Wednesday, June 10, 2015

GUGGENHEIM PRESENTS MAJOR ALBERTO BURRI RETROSPECTIVE: October 9, 2015_January 6, 2016



GUGGENHEIM PRESENTS MAJOR ALBERTO BURRI RETROSPECTIVE

First Exhibition in the United States in Over 35 Years Devoted to the Italian Artist 

Exhibition:
Alberto Burri: The Trauma of Painting
Venue:
Solomon R. Guggenheim Museum

1071 Fifth Avenue, New York
Location:
Full rotunda
Dates:
October 9, 2015_January 6, 2016





(NEW YORK, NY–June 10, 2015)—From October 9, 2015, to January 6, 2016, the Solomon R. Guggenheim Museum will present a major retrospective—the first in the United States in more than thirty-five years and the most comprehensive in this country—devoted to the work of Italian artist Alberto Burri (1915–1995). Exploring the beauty and complexity of Burri’s process-based works, the exhibition positions the artist as a central protagonist of post–World War II art and revises traditional narratives of the cultural exchanges between the United States and Europe in the 1950s and ’60s. Burri broke with the gestural, painted surfaces of both American Abstract Expressionism and European Art Informel by manipulating unorthodox pigments and humble, prefabricated materials. A key figure in the transition from collage to assemblage, Burri barely used paint or brush, and instead worked his surfaces with stitching and combustion, among other signal processes. With his torn and mended burlap sacks, “hunchback” canvases, and melted industrial plastics, Burri often made allusions to skin and wounds, but in a purely abstract idiom. The tactile quality of his work anticipated Post-Minimalist and feminist art of the 1960s, while his red, black, and white “material monochromes” defied notions of purity and reductive form associated with American formalist modernism. Bringing together more than one hundred works, including many that have never before been seen outside of Italy, the exhibition demonstrates how Burri blurred the line between painting and sculptural relief and created a new kind of picture-object that directly influenced Neo-Dada, Process art, and Arte Povera. 

Alberto Burri: The Trauma of Painting is organized by Emily Braun, Distinguished Professor, Hunter College and the Graduate Center, City University of New York, and Guest Curator, Solomon R. Guggenheim Museum, with support from Megan Fontanella, Associate Curator, Collections and Provenance, Solomon R. Guggenheim Museum, and the collaboration of Carol Stringari, Deputy Director and Chief Conservator, Solomon R. Guggenheim Foundation. 


#1394
June 10, 2015
3Fineartmagazine
















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