Friday, March 20, 2026

Art Laguna Prize, Venice, "Mastering the Science of Metals" applications to win awards below.

 Hi Fine Art Magazine Blog readers. The Arte Laguna Prize  Mastering the Science of Metals" for art work utilizing steel in hot/poured  or cold constructed forms is now open for applications. The prizes are sizable.Take advantage of the opportunity to participate. Jamie Forbes  Publisher,  Fineartmagazibeblog,blogspot, SunstormFineartmagazine.com



Thursday, March 19, 2026

The Sculpture Network On Line Club: BodyTalk-Our Fragile Bodies


The Sculpture continues their online talks. THis topic Body Talk-Our Fragile Bodies includes a dialogue between art and science borders a metaphysical query into what actually is the "body". Here we broaden all aspects of art and discussion to enrich our cultural perspective with inclusivity in mind. Jamie Forbes, Publisher, Fineartmagazineblog.blogspot, SunsotrmFneartmagazine.com . #sculpturenetworknews#fineartmagazineblog.blogspot#sunstormfrnartmagazine#sprintsculpturefun

Marilyn Church opens today at the Carter Burden Gallery 6-8PM in NYC


March 19 - April 14, 2026
 

Opening Reception: Thursday, March 19, 6 - 8pm 


Carter Burden Gallery presents three exhibitions: Forms and Fields in the East Gallery featuring Andreé Brown, Marilyn Church, and Veronica Lawlor in an exploration of figure and landscape; Beautiful Collision in the West Gallery featuring Stephen Cimini and Christopher Skura in a dialogue between structure and intuition; and On the Wall featuring the installation Tree Line by Joy Nagy, featuring large-scale graphite drawings that explore the physical and symbolic presence of trees. The reception will be on Thursday, March 19 from 6pm to 8pm. The exhibitions run from March 19 - April 14, 2026, at 548 West 28th Street in New York City. The gallery hours are Tuesday - Friday, 11 a.m. - 5 p.m., Saturday 11 a.m. - 6 p.m.

Forms and Fields unite the work of Andreé Brown, Marilyn Church, and Veronica Lawlor in an exploration of the visual and conceptual connections between the human form and the natural world. Marilyn Church and Veronica Lawlor engage in a painterly dialogue from opposite directions: Church moves from the figure toward abstraction, while Lawlor moves from abstraction toward landscape, marked by recurring leaf motifs. This leaf motif resonates with Andree Brown’s sculpture, echoing the verdant greens found throughout Lawlor’s work. Opening at the start of spring, the exhibition reflects on growth, renewal, and the shared language between bodies and plants, where terms such as “limb” and “trunk” blur distinctions between figure and field, revealing nature and humanity as deeply intertwined.

Beautiful Collision brings together two distinct yet deeply compatible practices that investigate structure, perception, and the emergence of form. Through painting and sculpture, Stephen Cimini’s and Christopher Skura’s distinctive approach to construction, one architectural and measured, the other intuitive and psychologically charged, create a dynamic visual dialogue. Beautiful Collision is not about synthesis or resolution, but about proximity. By placing two distinct methodologies in direct conversation, the exhibition allows differences to remain visible and active. The collision is beautiful precisely because of the tension, inviting viewers to engage with contrast, structure, and intuition as parallel forces shape perception.

Tree Line, an installation by Joy Nagy in the space On the Wall, is a visual study of trees rendered in graphite on paper. Measuring six feet in height, each work stands at human scale, transforming the wall into a forest of upright forms that evoke a sense of standing amongst a crowd. Each portrait conveys the tenacity, strength, and quiet power of this enduring species while drawing subtle parallels to the human form. Trunks, branches, scars, and textures echo anatomical features, like spines, limbs, and skin, suggesting a relationship between humanity and the natural world. Nagy’s practice is rooted in personal history, lived experience, and an ongoing engagement with nature. Family narratives, memory, and observation shape her approach, allowing each endeavor to emerge from both emotional and material inquiry. Working across drawing, painting, 

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Carter Burden Gallery
212.564.8405
548 West 28th Street, #534
New York, NY 10001


Tuesday to Friday 11 AM to 5 PM, Saturday 11 AM to 6 PM

 


Carter Burden Gallery is made possible by the New York State Council on the Arts 
with the support of the Office of the Governor and the New York State Legislature.

#carterburdengallery#marilynchurchartists#fineartmagazineblog.blogspot,#sunstormfineartmagazine

Wednesday, March 18, 2026

Serving the community the Lehman Colledge Art Gallery offers a free inclusive Family Program March 22,2026 /Free tickets below


Lehman College Art gallery serving the community offers a fn art program for free March 22, encouraging kids of all ages to participate and create!!!!  WE support creativity, Jamie Forbes, Publisher SunStorm Fine Art Magazine, and Fineartmagazineblog.blogspot



Free Inclusive Family Program

Children of all ages and abilities welcome!


 FREE TICKETS REQUIRED


Inclusive Family

Program

Colored Pencil Drawing



Sunday

March 22, 2026

10:30 am – 12:30 pm


Create a Colored Pencil Drawing!

Tour the exhibition, The Painted Word: Text, Gesture, and Expression in Contemporary Art. Create a drawing with colored pencil and graphite based on the work of John O’Connor.

CLICK HERE FOR FREE TICKETS

ALL PROGRAMS TAKE PLACE AT LEHMAN COLLEGE ART GALLERY

250 BEDFORD PARK BLVD WEST

BRONX, NY 10463


Lehman College Art Gallery is located in the Fine Arts Building

Enter at Gate 5 on Goulden Ave

Lehman College Art Gallery’s exhibitions and programs are made possible through generous support from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the New York City Department of Cultural Affairs; the NYC Department of Cultural Affairs Initiatives through New York City Council Discretionary Awards; City Council Members Eric Dinowitz, Diana Ayala, Kevin C. Riley, Oswald Feliz and Kristy Marmorato, the Milton and Sally Avery Arts Foundation, Jarvis and Constance Doctorow Family Foundation, Pierre and Tana Matisse Foundation, Edith and Herbert Lehman Foundation, Jacque and Natasha Gelman Foundation, The New Yankee Stadium Community Benefits Fund and the Charina Foundation.

 Website
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Lehman College Art Gallery | 250 Bedford Park Blvd. West | Bronx, NY 10468 US

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Tuesday, March 17, 2026

All Welcome to the Moriches Bay At Alliance Exhibition March -April/ Opening March 26-3-7PM

The Moriches Bay Art Alliance Exhibition
At the Town of Brookhaven, Atrium Art Gallery (3rd floor)
March 3–April 15, 2026 
Opening Reception: Thursday, March 26, 3:00–7:00 PM
Gallery Hours: Monday–Friday, 9:00 AM–4:30 PM
We gratefully acknowledge Dan Panico, Town of Brookhaven Supervisor, and Barbara Russel, Town Historian, and the Town of Brookhaven for making this exhibition possible.  
Connect with us on Facebook, https://www.facebook.com/themorichesbayartalliance  
Email: themorchesbyartalliance@gmail.com  

  

Participating Artists images left to right: Bonnie Bredes, Jamie Forbes, Linda Cullen, Debbie Bateman Foglia, Kenn Beck, Lillian Babzien, Melisse Pinto, Eric Phillips, 

Renee Di,Katy Phillips,MaryAnn Dellinger, Stella Michaels, Kseniia Holubyyska, and Joanne Phoenix, 

Connect with us on Facebook, https://www.facebook.com/themorichesbayartalliance/Email: themorchesbyartalliance@gmail.com















#themorichesbayartalliance#fineartmagazineblog.blogsot#brookhaventown#sunstormfineartmagazine#artfunspring

Rehs Contemporary & the Art Renewal Center present ~We Walk the Road Alone~ May 16-Jun2 19, 2026

Rehs Contemporary's  discussion between the artist and viewer in solitary contemplation is an interactive, introspective picture of singular activity. The imagery and proposition is an  interesting curatorial thoughtful cut above. Wishing all success, Jamie Forbes, Publisher, SunStorm FineArt Magazine, Fineartmagazineblog.blogspot, 1975-now.  


 Rehs Contemporary, in partnership with the Art Renewal Center, will present "We Walk This Road Alone," a new art exhibition that challenges artists to examine the many dimensions of solitude. Rather than presenting solitude as a single emotional state, the works on view reveal it as an experience that can be restorative and transformative.

Solitude is a fundamental aspect of the human condition, yet one that is often misunderstood or viewed solely in a negative light. In an increasingly interconnected world, time spent alone can seem rare or even undesirable. Yet psychological research suggests the opposite: periods of solitude are essential to personal development, creating space for reflection, creativity, and renewed perspective.

Paradoxically, it is often through this inward journey that we can then forge more meaningful connections with others. By strengthening our sense of identity and self-understanding, we engage in richer, more authentic relationships. In this way, solitude becomes less of a retreat and more of an essential component of personal and emotional balance.

Through the lens of contemporary art, "We Walk This Road Alone" encourages viewers to take a more expansive, empathetic view of solitude. The works on display challenge us to move beyond simplistic notions of loneliness and embrace the nuanced, multifaceted nature of time spent alone.

In Adam Bauder's pensive painting "What Was Left Behind," a woman lies on the floor, intently reading a book. The work's cinematic framing and subtle references to classic science fiction literature suggest how these moments can become portals for imaginative escapism and intellectual stimulation.

Rather than just conveying loneliness, Bauder's painting posits that we can actively choose to spend our time alone, using solitude as a means of finding yourself. The woman's absorbed, contemplative pose underscores solitude's capacity to empower the individual as they navigate their inner worlds.

Juxtaposed against these intimate explorations, Mark Harrison's landscape painting "Waiting For News" offers a sweeping, existential perspective on solitude. Positioned at the side of a remote, desolate road, the viewer is confronted with an old, weathered mailbox - a stark symbol of the subject's physical and psychological separation from others.

That said, Harrison's work also suggests that seclusion can be a chance for resilience and self-discovery. The expansive, empty desert landscape that stretches out in both directions underscores the overwhelming scale and indifference of the natural world. Yet, it also highlights humanity's inherent ability to adapt and find meaning, even in the face of such vastness. Harrison's work invites the viewer to contemplate not just their own insignificance, but also the potential for personal growth that can emerge from periods of solitude and disconnection.

"These artists don't shy away from the complexities and contradictions inherent in solitude," said Rehs Contemporary owner and curator Lance Rehs. "Their works compel us to confront the full spectrum of this fundamental human condition - from its emotional burdens to its spiritual possibilities."

An opening reception on May 15th from 4-8 PM will provide an opportunity to engage with some of the artists and experience the exhibit in person. An extended opening will take place on the following afternoon, May 16th from 12-5 PM. "We Walk This Road Alone" will remain on view through June 19th, 2026.

If you would like to request high-resolution images of included work, please contact Alyssa Rehs at alyssa@rehs.com.

About Rehs Contemporary

Rehs Contemporary is regarded as one of the top galleries in New York City and is a platform for new, emerging and established contemporary artists; many of whom have received extensive academic training. The gallery offers high quality works to art lovers of all kinds, from first-time buyers to major collectors.

Alyssa T. Rehs, Director
Lance J. Rehs, Director
Rehs Contemporary
20 West 55th Street
5th Floor
New York NY 10019
(212) 355-5710
410556@email4pr.com
https://www.rehscgi.com



SOURCE Rehs Contemporary Galleries, Inc.

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