Friday, January 26, 2018

In the Tri-State area? Catch BARD FICTION PRIZE WINNER CARMEN MARIA MACHADO TO GIVE READING ON FEBRUARY 19

 
BARD FICTION PRIZE WINNER CARMEN MARIA MACHADO TO GIVE READING ON FEBRUARY 19

ANNANDALE-ON-HUDSON, N.Y.—Author Carmen Maria MachadoBard Fiction Prize winner and writer in residence at Bard College, will read from her work on Monday, February 19. Free and open to the public, the reading begins at 7 p.m. in the László Z. Bitó ’60 Auditorium in Bard’s Reem-Kayden Center. For more information call 845-758-7087.

Machado received the Bard Fiction Prize for her debut short story collection, Her Body and Other Parties (Graywolf Press, 2017) In the collection, long-listed for the 2017 National Book Award and a finalist for the Kirkus Prize, Machado shapes startling, genre-bending narratives that map the realities of women’s lives and the violence visited upon their bodies.

The Bard Fiction Prize committee writes: “The eight stories in Carmen Maria Machado’s Her Body and Other Parties range playfully from a brilliant riff on Scary Stories to Tell in the Dark to an apocalypse glimpsed incidentally through one woman’s sexual encounters to an obsessive exegesis of Law & Order: Special Victims Unit that balloons into a hallucinatory, epic tapestry.  Machado’s stories are bizarre, hilarious, sexy, and addictively entertaining while troubling, complex ideas about femininity, queerness, gender, and sexuality lurk around the corner of every sentence. This book is an oddball masterpiece.”

“I’m incredibly honored to receive the Bard Fiction Prize, the former winners of which I’ve long admired,” says Machado.

Carmen Maria Machado is a fiction writer, critic, and essayist whose work has appeared in the New YorkerGrantaTin HouseGuernicaElectric LiteratureNPR Books, and elsewhere. Her stories have been reprinted in Best American Science Fiction & FantasyBest Horror of the YearYear’s Best Weird Fiction, and Best Women’s Erotica. Her memoir, House in Indiana, is forthcoming in 2019 from Graywolf Press.

She holds an M.F.A. from the Iowa Writers’ Workshop and has been awarded fellowships and residencies from the Michener-Copernicus Foundation, Elizabeth George Foundation, CINTAS Foundation, Speculative Literature Foundation, Clarion Science Fiction and Fantasy Writers’ Workshop, University of Iowa, Yaddo Corporation, Hedgebrook, and the Millay Colony for the Arts. She is an artist in residence at the University of Pennsylvania, and lives in Philadelphia with her wife.

The creation of the Bard Fiction Prize, presented each October since 2001, continues Bard’s long-standing position as a center for creative, groundbreaking literary work by both faculty and students. From Saul Bellow, William Gaddis, Mary McCarthy, and Ralph Ellison to John Ashbery, Philip Roth, William Weaver, and Chinua Achebe, Bard’s literature faculty, past and present, represents some of the most important writers of our time. The prize is intended to encourage and support young writers of fiction, and provide them with an opportunity to work in a fertile intellectual environment. Last year’s Bard Fiction Prize was awarded to Karan Mahajan for his novel The Association of Small Bombs (Viking, 2016).


ABOUT THE BARD FICTION PRIZE
The Bard Fiction Prize is awarded to a promising emerging writer who is an American citizen aged 39 years or younger at the time of application. In addition to a $30,000 cash award, the winner receives an appointment as writer in residence at Bard College for one semester, without the expectation that he or she teach traditional courses. The recipient gives at least one public lecture and meets informally with students. To apply, candidates should write a cover letter explaining the project they plan to work on while at Bard and submit a CV, along with three copies of the published book they feel best represents their work. No manuscripts will be accepted. Applications for the 2019 prize must be received by June 15, 2018. For information about the Bard Fiction Prize, call 845-758-7087, send an e-mail to bfp@bard.edu, or visit bard.edu/bfp. Applicants may also request information by writing to: Bard Fiction Prize, Bard College, Annandale-on-Hudson, NY 12504-5000.
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Kenise Barns "Because Art is Essential" , sounds good to me!!!

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K E N I S E  B A R N E S  F I N E  A R T
1947 PALMER AVENUE, LARCHMONT, NEW YORK
Because
Art is Essential. 
Josette Urso, Cameo, 2017 oil on canvas, 48 x 36 inches, $6500.
We have in more than 4000 works of art in our extensive 1200 lower-level warehouse.
 In addition, our flat files house hundreds of unframed work on paper.  

 
We would love to help you find just the right piece for your collection. 
WEBSITE
Hours:
Tuesday - Saturday 10:00 - 5:30
and by appointment in the evening


914 834 8077
Kenise@kbfa.com   Lani@kbfa.com  Avery@kbfa.com

 
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Thursday, January 25, 2018

Oil Painting Lessons with Doug Reina


Oil Painting Lessons with Doug Reina

Recently I have been asked if I could offer an oil painting class for beginners, as well as an additional class for intermediate students at my studio on Main Street in Setauket.
Since my Tuesday class is currently full, I am looking to add classes for eitherWednesday or Thursday morning, starting at 10:00 a.m.
The Beginner's class will teach the student the fundamentals of oil painting and also provide instruction on how to go about painting the subject before them.
The Intermediate class is for the student who has experience working with oils but wants to expand their creative approach in making their own unique work.
Both classes involve working in the studio, as well as painting outdoors. There are also times when the class will hire a model to work with.
If you're interested in taking either one of these classes please let me know soon as space is limited - once I have a few more students enrolled, we can get a class started.
Classes are for 3 hours and cost $60 each or $225 for 4 sessions. (materials are not included)
If you'd like to sign up or have questions, You can email me at art@dougreina.comor call me at 631 664 1339.


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Kirk Maxson and Tiffanie Turner/ Panel Discussion at the Elenor Harwood Gallery, February 3rd, 2018 6:00-7:00 pm



     


 
Kirk Maxson and Tiffanie Turner
Panel Discussion:
 Using Representational Botanical Sculpture to Address Conceptual Ideas



Greetings! 

We are pleased to announce a panel with gallery artists Kirk Maxson and Tiffanie Turner about their art and practice. Both will address questions regarding their individual artistic process as well as the conceptual issues behind their work. Through the exploration of the seductive realistic forms of botanicals, Maxson gets at larger themes of invasive species as a metaphor for colonialism and personal histories. Turner, using similar botanical forms, explores the aging female body and the beauty in age and decay. 

About the Artists


Kirk Maxson
Born 1967, Eugene, OR
Lives and works in San Francisco

Kirk Maxson moved to San Francisco in 1992 and participated in the San Francisco Mission School art scene. He exhibited artwork in the seminal exhibition spaces of Adobe Books backroom gallery, Ascena, and ESP during the height of the Mission School.

Subsequently he has created multiple permanent site-specific installation for corporate collections including ClimateWorks Foundation, San Francisco, CA, Kilroy Realty Corporation, Bellevue, WA, UBM, San Francisco, CA, Genentech Inc., South San Francisco, CA, Morgan Stanley Corporate Collection, The University of Texas Southwestern Medical Center Collection, Avant Corporate Collection, Menlo Park, CA and Fresh Connection Corporation, Lafayette, CA, and recently created numerous wearable artworks for the Victoria's Secret Fashion show in Shanghai.

He is also working towards his first inclusion in a museum exhibition, "In the Garden" at the Shelburne Museum in Vermont slated for March 2018.

He has also created many installations for private residences. He is represented by Eleanor Harwood Gallery, San Francisco, and has previously worked with Eli Ridgeway Gallery and the Gensler Architecture firm in San Francisco. 

Be sure to check out Maxson's current show with Eleanor Harwood Gallery, Black Elk Speaks open until February 24th on the website and on Artsy.


Black Elk Speaks, 
 installation image
Bury My Heart at Wounded Knee, detail, 2017
Varnished Brass
As Long as Grass Grows and Water Runs, 2017
Aluminum, wax




Tiffanie Turner

Born in 1970 in Colonie, NY and raised in the woods of New Hampshire. 
Lives and works in San Francisco.

Turner received her Bachelor of Architecture from Rensselaer Polytechnic Institute in 1995 and worked as an architect for over 15 years before beginning her career as a botanical sculptor. She received a Zellerbach Family Grant award in 2016 to support her work as the May 2016 artist-in residence at the de Young Museum located in San Francisco, where she has resided for over 20 years.

Turner has had solo exhibitions at the Kimball Gallery at the de Young Museum, Tower Hill Botanical Garden in Boylston, MA, and Rare Device in San Francisco. Recent group exhibitions include "Flower Power" at the Asian Art Museum in San Francisco, "Preternatural" at Jack Fischer Gallery in San Francisco, "Detritus" at San Jose Institute of Contemporary Art, and "Botanica" at Bedford Gallery in Walnut Creek, CA. She has been featured in Vogue, American Craft, O Magazine, LAB magazine, and the San Francisco Chronicle, and been noted online by Colossal, Squarespace presents HI-FRUCTOSE, My Modern Met, Design*Sponge, Elie Saab, and The Jealous Curator, among others.

Turner is an instructor in the art of paper flower making in the United States and beyond, and her first book, The Fine Art of Paper Flowers, was published in 2017. She is looking forward to her first solo exhibition with Eleanor Harwood Gallery at Minnesota Street Project in San Francisco in January 2019.
Cremon Mum, 2016
Paper mâché and Italian crepe paper
Cabbage Rose, detail, 2017
Paper mâché and Italian crepe paper
Chrysantemum (The Wilt), 2017
Paper mâché, stain (coffee/stain made from brown paper) and Italian crepe paper
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Tuesday, January 23, 2018

Gerald Peters Gallery is pleased to announce Harvey Dinnerstein's New York. February 16th-March 16th


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Pérez Art Museum Miami Celebrates Fifth Anniversary of the PAMM Fund for African American Art

  
Pérez Art Museum Miami Celebrates 
Fifth Anniversary of the PAMM Fund for African American Art

Tickets on Sale Now for Art + Soul Celebration
Saturday, February 17, 2018 
      
LEFT: Kevin Beasley, Untitled (parade), 2016. Collection Pérez Art Museum Miami, museum purchase with funds provided by Jorge M. Pérez and the John S. and James L. Knight Foundation, and PAMM Ambassadors for African American Art. Photo: Oriol Tarridas. RIGHT: Reception for the PAMM Fund for African American Art. Photo: WorldRedEye.com.

MIAMI – January 23, 2018 – On February 17, 2018, Pérez Art Museum Miami (PAMM) will welcome arts supporters and the PAMM Ambassadors for African American Art to the museum for Art + Soul, an evening celebrating the fifth anniversary of the PAMM Fund for African American Art (http://pamm.org/calendar/2017/10/art-soul-fifth-anniversary-celebration-pamm-fund-african-american-art). 
This event also marks the one-year anniversary since the John S. and James L. Knight Foundation provided a matching grant challenge that doubles donors’ gifts and ensures that works by African American artists will always be represented in the museum’s permanent collection.

“We are proud to be a museum with a collection that is reflective of our diverse Miami community,” said PAMM Director Franklin Sirmans. “Through the Fund and this annual event, we are able to continue to shape the institution’s collection of contemporary African American art and support its growth for generations to come.”

This year’s celebration will unveil the fund’s most recent acquisition, a new painting by Tschabalala Self, and will offer special evening programs in three parts. Knight Foundation will match dollar to dollar all of the proceeds generated by the event to help support the fund.

The Dinner | cocktails 7pm, dinner 8pm: The evening will begin with an intimate cocktail hour and seated dinner in Paresky Hall, with introductory remarks made by ABC Local 10 Anchor and Reporter Neki Mohan. Dinner guests will also have access to the Reveal and the Celebration. Tickets: $1,000 per person.

The Reveal | 9-10pm: The celebration will continue with a reveal of the fund’s most recent acquisition in the presence of the artist Tschabalala Self, with remarks by artist and scholar David C. Driskell. Guests will also enjoy entertainment, champagne, and dessert. Guests of the Reveal will also have access to the Celebration. Tickets: $500 for non-members (includes Ambassador membership) and $250 for Ambassador members.

The Celebration | 9pm-midnight: The festivities will conclude under the stars on the East Portico with cocktails, canapés, and dancing. Tickets: $100 per person ($50 tickets are also available on limited capacity).

The PAMM Fund for African American Art was established in 2013 with a $1 million donation, funded equally by Jorge M. Pérez and the John S. and James L. Knight Foundation, for the purchase of contemporary art by African American artists for the museum’s permanent collection. Through the Fund, the museum first acquired works by Al Loving, Faith Ringgold, and Xaviera Simmons, which joined other significant pieces in the museum’s collection by African American artists such as Leonardo Drew, Sam Gilliam, Rashid Johnson, Lorna Simpson, James Van Der Zee, Carrie Mae Weems, Kehinde Wiley, and Purvis Young. At the last Annual Reception for the PAMM Fund for African American Art, the museum acquired works by Kevin Beasley, Theaster Gates, Sam Gilliam, Martine Syms, and Juana Valdes.

Art + Soul Committee
Deryl McKissack, chairperson; Florence and Sheldon Anderson; Suzanne and Chris Armstrong; Julia Brown; Barron Channer; Mireille Chancy and Tomas Gonzalez; Curb Gardner; Rosie Gordon-Wallace; Carole and Ira Hall; Debi and Larry Hoffman; Marilyn Holifield; Jumaane N’Namdi; Nedra and Mark Oren; Darlene and Jorge M. Pérez; Dorothy and Aaron Podhurst; Toni and Carl Randolph; and Dorothy Terrell.

For event and ticketing information, please visit pamm.org/fifthartsoul.

For more information about the PAMM Fund for African American Art, or to join the PAMM Ambassadors for African American Art, visit pamm.org/artfund.

About PAMM
Pérez Art Museum Miami (PAMM) promotes artistic expression and the exchange of ideas, advancing public knowledge and appreciation of art, architecture and design, and reflecting the diverse community of its pivotal geographic location at the crossroads of the Americas. A nearly 35-year-old South Florida institution formerly known as Miami Art Museum (MAM), Pérez Art Museum Miami opened a new building, designed by world-renowned architects Herzog & de Meuron, in Downtown Miami’s Museum Park on December 4, 2013. The facility and is a state-of-the-art model for sustainable museum design and progressive programming and features 200,000 square feet of indoor and outdoor program space with flexible galleries; shaded outdoor verandas; a waterfront restaurant and bar; a museum shop; and an education center with a library, media lab and classroom spaces. For more information, please visit www.pamm.org. Find us on Facebook (facebook.com/perezartmuseummiami), or follow us on Twitter/Instagram (@pamm).

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