Sunday, March 29, 2026

See~Standing Still,~ an exhibition by Morarid K at Chapelle des Dames Blanche, and Carre Amelot, La Rochelle France in conjunction with work done with the Rocky Mountain Research Station

 

La Rochelle, 10 April - 21 June 2026

Standing Still
à la Chapelle des Dames Blanches

(English below)

Je suis heureuse de vous convier à ma prochaine exposition personnelle à la Chapelle des Dames Blanche et le Carré Amelot à La Rochelle. 

« Standing Still » s’inspire du mode opératoire des plantes qui, enracinées, n’ont d’autre choix que de faire face à toute situation. Cette contrainte les amène à tisser un rapport au monde radicalement différent de celui du règne animal. La plante s’adapte, mute, non pour dominer son environnement, mais pour coexister avec lui. Là où l’humain exploite, se croyant omnipotent et séparé de la nature, la plante s’inscrit dans une logique d’interdépendance.
« Standing Still » s’ancre dans les connaissances de la Rocky Mountain Research Station (RMRS) du ministère de l'Agriculture des États-Unis, dans les États de Colorado, du Wyoming et du Montana bien que le projet déborde du cadre scientifique. Il se développe à travers un ensemble d’œuvres qui mêlent archives photographiques, matières organiques, gestes artisanaux et manipulations expérimentales. L’intention n’est pas de représenter la nature, mais de travailler à partir d’elle. Il s’agit de faire parler la matière, qu’elle soit issue d’une forêt incendiée, d’un laboratoire scientifique, ou d’un fragment de mémoire photographique.
« Standing Still » s’attache à ralentir le regard. Le travail avance au rythme du végétal et de l’archive, attentif à la matière, aux transformations et aux persistances. L’œuvre tient là, dans une présence qui met chacun face à sa propre position.

Vernissage : 10 avril, 18h30 - 20h30
Exposition : 10 avril au 21 juin 2026
Lieu : Chapelle des Dames Blanches 23 quai Maubec, La Rochelle


English 

I am pleased to invite you to my upcoming solo show at
Chapelle des Dames Blanche and Carré Amelot in the city of La Rochelle, France. 

Standing Still” draws inspiration from the way plants operate. Rooted in place, they have no choice but to face whatever comes their way. This constraint shapes a relationship to the world that is radically different from that of the animal kingdom. Plants adapt and transform, not to dominate their surroundings, but to coexist with them. Where humans exploit, believing themselves omnipotent and separate from nature, plants operate within a logic of interdependence.
“Standing Still” is rooted in the research of the Rocky Mountain Research Station (RMRS) of the United States Department of Agriculture, across Colorado, Wyoming, and Montana, though the project extends beyond the scientific framework. It unfolds through artworks that blend photographic archives, organic materials, artisanal gestures, and experimental manipulations. The intention is not to represent nature, but to work from it; letting materials speak, whether they come from a burned forest, a scientific laboratory, or a fragment of photographic memory.
“Standing Still” is concerned with slowing perception. It expands to the rhythms of plant life and archival material, attentive to matter, transformation, and persistence. The work holds its presence, inviting each person to confront their own position.

Opening reception: April 10, 6.30pm - 8.30pm
Exhibition: April 10 to June 21 2026
Venue: Chapelle des Dames Blanches 23 quai Maubec, La Rochelle

More on Standing Still

Acquisition FRAC MECA

(English below) 

Cette pièce de « Standing Still » fait désormais partie de la très belle collection du FRAC MÉCA, suite à l'exposition collective Primavera, primavera, qui s'y est tenue en 2025 - 2026.

« Standing Still » est également présent en Chine, dans le cadre de la Guangzhou Image Triennial, organisée au Guangdong Museum of Art, et ce jusqu'au 5 mai 2026.
Ce corpus sera également présenté par la galerie Independence by Ibasho à la foire AIPAD de New York, du 23 au 26 avril 2026.

Par ailleurs, « Standing Still » a pu être réalisé grâce au soutien de la DRAC Nouvelle-Aquitaine, de l'ADAGP, ainsi que du FRAC MÉCA, de la Chapelle des Dames Blanches et du Carré Amelot.


English

This piece from Standing Still is now part of the impressive collection of FRAC MÉCA, after being included in the group exhibition Primavera, primavera, held by the institution in 2025 - 2026.

Furthermore, Standing Still is currently in China as part of the Guangzhou Image Triennial at the Guangdong Museum of Art, on view until May 5, 2026.
It will also be presented at the AIPAD Photography Show in New York by Independence Gallery by Ibasho, from April 23 to 26, 2026.

Standing Still was made possible with funding from DRAC Nouvelle-Aquitaine, ADAGP, FRAC MÉCA, Chapelle des Dames Blanches, and Carré Amelot.

To go further

Artist video

Artist video made by Anahita Ghazi, funded by ADAGP.

En espérant vous rencontrer lors de l'un de ces événements.
Merci d’avoir pris le temps de lire ce message.
Morvarid K

EN
I hope to see you at one of these events.
Thank you for reading.
Morvarid K
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Saturday, March 28, 2026

Fremin Gallery presents new works by gallery artists LIs Sam, Rodrigo Franzao, Didier Engels, Nayla Kai Saroufim, Gunes Caglarcan, Mercedes Jelinek, and Markus Klinko



Fremin   is delighted to announce the arrival of new works from some of our top artists. These recent additions represent an exciting expansion of our current collection. Please feel free to contact us directly for more information regarding these pieces or to request a full catalog.

Click on the artist name for a comprehensive selection of the new artworks.


Lis Sam  - "Camelia Fleurs Rouges" - Art on Paper - 39" x 39"


Lis Sam is a self-taught artist whose journey began in the world of street art. Born in Tunisia in 1989, he moved to France at the age of 11, where he developed a fascination for craftsmanship and the aesthetics of form. Drawn to artistic expression, he explored various creative paths, refining his sense of composition and detail. As with many artists, a single encounter would prove to be the turning point in his career. During a journey, he came across a work of art that profoundly resonated with him. This moment of revelation steered him toward a new artistic direction, inspiring him to push his creative boundaries. Over the years, Lis Sam dedicated himself to different projects, experimenting with form, texture, and medium. However, it was another pivotal moment that truly defined his artistic vision—a visit to a butterfly greenhouse in the south of France. The experience was nothing short of transformative. Surrounded by an explosion of colors and movement, he was captivated by the delicate dance of the butterflies. Their wings, flickering in the light, created fleeting shapes that, to his artistic eye, resembled abstract silhouettes. It was reminiscent of the way a child gazes at the sky, finding familiar forms in drifting clouds. At that moment, an idea took shape in his mind—one that would later evolve into Blossoming Girls.

 Rodrigo Franzao - "The Shape of Time" - Textile, Paper - 36"x 36"


 Using FSC-certified German paper and acrylic paints, his work features layers of folded paper and textures, creating a dynamic, immersive experience with a maintained focus on sustainability.Franzão explains his work by saying, “My work is a dialogue between materiality, light, and form, where I engage with the inherent properties of sustainable, FSC-certified German paper and acrylic paints to explore the delicate tension between nature and creation”.Each piece is composed of meticulously folded pieces of paper layered and composed together to establish depth, texture, and movement, creating a kinetic energy within the static pieces. This dimension is created by the light and shadow interplaying with the physicality of the paper, activating the piece as a visual experience. Then a monochromatic gradient is introduced with the application of acrylic paint. Simulating the nuanced flow of natural light across the canvas, dark to light transitions all culminate in a concentrated white, contemplating cycles of change and renewal.He says, “I seek to create a visual experience where the audience is invited to consider not only the composition but also the ephemeral nature of light itself”.


 Didier Engels - "The Third Spray Black" - Photography - 39"x 51"



Engels’ fascination with ports and ships is deeply rooted in his experiences growing up. As a child, he spent time wandering the docks, and at the age of 20, he worked as a docker in the port of Zeebrugge. These formative experiences created a lasting connection to the maritime world. The ships, containers, dockside structures, and rusted cars he photographs are more than industrial relics, they contain memory and altercation, bearing the marks of salt, spray, rust, and time. Cargo containers are his primary focus, chosen based on their rougher surfaces and deep, worn colors. By removing additional distractions and framing these subjects to emphasize their visual and chromatic aspects, Engels separates them from their real-world settings. Through the use of alignments, textures, and colors, this method allows viewers to interact with the image through abstraction before identifying the industrial object that is the subject of the composition. Through his lens, Engels elevates what we often overlook. Faded colors, oxidized marks, and sedimentary textures become the language through which he expresses beauty and impermanence. His photographs, which are bright yet aged in tone, reflect the life cycle of ships returning to port or being stored in dry dock. His dry dock series specifically uses aerial photography to capture several boat hulls. His art, exhibited across Europe and the United States, invites a reconsideration of the industrial landscape, challenging viewers to find grace and narrative in the rusted, the worn, and the forgotten.

 Nayla Kai Saroufim - "Upside Down" - Steel, Resin - 23"x 15 x 9"



Nayla Kai Saroufim is a Lebanese artist based in Los Angeles and Beirut. She earned a degree in Illustration and Art Direction from the Académie Libanaise des Beaux-Arts. She had worked in the publicity field at several multinational advertising agencies, when she began to connect with her passion for art again. Since then, she has been working as a full time artist for over two decades, using art as a form of expression. Fluid and diverse, Nayla Kai Saroufim’s three-dimensional artworks merge abstraction and surrealism in a rich fusion of pop art inspirations. Saroufim’s artworks vary in abstract to realistic elements, often inspired by pop art, abstract expressionism, street art, and cartoon. Creative, a dreamer, and a lover of color and beauty, the artist’s personality is clearly portrayed in her sculptures. A decade into her career as an artist, Saroufim’s work embodies her attraction to colors and interest in all forms of expression, especially installations. Her technique is unique and personalized: a fusion of mixed media and installations in layers of steel, copper, wood, and other elements.


 Gunes Caglarcan - "Levels of Passage" - Oil on Canvas - 39" x 39"


Based in Istanbul, Gunes Caglarcan is a multi-talented Turkish painter, who explores the relationship between inner reflection and human relations. With a focus on the effects both the mind and heart have on individual perception, Caglarcan invites the viewer to engage with the hidden narratives of human experience. The Shadows Collection reveals inner struggles and past traumas through shadowed figures, whereas the vibrant colors embody the outer self. This interplay of color and shadow explores psycho-visuals and manipulation of human perception. Using this perception as an element of composition he challenges the viewer to identify the relationships between objects and past experiences. “In the darkness, a void appeared not an absence, but an invitation. A deliberate empty space carved within the shadows, waiting to be filled by your memories, your silences, your forgotten moments.”

Mercedes Jelinek - "East Meets West" - Inkjet Print, Map - 22" x 22"


Mercedes Jelinek (b. 1985) is an American artist and photographer based in Brooklyn, NY. Specializing in black and white photography, she transforms her images through painting and collage, constructing visual narratives that explore the diversity of humanity and the intimate stories of her subjects. Her practice is deeply rooted in travel and cross-cultural engagement, often involving immersive experiences with people around the world—learning their values, traditions, and daily lives. A recurring element in her work is water—not only as a symbolic and physical motif but also as a space of transformation. When Jelinek enters the water, she sees it as an act of immersion into the culture surrounding her, a way to dissolve boundaries and connect more deeply with place and people.

Markus klinko  - "The Pack" - Photography- 47" x 60"


Markus Klinko is an award-winning international photographer and director whose distinct style is defined by his willingness to push boundaries and experiment with unconventional techniques. His ability to capture the essence of his subjects while maintaining a strong artistic vision has made him highly sought after. Through his unique approach to photography, Markus has established himself as a true pioneer in the field, having worked with an impressive roster of A-list celebrities over the last three decades. When photographing an artist, I always desire to create a work that truly defines them and can serve as a milestone in pop-culture history. Those are ambitious and lofty goals, but it is what I am thinking about when I pick up my camera. - Markus Klinko Markus’ goal is always to highlight the qualities that make his subjects unique and extraordinary; their power, aura, and divine spark. Using unexpected perspectives, light, movement, and fashion, he creates unforgettable images that define what his subjects represent to the world.

Fremin Gallery
520 West 23rd street, New York City
Info@fremingallery.com
212 279 8555
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