Sunday, May 7, 2023

Eleanor Harwood Gallery's exhibition of Mary Finlayson. May6-June17,2023

Opening Reception
First Saturday, May 6th, 5-7pm

Exhibit Dates
May 6th - June 17th, 2023
Please join us for First Saturday, May 6th, 5-7pm,
@ Minnesota Street Project. We will be serving Aperol Spritzers!
Click for a full list of works in the show
Three Graces with Sun and Plants, 2023, acrylic gouache on canvas, 35 x 39 in
Eleanor Harwood Gallery is delighted to announce our first solo show, Inside, Inside, with San Francisco-based Mary Finlayson. Finlayson’s paintings, and now mosaics, are a celebration of color, pattern, and form which chronicle and celebrate the aesthetics of everyday life.

Her tightly constructed and highly detailed works capture the feeling of these spaces, evoking the memory of place – often a departure from what is real. Her pieces pay homage to the likes of Corita Kent, Henri Matisse, and Stuart Davis by borrowing similar bright palettes, repetitive patterns, and simplified forms.

In this new body of work Inside, Inside, Finlayson presents a departure from her usual acrylic gouache and flashe on canvas and has created three masterworks in mosaic. While the backgrounds in the mosaics are “one color,” the tones become intricate. A background of periwinkle blue becomes a shimmering field of blue-purple. The exquisite set of choices leads to simplicity and complexity within a field of color made of tile. In a work titled “Violets and Oranges,” we are presented with astonishing tones on the skin of an orange, vacillating between vibrant yellows and gentle peaches and tones of fire. In another mosaic, “Portrait with Lemons,” she depicts a book on Josef Albers presented in rose colors – making maximal a minimalist’s color field. She plays with hues and texture, cleverly pointing us right at Albers’s theory that color “is almost never seen as it really is” and that “color deceives continually.”

Finlayson’s painted works feel pared down and intentionally flattened, in fascinating contrast to the complexity of the mosaics. In the paintings, colors are all used, as Finlayson states, “at the same volume, making each color as loud as one another.” The works are a cacophony of pattern, yet hold no variation within each color, leaving no visible painterly brushwork. She pulls from an education in screen printing and printmaking, expertly using flat fields of color to create complex images.

Both mediums of works are masterfully accomplished and more delightful in juxtaposition with one another.
For inquiries please contact Eleanor Harwood
+1 415 867 7770 & eleanor@eleanorharwood.com
Window View, 2023, acrylic gouache on canvas, 48 x 48 in
Mary Finlayson (b.1982) is a Canadian-born artist living and working in San Francisco, California. Finlayson’s paintings are a celebration of color, pattern, and form which chronicle and celebrate the aesthetics of everyday life.

Her tightly constructed and highly detailed works capture the feeling of these spaces, evoking the memory of place—often a departure from what is real. Her pieces pay homage to the likes of Corita Kent, Henri Matisse, and Stuart Davis by borrowing similar bright palettes, repetitive patterns, and simplified forms.

Finlayson blends her knowledge of painting and printmaking, attributing her style to a background in silkscreen and lithography. She completed a Bachelor of Fine Arts from Queen's University in Kingston Ontario, a Graduate Degree in Art Therapy from the Vancouver Art
Therapy Institute as well an Arts Education Degree from the University of British Columbia. She completed artist residencies at the Vermont Studio Center as well as OTIS College in LA and recently completed a mural at the Facebook Artist in Residence program in San Francisco, CA. She has created work for Asana, Mohawk, Google, and Anthropologie.
Corner Shelf with Sun and Poppy, 2023, acrylic gouache on canvas, 48 x 48 in
Blue Vase, 2023, acrylic gouache on canvas, 38 x 28 in

Eleanor Harwood Gallery
1275 Minnesota Street, Suite 206
San Francisco, CA 94107

www.eleanorharwood.com
+1.415.867.7770

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Audubon, come explore migratory birds with us.

We want to make sure you don’t miss our World Migratory Bird Day 2023 celebration this week! Join us for a fascinating conversation about migratory birds, the hazards they face, and our actions to help ensure safe passage along their journeys. Sign up below!
National Audubon Society
Black Skimmers.
[Webinar] Become a Bird Migration Explorer
Are you curious to know where birds have been and where they’re going? Join us this Thursday, May 11, 2023 at 10 a.m. PT / 11 a.m. MT / 1 p.m. ET for a conversation on migration science and hemispheric conservation with expert scientists. 

After this webinar, you can follow along your feathered friends’ journeys using the new Bird Migration Explorer (also available in Spanish). This state-of-the-art digital platform visualizes the heroic journeys of more than 450 bird species found in the US and Canada. 
Join Us
Black Skimmers. Photo: Simon d’Entremont/Audubon Photography Awards
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National Audubon Society
225 Varick Street, New York, NY 10014 USA
(844) 428-3826 | audubon.org
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Haines Gallery: Exhibits Meghann Riepenhoff

Our Artist Digests focus on the work of a single artist, inviting you to explore their practice in depth through a carefully curated mix of content.

This week, we spotlight Meghann Riepenhoff, who creates her vivid blue cyanotypes in collaboration with nature. Her work is currently on view in the Haines exhibition Elemental, and Ansel Adams in Our Time at the de Young Museum.
The artist coats sheets of paper with homemade emulsion and places them directly in the landscape—along the shore or in bodies of water, draped over branches or packed under snowfall. As they make contact with the photographic materials, the elements leave physical inscriptions on paper. Each work is wholly unique as a fingerprint. Riepenhoff is a recipient of the Guggenheim Foundation Fellowship and Fleishhacker Foundation Grant, and has exhibited at the Crystal Bridges Museum of American Art, Denver Art Museum, Museum of Fine Arts, Boston, New York Public Library, and San Francisco Museum of Modern Art, among others. She lives and works in Bainbridge Island, WA.
In Conversation
"In the action of making pictures, I'm looking for hope and resiliency within our complex problem." Watch Riepenhoff in conversation with curator Erin O'Toole at the San Francisco Museum of Modern Art. The evening included a reading by Rebecca Solnit, who wrote the text for Ice, Riepenhoff's latest monograph, published by Radius Books.
"The wave, the flow, whatever you see on the paper is a very literal inscription from an element in the landscape. They are dancing with things we associate with abstraction, but are totally literal in both their making and what they present." Riepenhoff joins Tyler Green for on an episode of the Modern Art Notes podcast.
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