Monday, May 12, 2014

FYODOR'S PERFORMANCE CAROUSEL


FYODOR'S PERFORMANCE CAROUSEL
Faena Arts Center, Buenos Aires, Argentina
May 20-25, 2014
After almost four years of research and talking to fellow artists, Fyodor is excited to announce The performance Carousel that will be rotating with nine performance artists inside - for the whole week - at Buenos Aires's most known new home of contemporary art, Faena Arts Center - and it will be all about shame.

This rotation, slowly but surely, might well help us to answer those questions that had been so successfully answered by the artists in the 1970s - from Abramovic/Ulay and Gina Pane to Leticia Parente and Vito Acconci, at the very peak of the history of performance art.

On one hand the Carousel is a number of independent solo shows: each artist signed the agreement not to reveal the details and meaning of their work with the other fellow participants; they will perform separated by walls; all artists will enter and exit the museum space blindfold. They will ignore the content of the other performances until the end.

On the other hand the Carousel is a stream of collective will: even if one work is not interconnected with another, and it might not even automatically ‘argue’ with the other works, they are united by the theme of shame, a reoccurring topic in Fyodor's work, that also reconnects him to his Jewish great-great-grandfather, Ilya Sergeevich Veger (1865-1945) who was heading the Soviet Health Committee in the mid 1920s.

Participating artists include Chuyia Chia (Malaysia), Eloise Fornieles (UK), Belen Romero Gunset (Argentina),Andrés Knob (Argentina), Bhagavan-David Barki de Lima (Brazil), Lolo y Lauti (Argentina), Fyodor Pavlov-Andreevich (Russia/Brazil), Eduardo Alcón Quintanilha (Argentina), Joshua Seidner (US).

It is curated by Marcello Pisu, and the architectural work is being done by Atelier Marko Brajovic (São Paulo).

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RAMIRO LLONA UTOPIA: Works from the 80s



NOHRA HAIMEGALLERY 

RAMIRO LLONA
UTOPIA: Works from the 80s
Opening Thursday, May 15th from 6 to 8 p.m.



  UTOPIA, 1986, oil on canvas, diptych, 80 x 136 in.   203.2 x 345.4 cm.







Peruvian born artist Ramiro Llona uses color as his instrument for what has been called 'inner landscapes,' where structure and expression coincide. UTOPIA celebrates that color through a unique selection of works from his most important period, the 80s.

In the early 80s, Llona's work was lyrical, young and light. It was his first exploration into abstraction reminiscent of Kandinsky with a taste of new vitality. Penetrando Tierra Santa, 1983, and The Seed, the Golden House, Two Characters, 1983, reflect this innovative movement, and become the first reference to a recurring idea in the future: the home.

As his paintings evolve, the bright colors are less shaded and more homogeneous, opening the door to a controlled geometry with defined spaces. Two Characters and a Shadow, 1984, captures the give-and-take between fluidity and structure, demonstrated when a powerful white-hot light spills into an architectural space. With Utopia, 1986, Llona gathers experiences from the past with new findings. The house, trees, crops and mountains are subjective ideals of those inner landscapes. They accumulate in a flat mass of colors that hold expressive shapes.

In the late 80s, the fight between the linear geometry and the visceral gesture continued to reach monochromatic color fields and two-dimensionality with increasingly solid structures.La Recuperacion de la Casa, 1987, acts as a premonition, immersed in the red domination of 1987-88, bringing the home back to the synthesis of a sublime painting. Its inherent quality is crossed by the lines that reunite space and objects.

This collection of major paintings reviews Llona's evolution of color and space, of his gestural impulse and his knowledge of art history through the 80s.

Born in Peru in 1947, Llona first studied architecture at the Universidad Nacional de Ingeniería, Lima, and in 1977 attended the Escuela de Bellas Artes at the Universidad Catolica, Lima. He continued his artistic training at Pratt Institute, New York. Llona has held numerous international exhibitions throughout the Unites States, Europe and Latin America. In 1977, he was the recipient of the Fullbright Scholarship, New York, and in 1978, the Ford Studio Scholarship, Pratt Institute, New York. Llona currently lives and works in Peru.

DATES: May 15- June 28, 2014
RECEPTION: Thursday, May 15 from 6 - 8 p.m.
FOR MORE INFORMATION CONTACT: Eva Rick at gallery@nohrahaimegallery.com 
  

  

 
  
NOHRA  HAIME  GALLERY
730 FIFTH AVENUE
NEW YORK, NY 10019
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Saturday, May 10, 2014

ICFF - Where to Find Us


ICFF - Where to Find Us

A sprawling celebration of design. New York City shines this month with numerous locations dedicated to the hard work and constructive thoughts of studios worldwide.

Rich Brilliant Willing will be presenting new work at two locations this year and we'd love for you to visit us at both!

LOCATION 1 - May 17- 20
ICFF
Javits Center
Booth 1826
655 West 34th Street, NY

Our primary 2014 presentation, this Javits Center location will display a curated selection of the Rich Brilliant Willing world, including new products PALINDROME Chandelier and MORI Pendant.

LOCATION 2 - May 16 - 20
Sight Unseen Offsite
200 Lafayette Street, NY

A unique, site-specific installation of Rich Brilliant Willing's new PALINDROME Chandelier will hang amongst work from other talented designers at this downtown Manhattan destination.

For more information, please contact sales@richbrilliantwilling.com

Olivia Sholler

SHARON SPRUNG


GALLERY HENOCH, 555 W 25th STREET, NYC, www.galleryhenoch.com, info@galleryhenoch.com, 917.305.0003 (header)
       

SHARON SPRUNG
In her new work, now on view at Gallery Henoch, Sharon Sprung continues to explore complex 
figurative arrangements set against vivid textiles. Largely inspired by dresses and tapestries
 made by the Hmong culture, Sprung investigates how the repeated forms of these textiles, which
 are then mimicked within the composition by her models, influence our way of seeing. The curled 
female in Callas elegantly echos the floral arrangement viewed throughout the tapestry. Notice, for 
instance, the two wings of the female's kimono branching out, imitating the carpet pattern in the top
 left corner of the composition. The painting, like all of Sprung's oeuvre, has a delightful balance of
 grace and sensuality.

For more information on Sharon Sprung, please contact the gallery.
Sharon Sprung, Callas, 2014, Oil on Panel, 40" x 40"

Sharon Sprung, Z With Dragon, 2014, Oil on Panel, 22" x 28"
ERIC ZENER
Eric Zener's work often depicts people submerged deep beneath the surface of a body of water, 
suggesting a kind of meditative, almost primordial state of consciousness. Zener's current solo show
at the gallery also features two works that show the turbulence above the surface: the splash. At
once abstract and figurative, these works capture a singular moment in time that would otherwise 
pass by in an instant. The splash, unique as a shape onto itself, stands in as a kind of symbol for 
the person who just dove beneath the surface in search of that serene, contemplative space.

The exhibition continues thru May 17, 2014.

For more information on Eric Zener and the exhibition, check out the press release or contact the gallery.

For images from the show, browse the online catalogue.    
Eric Zener, Summer Escape Hatch, Oil on Canvas, 38" x 48"

Eric Zener, Ah!, Mixed Media Resin, 41" x 41"

G A L L E R Y  H E N O C H
5 5 5   W E S T  2 5th   S T R E E T
N E W   Y O R K,   N Y  1 0 0 0 1

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The Summer Party


THE GLASS HOUSE IS A SITE OF THE NATIONAL TRUST FOR HISTORIC PRESERVATION
THE GLASS HOUSE | 199 ELM STREET, NEW CANAAN, CT 06840 |  WWW.THEGLASSHOUSE.ORG 
SHOP THE GLASS HOUSE DESIGN STORE

 
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Eleanor Harwood Gallery






  

 Join us in Booth 202
  

  
Please visit us in booth 202. We'll be showing beautiful sculptures by Kirk Maxson, and paintings by James Chronister and Paul Wackers. We'll also have amazing cut paper pieces by Francesca Pastine and Alexis Anne Mackenzie and some superb fabric pieces by Alika Cooper. 
  

  
2014 Fair Schedule
Paul Wackers
Just Be Simple, 2013
acrylic, spray paint on panel
36 x 40 inches
Fair Hours:
Thursday, May 15 
Opening Night Preview Reception benefiting the de Young & Legion of Honor, Fine Arts Museums of San Francisco
8:30pm to 10:30pm - Opening Night Party 
  
Regular Fair Hours:
Friday, May 16, 2014 - 11:00am to 7:00pm
Saturday, May 17, 2014 - 11:00am to 7:00pm
Sunday, May 18, 2014 - Noon to 6:00pm
  
Venue:
Festival Pavilion - Fort Mason Center
Marina Boulevard, San Francisco, CA
  
Featured Artists:
James Chronister
Alika Cooper 
Kirk Maxson 
Francesca Pastine
Paul Wackers
  
Eleanor Harwood Gallery Hours
Wednesday-Thursday, 1-5 PM 
Friday-Saturday, 11 AM-6 PM
& by Appointment
** Please note: the gallery will be closed during the fair.


For inquiries and availability please contact Eleanor Harwood 415-867-7770 or 
  
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 Alexis Anne Mackenzie
Welcome Stranger, 2014 
hand-cut collage on paper 
9 x 6.875 inches



  
Kirk Maxson 
Jack London Oak, 2014
waxed brass
39 x 20 x 14 inches
  
  
  
James Chronister
1971, 2013
oil on canvas
50 x 50 inches
  
 
Francesca Pastine
ArtForum 38, Biennale, ArtForum Excavation, Pour Series, 2011
ARTFORUM magazine 
15 x 12 inches
  
  
































Alika Cooper
Syndrome, 2014
fabric, adhesive, mounted to stretcher bars
36 x 40 x 1.25 inches
  
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