This spring, the Museum of Contemporary Art (MCA) Chicago presents Rashid Johnson: Message to Our Folks,
the first major solo exhibition for Johnson, who is a preeminent artist
in the post-media generation. A former Chicagoan and alumni of the
MCA's UBS 12 x 12 exhibition series, Johnson explores the complexities
and contradictions of black identity, rooted in his individual
experience, through photographs, sculptures, videos, installations, and
paintings. On view April 14 to August 5, 2012, this exhibition is
organized by Julie Rodrigues Widholm, MCA Pamela Alper Associate
Curator, and includes thirteen years of Johnson's work with an emphasis
on major works from the last five years.
his work, Johnson evokes shared cultural memories by referencing
creative and intellectual black figures whose impact has transcended
black communities. The exhibition fosters a dialogue by inviting
viewers' free associations with familiar figures -- such as W.E.B.
DuBois, Sun Ra, Miles Davis, and Public Enemy -- and everyday objects
that appear in the work, including plants, mirrors, rugs, record albums,
CB radios, shea butter, and books. The title of the exhibition is based
on a 1969 album by the avant-garde group Art Ensemble of Chicago, who
performed with a variety of found percussive objects and spanned musical
styles to radically redefine the rules of jazz.
conceptually loaded and visually compelling works also allude to
alchemy and transformation through different media that hold their own
significance and symbolism. He prefers to create a sense of wonder in
the unknown rather than present a concrete understanding of his art. The
exhibition also presents examples from ongoing bodies of Johnson's work
such as Cosmic Slops, abstract paintings made with melted black soap and wax; The New Negro Escapist Social and Athletic Club,
portraits of members of a fictional black bourgeois secret society;
recent "shelf sculptures" featuring found objects, such as The Shuttle (2010) and Triple Consciousness (2009); and early photographs of homeless men made using the nineteenth-century Vandyke brown printing process.
was born in Chicago in 1977 and currently lives in New York. He has a
BFA in photography from Columbia College and attended graduate school at
the School of the Art Institute of Chicago. His work is in the
collections of the MCA Chicago, Art Institute of Chicago, Whitney Museum
of American Art, Seattle Art Museum, Brooklyn Museum of Art, Detroit
Institute of Art, and Los Angeles County Museum of Art. His work has
been featured in major group exhibitions including 30 Americans: The Rubell Collection (2008); Only Skin Deep: Changing Visions of the American Self at the International Center of Photography (2003); and Freestyle
at the Studio Museum in Harlem (2001); and in 2011 was featured in the
International Pavilion of the 54th Venice Biennale. He is one of the
nominees for the Guggenheim's Hugo Boss Prize in 2012.
96-page, fully illustrated hardcover catalogue provides new scholarship
on the social, cultural, and artistic significance of Johnson's work.
It includes an excerpt from Paul Beatty's The White Boy Shuffle,
and essays by the exhibition curator Julie Rodrigues Widholm, University
of Chicago PhD candidate Ian Bourland, and cultural critic and writer
Rashid Johnson in Conversation with
Julie Rodrigues Widholm
Saturday, April 14, 2012, 10:30 am, Free with suggested museum admission
Artist Rashid Johnson and Julie Rodrigues Widholm have a conversation in the gallery about Rashid's work and ideas.
Tuesday, April 24, 2012, noon
Tour of the exhibition led by Julie Rodrigues Widholm.