Phillips April Auction to offer works from the Estate of Tina Hills. Her Collection includes works by Joan Mitchell, Helen Frankenthaler ampung others. ,

PHILLIPS TO OFFER A LIFE IN COLOR: PROPERTY FROM THE ESTATE OF TINA HILLS ACROSS SPRING AND SUMMER AUCTIONS   First Selection of Works to Appear in April Editions & Works on Paper Sales   Leading Works by Joan Mitchell and Helen Frankenthaler to Make Auction Debuts in May Evening Sale of Modern & Contemporary Art   Tina Hills Joan Mitchell Plain, 1989 Offered in the Evening Sale of Modern & Contemporary Art, 19 May Estimate: $5,000,000–7,000,000   NEW YORK – 24 MARCH 2026 – This spring, Phillips will offer A Life in Color: Property from the Estate of Tina Hills across a series of auctions in New York from April through September. Hills, an influential figure in Miami and beyond, helped shape the city’s cultural landscape through decades of civic engagement and philanthropy. In 1977, she became the first woman to lead the Inter‑American Press Association, advancing its mission to protect freedom of the press throughout the Americas. Alongside her second husband, Lee Hills — the editor who guided the Miami Herald to its first Pulitzer Prize — she assembled a far‑reaching collection defined by expressive color and dynamic compositions. This vision is embodied most prominently in Joan Mitchell’s Plain from 1989. A work from the final and most distilled phase of Mitchell’s career, Plain embodies her powerful synthesis of gesture and remembered landscape. Spanning a monumental diptych nearly six feet wide, the canvas translates the sensations of the French countryside around Vétheuil into lyrical tangles of brushwork and radiant fields of color. Acquired from the Robert Miller Gallery, the painting remained in the Hills’ collection for nearly four decades and now appears at auction for the first time in the Modern & Contemporary Art Evening Sale on 19 May in New York, alongside other major works by Helen Frankenthaler and Adolph Gottlieb. Additional works will be featured in the April Editions & Works on Paper auctions — including color‑rich prints by Joan Miró, Pablo Picasso, Marc Chagall, and others — as well as subsequent Modern & Contemporary Art sales in May and July, the June Jewels and Design sales, and September Design Online.   The Family of Tina Hills stated, “Tina was a pioneer in every facet of her life and consistently broke through the expectations placed on women of her generation. From her remarkable career in publishing—including her tenure as the first female President of the Inter-American Press Association — to her philanthropic work across Puerto Rico and Miami, she brought a brilliant mind, deep curiosity, and effortless grace to everything she did. A passionate collector of art across mediums and periods, her home reflected a lifetime of curiosity, discernment, and joy in discovery. We are honored to work with Phillips to share her extraordinary collection and to celebrate the lasting legacy of a woman whose vision and generosity touched so many."   Vivian Pfeiffer, Phillips’ Deputy Chairman, Senior International Specialist, New Markets, said, “Tina Hills remains a deeply respected figure in Miami, remembered for the civic presence and generosity that helped shape the cultural fabric of the city. Her decades‑long commitment is still evident today, from her support of the Pérez Art Museum Miami to the pavilion that bears her name in Bayfront Park. Alongside her public life, she was an avid collector with an eye for bold, expressive canvases by Post‑War figures such as Joan Mitchell, Adolph Gottlieb, and Helen Frankenthaler, and she brought that same discernment to design, assembling exceptional works by artists including William Morris, Dale Chihuly, Toots Zynsky, and Jon Kuhn. It is a profound honor for Phillips — and for me personally — to be entrusted with presenting Ms. Hills’ collection this season, containing many artworks which will be seen for the first time in decades while the pre-sale exhibitions are on view in Phillips’ New York galleries.”   David Lawrence Jr., Former Publisher of the Miami Herald and Chair of The Children’s Movement of Florida, added, “I met Tina Hills more than a half-century ago. She swept into the room — the most elegant person I have ever known. Great taste in every way. You saw it in her home, her art and, most of all, in herself. A major leader in journalism and so much more. I give Tina and her legendary husband Lee much credit for my own interest in art — and my service first to the Detroit Institute of Arts and then these past 37 years at what has become the Pérez Art Museum of Miami. A great collection; most of all, a great person.”   ABOUT TINA HILLS Argentina “Tina” Schifano was born in Pola, Istria, Italy, which is now part of Croatia. She immigrated to New York with her parents in her early teens and later studied at New York University. While working at the iconic Buitoni-Perugina company, she met publisher Angel Ramos, owner of El Mundo, Puerto Rico’s most prestigious newspaper and WKAQ Radio El Mundo. Quickly becoming immersed in the publishing world, her work reflected a deep commitment to freedom of the press. Tina became deeply involved in inter-American journalism, eventually rising to national prominence as the first woman to serve as President of the Inter-American Press Association. Following Ramos’ passing, Tina continued to guide publishing and media interests in Puerto Rico. She led a major philanthropic foundation in Angel Ramos’ name, which supports education throughout Puerto Rico.   Her later marriage to Lee Hills brought her into the center of mainland American newspaper leadership, and together, the couple played a major and vital role in supporting Miami’s cultural institutions, including efforts that shaped the early vision of what is now the Pérez Art Museum of Miami. Tina Hills also served in prominent civic and cultural positions across Miami-Dade County, with roles at the Dade County Arts Council, the Bayfront Park Management Trust, and the Florida Grand Opera. The pavilion at Bayfront Park bears her name, honoring her decades of dedicated service to the city.    HIGHLIGHTS FROM THE COLLECTION Adolph Gottlieb Black Sparks, 1965 Estimate: $1,000,000–1,500,000 Offered in the Evening Sale of Modern & Contemporary Art, 19 May Helen Frankenthaler Paloverde, 1978 Estimate: $600,000–800,000 Offered in the Evening Sale of Modern & Contemporary Art, 19 May David Hockney The Juggler, 1986 Estimate $4,000–6,000 Offered in Editions & Works on Paper, 22 April William Morris “Canopic Jar: Sable Antelope”, 1996 Estimate: $150,000– 200,000 Offered in Design, 12 June Joan Miró Village d'oiseaux (Bird Village), 1969 Estimate $6,000–8,000 Offered in MODERNISM: Editions & Works on Paper, 22 April Sam Francis Comet (SF85-178), 1985 Estimate: $150,000–200,000 Offered in the Modern & Contemporary Art Auction, 21 May Jesús Rafael Soto Ambivalencia 41, 1984 Estimate: $300,000–500,000 Offered in the Modern & Contemporary Art Auction,  21 May William Morris Hanging "Petroglyph", 1993 Estimate: $15,000–20,000 Offered in Design, 12 June                         NNew York Auctions Presenting A Life in Color: Property from the Estate of Tina Hills:   MODERNISM: Editions & Works on Paper 23 April 2026   Editions & Works on Paper 23–24 April 2026   Modern & Contemporary Art Evening Sale 19 May 2026   Modern & Contemporary Art  21 May 2026   New York Jewels: Online Auction June 2026   The New York Jewels Auction 11 June 2026   Design 12 June 2026   Modern & Contemporary Art 16 July 2026   Design Online Auction 1–8 September 2026    Location: 432 Park Avenue, New York, NY 10022   To ABOUT PHILLIPS Phillips: where the world’s curious and bold connect with the art, design, and luxury that inspires them. As a leading global platform for buying and selling 20th and 21st century works, Phillips offers dedicated expertise in the areas of Modern and Contemporary Art, Design, Photographs, Editions, Watches, and Jewels. Auctions and exhibitions are primarily held in New York, London, Geneva, and Hong Kong, with representative offices based throughout Europe, the United States, and Asia. Phillips offers a regular selection of live and online auctions, along with items available for immediate purchase. Phillips also offers a range of services and advice on all aspects of collecting, including private sales and assistance with appraisals, valuations, and financial planning. Visit phillips.com for further information. #phillipsartauction#fineart,agazineblog.blogspot.com#sunstormfineartmagazine.com#tinahillscollection#fineartfun

Jamie Forbes shows her Environmental Photographs in in Two Exhibitions March 26, and 28th.

Jamie Forbes  exhibitions this week at the The Moriches Bay Art Alliance Group Show at the Brookhaven Town Hall Gallery, 1 Independence Hill, Farmingville, NY 11738, Thursday March 26, 3-7 PM, and the  Mill Pond House, 176 Mills Pond rd. , St James. 

  As a photographer, Jamie Forbes steps into each moment, capturing the intrinsic energies exchanged between her subjects and her camera. Forbes’s goal is to offer viewers not only a historical record but also to reveal the deeper intent present within every photograph. Through her Eco-Art perspective, both in portraiture and scenic imagery, Forbes seeks to initiate a dialogue between the viewer and the artist. This conversation is designed to promote the concept that “we live with others” and are all participants in sharing and shaping our environment.

From the Galactic Dust SunSet Series ©JamieForbes/SunStormArtsPub.Co.Inc,2026

Forbes’s images possess a timeless quality of interconnectedness, conveying the subtle, underlying conversations that tell the story of the environment and the complex exchange between the natural world and the boundaries imposed by human cultivation. As Forbes states, “The images represent a story of my encounters that state the narrative understanding between the subject and photographer.” Her work is informed by five decades of experience in the international art community, where she has contributed as a publisher, gallerist, writer, and photographer. 

https://sunstormfineartmagazine.com/jamie-forbes-photography/

BackyardEnvironmentalist.com

#jamieforbesphotography#millspondhouse#brookhaventowngallery#fineartmagazineblog.blogspot.comsunstormfineartmagazine.com#enviornmantalartfun
 

22 nd Port Warwick Art & Sculpture Festival (WA) October 10-11,2026,applicationm deadline 5/31/26

 Hi all our Fine Art Magazine Readers. It's important to connect artists to showcase opportunities. Local art Festivals is a great spot to meet and see artists live and upfront. Art is not a flat screen experience rather a lively engagement between artit piec and viewer only in person. Enjoy the opportunity to participate as an artist by applying to the Port Warwick Art & Sculpture Festival. If your out and about summer vacationing or on a day trip this looks like a great place to experience an art visit. The FineArtMagazineblog.blogspot.com, and SunstormFineartmagazine.com have been supporting emerging, established artist of all ages. Jamie Forbes , Publisher, than you for reading our blog. 

22nd Port Warwick Art & Sculpture Festival (VA) October 10-11, 2026 Rolling Jury Process Final Application Deadline 5/31/26

Apply Here

Call to Artists WHAT: 22nd Annual Port Warwick Art & Sculpture Festival WHERE: William Styron Square, Newport News, Virginia WHEN: October 10-11, 2026 | Sat. 10am - 6pm | Sun. 10am - 5pm

NOTEWORTHY: Limited to 120 artists – rolling admission until the show is filled Notification within two weeks of application Cash awards in 14 categories Free program and artist listing Flat, affordable booth fee – no commission Emerging Artists Tent Artist gallery featured on the festival website Award-winning, upscale, pedestrian-oriented community Friday set-up Assistance with load-in and load-out Amazing volunteers Complimentary lunch provided both days VIP dinner with entertainment on Saturday night Champagne brunch during the Sunday awards ceremony 24-hour security Booth sitters available Extensive PR and marketing Festival poster selected from artists’ images Jury fee: $35 (non-refundable) Booth fees: $350 (single 10' x 10') | $650 (double)

NOW ACCEPTING APPLICATIONS on ZAPP® Final Application Deadline: May 31, 2026 Final Artist Notification: June 12, 2026 Booth Payment Due: June 12, 2026 Rolling Admission until the show is filled. Accepted artists who purchase their booth will be given placement priority. Visit our website: PortWarwickEvents.com Contact: Laura Fisher, Executive Director at Laura@PortWarwick.com  or call (757) 223-0284

This 22nd annual juried, fine arts festival is well known for exceptional treatment of the artists, many of whom return year after year. This outdoor venue is beautiful Styron Square in the heart of Port Warwick in Newport News and is often described as "walking through an outdoor art gallery!" We search for qualified artists throughout the country who continually challenge themselves to achieve a higher artistic level both in subject matter and technique. The Show is organized by the Port Warwick Foundation which is a 501(c)(3) non-profit that encourages emerging artists and embraces culturally diverse artists to our Show. Live entertainment all weekend, ever-expanding family and children's activities, food trucks and conveniently located between Williamsburg and Virginia Beach make this the perfect addition to your Fall Virginia Tour! The Port Warwick Foundation is a public non-profit 501 (c)(3) organization with the purpose of organizing and managing regional arts and entertainment events. #portwarwickart&sclupture festival#sunstormfineartmagazine.com#fineartmagazineblog.blogspot.com#happyartfun

Cooper Cole Gallery to exhibit Russna Kaur " It Splits off Gently Lifting Under the Pull March 28- May @ , 2026

 UPCOMING: RUSSNA KAUR | IT SPLITS OFF, GENTLY LIFTING UNDER THE PULL | OPENING MARCH 28, 2026

Russna Kaur It splits off, gently lifting under the pull March 28 – May 2, 2026 Opening reception: Saturday, March 28, 5-8pm     For all other inquiries please contact the gallery: info@coopercolegallery.com +1.416.531.8000     COOPER COLE is pleased to present It splits off, gently lifting under the pull, a solo exhibition of new paintings by Russna Kaur. This marks the artist’s first presentation with the gallery. The exhibition brings together a group of large-scale, multi-panel paintings that operate in the space between what is visible and what remains concealed. Resistant to immediate interpretation, the works sustain a sense of ambiguity, allowing forms and meanings to shift over time. Through mark-making, composition, and scale, the paintings gesture toward memory and identity before dissolving back into abstraction. Bright, vibrant colours initially appear playful but quickly give way to friction and instability. Within this tension, surfaces peel and shift, revealing something unspoken. Kaur’s abstractions carry the weight of personal and cultural histories without fixing meaning, leaving the works open to multiple interpretations, and inviting contemplative engagement. Layering shapes form the meaning of Kaur’s paintings. Panels of canvas are assembled together, emphasizing the work’s physical structure. Repeated gestures, accumulated paint, and overlapping surfaces become analogues for emotion and generational memory. These processes echo Kaur’s early studies in biology, which sharpened her attention to hidden systems, internal frameworks, and the accumulation of time. Rather than resolving these tensions, Kaur sustains them, allowing the paintings to remain dynamic spaces where meaning is continuously formed and undone.     Russna Kaur (b. 1991, Brampton, Ontario, Canada) is an artist whose abstract paintings are characterized by an experimental use of colour and materials. Kaur completed a Bachelor of Arts at the University of Waterloo and a Master of Fine Arts at Emily Carr University of Art + Design. Kaur has exhibited at the Kamloops Art Gallery, Kamloops; Remai Modern, Saskatoon; Vancouver Art Gallery, Vancouver; Audain Art Museum, Whistler; College Art Galleries at the University of Saskatchewan, Saskatchewan; Art Gallery of Burlington, Burlington; Galerie Isa, Mumbai, and Gajah Gallery, Yogyakarta. Kaur has been an artist-in-residence at the Burrard Arts Foundation, Vancouver; Centrum Emerging Artist Residency, Port Townsend; Independent Artist Residency, Los Angeles; Wassaic Project, New York, and the Annandale Artist Residency, Prince Edward Island. Kaur’s work is held in numerous private, corporate and institutional collections including the TD Bank Collection, RBC Art Collection, Desjardin Collection, Audain Art Museum, the Vancouver Art Gallery, the Surrey Art Gallery, and the Gordon Smith Gallery of Canadian Art. Kaur lives and works in Mississauga, Ontario, Canada.   Image 1: Russna Kaur, Increasingly misguided, shrill tones - a welcome is near!, 2026 (installation), Acrylic paint, oil stick coloured sand and molding paste on canvas 64 x 60 inches (162.56 x 152.40 cm) Image 2: Russna Kaur, Unsuspecting, rebellious thoughts - flawless, and with so little time, 2026, Acrylic paint, coloured sand, charcoal and molding paste on canvas 96 x 120 inches (243.84  x 304.80  cm)     Russna Kaur It splits off, gently lifting under the pull March 28 – May 2, 2026   Cooper Cole 1134 + 1136 Dupont St Toronto, Ontario M6H 2A2 Canada Thursday - Saturday: 12 - 5pm info@coopercolegallery.com +1.416.531.8000   Instagram coopercolegallery.com #coopercolegallery#fineartmagazineblog.blogspot.com#sunstormfineartmagazine.com#sprintartfun

Pollock Krasner House Talks Celebrate Women's History Month with talks on Klint, Khalo, and Thompson March 25-27th

___________________________________________________________________________ CELEBRATE WOMEN'S HISTORY Virtual Art Programs with  Joyce Raimondo, Education Coordinator _____________________________________________________________________________ PAINT FROM WITHIN: Hilma af Klint Workshop Wednesday, March 25, 12:00pm - 1:15pm (EDT) How do artists paint their inner visions and spirituality? This workshop celebrates Swedish artist Hilma af Klint, now widely recognized as the first abstract painter in the West. Following a presentation, participants will do a short silent meditation, in preparation for painting or drawing the world within. Have drawing or paint supplies on hand. Click Here to Register _____________________________________________________________________________ VIVA LA VIDA! (LIVE LIFE!): Frida Kahlo Thursday, March 26, 12:00pm - 1:15pm (EDT) Celebrate the art of one of Mexico’s most famous artists -- Frida Kahlo - beloved worldwide. Discover how she told the dramatic story of her life in amazing paintings. Then create your own picture story that tells a memory in your life in an imaginative way. DRAWING SUPPLIES: pencil or colored pencils, eraser, sharpener, white paper. Click Here to Register _____________________________________________________________________________ MAGNETIC FIELDS: Mildred Thompson Workshop Friday, March 27, 12:00pm - 1:15pm (EDT) How do artists paint forces not visible to the naked eye? This workshop  celebrates the work of abstract painter Mildred Thompson who conveyed energy  and magnetic fields in her vibrant abstract paintings. Following the presentation,  make an action painting that captures energy in art. Have paint or drawing supplies on hand and a surface that is at least 18 x 24 inches.  Click Here to Register _____________________________________________________________________________ Image: Hilma af Klint, Altarpiece, no. 1, Group X, 1915

Pollock-Krasner House and Study Center | 830 Springs Fireplace Road | East Hampton, NY 11937 US #pollocvkkrasnerhouse#womenshistorymonth#fineartmagazineblog.blogspot.com#sunstormfineartmagazine.com#fineartfun

lindeArte Napoli 800900 Catalogo on Line

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BLINDARTE LOTS EXPIRY: UNTIL MARCH 11 LOTS DEADLINE: UNTIL MARCH 11st LOT. 152 - RAPHAEL CASTELLO Untitled, 1962-63 Estimate €400/600 DEADLINE: 10/3/2026 Lot 167 - Renato Barisani Split, 1985 Estimate €2,000/3,000 DEADLINE: 10/3/2026 Lot 136 - Gianni Pisani A prayer for a sad sky Estimate €2,000/3,000 DEADLINE: 9/3/2026 LOT. 172 - CARLO ALFANO Fragments of an Anonymous Self-Portrait /102, 1970s Estimate €2,400/2,800 DEADLINE: 10/3/2026 LOT. 195 - RICCARDO DALISI Totocchi, 1995 Estimate €300/400 DEADLINE: 11/3/2026 LOT. 203 - ROSY ROX Whip Me Purly, 2007 Estimate €2,000/3,000 DEADLINE: 11/3/2026 BROWSE THE CATALOGUE BROWSE THE CATALOG press release press release ONLINE CATALOG ONLINE CATALOG MODERN AND CONTEMPORARY ART MODERN AND CONTEMPORARY ART BROWSE THE CATALOGUE BROWSE THE CATALOG Lot 96 - Giovanni Frangi Waterfall, 2007 Estimate €4,000/6,000 DEADLINE: 18/3/2026 BATCH DEADLINE: MARCH 16-20 LOTS DEADLINE: MARCH 16th-20th PRESS RELEASE The catalogue for the new online timed auction of Modern and Contemporary Art is online at www.blindarte.com , with lots closing dates between March 16th and 20th. The catalog includes paintings, drawings, and sculptures by Italian and international artists from the early 1900s to the present day. Among the names featured are: Remo Brindisi, Mino Maccari, Bengt Lindström, Ladislas Kijno, Paul Mansouroff, Umberto Bignardi, Giuseppe Spagnulo, Gianni Ruffi, Franco Angeli, Tano Festa, Ernesto Treccani, Luciano Ventrone, Vasco Bendini, and Toti Scialoja . Also featured are: Martin Disler, Jiri Kolar, Eugenio Carmi, Giovanni Frangi, Paolo Troilo, Andrea Chiesi, and Sergia Avveduti, among many others. Lot 37 - Mario Rossello Behind the City, 1969 Estimate €800/1,000 DEADLINE: March 16, 2026 LOT. 43 - MINO MACCARI Faces, 1980-84 Estimate €800/1,000 DEADLINE: 17/3/2026 The portrait by Remigio Butera, which opens the catalogue, dates back to 1924. It is followed by works by historic artists such as Mario Rossello , whose work, Dietro la città , from 1969 (estimate €800-1,000), exhibited in 1973 in the Sala delle Cariatidi of the Palazzo Reale in Milan, is featured, as is Mino Maccari , whose work, Volti, from 1980-84, exhibited at the Castello Aragonese di Baia in Bacoli in 1985 (estimate €800-1,000). Also featured are Carlo Levi, Remo Brindisi, Emilio Greco, Bruno Cassinari, Pasquarosa Marcelli, and many others. Lot 31 - Giuseppe Spagnulo Head, ca. 1965 Estimate €1,000/1,500 DEADLINE: March 16, 2026 LOT. 65 - VASCO BENDINI Untitled, 1977 Estimate €3,500/4,000 DEADLINE: 17/3/2026 Among the most interesting lots: Cascata , a large oil on canvas measuring 200x150 cm from 2007 by Giovanni Frangi (estimate €4,000-6,000), an artist recently presented at a major exhibition at Palazzo Citterio in Milan, where he displayed his monumental work Nobu at Elba . Also on offer is the large acrylic on canvas (160x140 cm) by Paolo Troilo (estimate €3,000-4,000), another internationally renowned contemporary Italian artist, known for painting using only his fingers and whose hyperrealist works have been exhibited in galleries and museums in Italy and around the world, including at the 54th Venice Biennale in 2011. And then there is the watercolour and pencil on paper applied to canvas from the 1970s by one of the protagonists of the so-called Scuola di Piazza del Popolo: Franco Angeli (estimate €1,400/1,800) and the oil on panel by Paul Mansouroff (estimate €1,500/2,000), exhibited at the Royal Palace of Caserta in 1983. Lot 95 - Eugenio Carmi The Rebel Square, 2006 Estimate €700/1,000 DEADLINE: 18/3/2026 Lot 97 - Paul Troilo Untitled Estimate €3,000/4,000 DEADLINE: 18/3/2026 Two works are on display in the exhibition Materia e Gesto, tormento ed estasi dell'Informale italiano , curated by Boris Brollo and Gerardo Giulio De Simone and held at the MACA - Silvio Vigliaturo Civic Museum of Contemporary Art in 2008 (estimate €3,500/4,000): Gestualita' , a vinyl painting on cardboard from 1979 by Toti Scialoja (estimate €2,800/3,200), a key figure in post-war material and gestural abstraction, and the large oil on canvas from 1977 by Vasco Bendini (estimate €3,500/4,000), an exponent of an artistic path that often saw him as a forerunner of techniques and languages. Lot 69 - Martin Disler Untitled, 1973 Estimate €600/800 DEADLINE: 17/3/2026 Lot 155 - Dominic Samsworth VOC Helio, 2020 Estimate €2,500/3,000 DEADLINE: 20/3/2026 Also noteworthy are two "scrubbings" by Ladislas Kijno (estimate €400/600 and €300/400), two sculptures by Giuseppe Spagnulo (the sculpture Testa from around 1965 estimated €1,000/1,500 and the cardboard sculpture applied on cardboard from 1973 estimated €500/700), but also the vinyls on wood from the 1970s by Gianni Ruffi (estimate €700/1,000), the mixed technique on paper by Martin Disler from 1973 (estimate €600/800) and 3 works by Andrea Chiesi , including Viscera 45 from 2003, an ink and oil on canvas paper estimated €1,000/1,500. The catalogue is further enriched by works by Piero Ruggeri, Ernesto Treccani, Luciano Ventrone, Jiri Kolar, Eugenio Carmi, Sergia Avveduti and the more contemporary works by Antonella Mazzoni, Marina Bolmini (including two cross-stitch works on canvas from 1999, estimated at €200/300 each), Luca Pancrazzi, Lorenzo Scotto Di Luzio (including two pencils and charcoal on paper from 2001, estimated at €400/600 each), Hermann Fitzi, Catherine Biocca, Charlie Billingham, Nick Farhi and Dominic Samsworth . BROWSE THE CATALOGUE BROWSE THE CATALOG English version here ONLINE CATALOG ONLINE CATALOG OLD PAINTINGS, DRAWINGS AND 19TH CENTURY PAINTINGS OLD MASTER, DRAWINGS AND PAINTINGS OF THE 19TH CENTURY BROWSE THE CATALOGUE BROWSE THE CATALOG Lot 20 - Nicola Casissa Triumph of peonies and roses with a bird Estimate €6,000/7,000 DEADLINE: 17/3/2026 BATCH DEADLINE: MARCH 16-20 LOTS DEADLINE: MARCH 16th-20th PRESS RELEASE The catalogue for the new timed online auction of Old Master Paintings, Drawings, and 19th-Century Paintings is now online at www.blindarte.com , with deferred closing dates for lots between March 16th and 20th. The catalogue presents an interesting collection of old master paintings from the Italian school, including 18th-century Venetian School canvases depicting the biblical episode of Lot and his daughters (estimate €4,000-5,000), the Madonna and Child attributed to Paolo De Matteis (estimate €800-1,000), the Battle attributed to the Neapolitan painter Carlo Coppola (estimate €4,000-5,000), and the Triumph of Peonies and Roses by Nicola Casissa (estimate €6,000-7,000), which testify to the iconographic richness and pictorial quality of the 17th and 18th centuries. LOT. 1 - FLEMISH PAINTER, 18TH CENTURY Triumph of flowers within a classical sculpted vase Estimate €3,000/4,000 DEADLINE: March 16, 2026 LOT. 22 - NEAPOLITAN SCHOOL, 17TH CENTURY Saint Catherine of Siena Estimate €2,000/2,500 DEADLINE: 18/3/2026 Of particular interest is also a group of ancient drawings, including the ink and watercolour on paper depicting Diana and Actaeon by Alessandro Turchi , known as Orbetto (estimate €1,500/€2,000) and the study for a frieze by the French artist Jean Le Pautre (estimate €1,000/€1,500), which offer an intimate look at the creative process of the time. Lot 13 - Attributed to Carlo Coppola Battle Estimate €4,000/5,000 DEADLINE: 17/3/2026 LOT. 2 - NEAPOLITAN SCHOOL, 18TH CENTURY Pair of gouaches on paper Estimate €2,000/3,000 DEADLINE: March 16, 2026 The section dedicated to the 19th century includes works by masters such as the Venetian Giacomo Favretto with an intense Portrait of a Woman (estimate €2,000/2,500) and Francesco Paolo Michetti Procession (estimate €2,000/2,500), protagonists of the 19th-century Italian art scene, alongside works by Jean Philippe Moreno, Femmes Jouant Aux Echeces, Arrive d'une mariee dans un village d'Algerie (estimate €600/800), depicting evocative views of Algerian streets animated by female figures. LOT. 11 - LUCA GIORDANO'S WORKSHOP Isaac blesses Jacob Estimate €3,000/4,000 DEADLINE: 17/3/2026 LOT. 10 - VENETIAN SCHOOL, 18TH CENTURY The Angel Leads Lot and His Daughters Out of Sodom Estimate €4,000/5,000 DEADLINE: March 16, 2026 BROWSE THE CATALOGUE BROWSE THE CATALOG