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Friday, October 28, 2022
Untitled Art Fair, Miami Nov. 29-Dec. 3, 2022
Thursday, October 27, 2022
Haines Gallery congratulates Mike Henderson on receiving the Margrit Mondavi Arts Medallion.
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| H A I N E S G A L L E R Y | 2 Marina Boulevard, Building C, First Floor, San Francisco, CA 94123 415.397.8114 | www.hainesgallery.com | art@hainesgallery.com #hainesgalleryart#fineartmagazine#artgrantfun |
Aspen Art Museum Opening on November 4, 2022, and running through March 26, 2023, Hervé Télémaque: A Hopscotch of the M
ASPEN ART MUSEUM PRESENTS HERVÉ TÉLÉMAQUE: A HOPSCOTCH OF THE MIND
On View November 4, 2022 through March 26, 2023
“I drew on my life as a Haitian of mixed race to construct a double language based on both the political and the social, the question of identity and racism, and sexuality.” – Hervé Télémaque
The Aspen Art Museum is pleased to present Hervé Télémaque: A Hopscotch of the Mind, a major exhibition of works by the influential Haitian artist and the first solo exhibition of Télémaque’s work in a US museum. Organized by Serpentine Galleries, London, with reconceptualized staging for the Aspen Art Museum presentation, the exhibition brings together works made in the late 1950s through the present day, highlighting the enduring themes of the artist’s multifaceted practice. Opening on November 4, 2022, and running through March 26, 2023, A Hopscotch of the Mind proposes a non-linear exploration of Télémaque’s visual vocabulary, encouraging viewers to jump across media and periods, forming their own associations between the disparate fragments of his idiosyncratic narration.
Nicola Lees, Nancy and Bob Magoon Director of the Aspen Art Museum, said, “Since the 1960s Hervé Télémaque has used his artistic practice to depict an engaging, narrative portrait of his world, addressing historical geopolitical events such as French colonization of Haiti, the Cuban Missile Crisis, and the Cold War through his signature style of captivating figuration. At the same moment in history, the Aspen Art Museum was founded with a mission to be a haven for artists that views their insight as crucial to our understanding of the world around us. With this in mind, we are delighted to have had the opportunity to reconceptualize the staging of the exhibition in Aspen with artist Helen Marten. We are grateful to the Serpentine’s former Associate Exhibitions Curator Joseph Constable and to Artistic Director Hans Ulrich Obrist for bringing forth this exhibition, and we are delighted to share Télémaque’s poignant work this fall.”
Throughout his career, Hervé Télémaque has created an expansive body of work with a unique visual vocabulary featuring abstract gestures, cartoon-like imagery, and mixed-media compositions. Through his paintings, drawings, collages, objects, and assemblages, Télémaque brings together striking combinations of historical and literary references with those of consumer and popular culture.
Incorporating images and experiences from Télémaque’s daily life, his extensive body of work consistently draws connections between the realms of interior consciousness and social experience, and the complex relationships between image and language. A vehement commitment to highlighting the histories and contemporary resonances of racism, imperialism, and colonialism has remained a constant throughout the artist’s career, often referring to his Haitian heritage and experience as part of the Caribbean diaspora.
Exhibition highlights include:
- A broad selection of works spanning from the 1960s to the present day, including never-before-seen pieces from the artist’s Paris studio and major loans from the Musée d’Art Moderne de la Ville de Paris, Fondation Maeght, Saint-Paul-de-Vence, and Musée d’art moderne et contemporain de Saint Etienne.
- A striking exhibition design by artist Helen Marten with framing devices and apertures that highlight the visual and linguistic rhythms of Télémaque’s artworks.
This exhibition is organized by Serpentine Galleries, London, by Joseph Constable, former Associate Exhibitions Curator, and Hans Ulrich Obrist, Artistic Director. In keeping with the Museum’s artist-centered approach, the presentation at Aspen Art Museum is curated by Joseph Constable, Hans Ulrich Obrist, and artist Helen Marten, who have reconceptualized the staging of the exhibition.
ABOUT HERVÉ TÉLÉMAQUE
Born in 1937 in Port-au-Prince, Haiti, Télémaque left for New York in 1957, when former president François Duvalier was elected to power, to study at the Art Students League under painter Julian Edwin Levi. Entering into an art scene dominated by Abstract Expressionism, Télémaque became interested in the approaches of artists such as Arshile Gorky, Willem de Kooning, Jasper Johns, and Robert Rauschenberg, but at the same time felt limited by this early influence: “This thoroughly New York school seemed inadequate for me to express where I came from and who I was.”
In 1961, Télémaque moved permanently to Paris, associating with the Surrealists, and later co-founding the Narrative Figuration movement in France with artists Gérald Gassiot-Talabot and Bernard Rancillac through the manifesto exhibition Mythologies quotidiennes at the Musée d'Art Moderne de la Ville de Paris in 1964. A reaction against the dominant trend towards abstract art and the developing movement of Pop Art in North America, Télémaque’s Narrative Figuration often results in works with a Pop sensibility that incorporate consumer objects and signs. His painting No Title (The Ugly American), 1962/64, was included in the reinstallation of MoMA’s permanent collection as part of the museum’s reopening in 2019 following a renovation and expansion.
By tracing the arc of his career from the 1950s onwards and unravelling these multilayered and complex works, the exhibition reveals the relevance and resonance of his practice to our current moment. Through their cartoon-like style and fluid approach to medium, Télémaque’s works utilize playful metonymies for the pervasive structures that continue to underpin our lives, making his work as pertinent to current artistic discourses as it is to challenging the political and art-historical narratives of the past sixty years.
ABOUT THE ASPEN ART MUSEUM
Accredited by the American Alliance of Museums in 1979, the Aspen Art Museum is a globally engaged non-collecting contemporary art museum. Following the 2014 opening of the museum’s facility designed by Pritzker Prize–winning architect Shigeru Ban, the museum enjoys increased attendance, renewed civic interaction, and international media attention. In July 2017, the museum was one of ten institutions to receive the United States’ National Medal for Museum and Library Services for its educational outreach to rural communities in Colorado’s Roaring Fork Valley and its learning partnerships with civic and cultural partners within a 100-mile radius of the museum’s Aspen location.
Museum hours
Tuesday–Sunday, 10 AM–6 PM
Closed Mondays
Aspen Art Museum ADMISSION IS FREE courtesy of Amy and John Phelan
For the most up-to-date information on COVID-19 protocol, please refer to the Museum website. Visit the Aspen Art Museum online: aspenartmuseum.org
This exhibition is organized by Serpentine Galleries, London.
Aspen Art Museum exhibitions are made possible by the Marx Exhibition Fund. General exhibition support is provided by the Toby Devan Lewis Visiting Artist Fund. Additional support is provided by the Aspen Art Museum National Council.
Image: Hervé Télémaque, Inventaire, un homme d’intérieur (Inventory, an Interior Man), 1966. Acrylic on canvas, private collection. Courtesy Paul Coulon
Phillips NYC, Cy Twombely November 15th,
Monumental Cy Twombly Bacchus Painting to Lead Phillips’ New York Evening Sale of 20th Century & Contemporary Art
To be Offered on 15 November, Estimated at $35-45 Million
 Cy Twombly Untitled, 2005 Estimate: $35,000,000 – 45,000,000
On 15 November, Phillips’ Evening Sale of 20th Century & Contemporary Art in New York will be led by Cy Twombly’s monumental Untitled, 2005. With exceptional provenance and estimated at $35-45 million, Untitled is a masterpiece from one of Twombly’s last epic series that found its inception in his blackboards and crystallized in the three discrete suites of paintings collectively known as the Bacchus series. The Bacchus paintings began in 2003 amidst the US invasion of Iraq and culminated in 2008 when the artist donated three of the monumental works to the Tate Modern, London. The present work is the second-largest canvas from the 2005 series which were exhibited under the collective title Bacchus Psilax Mainomenos. Recalling the artist’s earlier Blackboard paintings from the late 1960s with its continuous looping forms, theBacchus series revisits this earlier motif with a renewed vigor and energy which manifests on the surface ofUntitled.
Jean-Paul Engelen, President, Americas, and Worldwide Co-Head of 20th Century & Contemporary Art, said, “With the top ten auction prices for works by Cy Twombly having all been set in the past eight years, it’s clear that the market is stronger than ever. At sixteen feet wide, Untitled is among the largest of Twombly’s works to ever appear at auction, with its subject referring to the dual nature of the ancient Greek and Roman god of wine, intoxication, and debauchery. The work hails from the series that marked Twombly’s ultimate artistic expression at the summit of his career and we are proud to offer this masterpiece as the highlight of our Fall season.”
The translation of Bacchus Psilax Mainomenos references both the exuberance and rage that alcohol can bring, with Tate Director Nicholas Serota remarking about the paintings, “They relate obviously to the god of wine and to abandon, and luxuriance, and freedom.” The work also recalls one of the most violent and emotionally stirring moments of Iliad, when the Greek hero, Achilles, kills the Trojan prince, Hector, dragging his corpse in circles through the desert around the walled city of Troy—just as Twombly’s red line colors the ground of Untitled.
The repetition of the mythical theme in Twombly’s work, particularly the continued invocation of Bacchus across the years, finds its stylistic parallel in Twombly’s signature, circular, scrawling gesture. Two extremes rise and fall within one ancient deity, cycling, one over the other, just as Twombly’s brush turns across the surface of Untitled. This gesture appeared in the artist’s earlier Blackboard series of the 1960s, making a reprise in Untitled, though with a much wilder red spiral. The red line of Untitled is rich with emotive movement as the spiral turns and drips across the canvas, the result of Twombly likely using his whole body, swinging the brush, which he attached to a long pole, across the canvas.
Auction: 15 November 2022 Auction viewing: 5-15 November 2022 Location: 432 Park Avenue, New York, NY Click here for more information: https://www.phillips.com/auctions/auction/NY010722
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ABOUT PHILLIPS Phillips is a leading global platform for buying and selling 20th and 21st century art and design. With dedicated expertise in the areas of 20th Century and Contemporary Art, Design, Photographs, Editions, Watches, and Jewelry, Phillips offers professional services and advice on all aspects of collecting. Auctions and exhibitions are held at salerooms in New York, London, Geneva, and Hong Kong, while clients are further served through representative offices based throughout Europe, the United States and Asia. Phillips also offers an online auction platform accessible anywhere in the world. In addition to providing selling and buying opportunities through auction, Phillips brokers private sales and offers assistance with appraisals, valuations, and other financial services. Visit www.phillips.com for further information.
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PRESS CONTACTS: NEW YORK – Jaime Israni, Public Relations Director, Americas jisrani@phillips.com
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