Casey Chalem Anderson August 13th-September 3,2026, at the Romany Kramoris Gallery . Catcj Vasey at the Opening Saturday 15th.

"Nightflash" by Casey Chalem Anderson oil/canvas 24 x 36 inches     Please join me for the reception on Saturday, August 15, at Romany Kramoris Gallery, 41 Main Street, Sag Harbor. Show runs August 13 - September 3, 2026 I'll be exhibiting a selection of my oil paintings, including this one. I've always been fascinated by the way the sky is reflected in the water, and this painting grew from that moment of seeing. Romany Kramoris Gallery is a Sag Harbor institution, known for its eclectic mix of paintings, glasswork, jewelry, books, and unique gifts. Hope to see you there, Casey #romanykramorisgallery#fineartmagazineblog.blogspot.com #sunstormfineartmagazine.com#artfunnew,artfunnow#artfunhamptons#artfuncelebrate

Jamaica Center for Arts nad Learning: Programe schedule details below!.

 Making Movies Looks like fun!

Friend, Join Us For This Highly Anticipated Event! The stage is set, and the schedule is locked in! Join us for our highly anticipated Making Moves Dance Festival. Take advantage of our Early Bird two-for-$15 pricing, by purchasing your tickets today. Scroll below for more information on the festival and the dancers. Also, JCAL Members get free access to events like MMDF, plus discounted classes, workshops, and more! Become a member here. Get ready for an exciting display of dance from cultures across the world. Witness the power of movement and celebrate diverse cultures through dance! JCAL’s Making Moves Dance Festival has presented dance commissions and works-in-progress by multiethnic Queens choreographers and dance companies for 15 years. This year's festival features a diverse cultural lineup of emerging and established performers. Check out the dancers coming to our stage below! Tickets Full Schedule Tickets Meet the Dancers Tickets Photos of the Week: Past Making Moves Dance Festivals! Video of the Week: Making Moves Dance Festival 2025 Members Get Free Access to Making Moves Dance Festival! Become a JCAL Member Today! Learn More

Calling Artists: 556th Litchfield Park Festival of the Arts AZ. November 7-8, 2026, Application Deadline 9/6/2026 see below details.

Looking for a place t showcase your work. See below details ! 

56th Litchfield Park Festival of Arts (AZ) November 7-8, 2026 Application Deadline 9/6/26 APPLY HERE Call to Artists WHAT: 56th Annual Litchfield Park Festival of Arts  WHERE: Litchfield Square Park, Litchfield Park, Arizona WHEN: November 7-8, 2026 | Sat 9am - 5pm | Sun 9am - 5pm NOTEWORTHY: 150 participating artists Convenient & easy load-in/load-out Free artist parking Professional overnight security Friday and Saturday nights Volunteers on site Booth sitters RV parking available Jury Fee: $25 (Non-refundable) Booth Fees: $400 (10' x 10'); $600 (10' x 20'); $800 (10' x 30') Electricity: $35 (per plug - first-come, first-served basis) NOW ACCEPTING APPLICATIONS on ZAPP Application Deadline: September 6, 2026 Artist Notification: September 14, 2026 Booth Fee Due: October 3, 2025 Visit the City of Litchfield Park website for more info   Event Questions? Email: EventOps@litchfieldpark.gov or call (623) 935-9040 The City of Litchfield Park is proud to present this two-day festival, now in its 56th year. The Litchfield Park Festival of Arts is a favorite of artists and attendees alike! The festival takes place in Litchfield Park, Arizona, next to the historic Wigwam Resort, and shows off the diverse fine art and craftsmanship of over 150 top artists from around the country. Throughout the weekend, various musicians keep the festival atmosphere lively. The beer and wine garden attracts festival goers who want to discover new favorites, as well as those taking a shopping break to sit and relax for a spell. Our food court also offers a variety of snacks, sweets and hot food choices sure to please all. Expected event attendance is 15,000 throughout the weekend. This show is a favorite of tourists visiting Arizona to enjoy the beautiful weather! #litchfieldparkfestival#fineartmagazineblog.blogspot.com #sunstormfineartmagazine.com#artfunartists#arfuncreate#artfunnow#artfunvisit#artfunhappy,

Untitled Art Edit's Collectors Series part four . See details below.

As part of our Edit’s Collection Building series, we explore the personal philosophies, relationships, and experiences that shape how collections take form. In this edition, we speak with Beau Necco, a Miami-based collector and entrepreneur whose approach to collecting is grounded in curiosity, meaningful dialogue, and the connections forged through art with his partner, Heather Martin. From studio visits and travel to longstanding relationships with artists and galleries, Necco reflects on building a collection through trust, discovery, and the enduring experience of living with work that moves him.

Edit

Untitled Art (UA): What does it mean to you to be a collector? Beau Necco (BN): To me, collecting is about the connection. The works I live with remind me as much of conversations, friendships, and experiences as they do of aesthetics. Some of the most meaningful moments have been talking with artists, hearing how they think, and understanding what drives them.

"Seeing work in different contexts and countries — museums, artist studios, regional exhibitions — changes the way you understand it.  Over time, you start noticing threads between artists and movements that help your collection develop naturally.” - BN

Laura Footes, I'll Stay In the Shade, 2025. Image courtesy of Carl Freedman Gallery.  UA: What do you enjoy most about Miami Art Week? BN: The people. It’s always about the people. During Miami Art Week, the entire city transforms into this enormous conversation about culture, design, architecture, music, and art. But for me personally, the best part is always the human side of it — reconnecting with artists, meeting new people, and having those unexpected conversations that only seem to happen during that week. There’s an openness and creative energy that feels really special.

Lola Stong-Brett, When I Didn't Think I'd Feel Again, 2025. Image courtesy of Carl Freedman Gallery.  UA: Do you have a specific philosophy you adhere to with your collecting and any advice you'd give to emerging collectors for how to meaningfully develop their own collections? BN: My advice to emerging collectors is to spend time with artists and galleries before worrying about market conversations. Go to studios, ask questions, read, travel, and trust your eye. You don’t need to buy the biggest name in the room for a collection to have meaning. Often the most rewarding relationships come from supporting artists early and growing alongside them.

“Art has always inspired me — visually, emotionally, and intellectually. Over time, what began as admiration evolved into collecting, but the feeling is still the same.” - BN

UA: What, in your opinion, should the role of art fairs be in this moment? BN: I think art fairs should create access and dialogue. The best fairs aren’t just marketplaces — they’re cultural meeting points. They introduce people to artists they may never have encountered otherwise and create opportunities for real exchange.

UA: Is there an artist or artists that you discovered or acquired at Untitled Art, and do you have any highlights from the fairs in Miami Beach or Houston? BN: Some of my favorite moments last December came while working with Robert Diament from Carl Freedman Gallery at Untitled Art, Miami Beach. I was especially drawn to the work surrounding the Margate artists — Lola Stong-Brett, Laura Footes, and Lindsey Mendick. Their work is now in my home here in Miami. Honestly, the highlight is rarely about the acquisition itself. It’s about meeting the artists, hearing the stories behind the work, and understanding the environments they come from. I was fortunate to meet Lola and Laura, among many others, and the great Tracey Emin when I visited Margate earlier this year. Those conversations stay with me as much as the pieces do.

To explore the collection of past essays from the Untitled Edit, please visit our website.

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