Wednesday, February 27, 2013

Pamela J. Wallace,Industrial Weeds


Pamela J. Wallace
Industrial Weeds


On Thursday, February 28th, there will be a solo exhibition of new work by Pamela J. Wallace.  The work will be on display through March 24th with a reception for the artist on Saturday, March 2nd from 6:00 until 8:00 p.m.



My work evolves from my observation of organizational systems and from a need to make objects with my hands. I look at things like musical instruments, trays of parts in an assembly line, specimens in a natural history museum, or plant life and vegetation. In addition to this I seek out obsolete industrial structures and look at the way nature re-asserts itself with rough weeds growing through cracks in concrete, and the rust and decay of time.   
Working with a continuum of objects, I create systems of patterns that are often mapped out like constellations. Shapes and objects are distributed throughout my work to mimic non-linear geometries where order comes and goes and the smallest detail is essential. I combine organic ephemeral materials like paper, thread, fabric and wax with hard durable industrial materials such as iron and concrete. Concerned with the smallest connections I show evidence of my own hand in a pencil mark or a stray cut, as a record of actions taken to make my forms. Close inspection reveals unexpected details such as iron spoon forms capturing empty space, plant fibers encased in sewn plastic bags, or circles held tight to the wall by the tips of pins.
            Pamela J. Wallace
            2013


Gallery hours are Thursday through Monday, 11:00 till 5:00 p.m.  For further information about the gallery, the artists and upcoming exhibitions, visit
or contact John Davis directly at 518.828.5907 or via e-mail: art@johndavisgallery.com.

CONNERSMITH. at The Armory Show March 6-10, FOCUS USA


logo_ennouncement2_0.jpg

network_crop0_1.jpg
Lincoln Schatz, The Network. 2012, pigment print, 25 x 40, ed: 7
THE
ARMORY SHOW

March 7-10, 2013
New York, NY

Pier 94, booth 902

> Focus: USA
LINCOLN SCHATZ: The Network
digital portraits, American Innovators

to preview: CLICK HERE

:::::::::::::::::::::::

> Armory: FILM
JANET BIGGS
Sunday, March 10th: 5-6:30pm
screening: "Fade to White" with
NYC premier of "A Step on the Sun"

to preview: CLICK HERE


CONNERSMITH.
1358 Florida Ave. NE
Washington, DC 20002
v: 202-588-8750
info@connersmith.us.com
www.connersmith.us.com

  Join us on Facebook


THE ARMORY SHOW 
March 7-10, Pier 94, New York, NY

Focus USA ::::: LINCOLN SCHATZ: The Network ::::: booth 902

to preview: CLICK HERE

CONNERSMITH is very pleased to present a solo exhibition of Lincoln Schatz’s ”The Network” at The Armory Show 2013, FOCUS USA, curated by Eric Shiner. Innovative and uniquely American, “The Network” presents a composite portrait of power and innovation in Washington, DC through generative digital art and photographs.

Using three video cameras, Schatz recorded his interviews with 89 policy makers and cultural operatives to create a ever-changing digital conversation. Drawing inspiration from Richard Avedon’s political portrait photographs, Schatz updates an art historical continuum that began with Raphael’s sixteenth-century painting of Baldassare Castiglione as an eloquent embodiment of the Urbino court. Schatz blends artistry with technology, surpassing the Renaissance ideal of portraiture as a “speaking likeness” by giving full expression to the individual stories of his high profile sitters, who include Steve Case, Vernon Jordon, Rocco Landesman, Sandra Day O’Connor, Nancy Pelosi, John Podesta, and Eric Cantor.

After translating the raw video footage into analog format, the artist wrote digital code that accesses meta-tagged topics in all 89 interviews so as to present constantly changing sequences of sitters and concepts. Transitioning seamlessly from one speaker to another, the work continually generates a provocative nexus of contemporary ideas. In the gallery installation, Schatz brings the original context of these performative conversations to life, creating an immersive experience for his audience, whose personal perspectives will generate new relational meanings of the art.

“The Network “ is in the permanent collection of the National Portrait Gallery, Smithsonian Institution, Washington, DC.

::::::::::::::::::::::::::::::

Armory Film: Janet Biggs
Sunday, March 10th: 5-6:30pm

screening: "Fade to White" with NYC premier of "A Step on the Sun"

to preview: CLICK HERE

These two films by Janet Biggs were shot in near opposite, yet equally inhospitable, locations: the frozen wasteland of the Arctic Circle and the hellish sulfur mine deep inside an active volcano in Indonesia. Fade to White was shot while Biggs was traveling aboard an ice-class, 2-masted schooner, built in 1910, and focuses on a crew member as he navigated the ship through iceberg -filled seas, and paddled a kayak past glacier walls and polar bears. In A Step On the Sun, the artist focuses on hardships overcome by a sulfur miner in the Ijen volcano. Amid clouds of toxic sulfur dioxide gas, he carries heavy loads up a steep, rocky path from the crater floor to the rim, then to a distant weigh-station. curated by Moving-Image.

For further information: info@connersmith.us.com or 202 588 8750

The Armory Show 2012 Time Lapse Video

The Armory Show 2012 Time Lapse Video

Opening March 28th - Judith Belzer: Edgelands/THE STUDY: Bret Slater



Morgan Lehman Logo  




Judith Belzer
Judith Belzer, Edgelands #30 (2013), Oil On Canvas, 56h x 56w in

Judith Belzer

(Left) Judith Belzer, Edgelands #12 (2012) Oil On Canvas, 10h x 10w in 

(Right)  Edgelands #13 (2012) Oil On Canvas, 10h x 10w in

Judith Belzer
Judith Belzer, Edgelands #8 (2012) Oil On Canvas, 40h x 40w in


JUDITH BELZER 
EDGELANDS
Morgan Lehman is pleased to present Edgelands, Judith Belzer's second solo exhibition with the gallery. The exhibition opens on March 28th, with a reception for the artist from 6-8pm, and will be on view through April 27th.

In a statement about the work, Belzer writes:

My new paintings explore the complex relationships between nature and culture through the lens of the landscapes we have created. The current series investigates the edge lands where the built environment and the natural landscape converge, clash and interlace. The engagements that occur along these boundaries are dynamic, unpredictable and sometimes chaotic. Using a broad painting language of mark-making and a kind of bent, vertiginous perspective (often from an overhead angle), the paintings evoke a visceral sense of what it feels like to live in a landscape in the process of being transformed by our own industriousness.

Working in the San Francisco Bay Area, Belzer makes good use of what she sees everyday: a fabricated landscape built into, upon and around a natural one. The paintings reflect the tension of this relationship and the uncertainty we feel about the industrial conquest of the natural landscape. As in Belzer's last series, where she examined the patterning of wood and its grain up close, Edgelands explores our relationship with nature through a calculated abstraction. Pulling in and out of focus, Belzer simultaneously offers a flattened study of cellular patterns and a volumetric aerial view of developed and activated terrain. The resulting landscapes are at once dystopic and thrilling in their energy and movement.

Judith Belzer studied painting at the New York Studio School. Her work has been exhibited widely across the country including solo exhibitions at George Lawson Gallery (San Francisco and Culver City), Valerie Carberry Gallery (Chicago), dosa 818 (Los Angeles) and the Sonoma County Museum. Originally from Chicago, Belzer currently lives in Berkeley, California.

This spring, concurrent with the gallery exhibition, Belzer's work will be included in two museum group shows in New York: Against the Grain at the Museum of Arts and Design and Drawn to Nature at Wave Hill.

For more information, please visit morganlehmangallery.com, or contact the gallery at 212.268.6699.



The Study @ logo





Bret Slater  
Bret Slater, Black Soap (2013) Acrylic on Linen, 7.25h x 5.5w x 1.25d in

BRET SLATER
Artist statement:

I see each painting as an inanimate being with a living soul. In the way that a painting is literally a time-capsule, my paintings embody not only completeness in their individuality but literally in the process of their making encapsulate souls of their own. My work is simple but nuanced, sophisticated as well as clumsy.

Bret Slater's work has been exhibited internationally, including solo exhibitions at Thomas Robertello Gallery (Chicago), Marty Walker Gallery (Dallas), and Elaine Levy Project (Brussels). His work has been featured in Modern Painters and New American Paintings, and is part of significant private and public collections, including the Indianapolis Museum of Art and the Dallas Museum of Art. He currently lives and works in Dallas, TX. 



Current Exhibitions:
February 21 - March 23, 2013
  
Upcoming Exhibitions:
March 28 - April 27, 2013
  
March 7 - 10, 2013
Booth 532 | Pier 94 | New York City
Morgan Lehman Logo
535 West 22nd Street
New York, NY 10011

phone: 212.268.6699 fax: 212.268.6766


The Armory Party




































Annually, the Museum of Modern Art hosts The Armory Party, a benefit event with live music and DJs celebrating the opening of The Armory Show. The evening reception, along with the daytime Early Access Preview at The Armory Show, benefits exhibition programming for The Museum of Modern Art and MoMA PS1.
On March 6, 2013, the acclaimed musician Solange will perform live at The Armory Party in MoMA's Agnes Gund Garden Lobby.
VIP Access: 8:00PM–12:00AM
General Admission: 9:00PM–12:00AM
featuring a special musical performance
If you have further questions, please contact the Department of Special Programming and Events at (212) 708-9680 or e-mail specialevents@moma.org.
Tickets available here.
The Armory Show
7 West 34th Street, Suite 1027
New York, NY 10001

Call to Artists - Hinsdale Fine Arts Festival


Hinsdale Fine Arts Festival 


Call to Artists

WHAT: 40th Annual Hinsdale Fine Arts Festival  

WHERE: Burlington Park, Downtown Hinsdale, IL  
     

WHEN:    June 8 & 9, 2013
              Saturday & Sunday, 10:00 a.m. - 5:00 p.m.

A jewel in the western suburbs of Chicago!Located in the heart of historic downtown Hinsdale, the Hinsdale Fine Arts Festival has been a cherished tradition for over 39 years. The show hosts 130 artists throughout the shady trees of Burlington Park. Returning artists treasure Hinsdale's dynamically upscale neighborhood, along with a high class shopping district just south of the park.  Hinsdale's show, year after year, is a favorite for the art elite of Chicago. 

           


NOW ACCEPTING APPLICATIONS:  
Applications available at: www.hinsdalechamber.com 

Deadline: Postmarked March 9, 2013

Application Fee: $30.00

Booth Fee: $250.00

Notification: April 30, 2013

Email questions to: info@hinsdalechamber.com
Or call630-323-3952

Saturday, February 16, 2013

2/17/13 SALON EXHIBITION / Art Sale Closing Reception to Benefit the Museum of Russian Art (MoRA)






MoRA Logo Text

INVITES YOU TO
THE CLOSING RECEPTION OF
SALON EXHIBITION and ART SALE
 
for the Benefit of the Museum of Russian Art (MORA)

 Art Sale Entrance



Sunday, February 17, 2013, from 3 p.m. to 7 p.m.
The doors open at 12:00 Noon!

ARTWORKS WILL BE ON VIEW
daily (except Monday) through Sunday, February 17, 2013, 
4 p.m. - 7 p.m.


High-quality art priced to sell
 all works priced from $50 to $500

MORA/Museum of Russian Art
 80 Grand St. Jersey City, NJ 07302
(near Exchange Place Path train Subway station)
For directions, click here.

For additional information email: aonthehudson@gmail.com or call: 201-451-4862