Thursday, June 29, 2023

Last Chance to catch the Madelyn Jordon Fine Art Spring Collection, Closing July 1st.

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CLOSING THIS SATURDAY



SPRING SELECTIONS

MARIT GERALDINE BOSTAD, STANLEY BOXER, RON EHRLICH, 

EUGENE HEALY, CLAY JOHNSON, WOSENE WORKE KOSROF, 

RACHEL M. MAC, YANGYANG PAN, and HUNT SLONEM


May 24 - July 1, 2023


VIEW THE EXHIBITION

HUNT SLONEM  Pair, 2023. Oil on wood, 14.5 x 12 in. / Frame: 19 x 17 in.



SPRING SELECTIONS a group exhibition introducing two new artists and featuring the latest works by our gallery artists. With range and depth, we bring together artwork that will enliven the spirit and tantalize the senses. The exhibition closes this Saturday, July 1, 2023.  Come by and view the exhibition before it ends. 


Read about the exhibition HERE


YANGYANG PAN  Vibration, 2023. Oil on canvas, 36 x 36 in. / Frame: 37 x 37 in.


View the Exhibition Checklist


For more information, please contact info@madelynjordonfineart.com


Madelyn Jordon Fine Art
37 Popham Road
Scarsdale, NY 10583
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Phillis Auction On line of Photographs, Pop, Fashion and celebrities, by Terry O'Neill, and others.

 

 


Phillips Presents SPOTLIGHT: Photographs from A Private London Collection Online Auction from 7 to 14 July 2023

 

Featuring an Exclusive Curation of Iconic Works Including those by Terry O’Neill, David Bailey, Bruce Weber, Henri Cartier-Bresson, Martin Parr, and Mick Rock

 



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A Selection of highlights from across the sale

 

LONDON – 29 June 2023 – Phillips is proud to unveil its latest offering, an online auction dedicated to SPOTLIGHT: A Private London Collection. Following the success of SPOTLIGHT in the recent May Photographs live auction in London, Phillips are delighted to present an online auction featuring further SPOTLIGHT highlights. From portraits of fashion and pop celebrities such as Terry O’Neill’s 1970 rendition of Brigitte Bardot, to Martin Parr’s 2014 iconic image of Queen Elizabeth II, the works featured in this sale explore the major generation-defining moments of the last century. This remarkable curation of iconic photographs will go on view from 7 to 13 July in Phillips’ London galleries on Berkeley Square and will be presented in a dedicated online auction from 7 to 14 July on Phillips.com. 

 

Yuka Yamaji, Head of Photographs, Europe, and Rachel Peart, Head of Department, London, said: “We are thrilled to present our online auction dedicated to SPOTLIGHT: A Private London Collection, the next iteration of this expansive and remarkable collection. The first iteration of this collection was offered in our live auction in May and received enthusiastic international bidding with five works from the collection featuring in the top ten results. We look forward to presenting this latest SPOTLIGHT offering of timeless and instantly-recognisable photographs in July.”

 

Auction: 7 - 14 July 2023

Location: https://www.phillips.com/auctions/auction/UK040223 

Please click here for images

 

ABOUT PHILLIPS

Phillips is a leading global platform for buying and selling 20th and 21st century art and design. With dedicated expertise in the areas of 20th Century and Contemporary Art, Design, Photographs, Editions, Watches, and Jewelry, Phillips offers professional services and advice on all aspects of collecting. Auctions and exhibitions are held at salerooms in New York, London, Geneva, and Hong Kong, while clients are further served through representative offices based throughout Europe, the United States and Asia. Phillips also offers an online auction platform accessible anywhere in the world.  In addition to providing selling and buying opportunities through auction, Phillips brokers private sales and offers assistance with appraisals, valuations, and other financial services.

Visit www.phillips.com for further information.

 

*Estimates do not include buyer’s premium; prices achieved include the hammer price plus buyer’s premium.

 

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Wednesday, June 28, 2023

Gerald Peters Gallery Santa Fe , Cowboy Stories

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Eco Artventure, Sclupture NetWork, July 3, 2023

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Monday, June 19, 2023

Louis Stern Fine Arts, Raymonf Jonson, May 13-July 38, 2023

Raymond Jonson (1891-1982)
Polymer No. 20, 1974    
acrylic on Masonite
30 x 27 inches;  76.2 x 68.6 centimeters

Raymond Jonson: Medium and Message has been extended through July 8.

Beginning in the late 1930s, New Mexico-based Modernist painter Raymond Jonson abandoned highly abstracted figures, landscapes, and architectural forms for purely nonobjective explorations of color and mood. In removing all references to the physical world, these works – “absolute” paintings, as Jonson preferred to designate them – transcend political, economic, or social concerns, providing a direct conduit to the artist’s spirit. This transition coincided with his co-founding of the Transcendental Painting Group, a coterie of artists who sought to create non-representational artwork as an instrument for understanding the self and communicating spiritual concerns.

Inspired by the Bauhaus artists, Jonson adopted innovative airbrush techniques beginning in 1938, which allowed for a greater range of subtle effects and an immediacy in the act of painting. Unencumbered by the intermediary mechanics of a brush, Jonson could apply paint quickly and seamlessly in a manner that eliminated all traces of his hand in the making. The purity of color and form possible with this approach reduces sensations associated with objective experience, enabling a deeper and more refined transmission of the artist’s spiritual awareness and insight.

View Exhibition
Louis Stern Fine Arts
9002 Melrose Avenue
West Hollywood, CA  90069

Contact
310-276-0147
info@louissternfinearts.com
 www.louissternfinearts.com

Follow us on Instagram (@louissternfinearts) and
Twitter (@lsternfinearts) for updates and additional material.
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Tuesday, June 13, 2023

NATIONAL MUSEUM OF WOMEN IN THE ARTS

 National Museum of Women in the Arts 

Presents The Sky’s the Limit Exhibition
On View October 21, 2023, to February 25, 2024 

Inaugural Exhibition of Monumental and Large-Scale Sculpture 
Follows a Transformative Museum Renovation

WASHINGTON—When the National Museum of Women in the Arts (NMWA) opens its doors on October 21, 2023, after a two-year, top-to-bottom building renovation, a dramatic inaugural exhibition will highlight the new space. The Sky’s the Limit, featuring contemporary sculpture and immersive installations by 13 international and U.S.-based artists, is a rare survey of large-scale work by women from the last two decades. On view through February 25, 2024, the exhibition is accompanied by a fully illustrated catalogue. 

The Sky’s the Limit showcases 31 sculptures dating from 2003 to 2023 by artists Rina Banerjee (b. 1963), Sonya Clark (b. 1967), Petah Coyne (b. 1953), Beatriz Milhazes (b. 1960), Cornelia Parker (b. 1956), Mariah Robertson (b. 1975), Alison Saar (b. 1956), Davina Semo (b. 1981), Shinique Smith (b. 1971), Johanna Unzueta (b. 1974), Joana Vasconcelos (b. 1971), Ursula von Rydingsvard (b. 1942) and Yuriko Yamaguchi (b. 1948). The works dangle from the ceiling, cascade down walls and extend far beyond their footprint on the gallery floor. Monumental scale and a bold approach to materiality are combined with handwork, repetition and unconventional materials to achieve maximum impact.

From its opening in 1987, NMWA committed to collecting and exhibiting visionary sculpture by women. As the museum prepares to reopen the doors of its revitalized building, The Sky’s the Limit expresses the museum’s dedication to illuminating artists’ profound impact and ongoing influence.

“This inaugural exhibition offers an opportunity to engage audiences with powerful, large-scale works,” says Kathryn Wat, Deputy Director for Art, Programs and Public Engagement/Chief Curator. “Presented in our transformed space, the artworks convey an energy and dynamism that dovetails with the urgency of the museum’s mission to oppose historic and contemporary gender inequality. The pieces reach out to directly engage audiences and evoke a precariousness that is exciting.”

Presented in the museum’s redesigned 6,500-square-foot special exhibition galleries, the layout of The Sky’s the Limit subtly demonstrates new possibilities offered by the renovated space—from reinforced interior supports that greatly expand the potential size and weight of installations to movable walls that are adaptable to each exhibition. NMWA’s architectural team and staff collaborated to create intimate niches and open spaces that alternate throughout the museum’s entire second floor. This configuration allows each artist’s work to be presented individually, while inviting visitors to experience connections between adjacent artworks. 

Beatriz Milhazes, Marola, 2010-2015; Acrylic, hand-painted enamel on aluminum, stainless steel, and polyester flowers, 100 x 72 x 56; Gift of the Tony Podesta Collection; Photo by Ben Westoby, Courtesy White Cube Gallery 2018; © Beatriz Milhazes Studio

Highlights of The Sky’s the Limit include recent acquisitions and works never before exhibited at NMWA by Sonya Clark, Beatriz Milhazes, Cornelia Parker, Mariah Robertson, Davina Semo, Shinique Smith and Joana Vasconcelos. In addition, Petah Coyne, Alison Saar, Ursula von Rydingsvard and Yuriko Yamaguchi shared new work from their studios or rarely seen loans from private collections. 

Sculptures on view incorporate an array of found objects, including silver-plated vessels, T-shirts, wooden spools, hair combs, faux flowers, glass bottles, parasols and a wooden rhinoceros, each imbued with social and cultural associations that the artists recontextualize. For example, Rina Banerjee’s sensuous, large-scale assemblages are comprised of materials ranging from glass and feathers to bird cages and bones. They conjure the sometimes-dark nature of cultural exchange and the formation of identity within diasporic communities.

Other works on view are composed from materials that bear strong associations to the natural world, industry and the built environment, such as wool, paper, wire, resin, cedar wood and aluminum. Cedar wood sculptures by Ursula von Rydingsvard sweep out from the walls and push deep into gallery space or flare out high above viewers’ heads. These rough-hewn, imposing constructions resemble real-world objects—vessels, bowls and tools—but they are most essentially the product of the artist’s hands, mind and spirit. Johanna Unzueta’s textile-based sculptures often route through gallery walls and hug corners. They act as stand-ins for her own body and handwork while paying homage to hidden industrial labor and the unthinking use and waste of natural resources.

Among the featured works on view from NMWA’s collection are Mariah Robertson’s 164-foot-long abstract photograph 9 (2011), which cascades from the ceiling and speaks to the psychological impact of extreme scale; Rubra (2016), a functional and flamboyant illuminated chandelier by Joana Vasconcelos made from crocheted wool and Murano glass; and Daisies up your butterfly (2013) by Shinique Smith, a hanging bundle crafted from reclaimed clothing tightly bound by ribbon, brimming with the energy of both secrecy and discovery.   

Publication
The Sky’s the Limit features an accompanying publication with images of the work on view in the exhibition, as well as additional related works by each artist. The large-format, 128-page, full-color publication reveals the rich intricacies of each artist’s techniques, materials and approaches. The catalogue includes a comprehensive essay by Wat and a special composition about NMWA’s support for large-scale sculpture in public space. Short essays and verse commissioned from each participating artist illuminate the inspiration and intent that shape their work.

The National Museum of Women in the Arts   
The National Museum of Women in the Arts (NMWA) is the first museum in the world solely dedicated to championing women through the arts. With its collections, exhibitions, programs and online content, the museum inspires dynamic exchanges about art and ideas. NMWA advocates for better representation of women artists and serves as a vital center for thought leadership, community engagement and social change. NMWA addresses the gender imbalance in the presentation of art by bringing to light important women artists of the past while promoting great women artists working today. The collection highlights a wide range of works in a variety of mediums by artists including Rosa Bonheur, Louise Bourgeois, Lalla Essaydi, Lavinia Fontana, Frida Kahlo, Hung Liu, Zanele Muholi, Faith Ringgold, Niki de Saint Phalle and Amy Sherald. 

The museum building is currently closed for a major renovation, reopening on October 21. Visit nmwa.org/renovation for more information about the building project, and nmwa.org/exhibitions for details about additional inaugural exhibitions.

During the building closure, NMWA continues its mission-based work and engages supporters and friends through a dynamic slate of online programs and events, off-site and virtual exhibitions, and digital content. For information, call 202-783-5000, visit nmwa.org, Broad Strokes blog, Facebook, Twitter or Instagram.

Media Contacts 
National Museum of Women in the Arts
Amy Mannarino, amannarino@nmwa.org 
Emma Filar, efilar@nmwa.org  




Thursday, June 8, 2023

Love Thy Neighbor by James Reyes

 

Please Join Us for the Grand Opening of

 

 

Love Thy Neighbor

 

by James Reyes

 

&

 

Below Constructions

 

by Capucine Bourcart, Jingyao Huang, Silvia Muleo, Yissho Oh, Al Svoboda

06/03/23


(6:00-9:00PM)

Love Thy Neighbor

 

James Reyes

 

Ki Smith Gallery is thrilled to present Love Thy Neighbor by James Reyes. The works in this exhibition are complex amalgams of memory, imagination and fantasy, depicted through rich oil paintings that move between loose gestural abstraction and intricately rendered and stylized figuration. Reyes’s process is reactive and intuitive using broad action packed gestures as a cryptic map to pull out subject matter, conger memory, and allow the abstraction of the under painting to act as a portal in to the subconscious. The push and pull between the layers of the work mirrors memory and imagination, where some moments are crystal clear while others fade into swirls of abstraction. Reyes’s works depict a range of subjects and archetypes often intermingling figures with animals that suggest hidden desire, emotions and the unconscious.

Below Constructions

 

Capucine Bourcart, Silvia Muleo, Al Svoboda, Jingyao Huang, Yissho Oh

 

Affected by the rawness of the walk down an unfinished staircase featuring the original plaster walls, exposed and weathered concrete floors, Below Constructions is a presentation of works by five artists who allow surfaces to act as their medium– exploring the “here and now” of art making materials. When completion doesn’t involve a conventional finishing or framing of the art object, but rather an affirmation of the reality of the object itself, the studio’s tool box becomes evident, and a glimpse of the worktable made visible.

 

Using canvas cut intuitively into map-like shapes, Capucine Bourcart adorns her cotton or jean surfaces with coded lines and astute, playful constellations drawn using commonly discarded materials such as dryer lint or wadded-up cat hair. Also exposing grounds, Yissho Oh pours silicone on burlap and canvas to construct topographic pools of the elastic medium while the coarse surface remains exposed in careful moments, all interwoven with marks made by an electric tattoo machine. Using light itself as ground, Silvia Muleo rubs paint into the forms and depths of the image where light does not pass, creating an illusory effect with a thoughtful entanglement of reflection, distortion and place. Jingyao Huang employs light in a different mode, curling and interweaving strips of photo paper with abstracted landscapes, considering light passing through form. Using unfinished wood made either hastily or slowly into shape, Al Svoboda inserts small paintings into the wood form works to affirm painting as an object on-the-move, and delineate their space on the wall.

 

The works in Below Constructions are seemingly waiting; they sit, full of potential energy grown from a conscious decision by the artists to stop just before their ground is concealed, edges are hemmed, light is blocked out, or paper succumbs to gravity. Surfacing under, from the basement level of Ki Smith Gallery, raw signifiers point to surface as medium, transmuting matter and unveiling grounds.