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Thursday, March 6, 2014
Toni Silber-Delerive Exhibitions
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Wednesday, March 5, 2014
Blair Zaye
‘Bespoken’ Blair Zaye’s Solo Exhibition
Wednesday 5th March, 2014 - Friday 7th March, 2014
Façade, 59 London Wall, City of London, London, EC2M 5TR
Blair Zaye in association with Moderna Art rounds off the 4 week programme of rolling exhibitions at Façade a rough-and-ready 1600sqft disused bank with his own solo show entitled ‘Bespoken’.
Bespoken is filled with a selection of paintings from Blair Zaye’s series of the same name. Each painting in ‘Bespoken’ is a collection of documented foretold ideas from everyday life. With frequent use of symbolism and diagrammatic drawings alluding to that of circuit boards or astronomic star maps. Challenging the viewer in an intellectual sense to stimulate internal confrontation and realisation.
Located on London Wall, Façade is just 5 minutes walk from Bank and Liverpool Street Stations and is surrounded by several investment banks and companies in the financial epicentre of London.
Key dates and times:
Wednesday 5th March 2014
Opening 18:00 - 21:00
Thursday 6th March 2014 (First Thursday)
Open 13:00 - 21:00
Friday 7th March 2014
Open 13:00 - 20:00
For more information on the ‘Bespoken’ exhibition please visit the events page
http://www.facebook.com/events/809804372368076/
and find and like Blair Zaye on facebook here http://www.facebook.com/BlairZayeArtist
For more information on Blair Zaye please visit http://www.blairzaye.com/
Or contact Blair Zaye – 07503669277 - exhibitions@blairzaye.com
Partners :
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MATTHEW STONE Unconditional Love
MATTHEW STONE
Unconditional Love
March 6th - April 6th, 2014OPENING: Thursday March 6th from 6-9PM
The Hole is proud to present the third solo exhibition by London-based artist Matthew Stone. Using the entire gallery space, Stone will debut a new series of abstract artworks in the main rooms, and perform and display a new performance based piece in Gallery 3. The performance will take place at the opening March 6th and the artworks therein created will be on view in Gallery 3 following its completion.
For his third solo exhibition Matthew continues to innovate in both concept and medium. His first exhibition Optimism as Cultural Rebellion in 2011 featured his photographs of entangled nude bodies and billowing colored fabrics printed onto wood, installed as wall-works and geometric hinged sculptures that spilled across the gallery floor.
For the second show last November, Stone exhibited large-format wooden panels engraved with imagery derived from photographs of dancers taken in the pitch black and lit only with nightclub lasers. The hand-manipulated laser-beams were captured and accumulated via long exposures, resulting in spectacular and effervescent light-drawings. This mark-making process was defined by both artist and subject's movements, indicating their collaborative nature. The laser-lit photographs were then engraved into black painted wood, forming a second kind of ethereal and process-led image. Comprising photography, drawing, dance, performance and computer controlled engraving, these works were installed in a black, dimly lit and chapel-like room that was programmed to burst periodically into a laser-strewn, silent dance-floor.
Unconditional Love introduces lush digitally printed paintings. Stone hand-paints on glass and photographs the resulting compositions. These high-resolution details are then digitally intensified and retouched to remove subjective imperfections, such as dust and hairs. The paint is then printed onto veneered wooden panels, sheet acrylic and mirror. The resulting works employ photography and digital printing as part of an extended artistic process that furthers the visual and practical potential of paint, rather than as an objective or documentarian means to an end.
Almost offensively juicy and often steeped in visceral colour, the works upturn the holy status of art history’s worship of “paint handling” and “brushwork” as untouchable cosmic flesh, whilst simultaneously and sincerely reasserting its living legacy of visceral and emotionally manipulative power. Stone's paint gestures mimic the movements and colors of Renaissance painting and sculpture and suggest the punchy thrusts and flair of dancers in motion or joyful movement in general. Their genuine love of color and movement draw the viewer in and celebrate the eye and its joys in the realm of paint. While ostensibly resembling a scaling of the “masterful” brushwork of Motherwell or de Kooning, the final works, perhaps like Lichtenstein's spoofy quoted strokes, live as flattened snapshots of captured and ephemeral moments. They are digitally composed gestures, flat and practically inert but imaginatively ecstatic. The turns of the wrist that twist the paint into three dimensionality suggest the contrapposto twirl of a dancer or the circular helix of a Michelangelo marble, while the gush of color is un-gendered orgasm.
In Gallery 3 Stone will enact Muse Control a new performance piece comprised of a dancer and a video camera operator. Performed amidst a bespoke sound-piece of Stone's creation, the dancer will be clad in black in the all-black gallery so the viewer's focus is pulled to the camera operator. The Steadicam, a counter-weighted rig, ensures that the camera floats fluidly around the body of the operator resulting in ultra-smooth footage and body space for dynamic movement of the operator. Closely following the dancers, the camera operator, now as an unconscious dancer himself, creates an incidental choreography whose movements are shaped by the creative and aesthetic decisions involved in image-making, and as a filtered response to the call of the professional dancer’s moves. The performance purposely subverts the hierarchy of the traditional creative relationship between image-maker and model or muse, exposing the subtle social negotiations of collaboration crucial to all of Stone’s work.
For more information on the exhibition and available works or press requests please email krysta@theholenyc.com
Madelyn Jordon Fine Art
JOIN US ATSCOPE NEW YORK
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March 6-9, 2014
THIS WEEKWe are delighted to be exhibiting at SCOPE NEW YORKBOOTH # D09
DJ Leon, Superman: It's a Bird, It's a Plane, 2014, 3-D print, 24 x 36 inchesWe'll be exhibiting new works by Lauren Greenfield, Akiko Ida & Pierre Javelle (Minimiam), Stanford Kay, DJ Leon, Stan Munro, Susan Wides and others.SCOPE NEW YORK Pavilion: 33rd Street between 8th and 9th AvenueFREE Shuttle Service from The Armory Show providedHours:Vernissage: Thursday, March 6: 6-9PMFriday, March 7: 11AM-8PMSaturday: March 8: 11AM-8PMSunday: March 9:11AM-7PM
Gallery Statement
Founded in 1994, Madelyn Jordon Fine Art specializes in 20th century and contemporary art in all media. The gallery, located in Scarsdale, NY, in lower Westchester County, seeks to be a source for collectors (both experienced and new to the field) for quality works of art and unparalleled customer service. The gallery showcases the work of nationally prominent artists as well as those emerging. An eclectic sensibility is seen in the presentation of exhibitions in a wide variety of media, including painting, sculpture and printmaking.Gallery Hours: Tuesday through Saturday, 10:00AM to 5:30PM
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The India Association of Greater Charleston presents Zakir Hussain & Masters of Percussion March 15, 2014
Photo by Jim McGuireThe India Association of Greater Charleston presentsZakir Hussain & Masters of PercussionMarch 15, 2014
Indian music will be played by the world's leading percussionist and Grammy Award-winning virtuoso, Zakir Hussain. The India Association of Greater Charleston (IAGC), will present the concert "Zakir Hussain & Masters of Percussion" featuring the internationally renowned tabla player.Zakir Hussain was a child prodigy on tabla, an Indian percussion instrument. He was touring at the age of 12, and along with his legendary father and teacher, Ustad Allarakha, he has elevated the status of the tabla, both in India and around the world. He has recorded and performed with artists as diverse as George Harrison, YoYo Ma, Joe Henderson, Van Morrison, Airto Moreira, Pharoah Sanders, Billy Cobham, Mark Morris, Rennie Harris and the Kodo drummers.For a small taste of this rhythmic phenomenon, please view this clip with Hussain on the left (start at the 45-min. mark): http://www.youtube.com/watch?v=xqQTOK3kh4E One of Hussain's regular collaborations is Masters of Percussion, an outgrowth of his early tours with his father. Since 1996, he has taken the best of India's percussionists (along with one or two melody players) around the U.S. and the world.Charleston residents will have the unique chance to witness Hussain¹s improvisational dexterity in addition to the skills of the Masters of Percussion: Selvaganesh Vinayakram (kanjira and ghatam), Steve Smith (Westerndrums), Niladri Kumar (sitar), Dilshad Khan (sarangi), Deepak Bhatt (dhol) and Vijay Chavan (dholki).
Saturday, March 15, 2014Charleston Music Hall37 John StreetAdmission: $20 Students/$30-$100 General Admission#fineartmagazine
March at Rogue Space | Chelsea
March at Rogue Space | ChelseaEmerging Contemporary Artists from JapanMarch 3-9Opening Reception Thursday, March 6, 6-8pm.
Street WallMarch 3-9Opening Reception Thursday, March 6, 6-9pm.
NICK MANN a.k.a. DOODLESTHE CRETINOVERUNDERNDADENNIS MCNETT a.k.a. WOLFBATPAT PERRYJUFEEIGHTY EIGHTKEVIN BURNEY a.k.a. WRETCHED BEASTGEOFF HARGADON![]()
Incomplete World-Gravitation-Calligraphy And Fresh Flowers -
March 10 (4pm)-16Opening Reception Thursday, March 13, 6-8pm.By Ms. Hisae Sasaki, the Japanese calligraphy / flower arrangement artistThe artist, Ms. Sasaki, will be displaying an unprecedented style of work which features the mixture of calligraphy with the art of flower arrangement, ikebana.This time, she will decorate her artwork, using camellia from the island of Ooshima, Japan.Last October, the island was hit by a typhoon, which triggered a mudslide that swept away many people and their houses. Ooshima has been known for its beautiful camellia flowers that grow everywhere in the island. Using camellias that survived the typhoon, the artist created her artwork, and asked a photographer to take pictures of her creations. Together with calligraphy and fresh flowers, she will decorate the pictures of her Ooshima camellia artwork.Proceeds from the Ooshima camellia artwork will go to Ooshima survivors.Presented byDREAMS...According to UsMarch 13 -18Opening Reception Thursday, March 13, 6-9pm
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Continuing its mission working with children in conflict zones, Rogue Foundationcompleted an art project with Syrian refugee children in camps close to the Lebanese border in November.Expanding on the "I Am Haiti", "I Am Cambodia" and "I Am Afghanistan" projects, the "I Am Syria" is a collaboration with and is in support of the NGO Relief and Reconciliation for Syria.An exhibition of the children's paintings will be held at Rogue Space | Chelsea March 20-24 with all proceeds from art sales being returned to fund a program of trauma support for children who have been affected by the conflict.Longue JourneyThe children are survivors from a siege by government troops that leveled the city of Qusayr, 10 Km from the Lebanese border. In addition to the casualties inflicted by the bombing, even more refugees were killed at they fled towards neighboring Lebanon, snipered continuously from the air and by ground troops.The 10km journey to the border took 8 days, mostly by cover of dark, as refugees crawled through underbrush to avoid detection. Few families survived without at least one fatality. On arrival in Lebanon, families were then arrested and imprisoned by Lebanese authorities and held for weeks in overcrowded prisons before being released to build their own camps. They are not recognized as refugees by Lebanon where they now number over a million in a country with a population of 3 million. The conflict in Syria is now being recognized as the worst genocide of the 21st century since fighting began in Syria, April 2011.FootprintsThe key image of the show is a 12 foot long canvas depicting the children's footprints in paint, more dense at the beginning and thinning towards the end to reflect the loss of lives incurred in their migration.The children were asked to paint memories of their life in Syria and of the life they hoped to live in Lebanon.You are invited to an exhibition of their work. Paintngs and drawings are priced between $100-$200 and all funds are returned directly to the children to further their education.Rogue Foundation is socially conscious organization founded by Rogue Space | Chelsea gallery owner and documentary filmmaker Kevin O'Hanlon. Its goal is to empower children in conflict zones and challenged environments around the world through creativity and creative solution finding.Expanding is a collaboration with and is in support of the NGO Relief and Reconciliation for Syria.
CLEN GALLERY presents
the harmony of contrastsTHURSDAY MARCH 27, 6-9pm
A SPECIAL EXHIBITIONFEATURINGART - FASHION - DESIGNALBERTO BACCARI - ALFREDO RAPETTI MOGOLELISABETH CHRISTOPHER - ERIKA TROJERFRANCISCO UCEDA - GIUSY D'ARRIGOMARISA NOTARIANNI - M.CHRISTOPHER ZACHAROWPAOLA MARGHERITA LOPEZ - SCOTT CHRISTOPHERSCOTT WIXON - SILVIO FORMICHETTIFor information - RSVP![]()
Rogue Foundation's trailer video for its upcoming documentary about the power of creativity in conflict zones around the world.
Drawing Hope Documentary Series Promo
As socially conscious enterprise, each show at Rogue Space | Chelsea supports our art programs and documentaries empowering children in need through our philanthropical wing Rogue Foundation.
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