Thursday, October 24, 2013

Film: Art Basel announces 2013 program

Film: Art Basel announces 2013 program 

From December 4 to December 8, 2013, Art Basel presents a premier program of films by and about artists, selected by David Gryn, Director of London's Artprojx, and Zurich collector This Brunner. Brunner’s feature film selection is the United States premiere of 'Nan Goldin – I Remember Your Face' (2013) by Sabine Lidl. Gryn's 2013 program presents over 70 film and video works drawn from the show's participating galleries, including works by Dara Birnbaum, Martin Creed, Rineke Dijkstra, Joan Jonas, Yinka Shonibare MBE, Mickalene Thomas and Kehinde Wiley. 

The United States premiere of 'Nan Goldin – I Remember Your Face' (2013) by Sabine Lidl will be screened in the presence of Nan Goldin and Sabine Lidl, and will be followed by a Q&A with the artist and film director. Along with an exemplary insight into the seminal American photographer’s life, the film offers viewers a candid, sensitive and at times humorous perspective on contemporary culture. The feature film has been selected by This Brunner, a curator of Art Basel's Film sector in Basel since 1992 and for the Miami Beach show since 2002. 'Nan Goldin – I Remember Your Face' (2013) will be shown at the Colony Theatre, 1040 Lincoln Road, Miami Beach at 8.30 pm on Friday, December 6, 2013. Entry is free, but seating is limited.

The third edition of David Gryn’s selection for Art Basel's Miami Beach show, whose Lead Partner is UBS, explores the collaborative creative process via intersections between visual artists, composers, musicians, choreographers, dancers and animators. Framed within eight distinct screening programs, the program highlights an international selection of emerging and established artists. Alongside works by leading international artists such as Shezad Dawood, Rineke Dijkstra, Nathalie Djurberg and Hans Berg, Joan Jonas, Karen Kilimnik and Shirin Neshat, highlights include the international premiere of Martin Creed's new film 'Work No. 1700' (2013), Kehinde Wiley’s 'World Stage: Jamaica' (2013), and a selection of works by Yinka Shonibare MBE exploring the interface between music and dance. Dara Birnbaum presents 'Arabesque' (2011/2013), specifically re-edited for the program. Art Basel's Salon program will see Dara Birnbaum in conversation with David Gryn on December 6 at 1pm. 
Outdoor screenings of the program take place at SoundScape Park on the 7,000-square-foot outdoor projection wall of the Frank Gehry-designed New World Center from December 4 to December 7. Admission to Film at SoundScape Park is free. Visitors are encouraged to bring blankets and lawn chairs. A program that includes nine additional films will be presented within five viewing pods inside the Miami Beach Convention Center. Access to the viewing pods is free with an entry ticket to the show. 


For the full gallery list for Film, please visit: artbasel.com/miamibeach/film.

DETAILED FILM PROGRAM BY DAVID GRYN 

Wednesday, December 4, 8pm at the New World Center 
Shuffle Notes – Beauty in Danger 
A selection of artists’ films with a view towards animation and perception. The total running time is approximately 57'. 
Liliana Sánchez, Gulana Dressed as a parrot, 2003, 2'36'', Casas Riegner 
David Shrigley, New Friends, 2006, 1', Stephen Friedman Gallery, Anton Kern Gallery, Yvon Lambert, Galleri Nicolai Wallner 
Brian Alfred, Beauty in Danger, 2013, 2'1'', SCAI The Bathhouse 
Marco Rios, At Loulou's door, 2013, 3', Simon Preston Gallery 
Alice Maher, Godchildren of Enantios, 2010, 6'41'', David Nolan Gallery 
Miljohn Ruperto & Suntek Chung, As Himself, 2006, 4'58'', Koenig & Clinton 
Shimabuku, Leaves Swim, 2011, 2'30'', Zero… 
Regina Silveira, Mil e um dias (1001 days), 2007, 11'16'', Alexander Gray Associates 
Oscar Muñoz, Hombre de Arena, 2006-2009, 3'40'', mor charpentier 
David Shrigley, Headless Drummer, 2012, 1', Stephen Friedman Gallery, Anton Kern Gallery, Yvon Lambert, Galleri Nicolai Wallner, BQ 
Nathalie Djurberg and Hans Berg, Deceiving Looks, 2011, 5'58'', Lisson Gallery 
David Austen, Smoking Moon, 2006, 13', Ingleby Gallery 
Wednesday, December 4, 9pm at the New World Center 
New Dream Machine and Other Films 
This program features four very different films, varying in rhythms and themes. Martin Creed's 'Work No. 1700' (2013) is presented as an international premiere. The total running time is approximately 58'. 
Mickalene Thomas, Happy Birthday to a Beautiful Woman, 2012, 23'07'', Lehmann Maupin 
Shezad Dawood, New Dream Machine Project, 2011, 15', Chemould Prescott Road 
Martin Creed, Work No. 1700, 2013, Gavin Brown's enterprise 
Shirin Neshat, Turbulent, 1998, 10', Gladstone Gallery 
Thursday, December 5, 9pm at the New World Center 
Tango at the Edge of the Fair 
The program focuses on works that incorporate elements of dance and look at movement as an abstract narrative. The total running time is approximately 59'. 
Rineke Dijkstra, The Krazyhouse (Nicky), 2009, 6'15'', Marian Goodman Gallery 
Linder, The Ultimate Form, 2013, 31'19'', Blum & Poe 
Nevin Aladağ, Top View 29,53 ft, 2012, 2'48'', Wentrup 
Jeremy Shaw, Best Minds Part One (excerpt), 2007, 5'40'', Johann König 
Rineke Dijkstra, The Krazyhouse (Phillip), 2009, 10'06'', Marian Goodman Gallery 
William Kentridge with Philip Miller, Tango for Page Turning, 2013, 2'48'', Goodman Gallery 
Thursday, December 5, 10pm at the New World Center 
Arabesque and Reanimation: Dara Birnbaum and Joan Jonas 
Dara Birnbaum and Joan Jonas have transformed our way of seeing and responding to the world. Dara Birnbaum's 'Arabesque' (2011/2013) was specifically re-edited for the program. The total running time is approximately 52'. 
Dara Birnbaum, Arabesque, 2011/2013, 6'37'', Marian Goodman Gallery 
Joan Jonas, Reanimation, 2010, 19'11'', Yvon Lambert 
Dara Birnbaum, Fire! Hendrix, 1982, 3'13'', Marian Goodman Gallery 
Dara Birnbaum, Kiss The Girls: Make Them Cry, 1979, 6'50'', Marian Goodman Gallery 
Dara Birnbaum, PM Magazine/Acid Rock, 1982, 4'09'', Marian Goodman Gallery 
Dara Birnbaum, General Hospital/Olympic Women Speed Skating, 1980, 6', Marian Goodman Gallery 
Dara Birnbaum, Kojak/Wang, 1980, 3', Marian Goodman Gallery 
Dara Birnbaum, Remy/Grand Central: Trains and Boats and Planes, 1980, 4'18'', Marian Goodman Gallery 
Friday, December 6, 8pm at the New World Center 
An Elegy for Voice and Silence The program looks at themes such as communication, self-reflection, introspection and the sense of belonging. The total running time is approximately 61'. 
Kehinde Wiley, The World Stage: Jamaica, 2013, 6'57', Stephen Friedman Gallery 
Cevdet Erek, Studio, 2005-2007, 12'', mor charpentier 
Ari Marcopoulos, Anything, 2012, 59'', Kavi Gupta Gallery 
Chris Johanson, Encinitas Realization, 1999, 3', Altman Siegel 
Fyodor Pavlov-Andreevich, My Mouth is a Temple, 2009, 3'51'', Luciana Brito Galeria 
My Barbarian, The Cassandra, 2013, 13'30'', Susanne Vielmetter Los Angeles Projects 
Luz María Bedoya, Dirección, 2006, 4'48'', 80M2 Livia Benavides 
Christian Jankowski, Orientación, 2012, 8'25'', Proyectos Monclova 
JR, Women are Heroes, 2010, 9'11'', Galerie Perrotin 
Nicola Thomas, Imitation 34/59, 2013, 3'20'', courtesy of the artist 
Cheng Ran, The Last Sentence, 2013, 12'34'', Galerie Urs Meile, Beijing - Lucerne 
Stanya Kahn, Who do you Think you Are, 2012, 8'05'', Susanne Vielmetter Los Angeles Projects 
Friday, December 6, 9pm at the New World Center 
Farewell to the Past: Yinka Shonibare MBE 
Yinka Shonibare MBE – known for work exploring cultural identity, colonialism and post-colonialism within the contemporary context of globalization – uses music and dance to captivate and engage the viewer by mirroring our world in a regal, beautiful and unexpected way. The total running time is approximately 65'. 
Yinka Shonibare MBE, Un Ballo in Maschera (A Masked Ball), 2004, 34', Stephen Friedman Gallery, James Cohan Gallery 
Yinka Shonibare MBE, Addio del Passato, 2011, 16'52'', Stephen Friedman Gallery, James Cohan Gallery 
Yinka Shonibare MBE, Odile and Odette, 2005, 14' 28'', Stephen Friedman Gallery, James Cohan Gallery 
Friday, December 6, 10pm at the New World Center 
Prelude to a Syncopation 
Artists connect sound, choreography and social media – the results reveal diverse relationships between the visual, music and the meditative repetition of the ordinary and urban. The total running time is approximately 35'. 
Leo Gabin, Stackin, 2010, 2'38'', Peres Projects, Elizabeth Dee 
Rashaad Newsome, Dance of Succubus, 2011, 4'04'', Marlborough Gallery 
Leo Gabin, Girls Room Dance, 2010 4'15'', Peres Projects, Elizabeth Dee 
Shezad Dawood with Mukul Deora, The Body Electric, 2008, 3', Chemould Prescott Road
Rashaad Newsome, Painting Opponents Red, 2011, 3'14'', Marlborough Gallery 
Leo Gabin, Hair Long, 2013, 1'53'', Peres Projects, Elizabeth Dee 
Rashaad Newsome, Grand Duchess of Gainesville, 2011, 2'34'', Marlborough Gallery 
Leo Gabin, Cleaning, 2012, 2'32'', Peres Projects, Elizabeth Dee 
Rashaad Newsome, Devices, 2011, 3'03'', Marlborough Gallery 
Leo Gabin, With Me, 2012, 2'43'', Peres Projects, Elizabeth Dee 
Kemang Wa Lehulere, Behave or You Jump, 2010, 1'34'', Stevenson 
Samuel Levack and Jennifer Lewandowski, Chic, 2012, 3'34'', courtesy of the artist 
Saturday, December 7, 10pm at the New World Center 
Fantasia for Dissonant Harmonies 
In all the films in this program, the soundtrack plays a crucial role. The relationship that is developed between the visual and the audio builds a bridge to the location of the screening: the New World Center, Home of the New World Symphony, America’s Orchestral Academy. The total running time is approximately 68' 
Mahony, Los Tres Invitados, 2011, 3'03'', Galerie Emanuel Layr 
Ana Gallardo, A boca de jarro, 2008, 6'36'', Ignacio Liprandi Arte Contemporáneo 
Lucien Smith, I Like America and America Likes Me, 2013, 3'39", Salon 94 
Karen Kilimnik, …introducing Tabitha, 1991, 1'10'', 303 Gallery 
Nicola Thomas, Dancing with Monk, 2013, 2'55'', courtesy of the artist 
Takeshi Murata, Monster Movie, 2005, 4'12'', Salon 94, Ratio 3 
Carlos Amorales with Julian Lede, Orellana’s Fantasia, 2013, 7', Yvon Lambert, kurimanzutto 
Tin Ojeda, Daughter, 2013, 7', 303 Gallery 
Friedrich Kunath, You Go Your Way and I'll Go Crazy, 2012, 16'53'', Blum & Poe 
Kemang Wa Lehulere, Lefu La Ntate, 2005, 3'1'', Stevenson 
Avinash Veeraraghavan, Breathing charcoal soaked in a shallow forest stream, 2010, 4'20'', GallerySKE 
Bill Balaskas, Parthenon Rising (II), 2011, 2'45'', Kalfayan Galleries 
Pietro Roccasalva, Giocondità, 2002, 3'53'', Zero… 
Bruce McLean, EARACHE: an Opera Bouffant, or 'How Elvis's Quiff Killed Johnnie Ray', 2'08'', 2013, Tanya Leighton Gallery 
William E. Jones, The Soviet Army Prepares for Action in Afghanistan, 2011, 2'55'', David Kordansky Gallery, The Modern Institute 
Viewing Pod Selection 
Shown in conjunction with the outdoor program, the following works are presented exclusively within viewing pods inside the Miami Beach Convention Center: 
Adela Jušić, The Sniper, 2007, 4'09'', Alan Cristea Gallery 
Kathan Brown, John Cage at Work (1978-1992), 2013, 44', Crown Point Press 
Ciprian Mureşan, Untitled (Monks), 2011, 12'13'', David Nolan Gallery 
Suh Dongwook, Light on the water, 2011, 19'08'', One and J. Gallery 
Song-Ming Ang, Be True to Your School, 2010, 12', Singapore Tyler Print Institute 
Raed Yassin, The New Film, 2008, 12', Kalfayan Galleries 
Carlos Amorales, Amsterdam, 2013, 21', Yvon Lambert, kurimanzutto 
Philippe Gruenberg, Domestic Landscape, 2010, 14'17'', Revolver Galería 
Wiliam E. Jones, Bay of Pigs, 2012, 3'56'', David Kordansky Gallery, The Modern Institute

Important Dates
Opening Day of Art Basel in Miami Beach (by invitation only): 
Wednesday, December 4, 2013 
Public Show Dates: Thursday, December 5 to Sunday, December 8, 2013

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Wednesday, October 23, 2013

HE NATIONAL WOMEN'S HISTORY MUSEUM presented the dePizan Honors Awards to 3 history making women for their outstanding achievements.







Jan DuPlain, PR exec and coordinator of event with former Marian Anderson Museum Curator Phyllis Sims who exhibited photo of Marian Anderson with David RockefellerSol Hurok and baseball legend, Jackie Robinson at the silent Auction/Reception.

Lynda Bird Johnson Robb (honorary Co Chair), Phyllis Sims and mezzo soprano Denyce Graves, recipient of the Marian Anderson Living Legend Award.
  
Lynda Bird Johnson Robb with her husband Virginia Senator Charles Robb 

Phylicia Rashad, actress and recipient of the Lena Horne Living Legend Award and Joan Bradley Wages, President/CEO, National Women's History Museum


Phyllis Sims flanked by Deryl and Cheryl McKissack of McKissack & McKissack, board member,and sponsor.  Also, the oldest AA female/minority owned architectual firm in America with office sites in Philadelphia, New York, Alabama and Tennesee to name a few.




HE NATIONAL WOMEN'S HISTORY MUSEUM presented the dePizan Honors Awards to 3 history making women for their outstanding achievements. 

 DETAILS:  Other recipients were Ken Burns who accepted via video and Dr. Etta Pisano, MD who received the Dr. Helen Taussig Living Legacy Award for her achievements in the field of medicine. Previous recipients were Dr. Maya Angelou, Annie Liebovitz, Cathy Hughes and former US Senator and past president of the Red Cross,  Elizabeth Hanford Dole (event Chair)
The DePizan awards were named after Christine de Pizan, a French author who first penned a book documenting the achievements of Western women's history in 1405. An amazing evening on the Arena Stage in the Mead Center for American Theater added colorful flavor with the comedic duo of FRANGELA who served as emcees.

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Fine Art Magazine & The Contemporary Art Fair NYC Today's Featured Artists:

Fine Art Magazine & The Contemporary Art Fair NYC




Proud Sponsors of the Exhibition 

Artists For Peace and the Enviornment 

Todays featured artists: 
R. Wade
Samuel Orellana
Shen
Simon Bull
Siv Cedering

To see the entire exhibit please join us: 

Friday, October 25 Noon-7pm
Saturday, October 26 10am-7pm
Sunday, October 27 10am-4pm
Jacob Javits Center-North
11th Avenue & 39th Street
New York, NY 10014










Siv Cedering




Simon Bull




R. Wade



Samuel Orellana - Papoose


Shen


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Shiho Fujiwara

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Sherin Guirguis


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Author Bennett Sims has been selected to receive the annual Bard Fiction Prize for 2014.

Bard College News Release
Contact: Jennifer Wai-Lan Huang
845-758-7008



ANNUAL BARD FICTION PRIZE IS AWARDED TO BENNETT SIMS


ANNANDALE-ON-HUDSON, N.Y.—Author Bennett Sims has been selected to receive the annual Bard Fiction Prize for 2014. The prize, established in 2001 by Bard College to encourage and support promising young fiction writers, consists of a $30,000 cash award and appointment as writer in residence at the College for one semester. Sims is receiving the prize for his debut novel, A Questionable Shape (Two Dollar Radio, 2013). In this penetrating novel set in Baton Rouge, Sims writes about a son looking for his undead father and transcends traditional zombie narrative to deliver a wise and philosophical rumination on the nature of memory and loss. Sims will be writer in residence at Bard College for the spring 2014 semester, where he will continue his writing, meet informally with students, and give a public reading.

The Bard Fiction Prize committee writes: “The judges delight in welcoming to the literary community of Bard a writer whose first novel represents a powerful (and very readable) fusion of genres—a story about the vagaries of human perception which is also a wild romp of zombies biting through a curiously lyrical apocalypse. The writing is intricate, thoughtful, its characters are like most of us obsessed with games and devices, the text bejeweled with footnotes. The author was one of the last students of David Foster Wallace, who was the first reader of the first version of this haunting novel of love and estrangement.”

Bennett Sims was born in Baton Rouge, Louisiana, and has studied at Pomona College and the Iowa Writers’ Workshop, where he received a Provost Fellowship and a Michener-Copernicus Award after graduating. A Questionable Shape was published in 2013 by Two Dollar Radio. His fiction has appeared or is forthcoming in A Public SpaceConjunctionsElectric LiteratureTin House, and Zoetrope: All-Story.

The creation of the Bard Fiction Prize, presented each October, continues Bard’s long-standing position as a center for creative, groundbreaking literary work by both faculty and students. From Saul Bellow, William Gaddis, Mary McCarthy, and Ralph Ellison to John Ashbery, Philip Roth, William Weaver, and Chinua Achebe, Bard’s literature faculty, past and present, represents some of the most important writers of our time. The prize is intended to encourage and support young writers of fiction to pursue their creative goals and provide an opportunity to work in a fertile and intellectual environment. Last year’s Bard Fiction Prize was awarded to Brian Conn for his book, The Fixed Stars (Fiction Collective 2, 2010).

ABOUT THE BARD FICTION PRIZE
The Bard Fiction Prize is awarded to a promising, emerging writer who is an American citizen aged 39 years or younger at the time of application. In addition to the monetary award, the winner receives an appointment as writer in residence at Bard College for one semester, without the expectation that he or she teach traditional courses. The recipient gives at least one public lecture and meets informally with students. To apply, candidates should write a cover letter explaining the project they plan to work on while at Bard and submit a C.V., along with three copies of the published book they feel best represents their work. No manuscripts will be accepted. Applications for the 2015 prize must be received by July 15, 2014. For information about the Bard Fiction Prize, call 845-758-7087, send an e-mail to bfp@bard.edu, or visit www.bard.edu/bfp. Applicants may also request information by writing to the Bard Fiction Prize, Bard College, Annandale-on-Hudson, NY 12504-5000.

TO DOWNLOAD a high-resolution photo, go to: www.bard.edu/news/pressphotos/.
CAPTION INFO: Author Bennett Sims has been selected to receive the annual Bard Fiction Prize for 2014. 
PHOTO CREDIT: Carmen Machado



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ART SAN DIEGO - Contemporary Art Fair

Join Us!
ART SAN DIEGO - Contemporary Art Fair
November 7th - 10th

Thank you!

You can get 20% off any passes at this special link.
The promotion code has already been entered for you.
I look forward to seeing you at the art fair.

Alex Salazar - Art Dealer
--------------------------------------------------------------------------------------------------------------
Alexander Salazar Fine Art
WHITE BOX CONTEMPORARY





ALEXANDER SALAZAR FINE ART
640 Broadway- Suite A
San Diego, California 92101
WHITE BOX CONTEMPORARY
1040 7TH Avenue
San Diego, California 92101

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#SANDY


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Kashya Hildebrand London is proud to present Lalla Essaydi’s retrospective exhibition,Beyond Beauty




Private Preview and Artist Talk
Lalla Essaydi
Thursday, 24 October 2013
6-8pm

25 October – 8 December 2013
Beyond Beauty 






Kashya Hildebrand London is proud to present Lalla Essaydi’s retrospective exhibition,Beyond Beauty, spanning five major bodies of work from 2003 to 2012.

Currently based in the USA, Essaydi returns to her Moroccan girlhood through her work, looking back on it as an adult woman caught somewhere between past and present, and as an artist, exploring the language in which to "speak" from this uncertain space. She employs photography intersected with an array of artistic media and practices extending from installation to calligraphy and henna painting in her attempt to challenge Orientalist readings of Arab female identity. In this sense, Beyond Beauty documents how the artist constructs beauty through the assumption of tradition and the past and how she reaches through the windows of history, gender, architecture and culture.

Essaydi seeks to challenge our notions of history, gender, architecture and culture and the role that women inhabit in traditional Orientalist fantasies within them. Essaydi uses the recurrent iconography of the harem, which she deconstructs in her attempt to provide a revised reading of archetypical conceptions. The area of the harem corresponds to the private portion of the house, meant to accommodate the everyday life of the family’s female members and prevent encounters with men alien to the family.

She also uses intricate calligraphic text using henna instead of ink to fill everything from the walls to the fabrics her Odalisques wear. The henna painting comes to elaborately conceal the uncovered parts of the female bodies and in this sense assumes an allegorical dimension: even their bare skin becomes her canvas as she covers their ankles, legs, arms, wrists and faces in row upon row of tight script. What is key here is that the art of calligraphy itself is traditionally a male-dominated realm, yet Essaydi takes it and uses it with the ultra-feminine medium of henna dye (used by women to create decorative patterns for special occasions such as weddings). "By reclaiming the rich tradition of calligraphy and interweaving it with the traditionally female art of henna,” she explains, “I have been able to express, and yet, in another sense, dissolve the contradictions I have encountered in my culture: between hierarchy and fluidity, between public and private space, between the richness and the confining aspects of Islamic traditions."

Elsewhere, female figures ensconced in lavishly adorned kaftans, which reproduce the decorative motifs of the building’s facades,, pose as muted ‘odalisques’ against the photographic lens. Through this combined use of space, calligraphy, henna and costume, Essaydi explores the function of women as decorative features within the context of vernacular architecture. Adds Essaydi, "The women then, become literal odalisques (odalisque, from the Turkish, means to belong to a place)." As such, she is portrayed 'caged' amongst other acquisitions in the 'cabinet de curiosite' of the male dominion, the harem. This very physical and psychological environment of the home and harem haunts the artist, in the sense that it constitutes the space and the culture of her childhood within her.

In her latest series, we see a change in aesthetics, moving away from the bounds of traditional architectural spaces to a new Byzantine-like luxury. In Beyond Beauty, the works on display from the series Bullet and Bullets Revisited, showcase beautiful Odalisques adorned in shimmering materials against equally dazzling mosaic backdrops, giving an aura of warm-hued wealth and luxury. Upon closer inspection, however, every item, from clothing to the walls, is made up of carefully cut and polished bullet casings. These deadly, violent objects from contemporary society are juxtaposed with Essaydi’s classical scenes, rendering them objects of beauty within these delicate tableaux. Here, Essaydi has lifted her veiled beauties out from their backdrops of soft fabrics and made her women resplendent, very much at the forefront, glittering and glimmering in all their glory.
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Tuesday, October 22, 2013

Balencing New Growth












BALANCING NEW GROWTH-

AMY CASEY

-Opens November 6, 2013-   


After any pendulum swing grinds to a halt...

There will come a time when you will have to decide  
if you are going to wallow in the rubble -

or take what remains and create a new empire.


Footer (short)

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Time for Conversation & Art


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Oct 25th Friday Opening Reception 7-9pm










Oct 25th Friday
Opening Reception 7-9pm

EXHIBITION DATES:
October 26 - November 14
curated by James Cavello
With selections by the NYC25 Panel of Judges

LOCATION:
WESTWOOD GALLERY NYC
568 Broadway, suite 501
New York, NY 10012
T. 212-925-5700 


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Fine Art Magazine & The Contemporary Art Fair NYC Today's Featured Artists : Regina Tolomeo,Ron English, Rory Skagen, Royi

Fine Art Magazine & The Contemporary Art Fair NYC




Proud Sponsors of the Exhibition 

Artists For Peace and the Enviornment 

Todays featured artists: 
Regina Tolomeo
Ron English
Rory Skagen
Royi

To see the entire exhibit please join us: 

Friday, October 25 Noon-7pm
Saturday, October 26 10am-7pm
Sunday, October 27 10am-4pm
Jacob Javits Center-North
11th Avenue & 39th Street
New York, NY 10014






Royi





Rory Skagen

Ron English

Regina Tolomeo


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