Wednesday, April 17, 2019

Please join us for the opening reception Friday April 19th from 6-8pm. Elenor Harwood Gallery see Tiffany Turner's work San Francisco


What Befell Us
Tiffanie Turner


Opening Reception: Friday, April 19th, 6-8pm
Show Runs: April 19th - June 15th, 2019
Tiffanie Turner
Specimen A (Strawflower) , 2019
Paper mâche, Italian crepe paper, glue, cardboard
36 x 36 x 11 inches
We are delighted to present What Befell Us, Bay Area artist and author, Tiffanie Turner's first Solo Exhibition at Eleanor Harwood Gallery. Turner's new body of large scale botanical sculpture explores our tolerance towards aging and imperfection, what we consider ugly, what we consider beautiful, and the high costs to our society and our natural environment chasing these pursuits.

Please join us for the opening reception Friday April 19th from 6-8pm.


About What Befell Us
What Befell Us is a new body of large-scale botanical sculpture created by Bay Area artist and author Tiffanie Turner. Her new work, the heads of seven giant flowers, is Turner’s continued meditation on our tolerance of aging and imperfection, on what we consider ugly and what we consider beautiful, and on the high cost of these pursuits on our society and the natural environment. 

Turner selects her floral specimens and the afflictions she would depict with them from a vast variety of flowers that appeal to her due to form, texture and color. She then pairs them with physical manifestations of imperfection, drawing from aging and deformities in plant life. The deteriorations evoke issues of climate change, from the effects of rising temperatures on pollen quality, drought, and damage to blossoms due to earlier and later frosts, all caused by rapid environmental shifts.

Turner turns to the personal infusing her worries about our looming global climate crisis with her own concerns about the value and perception of women’s faces and bodies as they age. The damaged goods of both aging women and flawed flowers ask the question “What Befell Us” at a personal and global scope. Turner’s investigations quite literally blow up the idea that damage is un-lovely. Her sculptures are undeniably exquisite, the products of intense labor, each head sculpted from hundreds (or thousands) of hand-shaped petals. 

She asks, “Why do we wrap our most perishable fruits and vegetables in packaging that will pollute the planet for thousands of years?” and “Why did I become invisible when I turned 40, and at what lengths would I go to to turn back time?”. She sees parallels between the absurd pursuits of our culture that destroys our environment, and the absurd expectations she feels as a woman in this world. She further inquires, “Why am I ashamed to be older?” and “Why do people find these distorted and decayed flowers lovely, but find dry and sun damaged skin (the result of a full childhood) unsightly? Could this ever change?”. 

The pieces in this exhibit depict what ugly, old, or abnormal would look like in the beautiful head of a flower. Some of the pieces are obviously decaying. Some are distorted by age and desiccation. One piece, a rose, arguably the planet’s sexiest flower, is sagging toward the floor, prolapsed as if its most private parts cannot be contained anymore. “Platinum Blonde”, a giant dahlia, is very irregular around the outer petals, as it grows in nature. It is vulgar in size, imperfect in silhouette, yet beautiful. The oddity of Turner’s approach is that the discoloration, the non-perfect becomes enchanting, arguing for an acceptance of expressions of age, wilts, and mutations in the flowers and our own bodies.
Artwork
Tiffanie Turner
Specimen G (Platinum Blond) , 2019
Paper mâche, Italian crepe paper, stain, glue, wire
66 x 66 x 18 inches
Tiffanie Turner
Specimen F (Ranunculus) , 2019
Paper mâche, Italian crepe paper, stain, glue
33 x 33 x 19 inches
Tiffanie Turner
Specimen D (Prolapsed Rose) , 2019
Paper mâche, Italian crepe paper, glue, cardboard
22 x 25 x 12.5 inches
About Tiffanie Turner
Tiffanie Turner was born in 1970 in Colonie, NY and raised in the woods of New Hampshire. She received her Bachelor of Architecture from Rensselaer Polytechnic Institute in 1995 and worked as an architect for over 15 years before beginning her career as a botanical sculptor. She received a Zellerbach Family Grant award in 2016 to support her work as the May 2016 artist-in residence at the de Young Museum located in San Francisco, where she has resided for over 20 years.

Turner has had solo exhibitions at the Kimball Gallery at the de Young Museum, Tower Hill Botanical Garden in Boylston, MA, and Rare Device in San Francisco. Recent group exhibitions include “Flower Power” at the Asian Art Museum in San Francisco, “Preternatural” at Jack Fischer Gallery in San Francisco, “Detritus” at San Jose Institute of Contemporary Art, and “Botanica” at Bedford Gallery in Walnut Creek, CA. She has been featured in Vogue, American Craft, O Magazine, LAB magazine, and the San Francisco Chronicle, and been noted online by Colossal, Squarespace presents HI-FRUCTOSE, My Modern Met, Design*Sponge, Elie Saab, and The Jealous Curator, among others.

Turner is an instructor in the art of paper flower making in the United States and beyond, and authored her first book, The Fine Art of Paper Flowers, which was released on Ten Speed Press on August 22, 2017.

Eleanor Harwood Gallery | +1 415 867 7770 | eleanor@eleanorharwood.com
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Thinking of a Place to show your Work? Red Back Art Festival Apply for October Now!!


Red Bank, NJ
The Garden State's own Greenwich Village
You are invited to share your talents and exhibit in the New Fabulous Red Bank Art Festival.
The Red Bank Art Festival is a juried fine art show located in one of the coolest towns in New Jersey. The event will be produced by American Art Marketing most notably the producers of the Berkshires Arts Festival, Art & Design Show SarasotaAmerican Fine Craft Show at Brooklyn Museum and the Art Festival at Rockefeller Center.
The show will feature the original work of 100 accomplished artists, live music as well as delicious local food & drink.




OPPORTUNITY
If you are looking for a new, fresh, marketing adventure to supplement your revenue stream and meet many new clients, this would be a solid choice. Friday afternoon set up and unload in front or near your booth.
Booth Fees
• 10 x 10 $388
• 10 x 15 $582
• 10 x 20 $776
• Corner +$125
Booths will be set up on asphalt & grass.

QUESTIONS?
Richard Rothbard, Show Director, 845.661.1221  richard@americanartmarketing.com
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In London? 25th April 2019 The House of Fine Art Gallery Catch Derrick Santini’s solo exhibition entitled ‘Time Forms Solid Space’

On the 25th April 2019 The House of Fine Art Gallery Derrick Santini’s solo exhibition entitled ‘Time Forms Solid Space’ 



Image
 Derrick Santini: Solid Space Form #1, Photographic Lenticular Framed (155 x 107 cm) Limited Edition of 3  

Santini will be unveiling a selection of new works concerned with the human condition, the choices we make, and the struggles we face. His work is a journey, an-ongoing fascination with the grey area, and what goes on in the ‘in-between’.
The new Solid Forms series portrays the alluring and sensual transition of smoke abstracted, which encompasses Santini’s fascination with fleeting observed realities, earlier examined in his water pieces. Inspired by his spirituality and Metaphysics, through this work he takes us right to the beginning of life itself - an essence of water and light and of our connection to nature.
His lenticular process layers a series of still images into one file before printing them on a textured sheet of plastic, creating a transition between the images. The final product acts as a response to the contemporary world’s desires to have more interaction, motion and speed.

Image
 Derrick Santini: KylePhotographic Lenticular Framed (155 x 107cm) Limited Edition of 3 

Santini says about his work “Film is the other medium I covert, the power of suggestion and universality of film is truly awesome, equaled only by the abstract and arresting beauty of a photograph. What brings these worlds together, spawning its own beguiling incarnation are lenticular’s. On one side I love the specific-ness of film but love equally, the abstractness of photography. The lenticular world encompasses both these dictums, and hence its growing fascination with me as a technique and medium to create and communicate with.”
He adds about the forthcoming exhibition, “They are a reflection of the world as we see it, a synthesis of film, fashion, art and photography. Undoubtedly playful, bold and provocative, the works represent the limbo of looking at the mirror and starring into the void in-between of split realities.”  
Time and evolution are a huge aspect of Santini’s practice, the works depict a fleeting quality of the contemporary meanwhile evoking a sense of familiarity through the traditional medium. The imagery reveals that things are not as they seem, and what is true one second, is not the next second. The lenticulars become a tool to engage the audience, and not only tell a story, but communicate with the audience on both a physical and psychological level.

About Derrick Santini
Derrick Santini (b. 1965 in North Yorkshire) is an established photographer and artist based in London. Satini regards his mages as slices of life, ‘moments in between’, as statements about the individual, and the whole, ultimately expressions of being human. Amongst notable collectors of Derrick Santini are the likes of Damien Hirst, Jemima Khan and Adele.
About House of Fine Art (HOFA)
In 2014 HOFA was founded in London by Elio D’Anna and Simonida Pavicevic, specialising in contemporary art, the gallery exclusively representing a portfolio of leading original works of art featuring a multitude of genres, including paintings, photography and sculptures, with a focus on unique, distinctive and rare artworks of appreciative value by internationally acclaimed artists (e.g. Zhuang Hong Yi, Marco Grassi, Ilhwa Kim and Camille Hannah).
HOFA consists of four international art galleries in London’s Pall Mall and Mayfair, Nammos Village in Mykonos and in LA’s West Hollywood.
In 2018 HOFA was the first art gallery in the world to make their entire collection available in cryptocurrency, and continues to offer all of its portfolio through cryptocurrency payments.
  

Emma- Louise O’Neill (Comms & Brand Collaborations Director)
HOFA Gallery, 58 Maddox Street, Mayfair, London, W1S 1AY
+44 7515 136909
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Monday, April 15, 2019

In Lyon, Galeria Henri Charter, April 16-May18, 2019

prise de vue, Group Show avril 2019  



GROUP SHOW
Marc Moret
Guillaume Treppoz
Lionel Sabatté
Stéphane Guénier
Jörg Gessner


16 avril - 18 mai 2019


Vous pourrez y découvrir une oeuvre monumentale de Stéphane Guénier (2005) venant de la collection Claude Berri, ainsi qu'un collage unique et rare de l'artiste suisse Marc Moret (collages que vous avez pu découvrir à La maison rouge en 2017, Inextricabilia).
Lionel Sabatté est aussi à l'honneur, suite à sa 1ère exposition personnelle à la galerie en 2017, plusieurs dessins et peinture sur papier de l'artiste sont exposés, à l'occasion du parcours qui lui est consacré à Lyon à l'Institut Franco-Chinois, au Musée Gadagne et à quelques pas de la galerie à la Fondation Bullukian - Qui sait combien de fleurs ont dû tomber (jusqu'au 21 juin 2019).

Une oeuvre exceptionnelle de l'artiste Guillaume Treppoz, Matière Cortex de 2007, que vous pourrez découvrir ou redécouvrir. Pour finir et suite au succès de l'exposition précédente de l'artiste Jörg Gessner quelques unes de ses plus oeuvres sont aussi à voir ou à revoir.
There is an opportunity to see a monumental work by Stéphane Guénier (2005) from the Claude Berri collection, as well as a unique and rare collage by Swiss artist Marc Moret (whose collages you may have seen at La Maison Rouge in the 2017 exhibition, Inextricabilia).
Lionel Sabatté is also featured. Following his first solo exhibition at the gallery in 2017, several of his drawings and paintings on paper are on display on an exhibition trail devoted to him in Lyon at the Institut Franco-Chinois, the Musée Gadagne and, just round the corner from the gallery, at the Bullukian Foundation –  Qui sait combien de fleurs ont dû tomber / (Who Knows how many Flowers had to Fall ?).
An exceptional work by artist Guillaume Treppoz, Matière Cortex, 2007, awaits you here in the gallery. And, finally, following the success of our last exhibition of works by Jörg Gessner, we have a few of his finest paintings here. These meditative works bear looking at over and over again.
traduction Jeremy Harrison



La galerie sera fermée du 23 au 27 avril inclus.
Galerie henri chartier
www.henrichartier.com
contact@henrichartier.com
+33 (0)670748092

3 rue Auguste Comte 69002 Lyon
mardi 14h-19h et mercredi au samedi 11h-19h
Métro et parking Bellecour
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Eco-art and artists on deisplay at Smith Colledge Museum

Mid-April / 2019




what's new what's next
upcoming programs

Public Talk
Re:Fuse
by Artist Aurora Robson

Tuesday, April 16 | 5 pm
Weinstein Auditorium
Wright Hall

Contemporary multi-media artist Aurora Robson, whose sculptures are featured in Plastic Entanglements, will discuss her art practice as well as her ongoing dedication to intercepting the waste stream. She will help illustrate the nature and complexity of the plastic pollution problem while offering a specific model for academic inquiry that takes place at the intersection of art and science.
 
Please Be Seated: Reserved Seating for current SCMA members
Reserve by April 15 scmamembers@smith.edu or 413.585.2777

Reducing our
Plastic Footprint:
Experiences from the European Union

Thursday, April 25 | 7 pm
Stoddard Auditorium

What lessons can we learn from the recent European Union plastic ban? How can we implement similar efforts in the U.S.? Giuliana Torta, Counsellor for Environment, Fisheries and Ocean policies at the E.U. Delegation to the U.S. in Washington DC will discuss the European plastic ban, compare the E.U. and U.S. political environments, and share strategies we can implement.

Sponsored by Connecticut River Conservancy |  
Open to all
Smith College Museum of Art
20 Elm Street at Bedford Terrace
Northampton, MA 01063
413 585 2760
Hours
Tuesday through Saturday 10-4
Thursday 10-8
Sunday 12-4
Second Friday of the month 10-8
Closed Mondays and major holidays
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Friday, April 12, 2019

Coming up April 25 -28th Art Market San Francisco,. Visit the Nancy Toomey Fine Art booth 303

Nancy Toomey Fine Art is pleased to participate in Art Market San Francisco. Enjoy a free VIP pass, compliments of the gallery, and visit us at booth 303. Preview the works here on Artsy.

Art Market San Francisco returns to Fort Mason Festival Pavilion this April 25 to 28 for the fair's anticipated ninth edition with 80 galleries from around the world featuring top modern and contemporary art. 

Download your complimentary VIP Pass here which provides entry for you beginning with the VIP Preview on Thursday evening, April 25, and includes admission to the fair all weekend long.



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Current Exhibition at Nancy Toomey Fine Art



Carole Silverstein, these languages of reverence, 2018, Acrylic Ink on Mylar, 48 x 36 Inches
Through May 18, 2019

View on: Artsy | 1stdibs

 

Carole Silverstein our mingling spirits Exhibition View at Nancy Toomey Fine Art

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1275 Minnesota Street, San Francisco
Tues-Fri 11am-5:30pm, Sat 11am-5pm

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