Thursday, November 7, 2013

Bread & Puppet

BREAD & PUPPET 
Bread & Puppet Shatterer

[scene from 
The Shatterer of Worlds; photo by Mark Dannenhauer]

The Shatterer of Worlds
(chapel with naturalization services for
applicants requesting
citizenship in the shattered world)


November 7 through 24, 2013
presented in conjunction with
The Center at West Park
 

"From the beginning, even in New York,
we have said 'Let's not have a theater
that is dependent on private or government money.'"

(Peter Schumann, founder of Bread & Puppet Theater,
NPR interview with Jon Kalish, 8/24/13)

(New York, NY 10024) 
Bread & Puppet Theater: The Shatterer of Worlds. Presented in conjunction with The Center at West Park. Performances and Cheap Art Sale from November 7 through 24, 2013. Week one: Thurs.-Sun., 8:00 pm: $18 general admission, $15 for students/seniors/groups of 6 & more. Weeks two & three: Wed., 8:00 pm: $15 general admission all tickets; Thurs.-Sun., 8:00 pm: $18 general admission, $15 for students/seniors/groups of 6 & more. Tickets for the performances available for purchase [cash or check only] in the West Park Presbyterian Church one hour before each performance. For advance tickets, visit www.breadandpuppet.org or call 866-811-4111 (toll free). West Park Presbyterian Church, 165 West 86th St. (corner of Amsterdam), NYC. For further information, call West Park Presbyterian Church at 212-362-4890 or visit www.westparkpresbyterian.org and www.thecenteratwestpark.org.

As part of a world-wide birthday celebration of "50 years of sublime arsekicking puppetry," the award-winning Bread & Puppet Theater from Vermont’s Northeast Kingdom presents their 
The Shatterer of Worlds (chapel with naturalization services for applicants requesting citizenship in the shattered world), a political puppet performance enveloping audience and performers alike within the sanctuary of the West Park Presbyterian Church.

The Shatterer of Worlds 
intent, as described by Bread & Puppet's founder and artistic director Peter Schumann:
"At the moment when the first atomic bomb was dropped, Oppenheimer, the chief architect of that bomb, recalled words from the Bhagavad Gita, the Hindu prayer epic: 'Life, the splendor of 1000 suns blazing all at once, resembling the exulted soul, is become Death, the shatterer of worlds.' In view of the latest failed earth summit and faced with the likelihood of multiple planetary shatterings, this sentence is reproduced by the Paper Mac
héAuthorities in the Cathedral of Impermanence for your enlightenment and as a reminder of our possible predicament."
Schumann then further elaborates:
"The overt extrajudicial capabilities of the society system allow the shatterer of worlds to function legally to cultivate destructions so minute and gigantic, the eye cannot perceive and the mind cannot behold them. No politician, no hazardous substance, but a well-established tradition and demon strengthened by endless practices of devastation, the shatterer continues to plot the assassination of existence-as-it-is, while disguising his activities as benevolent maneuvers meant to cure the two ailing adversaries: the planet and humanity. By imitating the miraculous blossoming of the evening primrose, the chapel manages to reverse the original statement: Death, the shatterer of worlds, becomes Life, the splendor of 1000 suns blazing all at once, resembling the exulted soul."
".... as Bread and Puppet fans know, 
distilling political protest into art 
is a kind of magic."

("Bread and Puppet: Hidden soul of the 60's" editorial,
The Boston Globe, Sept. 13, 2013)
In honor of Bread & Puppet's 50 years of producing in-earnest socio-political puppetry, the following events are also being scheduled throughout NYC in conjunction with The Shatterer of Worlds performances in West Park Presbyterian Church. These events can also be found specifically at http://breadandpuppet.org/november-in-new-york-city-special-50th-anniversary-events-dont-miss-it:

The Queens Museum presents: Peter Schumann: The Shatterer, the first solo museum exhibition of Bread and Puppet founder and director Peter Schumann, will open in Fall 2013 at the Queens Museum as part of the first season in its newly expanded galleries. On view from November 9th, 2013–March 2014. Curated by Jonathan Berger and organized for the Queens Museum by Larissa Harris. Opening Reception Monday, November 11th from 6:00-8:00 pm, with fiddle lecture performed by Peter Schumann in the exhibition's "Paper Mache Chapel." Queens Museum, Flushing Meadows Corona Park, Queens, NY 11368. Queens Museum hours: Wednesday-Sunday from 12:00-6:00 pm. Admission: Suggested donation. For more info call: 718-592-9700 or visit www.queensmuseum.org.

Printed Matter presents: NOTHING IS NOT READY: Artists’ Books and Pamphlets by Peter Schumann and the Bread and Puppet Press 1963 – 2013. On view from November 2nd–30th, 2013. Curated by Max Schumann. Opening Reception Saturday, November 2nd, 5:00-7:00 pm, with fiddle lecture performed by Peter Schumann. Printed Matter, 195 10th Ave., NY, NY 10011. Hours: Thursday and Friday from 11:00 pm-8:00 pmSaturday-Wednesday from 11:00 am-7:00 pm. Admission: FREE. For more info call: 212-925-0325 or visit www.printedmatter.org.

Anthology Film Archives presents: Bread & Puppet Theater at 50 Film ProgramTuesday, November 19th, 7:30 pm. Curated by Adam Schutzman. A program including experimental films by Deedee Halleck & George Griffin, Lowell Naeve, and Jules Rabin which feature Bread & Puppet, along with the premiere of a number of recently unearthed archival films from the early days of the theater in NYC and beyond. The event will include live commentary by Peter Schumann, short skits performed by Bread & Puppet, and a brass band to celebrate the 50th anniversary of the theater company. Admission: $10, with all proceeds to support the Bread & Puppet Theater's ongoing preservation of its archives. Anthology Film Archives, 32 Second Ave., NY, NY 10003. For more info call: 212-505-5181 or visit www.anthologyfilmarchives.org.

BRIEF BACKGROUND ON BREAD & PUPPET THEATER


Bread & Puppet Theater
 is one of the oldest and most unique theatrical companies in the United States. The theater champions a visually rich slapstick style of street-theater that is filled with huge puppets made of paper maché and cardboard, combined with masked characters, improvisational dance movement, political commentary, and a lively brass band for accompaniment. The company’s performances are described by The New York Times as "a spectacle for the heart and soul."

Bread & Puppet is based on a large farm in Vermont's Northeast Kingdom. It was founded by Peter Schumann, German born artist-dancer, in 1963, and for the next decade his giant puppets figured prominently in anti-Vietnam War demonstrations in New York City, Washington DC and other cities in the US and abroad. Indoor performances were both simpler and more complex, ranging from quiet, intense masked shows ("Fire", "Man Says Good-Bye") with 4-6 players, to huge, lengthy spectacles ("Cry of the People for Meat").

In 1970, an invitation from Vermont's Goddard College to be theater-in-residence, facilitated a longed-for change to country life. "Our Domestic Resurrection Circus," an outdoor festival of music, art, puppetry and pageantry, began then, and ran almost every summer, growing to crowds of tens of thousands, until 1998. Since then, a smaller (but with giant puppets intact), more dispersed version continues on Sundays in July and August; the company continues touring and workshopping the rest of the year in New England and around the globe; and Schumann continues as director and artist — and bread baker — with a vengeance!

Bread & Puppet is one of the oldest, nonprofit, self-sustaining theatrical companies in this country. www.breadandpuppet.org


BRIEF BACKGROUND ON THE CENTER AT WEST PARK
The Center at West Park is an urban, shared-space facility housed in West Park Presbyterian Church. Though the church is the initiator and host of The Center, The Center itself is not affiliated with any religious tradition or denomination. The Center is currently incorporated, and is in the process of being designated a 501 (c)(3). 

The community growing in The Center is one of invitation and synergy. It is a community in which people of different ages, ethnicities, cultures, socio-economic backgrounds and religious and spiritual affiliations (or none at all) are called into relationship through a commitment to social justice, community building and service, creativity, skill building across the life-cycle and interacting with its neighbors, both local and global.

The Center at West Park is a place where people can come together to express, explore, create, experiment, generate, invent and connect. It is a safe place for constructive dialogue across differences. A place where one can ask the question, “How are we going to live together in the future?” 
www.thecenteratwestpark.org


#fineartmagazine





"China Series" November 8th, 2013 6 - 8 pm Through December 11th

LESLIE PARKE LOGO
"Plates in the Ocean", 44 inches x 44 inches, oil on canvas.

Please join us in celebrating the opening of an exhibition of paintings from the
"China Series"
November 8th, 2013
6 - 8 pm
Through December 11th

Cross MacKenzie Gallery 
2026 R Street 
Washington, DC  20009         
Gallery Hours:
Wed thru Sat 12 - 6
and by appointment

202 333-7970
www.crossmackenzie.com


              
               A gift for you:
                      China Series Paintings
 
Leslie Parke, a painter from upstate New York, is a recipient of the Esther and Adolph Gottlieb Grant for Individual Support, the Lila Wallace-Reader's Digest grant as artist- in-residence at the Claude Monet Foundation in Giverny, France, and the George Sugarman Foundation Grant, among others. Her exhibits include the Williams College Museum of Art, the Museum of the Southwest, Midland, Texas, the Fernbank Museum in Atlanta, Georgia, the Milwaukee Art Museum, Wisconsin, and the Museo de Arte Moderno in Buenos Aires, Argentina. Parke has a BA and MA from Bennington College. Her work is in numerous corporate and private collections.

#fineartmagazine

Wednesday, November 6, 2013

ART SAN DIEGO Contemporary Art Fair November 7 - 10




Andrew Salgado,  Untitled Tondo (2013), oil on canvas with spray, 40" diameter
------------------------------------------------------------------------------------------------------------------------------------------------------------------------
WHITE BOX CONTEMPORARY
Now Representing 
Andrew Salgado 
Sasha-Koozel-Reibstein
Featured Artists
ART SAN DIEGO Contemporary Art Fair
November 7 - 10

Sasha-Koozel-Reibstein
In Uncharted Waters 45 x 24 x 22 
Ceramic- Mixed Media 

BOOTH: #49
DATES & OPENING HOURS
Opening Night VIP Event: Thursday, November 7, 2013
Open Fair Days: Friday, November 8 - Sunday, November 10, 2013
Daily from noon to 8:00 pm
Closing day from noon to 5:00 pm
VENUE ADDRESS
Balboa Park Activity Center
2145 Park Boulevard, San Diego, CA 92101
ART SAN DIEGO 2013 returns to Balboa Park for the 5th Edition of the FairNovember 7-10, 2013. Established in 2009 as the first and only Contemporary Art Fair in San Diego. ASD has grown significantly each year in attendance, sales and exhibitors presented.

Andrew Salgado - Reprise, (2013), 
oil on canvas with spray, 51x55"

Sasha Koozel Reibstein "Beyond Balance" #1, 68" x 18" x 18", Ceramic
#fineartmagazine

BALANCING NEW GROWTH Amy Casey


header.Openings.(Short)
Casey

                                                                              Circulating Green, 37.5 x 50 inch acrylic on paper
BALANCING NEW GROWTH 
Amy Casey

November 6 - January 5, 2014  

opening reception November 6th, 6 - 8PM 

Cities are made up of communities, their geography formed by the relationship between their buildings, parks, roads and bridges.  In her first exhibition at the gallery, the Cleveland based painter explores her own relationship to the neighborhood through metaphor and absurdist invention, both practical and nutty.

In Casey's acrylic paintings on paper and clay board, she designs whimsically perched cities towering in height, jumbled with familiar suburban houses, fused with urban buildings, topped by trees jutting outwards and between buildings like lettuce in a sandwich.

"I have been in search of solid ground...trying to take what was left of the world in my paintings and create a stability of sorts, thinking about community ties and the security (or illusion of security) needed to nurture growth," says Casey. "I am consistently fascinated by the resilience of life and our ability to keep going in the face of sometimes horrendous or ridiculous circumstances."

Exploring her neighborhoods by foot and local bus routes, she photographs an inventory of the buildings attracted by their intrinsic personality.  This combination of familiar homes and edgy urban buildings join, intertwine, and intersect one another creating as Casey says, "a precarious heap hum" of a city.

In this finely detailed world, rows of side-by-side A-frame homes perch on rings of streets. Crowns of clustered telephone poles connect land lines to their dwellings, rubbing shoulders with a jumble of commercial structures and noodle brick walls.

Amy Casey received her BFA in painting form the Cleveland Institute of Art in 1999.  She has exhibited her work regionally and nationally with solo shows in Cleveland, Chicago, San Francisco, and Los Angeles. Her work as been published in The New York times, New American Paintings, Juxtapoz, Hi Fructose, and Elephant Magazine. Casey has been awarded two Ohio Arts Council Individual Excellence Awards, the Cleveland Arts Prize as an emerging artist and a grant though CPAC's Creative Workforce Fellowship program. Amy Casey currently works and resides in Cleveland, Ohio.

Balancing New Growth will remain on view through January 5th.  FOLEY is openWednesday - Sunday, 12 - 6pm.  To request images, please contact the gallery at212.244.9081 or info@foleygallery.com

Footer (short)
#fineartmagazine

Exposition hors les murs Karim Meziani chez Jean- Francois Bonnet



Exposition hors les murs
Karim Meziani chez Jean-François Bonnet


Exposition au cabinet d'avocat
15, rue de la préfecture 06300 Nice, 1er étage gauche
Vernissage vendredi 8 novembre 2013 à partir de 18 h.





La Galerie Depardieu, "hors les murs" 
18 avenue des fleurs 06000 Nice 
tél 0 493 96 40 96 - galerie.depardieu@orange.fr www.galerie-depardieu.com

(au fond de l'impasse, entre le Consulat de Tunisie et le CROUS) Parking Palmeira - Bus n° 38 av. des Fleurs - 3, 9, 10, 14, 22, rue Bottero - 7 Alsace Lorraine


#fineartmagazine

Yalley Gallery / Jean Marc Decrop : Silk Highway 21C


#fineartmagazine

Tuesday, November 5, 2013

MORA 2013 Autumn Salon



MoRA Logo Text

2013 Autumn Salon
at      
 25CPW Gallery 


2013 Autumn Salon
at      
 25CPW Gallery 

  
  


Sculpture, Oil paintings, Mixed media and Photography

featuring
Asya Dodina / Slava Polishchuk
Yuri Gorbachev
Ella Kogan
Emil Lansky
Emil Silberman
Slawek
Serge Strosberg
Aleksandr Vishnevetskiy

Reception  
with the artists
Sunday, November 10th, 6-8pm

The gallery is open to the public

November 9th, 6-11pm
November 10th, 1-10pm
November 11th, 1-7pm

  
 
#fineartmagazine

REORIENT

#fineartmagazine

mfc-michele didier

mfc-michèle didier
Art / Book
Contemporary
Days / Paris

Espace Topographie de l'Art
15, rue de Thorigny
75003 Paris

November 8, 9 and 10, 2013 from 11 am to 7 pm

Opening on Friday November 8, 2013 from 6 pm to 9 pm
Performance reading with Jim Dine at 7.30 pm 

Free entrance

During three days, ABC Days brings together in an intimate space in Paris twelve European publishers and libraries, prefiguring an annual fair dedicated to the artist's book. 

A series of lectures and conversations with the exhibiting publishers and various screenings will enliven the ABC Days in order to open a dialogue with the audience and enrich the reflection on the artist's book.  

On this occasion, mfc-michèle didier will be presenting the books by three American artists: Leigh Ledare, Allan McCollum and Jim Shaw.

LEIGH LEDARE

Leigh-Ledare,-Double-Bind.jpg

Artwork consisting  of 3 volumes, Double Bind is created from two series of photographs taken during two successive photoshoots. The artist questions the notion of intimacy in comparison with a selection of images extracted from popular iconography. 

ALLAN McCOLLUM

Allan-McCollum,-The-Book-of-Shapes.jpg

The Book of Shapes is a major art work consisting of two volumes. This work identifies the forms and the creative system behind the famous Shapes from the Shapes Project. 

JIM SHAW

Jim-Shaw,-Dream-Object-Book.jpg

Dream Object Book is the only testimony of the imaginary miniature exhibition made by Jim Shaw before he destroyed his scale model museum in 2007. But in the second part of the book, it is also the catalogue raisonné of the series of Dream Objects
Fantasy and reality are here brought together.

#fineartmagazine

Garis & Hahn present: Suddenly, there: Discovery of the find

FOR IMMEDIATE RELEASE

Garis & Hahn present:
Suddenly, there: Discovery of the find

Jennifer and Kevin McCoy, Artists Talks, 2008 (video still), installation, 18 DVDs, 3:00 each

Featuring: Michael Alan, Eve Bailey, András Böröcz, Matías Cuevas, Dave Hardy and Siebren Versteeg, Clinton King, Daniela Kostova, Thomas Lendvai, Alan Lupiani, Jennifer and Kevin McCoy, Robert C. Morgan, Christopher Moss, Joe Nanashe, Ian Pedigo, Jamie Powell, Armita Raafat, Mónika Sziládi, Tamas Veszi, and Aaron Williams

Curated by Eileen Jeng and Tamas Veszi
Opening Reception: November 26, 2013, 6 – 8pm
Exhibition Dates: November 26, 2013 – January 11, 2014
Performance by András Böröcz, December 18, 7 – 8 pm

November 5, 2013 (New York, NY) – Garis & Hahn is pleased to present Suddenly, there: Discovery of the find, a group exhibition, curated by Eileen Jeng and Tamas Veszi, focused on the creative process and its unexpected outcomes. Suddenly, there... will feature drawings, paintings, photographs, sculptures, videos, and installations, from 1974 to 2013, by 21 New York-based artists.

Hungarian psychologist, Mihály Csíkszentmihályi, describes the concept of flow as an optimal experience and single-minded immersion that requires focus and full concentration. He applies this notion to the creative process and states that “in flow we only feel what is relevant to the activity.” The exhibition Suddenly, there... takes this idea further in examining the complexities of the creative process. With multiple access points to an excess of information at any given time, artists who are working in one direction sometimes start working in another; the flow is broken and redirected toward a new and exciting place.

Diversions, distractions, and deviations lead to discoveries. This exhibition focuses on the find, including works in various media that have been created or conceived of while in the process of making other artworks, during the installation of works for exhibitions or presentations, or utilizing materials – remnants or parts of other works – from around the studio. Rather than concentrating on the sketching or planning of specific works, this exhibition emphasizes the chain reaction and progression of the creative process toward the unexpected – a proactive place for artists to move forward. Thereby, works in progress develop into pivotal or new important works.

A foldout brochure with descriptions of the works and processes will be published for the occasion of this exhibition. On December 18 from 7 - 8 pm, András Böröcz will perform 11 Grapefruits 2, a conceptual work that introduces the fruit into his repertoire of ordinary, round sculptural objects and includes a new video.

About the artists

Michael Alan was born in 1977 in Bushwick during the New York City blackout. Alan’s intricate drawings, paintings, and sculptures have been featured in 9 New York solo shows, over 200 group shows, and over 200 Living Installations – happenings, founded and directed by the multimedia artist, where human beings are transformed into unique, living art objects with original music. Alan’s work has been discussed in over 200 publications and media sources, including American ArtistArtforumArt+Auction,Marie Claire ItaliaThe New York Times, Art 21, NBC’s Today Show, and Fox Channel 5, to name a few.

Eve Bailey creates ergonomic and kinetic sculptures, based on the concept of balance and coordination, which embody her love for architecture and dance. Bailey has exhibited her work in France, Germany, The Netherlands, Switzerland, Cuba, Russia, and across the US. She was awarded funded residencies from the Bemis Center for Contemporary Arts, Omaha, NE; Triangle Arts, Brooklyn, NY; I-Park Foundation, East Haddam, CT; and Sculpture Space, Utica, NY, among others. She holds an MFA in Sculpture from the École des Beaux Arts, Paris and a BFA in architectural metal work from Olivier de Serres School of Design, Paris. Bailey started incorporating performance in her sculptural work after receiving a fellowship from the San Francisco Art Institute.

András Böröcz was born in Budapest, Hungary. He studied painting at the Budapest Art Academy and was a member of Indigo, an underground artist group that was critical of the dictatorship. In the late 1970s, he began performing for international audiences and participated in Documenta (8) in Kassel, Germany in 1987. After moving to New York in 1986, Böröcz concentrated on sculpture, conceptually working with post-Pop ideas of discarded and common materials. The pencil became his object of choice, both for its democratic nature and its function as an artist’s tool. Böröcz has exhibited and performed extensively in the US and Europe, most recently, in a number of museums and galleries in Hungary. Böröcz is the founding director of Alma on Dobbin, Inc., a trustee of the Ampersand Foundation Johannesburg/NYC, and co-founder and director of 2b Gallery in Budapest, Hungary.

Matías Cuevas was born in Mendoza, Argentina in 1980. Following his early classical training at Universidad Nacional de Cuyo, Cuevas received his MFA in 2009 from the School of the Art Institute of Chicago where he received a number of awards. Recent exhibitions of his paintings and sculptures have been held at El Museo del Barrio, New York; Lehmann Maupin, New York; Leyendecker Gallery, Spain; Alderman Exhibitions, Chicago; and Green Gallery, Milwaukee, among others. His work is in many private and public collections, including the Museo de Arte Contemporáneo de Rosario and Museo de Arte Moderno de Mendoza.

Dave Hardy and Siebren Versteeg continue to collaborate on the multimedia projectSpirit Tours, started in 2004, for the exhibition. Versteeg received a BFA from the School of the Art Institute of Chicago and an MFA from the University of Illinois at Chicago. He studied at Skowhegan School of Painting and Sculpture in Maine and the School of Visual Arts in New York. Solo museum exhibitions have been held at the RISD Museum, Providence; Ulrich Museum of Art, Wichita; and Wexner Center for the Arts, Columbus, among others. His work has been in museum group shows in the US, Czech Republic, and Austria, to name a few. Versteeg’s work is in various collections, including the Albright-Knox Art Gallery, Guggenheim Museum, Hirshhorn Museum, The Margulies Collection, RISD Museum, Ulrich Museum of Art, and Yale University Art Gallery.

Hardy received a BFA from Brown University and an MFA from the Yale School of Art and studied at Skowhegan School of Painting and Sculpture in Maine. Solo exhibitions have been held at Art in General, La Mama Galleria, Regina Rex, and 92Y Tribeca in New York as well as at Southern Exposure in San Francisco. His work has been included in group exhibitions at PS1, SculptureCenter, and Jack Shainman Gallery in New York. Hardy is currently a professor of sculpture at New York University.

Clinton King graduated with an MFA from The School of the Art Institute of Chicago. His paintings have most recently been exhibited at the Dorsky Foundation and Parallel Art Space in Brooklyn and One River Gallery Space in Englewood, NJ. He will soon reside at the Yaddo artist retreat. Previous exhibitions have been held at the Boots Contemporary Art Space, St. Louis; Gallery 400, Chicago; The Suburban, Chicago; International Performance Art Festival, Helsinki; 1a Space Gallery, Hong Kong; Youkobo Art space, Tokyo; and Zaim Space, Yokohama, Japan.

Daniela Kostova uses photography, video, and installation to address issues of geography, cultural representation, the production and crossing of socio-cultural borders, and the processes of translation and communication. Kostova has exhibited her work at numerous museums, including the Queens Museum of Art, Queens, NY; Sofia City Gallery, Sofia, Bulgaria; Kunsthalle Fridericianum, Kassel, Germany; Fondazione Sandretto Re Rebaudengo, Torino, Italy; and Kunsthalle Wien, Vienna, Austria, among others. Kostova received many awards and fellowships, including an Unlimited ’11 Award for Contemporary Bulgarian Art and a Graduate Fellowship from the Rensselaer Polytechnic Institute in Troy, NY. In 2011, together with Stanislava Georgieva, Kostova started Bulgarian Artists in America (BAA), where she is Exhibition Director. She is also the Director of Curatorial Projects at Radiator Gallery and a Board Member of CEC Artslink.

Thomas Lendvai was born on Long Island, New York and raised by parents who emigrated from Hungary in the early 1970s. Growing up on Long Island, Lendvai worked during the summer months with his father as a carpenter.  This experience has shaped and influenced his sculptural practice to this day.  Most, if not all of his work, uses construction based materials and techniques. Today, Lendvai continues to make sculpture and site-determined installations, which have been exhibited in Chicago, Key West, and Tokyo, and, most recently, in Hoboken, NJ. Lendvai received his BA from SUNY Stony Brook in 1999 and his MFA from the School of Visual Arts in 2002.

Alan Lupiani engages in socio-political issues on a local, regional, and international level in his multi-media installations, performances, sculptures, and paintings. He has exhibited and performed in multiple museums, galleries, and art events throughout the United States, including Winkleman Gallery, New York; Postmasters Gallery, New York; the “No Comment” Art Show for Occupy Wall Street; Third Ward Gallery, Brooklyn; Governor’s Island; Radiator Gallery, Long Island City; and his alma mater, Binghamton University in 2012. Lupiani presented "Art Road Show" at Art Basel Miami Beach, where he interviewed gallerists and artists in 2010 and 2011. Most recently, he curated the exhibition So Real at Radiator Gallery in 2013.

Jennifer and Kevin McCoy explore changing conditions around social roles, categories, and genres in their range of work from sculpture to video installation to software to curatorial practice. They wonder what counts as ‘new’ and about the associated technological, environmental and social costs. In New York, their work has been exhibited at museums, such as The Metropolitan Museum of Art, PS1, The Museum of Modern Art, and the New Museum. International exhibitions include projects at the Pompidou Center, Paris; the British Film Institute, London; and Bonner Kunstverein, Bonn, to name a few. Recent grants include a 2011 Guggenheim Fellowship. Articles about their work have appeared in Art in AmericaArtforum,ARTnewsThe New York Times, and Newsweek. Their work is represented by Postmasters Gallery, New York and by Guy Bartschi, Geneva and is in the collections of The Museum of Modern Art, The Metropolitan Museum of Art, Milwaukee Art Museum, and MUDAM, Luxembourg.

Robert C. Morgan, an artist and writer, began showing at the Institute of Contemporary Art in Boston as well as at Artists Space and The Whitney Museum of American Art in New York in the 1970s. His films have been presented at Anthology Film Archives, White Box, and Millennium Film Workshop. Morgan’s photographs, visual books, paintings, conceptual works, and installations have been shown at White Columns, New York; CEPA, Buffalo, NY; McKissick Museum, Columbia, SC; Ulrich Museum, Wichita, KS; Museum of Contemporary Art Chicago; and The International Artists Museum, Lodz, Poland, among others. Recent solo exhibitions in New York have been held at Bjorn Ressle Gallery, Sideshow Gallery, John Davis Gallery, Able Fine Art, Creon Gallery, and, currently, at Rooster Gallery, where the show has been recommended by Art in America. Morgan’s work has also been reviewed in Artforum,ARTnewsartcriticalThe New York Times, and Wolgan Misool (Korean) and is in many prominent collections.

Christopher Moss received a BFA from Marywood University, Scranton, PA in 2000 and an MFA from CUNY Brooklyn College in 2006.  His work has been included in group exhibitions at Shaheen Contemporary, Cleveland and Grizzly Grizzly, Philadelphia, among others, and is available at Artware Editions, New York and Theodore:Art, Brooklyn, where he will have his first New York solo exhibition in March 2014.

Joe Nanashe was born in Akron, Ohio. The city’s post-industrial landscape and emphasis on manual labor influenced the repetitive, task-driven nature of his work. He received his BFA from the University of Akron in 2003 and his MFA from Rutgers in 2005. A multimedia artist, Nanashe creates works that confront the viewer with issues of violence, control, meaning, humor, perception, and the body. His videos have been shown in film festivals in the US and in Switzerland. His drawings, sculpture, photographs, and sound work have been recently exhibited at the Parrish Art Museum and Islip Art Museum on Long Island as well as internationally in Argentina, Canada, Germany, Japan, The Netherlands, Russia, and Switzerland.

Ian Pedigo was born and grew up in Anchorage, Alaska. He studied visual art/sculpture at the University of Texas at Austin and participated in the Salzburg Summer Academy of Fine Art in Austria, studying with such figures as Ilya Kabakov and Boris Groys. His work has been exhibited across North America and Europe, including solo exhibitions in at the Abrons Art Center and Klaus Von Nichtssagend, New York; University of Gothenberg, Sweden; and Rokeby Gallery, London. His sculptures, photographic works, and installations have been written about in ArtforumARTnewsArt ReviewFrieze, The New York Times, and The New Yorker, among other publications. A monograph of his work was published in 2011 by the Southern Alberta Art Gallery.

Jamie Powell was born and raised in West Virginia, thirty miles south of the Mason Dixon Line. She received her MFA and the Paul Robeson Emerging Artist Award from the Mason Gross School of the Arts at Rutgers University in 2006. She has received grants from the Geraldine R. Dodge Foundation, Vermont Studio Center, and Pratt Institute. Jamie has exhibited her cutout abstract paintings extensively over the last eight years at venues including FLUXspace, Philadelphia; Seton Hall Law School, Newark; the National Arts Club, New York; and Soil Gallery, Seattle. She teaches painting and drawing at Pratt Art Institute in New York.

Armita Raafat received her BFA from Al-Zahra University in Tehran, Iran and completed her MFA at the School of the Art Institute of Chicago in 2008. Recent solo exhibitions of the artist’s installations have been presented at the Museum of Contemporary Art Chicago in 2009 and Threewalls, Chicago in 2010. Her work has been featured in recent group exhibitions in Chicago, New York, New Jersey, Tehran, and Seoul, Korea. Her solo shows have been reviewed in publications, such as Art in America and New City. In 2011, she was featured in the book Out of Rubble, published by Charta. Raafat was a 2009 recipient of a swing space residency with the Lower Manhattan Cultural Council and currently holds a studio residency with the Elizabeth Foundation for the Arts in New York. She will also participate in the Artist at Market Place (AIM) program at the Bronx Museum of Art in 2013.

Mónika Sziládi was born and raised in Budapest, Hungary. She received an MFA in Photography from Yale in 2010 and a Maitrîse in Art History and Archaeology from Sorbonne, Paris in 1997. She was the recipient of the Alice Kimball English Traveling Fellowship, Daylight/CDS Photo Award, and Humble Arts' Fall 2012 New Photography Grant as well as the winner of The Philadelphia Museum of Art Photography Competition in 2010. She was a resident in Skowhegan in 2008 and at Smack Mellon in 2012. Selected institutional exhibitions she has participated in have been held at the DUMBO Arts Center, Brooklyn; Institute of Contemporary Art, Dunaújváros, Hungary; Staatliche Kunsthalle, Baden-Baden, Germany; The Magenta’s Foundation’s Flash Forward Festival, Toronto, Canada; and Hasted Kraeutler, New York. Sziládi’s work is in the permanent collection of the Philadelphia Museum of Art.

Tamas Veszi is a multimedia artist with an academic background in painting. His activities as a community initiator bridge a gap between his restless interest for the questions of embodiment and formlessness. Veszi left Hungary at the age of seventeen and studied in Israel, Italy, and France, and he moved to New York in 1997. In 2000 he received his BFA in Fine Arts at the Pratt Institute, and formed the group “Greenpoint Riverfront Artists” who curated and produced performances, rooftop independent film screenings, and annual open studios. He earned his MFA at Brooklyn College under the guidance of Elisabeth Murray and Vito Acconci. Veszi has exhibited his work in Austria, Canada, England, Germany, France, Hungary, Italy and throughout the United States. As director of RadiatorArts in Long Island City, Veszi has collaborated with the Embassy of Israel and Art Market Budapest as well as organized exchanges with La Couleuvre Art Center, Paris and Bäcker Strasse 4 Gallery, Vienna.

Aaron Williams was born and raised in Rhode Island and holds a BFA from the Maine College of Art and an MFA from Rutgers University.  Using common photographic sources, such as mass market posters, Williams continues to expand idea of mark-making and materials. His solo exhibitions have been held at Max Protetch Gallery, Baumgartner Gallery, Mulherin + Pollard in New York, and, most recently, Lamontagne Gallery in Boston.  His work has been featured in several group exhibitions throughout the United States at venues including the Portland Museum of Art, Portland, ME; Howard House, Seattle, WA; Hal Bromm Gallery, NYC; Parallel Art Space, Queens, NY; and Memphis Social, Memphis, TN.

About the curators

Eileen Jeng is an independent curator and writer and the archivist at Sperone Westwater in New York. Her latest project includes Break/Step at Radiator Gallery in Long Island City and Facture at AIRPLANE in Brooklyn, among others. She was a research assistant in the Department of Contemporary Art at The Art Institute of Chicago, and she was involved in various exhibitions, including FLOAT at Socrates Sculpture Park in Long Island City in 2007. She earned an MA in arts administration and policy from The School of the Art Institute of Chicago and a BA in art history and advertising from Syracuse University.
Tamas Veszi – please see artist’s bio above.

About Garis & Hahn

Garis & Hahn is a gallery-cum-Kunsthalle that mounts exhibitions focused on conceptual narratives and relevant conversations in contemporary art. By displaying an array of carefully curated artists, the gallery endeavors to provide accessibility, education, awareness, and a market to the art while engaging both the arts community and a broader general audience.

Gallery Hours
Tuesday – Saturday 11-7
          
Location
263 Bowery
New York, NY 10002

Gallery Contact
info@garisandhahn.com
(P) 212.228.8457

Media Contact: Lainya Magaña | A&O PR
(P) 415.577.1275 | (E) lainya@aopublic.com

#fineartmagazine