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Thursday, July 25, 2019
Good time to show in Tempe Arizona, 51st Tempe Festival of the Arts December 6-8, 2019
Minneapolis Institute of Art, presents “Artists Respond: American Art and the Vietnam War, 1965–1975” September 9, 2019,- January 5, 2020
Minneapolis Institute of Art To Present Two Exhibitions Exploring the Impact of the Vietnam War Artists Reflect: Contemporary Views on the American War September 29, 2019–January 5, 2020 Organized by the Minneapolis Institute of Art Artists Respond: American Art and the Vietnam War, 1965–1975 September 29, 2019–January 5, 2020 Organized by the Smithsonian American Art Museum | |||
MINNEAPOLIS—July 25, 2019— To accompany “Artists Respond: American Art and the Vietnam War, 1965–1975”—the critically acclaimed exhibition organized by the Smithsonian American Art Museum (SAAM)—the Minneapolis Institute of Art (Mia) will present “Artists Reflect: Contemporary Views on the American War,” featuring works by Southeast Asian diaspora artists, who explore the impact and legacy of the conflict. Drawings, textiles, video, photography, and installation work by Tiffany Chung (b. 1969, Vietnam), Pao Houa Her (b. 1982, Laos), An-My Lê (b. 1960, Vietnam), Dinh Q. Lê (b. 1968, Vietnam), Hương Ngô (b. 1979, Hong Kong) and Hồng-An Trương (b. 1976, USA), Teo Nguyen (b. 1977, Vietnam), Tuan Andrew Nguyen (b. 1976, Vietnam), Pipo Nguyen-duy (b. 1962, Vietnam), Cy Thao (b. 1972, Laos), and Thi Bui (b. 1975, Vietnam) reflect on migration, memory, the effect of violence on the landscape and on communities, healing, and trauma, while bringing attention to the war’s living effects on the population most affected by its long history (predating and postdating U.S. involvement). “Artists Reflect” coincides with “Artists Respond”; both are on view in Target Galleries September 29, 2019, through January 5, 2020. The exhibition is organized by Robert Cozzolino, Patrick and Aimee Butler Curator of Paintings at the Minneapolis Institute of Art. “‘Artists Reflect’ picks up where the Smithsonian American Art Museum’s important exhibition ‘Artists Respond’ ends,” Cozzolino said. “It gives visitors the chance to see how the American War impacted artists whose families lived in Vietnam and Laos. Their artwork explores the ongoing legacy of the war on their communities. It examines migration, the lives of veterans, landscape as witness, and the way memory is passed down through generations. The artists offer a fascinating and emotionally complex perspective of the impact of this war.” Highlights of “Artists Reflect: Contemporary Views on the American War” include “The opposite of looking is not invisibility. The opposite of yellow is not gold” a collaboration between Hương Ngô and Hồng-An Trương exploring immigration and refugee experience through the lens of their family photographs; Pao Houa Her’s photographs honoring Hmong veterans of the American war; Tuan Andrew Nguyen’s memorial to Thích Quảng Đức, a Buddhist monk who in 1963 set himself on fire to protest the repressive South Vietnamese government; Thi Bui’s original drawings for her memoir The Best We Could Do and the children’s book A Different Pond; and Tiffany Chung’s large embroidered map tracing migration routes in the wake of the wars in Southeast Asia. | |||
“Artists Respond: American Art and the Vietnam War, 1965–1975,” curated by Melissa Ho, debuted at the Smithsonian American Art Museum in spring 2019. The exhibition presents art created amid the United States’ pitched conflict with Vietnam and on the home front as Americans bitterly fought over whether they should be involved in this war. The exhibition spans the period from President Lyndon B. Johnson’s fateful decision to deploy U.S. ground troops to South Vietnam in 1965 to the fall of Sài Gòn 10 years later. “Artists Respond” is the most comprehensive exhibition to examine the contemporary impact of the Vietnam War on American art. It brings together nearly 100 works by 58 of the most visionary and provocative artists of the period, including T. C. Cannon (1946–1978, USA), Judy Chicago (b. 1939, USA), Dan Flavin (1933–1996, USA), Leon Golub (1922–2004, USA), David Hammons (b. 1943, USA), Yayoi Kusama (b. 1929, Japan), Bruce Nauman (b. 1941, USA), Liliana Porter (b. 1941, Argentina), Claus Oldenburg (1929, Sweden), Yoko Ono (b. 1933, Japan), Faith Ringgold (b. 1930, USA), Martha Rosler (b. 1943, USA), Peter Saul (b. 1934, USA), Nancy Spero (1926–2009, USA), Jesse Treviño (b. 1946, Mexico), and others. Galvanized by the moral urgency of the Vietnam War, these artists reimagined the goals and uses of art, influencing developments in multiple movements and media: painting, sculpture, printmaking, performance, installation, documentary art, and conceptualism. This exhibition presents both well-known and rarely discussed works, and offers an expanded view of American art during the war, introducing a diversity of previously marginalized artistic voices, including women, African Americans, Latinos, and Asian Americans. The exhibition makes vivid an era in which artists endeavored to respond to the turbulent times and openly questioned issues central to American civic life. A 416-page catalogue accompanies “Artists Respond: American Art and the Vietnam War, 1965–1975.” Published by the Smithsonian American Art Museum in association with Princeton University Press, the hardcover book will be available for purchase at The Store at Mia for $65. Programming for the exhibition includes the following events:
· October 17: Third Thursday: Artists Respond invites visitors to connect and create with artist activists responding to relevant contemporary issues today. The free event will feature thought-provoking live performances, visual artwork, and art-making activities, as audiences discover the impact of creativity as a change-maker in today's world. All My Mia members will enjoy complimentary tickets to the exhibition during the event.
· September 28: Study Day: Artists & the Vietnam War will feature talks by prominent artists and leading scholars, as well as performances, small-group dialogues, and art activations. Featured speakers include curators Melissa Ho and Robert Cozzolino, scholar Karen Mary Davalos, and artists Martha Rosler, Peter Saul, Rupert Garcia, Jesse Trevino, Pao Her, Thi Bui, and Tiffany Chung. Conversations will explore experiences during 1965–75, pose critical questions about our current time, and reflect on the half-century that separates the two. This program is made possible by a grant from the National Endowment for the Arts. Tickets are $30, $20 for My Mia members, and $10 for members of Contemporary Art and Paintings Affinity Groups.
“Artists Respond: American Art and the Vietnam War, 1965–1975” is organized by the Smithsonian American Art Museum with generous support from Anonymous, the Diane and Norman Bernstein Foundation, Sheri and Joe Boulos, the Gene Davis Memorial Fund, Glenstone Foundation, Norbert Hornstein and Amy Weinberg, the Henry Luce Foundation, Nion McEvoy and Leslie Berriman, Cindy Miscikowski, Daniel C. and Teresa Moran Schwartz, the Smithsonian Scholarly Studies Awards, and the Terra Foundation for American Art. The exhibition was made possible at the Minneapolis Institute of Art thanks to lead sponsor Thomson Reuters. Major sponsors include the National Endowment for the Arts and the Boris Lurie Art Foundation. Additional generous support was provided by Nivin MacMillan, Richard and Jennie Carlson, Hubert Joly, John and Nancy Lindahl, Marianne Short and Raymond Skowyra, Jr., Page Knudsen Cowles and Jay Cowles, Shannon Evenstad, Alfred and Ingrid Lenz Harrison, Martha Head, Diane and David Lilly, Reid and Ann MacDonald, Sheila Morgan, Lewis and Connie Remele, Joan and John Rex, Katie Simpson, Laysha Ward and Bill Kiffmeyer, and donors to the 2019 Mia Gala.
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Wednesday, July 24, 2019
Catch the Seattle Art Fair, Fremin Gallery, August 1- 4 CenturyLink Field Event Center 1000 Occidental Avenue S Seattle
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Thursday, July 18, 2019
Love Your Poetery? Register for Saturday, 20th July, 2019 | 11:00 am - 2:00 pm Register, Found Poetry: Reclaiming Languages and Redefining Material
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July 25th 2019, Katie Merz Brings the Famous Murals to Planthouse House Art Gallery
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Wednesday, July 17, 2019
Morgan Lehman Gallery, Looks like Fun to me.! Extended through Friday July 26th
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The Shed Check out the Summer Exhibitions.
Summer Exhibitions and Open Call Commissioning Program for NYC-Based Emerging Artists Continue Through August 25; Cinta Amarilla, a New Documentary Film About Beatriz González, Begins Screening July 31

Beatriz Gonzáles, Auras Anonimas (2009). Photo: Laura Jimenez. Courtesy the artist and Casas Riegner.
Admission is free for these programs unless otherwise noted.
Collision/Coalition:
This summer, The Shed is presenting three distinct yet interrelated new commissions in an exhibition that explores social and cultural confrontations and alliances. From July 31 through August 25, Beatriz Gonzáles joins artists Tony Cokes and Oscar Murillo as the third commission in the exhibition as the subject of a new 20-minute documentary film, Cinta Amarilla, directed by Yanina Valdivieso and Vanessa Bergonzoli.
Cinta Amarilla:
Gonzalez’s monumental public work Auras Anonimas (2009), an installation of 8,957 tombstones in Bogotá’s Central Cemetery in tribute to those that died due to armed conflict in Colombia’s civil war, is the central focus of the film. Sourcing imagery from newspapers and other media, González created silhouettes of soldiers carrying bodies in sheets and makeshift hammocks, which were then painted on mausoleums. This important memorial to the victims of violence is under threat of being demolished by Bogotá’s city administration. Creating a “counter-monument” through public art, González explores the meaning of memory, memorials, and mourning. Cinta Amarilla, produced by Display None and co-produced by Catalina Casas, will screen daily (except Mondays) through August 25.
Tony Cokes’s two new, immersive works form a diptych titled Before and After the Studio (2019). These videos, projected onto large LED screens, investigate the historic and contemporary role artists' studios play in shaping artworks and creating communities, with a focus on the architecture of the studio and its social role, as well as wider themes of urban development in New York City.
Two new series of large-scale abstract paintings by Oscar Murrillo and drawings the artist creates while traveling are also featured in Collision/Coalition. Matte black canvases, soaked in black paint and burned with an iron, hang from the gallery ceiling on hooks like draped flags, dividing the gallery space between Murillo and Cokes’s works.
Jan Jelinek, August 24:
On August 24, in a special one-night-only performance beginning at 8:00 pm, German electronic musician Jan Jelinek will perform a pre-closing live set against Tony Cokes’s commissioned videos.
Jan Jelinek is a musician, producer, and remixer whose approach is about the transformation of sounds and devising a method for translating old Motown records or the excesses of funk into abstract, reduced electronics. Since 1998 he has been releasing records under a number of pseudonyms, including Gramm (pulsating minimal electronica) and Farben (soul records rearranged in subtle variations).
Open Call:
Open Call is The Shed’s commissioning and programming initiative for New York-based emerging artists across all disciplines, which launched in May with new works presented in The Griffin Theater, and continues through August 25 with a group exhibition in the Level 2 Gallery. Beginning Friday, August 9, the third group of commissions launches in The Shed’s open-air Plaza (configured when the moveable “shell” is nested over the base building) and runs through August 25. The presentation is scheduled as follows:
Friday, August 9: The Illustrious Blacks at 7:30 pm
Saturday, August 10: Maya Lee-Parritz at 6 pm; Salsa Masala at 8 pm
Sunday, August 11: Madeline Hollander at 7 pm
Thursday, August 15: Vicente Hansen Atria and Mat Muntz at 6 pm; Justin Allen at 8 pm
Friday, August 16: nicHi douglas at 5 pm; Prince Harvey at 7:30 pm
Saturday, August 17: Extrapolation Factory at 11:00 am; Level Up Showcase (Harold ‘Fyütch’ Simmons) at 4:30 pm; MIPSTERZ at 8 pm
Sunday, August 18: nicHi douglas at 7 pm
Saturday, August 24: It’s Showtime NYC! at 4:30 pm; Saint Abdullahat 7:30 pm
Sunday, August 25: Ebony Noelle Golden at 3:30 pm; Thanushka Yakupitiyage at 5:30 pm

Installation view: Open Call: Group 2, The Shed, New York, June 19 – August 25, 2019. Photo: Stan Narten. Courtesy the artists.
About The Shed:Located on Manhattan's west side, where the High Line meets Hudson Yards, The Shed commissions original works of art, across all disciplines, for all audiences. From hip hop to classical music, painting and sculpture to literature, film to theater and dance, The Shed brings together leading and emerging artists and thinkers from all disciplines under one roof. The building —a remarkable movable structure designed by Diller Scofidio + Renfro, Lead Architect, and Rockwell Group, Collaborating Architect—physically transforms to support artists' most ambitious ideas. Committed to nurturing artistic invention and bringing creative experiences to the broadest possible audiences, The Shed, led by Artistic Director and CEO Alex Poots, is a 21st-century space of and for New York City.
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