Published by the Martin E. Segal Theatre Center, European Stages is a biannual journal that contains a wealth of information about European festivals and productions, including reviews, interviews, and reports. Editors Marvin Carlson, Senior Editor, Founder Krystyna Illakowicz, Co-Editor Dominika Laster, Co-Editor Kalina Stefanova, Co-Editor

Chairs, photo by Georg Soulek

Articles  Introductory Note by Kalina Stefanova “Andrzej Tadeusz Wirth (1927 – 2019) – White on White” by Krystyna Illakowicz A Lithuanian Marriage in Warsaw or The Last Production of the Great Eimuntas Nekrošius by Artur Duda “My, Żydzi polscy [We, Polish Jews]”: A Review of Notes from Exile by Dominika Laster A Report on the State of Our Society,  According to Jiří Havelk in The Fellowship of Owners at VOSTO5, Prague,  and Elites, at the Slovak National Theater, Bratislava by Jitka Šotkovská About Life as Something We Borrow. On the Stages of Pilsen  (In the 26th edition of the International Theatre Festival There) by Kalina Stefanova Redesigning Multiculturalism or Japanese Encounters in Sibiu, Romani,  The Scarlet Princess, written and directed by Silviu Purcărete,  inspired by Tsuruya Namboku IV’s Sakura Hime Azuma Bunshô by Ion M. Tomuș About Globalization: A “Venice Merchant” on Wall Street, at the Hungarian Theatre of Cluj in Romania by Maria Zărnescu The Patriots, Mary Stuart and Ivanov  and the Rise of the Drama Ensemble of the National Theatre in Belgrade by Ksenija Radulović The Unseen Theatre Company or How to See Beyond the Visible:  The Shadow of My Soul and the Theatre of Velimir Velev by Gergana Traikova Multilingual Pirandello, Understandable to Everyone:  The Mountain Giants at the Croatian National Theatre “Ivan pl. Zajc”, Rijeka by Kim Cuculić The return of the repressed: the ghosts of the past haunt Barcelona’s stages by Maria M. Delgado A poetics of memory on the Madrid stage (2018) by Maria M. Delgado The Danish National Theatre System and the Danish National School of Performing Arts:  December in Copenhagen 2018. by Steve Earnest Towards a Theatre of Monodrama in Turkey  by Eylem Ejder Where Is Truth? Justiz by Friedrich Dürrenmatt,  adapted and directed by Frank Castorf at the Schauspielhaus Zürich by Katrin Hilbe Report from Vienna by Marvin Carlson

About European Stages  For almost a quarter of a century, from 1969 until 2013 the journal Western European Stages (founding editor Marvin Carlson) provided one of the most detailed and comprehensive overviews of the season-by-season activities in this major part of the theatre world available anywhere in any language. From 1981 onward, parallel coverage of Eastern Europe was provided by its sister journal, Slavic and East European Performance, edited by the late Professor Daniel Gerould. This was an extremely exciting and innovative period, marked by the work of many of the greatest directors of the twentieth century, by actors and designers of equal achievement, and by remarkable changes in theatre design and technology. At the turn of the century WES offered two special issues that gave a complete survey of the current theatrical scene in every country, down to the smallest, in that part of the world, a kind of overview unavailable anywhere else. Many of the larger countries, such as Germany and Sweden, received special issues, as did certain aspects of the contemporary stage, such as the growth of women directors in Europe. Both journals have offered interviews with leading artists and detailed reports on most of the leading European theatre festivals. The European continent has undergone radical changes during this quarter century. When WES was founded, Eastern and Western Europe were two quite distinct political and theatrical spheres. With the disappearance of the Russian control in the East, the rise of the European Union, and the rapid increase of productions combining the artists from a variety of countries, east and west, this cold war division today is largely an historical memory politically and theatrically. Thus, in 2013, these two journals combined their activities to reflect this more integrated continent, and metamorphosed into European Stages. We hope that the new, merged resource will continue to provide English-language readers with the most comprehensive source available on current theatre in this most important area of such activity.

For submissions, please send proposals or articles to our editors at  europeanstages@gc.cuny.edu You may also address editorial inquiries to Editors, European Stages/Martin E. Segal Theatre Center CUNY Graduate Center 365 Fifth Avenue New York, NY 10016-4309 Click HERE for more info on submission guidelines Advisory Board Joshua Abrams Christopher Balme Maria Delgado Allen Kuharsky Bryce Lease Jennifer Parker-Starbuck Magda Romańska Laurence Senelick Daniele Vianello Phyllis Zatlin Editorial Staff Joanna Gurin, Managing Editor Maria Litvan, Editorial Assistant Martin E. Segal Theatre Center Professor Marvin Carlson– Director of Publications Frank Hentschker– Executive Director & Director of Programs #finrartmagazine