Friday, January 12, 2024

Morgan Lehman Gallery Flat File Friday features art by Jimi Kabela

FLAT FILE FRIDAY
New artworks from Morgan Lehman's flat files in your inbox every Friday morning

Jimi Kabela

Untitled, 2023

Oil and fabric material on canvas over panel

9h x 9w in

22.86h x 22.86w cm

$ 1,500

Click here to inquire

Jimi Kabela obtained his MFA from Pratt Institute in 2023 after completing his BFA at the University of Texas, Arlington in 2021. Born in the Democratic Republic of Congo in 1990 and one of eleven siblings, Kabela and his family relocated to the United States in 2000 to pursue richer educational opportunities. Jimi's artistic journey has been profoundly influenced by his global voyages: having explored five continents, Kabela draws inspiration from these diverse cultural experiences, and is particularly interested in typography, language, and the power of communication.

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Thursday, January 11, 2024

Haines presents Reflections on Black: Opening Reception: Friday, January 19 | 5:00 PM - 8:00 PM

Adia Millett:
Reflections on Black
Opening Reception: Friday, January 19 | 5:00 PM - 8:00 PM

Featuring a live performance by Rewards Program (Miles Lassi, Phillip Laurent, and Zekarias Thompson)
Haines proudly presents Reflections on Black, our first solo exhibition with Oakland-based multidisciplinary artist Adia Millett, whose practice weaves threads of African American experiences with broader ideas about personal identity, collective history, and human interconnectivity. Blackness and the subtleties of moonlight inform Millett’s palette in new paintings and glass mosaics that examine our experiences of literal and metaphorical darkness. Presenting a nocturnal world navigated through introspection, Reflections on Black asks the questions: What do we see when we close our eyes, and when do we choose to close them?
Exhibition Dates: January 16 - March 9, 2024

Sales Inquiries: Alexandra Michaels, alexandra@hainesgallery.com
Press Inquiries: Irene Fung, irene@hainesgallery.com
Haines at SF Art Week 2024
FOG Design+Art 2024
Fort Mason Festival Pavilion, Booth 306
January 18 - 21, 2024

Presenting works by John Chiara, Chris McCaw, Meghann Riepenhoff

Chris McCaw: Marking Time
Artist Talk and Book Launch
Saturday, January 20, 2:00 PM

Bayfront Theater (BATS Improv) at Fort Mason, Building B

Co-Hosted with PhotoAlliance
Images:
1. Adia Millett, Trust, 2024. Photo: Shaun Roberts;
2. Adia Millett, Sea-Sky of Gratitude, 2024. Photo: Shaun Roberts;
3. Adia Millett, Integrity (portal), 2024. Photo: Shaun Roberts;
4. Adia Millett, Humility (portal), 2024. Photo: Shaun Roberts;
5. John Chiara, Cabrillo Highway at Pescadero Creek Road, Variation 6 (detail), 2016;
6. Chris McCaw, Sunburned GSP #879 (Mojave), 2015
HAINES 2 Marina Boulevard, Building C, First Floor, San Francisco, CA 94123

GALLERY HOURS Tuesday - Saturday: 10:30am - 5:30pm
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Morgan Lehman Gallery: Think of the Salad Days 1/11-2/17,2024

Curated by Priscilla Vail Caldwell & Joe Fyfe


January 11 - February 17, 2024

Opening Party: Thursday, January 25, 6-8pm

Hannah Beerman

Jimi Kabela

Liam Lee

Olivia Marwell

Nhật Minh

Bennett Smith

Will Thurman

Alix Van Der Donckt-Ferrand

Cullen Washington Jr.

"Think of salad days," 2024

Morgan Lehman Gallery

(installation view)

Think of salad days

They were folly and fun

They were good, they were young

 

Think we’ll destabilize, it’s urgent…challenge the structures that sustain racism, sexism, militarism, and bourgeois heteronormativity—we have the skill to take it on here…the above are the sole lyrics of the 2 minute song by the Young Marble Giants: indexing an influential band on their one & only album (ever heard of “albums”?) Colossal Youth.  

 

Think that one said they always made “music for evenings” that is, its quietness, its…Mark Fisher’s “slow cancellation of the future…” life on the planet in its “late” period… it’s always evening now… the first paintings made in the darkness of caves…Cullen Washington, Jr. ’s creation myth walks out into the savannah & the ancient dusk. Vito Acconci said “it’s always night in the city” now it’s always night on earth…

 

Think that we might be the last creatures like us to be here but there is no real night no enclosure in darkness & we look for it. Bennett Smith’s grasping binder claws if the heart be chrome within a black Newman zip…or if the near future descends in folds like Nhật Minh’s lost shadowy handkerchief blanketing the floor & the wall…

 

Think of intransigence, contradiction. Liam Lee saw the Covid time as when “our homes and bodies became focal points of safety and anxiety, protecting us from the outside world”…this is all waking sleep…roofers outside my window, floors below, the sound of the torch, years previous the smell of asphalt only encountered on the street.

 

Think a vexed threshold crossed Hannah Beerman invites Jack Spicer’s spirits in to help… acceptance of life and benevolence of spirit never comes knocking. Jimi Kabela & African money into oil dollars & Olivia Marwell a structure of feeling? are we seeing a pattern or merely an appearance of mothers and aunts certain humans are situations, it put me through school. one of them (her) became a chiropractor. My favorite line (she sang) is “lubricate the enema” 

 

Think of our glowing optimism daunting morning Alix van Der Donckt-Ferrand’s santeria of the quotidian object Will Thurman: “from a place that isn’t a place until it’s understood by the terms of its misplace-mentedness. only then can it be seen…” large lumps of blotches over crayoned cartoons… Duino Elegies: “For beauty is nothing but/the beginning of terror”

www.morganlehmangallery.com | 212-268-6699 | Tues - Sat 11-6
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