Friday, June 3, 2022

Opening at the Aspen Art Museum, "Mountain / Time" is a major, museum-wide exhibition of contemporary moving image installations


ASPEN ART MUSEUM PRESENTS
MOUNTAIN / TIME 

A MUSEUM-WIDE EXHIBITION OF 

CONTEMPORARY MOVING IMAGE INSTALLATIONS

 

On View Through September 11, 2022

 

PROGRAMMING AND FILM SCREEINGS TO BE HELD THROUGHOUT THE ROARING FORK VALLEY, INCLUDING A SCREENING SERIES IN A DISUSED SILVER MINE

 



Installation view: Mountain / Time (Alan Michelson), Aspen Art Museum, 2022. Photo: Alan Michelson

 


 

WHAT

Opening at the Aspen Art Museum, Mountain / Time is a major, museum-wide exhibition of contemporary moving image installations by an inter-generational group of artists and works with themes inspired by the intertwined histories and geographies of the mountains and their ecological systems.

 

The exhibition features many of today’s most notable artists working in the medium of video, including Kahlil Joseph, Arthur Jafa, Doug Aitken, Korakrit Arunanondchai, Anicka Yi, Ian Cheng, Kandis Williams, Tourmaline, Maia Ruth Lee, Clarissa Tossin, Mark Leckey, and Alan Michelson. 

 

Programming for Mountain / Time will last throughout the summer and span a network of spaces across the Roaring Fork Valley, featuring several film screenings as well as live performances. Highlights include:

·       The Mountains Have Eyes, curated by Almudena Escobar López, Assistant Curator of Media Arts at the Memorial Art Gallery, Rochester, screening at the Crystal Theatre in Carbondale on June 4, bringing together “films that think with the body and feel with the mind...a porous, translucent and cumulative cinema.”

·       A rare screening of two of Thai filmmaker Apichatpong Weeraserthakul’s best-known films, Uncle Boonmee Who Can Recall His Past Lives (2010) and his most recent film Memoria (2021), starring Tilda Swinton, presented at The Arts Campus at Willits (TACAW) in Basalt on July 30 and 31. 

·       Together a “Ghost Cinema” performance by Korakrit Arunanondchai and Alex Gvojic will take place in a mountain meadow on August 4, inspired by the animistic cinematic practices of rural communities in Northeast Thailand.

·       In conjunction with the exhibition, Cauleen Smith will take up a two-week residency at Anderson Ranch, in collaboration with the Aspen Art Museum, where she will have the opportunity to research the geology and ecology of the valley.

·       A special screening event at the disused Smuggler Mine, with films projected inside the silver mine, and two film programs responding to the site screened outside. This program is curated by Anisa Jackson, Curator at Large at the Aspen Art Museum and scholar Michael B. Gillespie. Jackson’s screening presents films that situate the mine within histories of extraction, racialization, and settler colonialism. Gillespie’s screening gathers together films that pose challenging considerations of time, place, culture, and history. This site-specific program onSeptember 9 will invite participants to consider how mining among other extractive practices rearranges geology and its relationship to personhood.

 

Mountain / Time is curated by Chrissie Iles, the Anne & Joel Ehrenkranz Curator at the Whitney Museum of American Art, with Anisa Jackson and Simone Krug of the Aspen Art Museum. The exhibition includes generous loans from the Whitney Museum and the Rosenkranz Collection.

 

WHERE

Across the Roaring Fork Valley and at the Aspen Art Museum

637 East Hyman Avenue

Aspen, CO 81611

 

WHEN

Mountain / Time opens on May 27, 2022 and will be on view through September 11, 2022

 

Museum hours

Tuesday–Sunday, 10 AM–6 PM

Closed Mondays

 

ASPEN ART MUSEUM

 

Accredited by the American Alliance of Museums in 1979, the Aspen Art Museum is a globally engaged non-collecting contemporary art museum. Following the 2014 opening of the museum’s facility designed by Pritzker Prize–winning architect Shigeru Ban, the AAM enjoys increased attendance, renewed civic interaction, and international media attention. In July 2017, the AAM was one of ten institutions to receive the United States’ National Medal for Museum and Library Services for its educational outreach to rural communities in Colorado’s Roaring Fork Valley and its learning partnerships with civic and cultural partners within a 100-mile radius of the museum’s Aspen location. It is the only accredited museum on the Colorado Western Slope. 

 

AAM ADMISSION IS FREE courtesy of Amy and John Phelan. The AAM is grateful for additional support and a suggested donation of $25 will be welcome at the door.

 

Members are an important part of the AAM community. Membership advances the AAM’s mission to present the newest, most important evolutions in international contemporary art. Membership levels begin at $50 for an Individual Membership. Members can enjoy access to the opening reception on December 2 as well as priority registration to select events surrounding the exhibition. For more information, please visithttps://www.aspenartmuseum.org/join/membership.

 

AAM exhibitions are made possible by the Marx Exhibition Fund. General exhibition support is provided by the Toby Devan Lewis Visiting Artist Fund. Additional support is provided by the AAM National Council.

 

Visit the AAM online: aspenartmuseum.org

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Wednesday, June 1, 2022

Deborah Colton Gallery Artist S & S June 4 - September 3, 2022 Open House: June 4th, 1:00 to 5:00 pm

Artist S & S

June 4 - September 3, 2022
Open House: June 4th, 1:00 to 5:00 pm 

Deborah Colton Gallery is pleased to launch our Artist S & S Project. This stands for “Artist Solo & Studio” and we are excited about this project, both for the community and the artist that is chosen each year. 

Deborah Colton Gallery started in the early millennium in the artist studio building of 2500 Summer Street. One of the reasons that Deborah selected this space was that she wanted the gallery to be in a place where art was created. Our current gallery space started as the artist studio of Molly Gochman. Molly created the space, including the design on the building with the white convex and concave spheres on the outside of the building, which say “Welcome” in Braille. We want to embrace this original vision, just like we did in our old gallery space on Summer Street being in an artist studio building. Thus, during the summer, Deborah Colton Gallery is launching a new project which gives an emerging artist a chance to have a solo exhibition in the main gallery and set up an installation in the back half of the gallery as their working studio. Artist Grayson Chandler will launch this new endeavor with his exhibition IN VIAthis summer. In addition to our normal operations as a contemporary fine arts gallery serving all our artists, this project gives the community a chance to visualize what happens in an artist’s studio. It also gives the artist a chance to see how a commercial fine arts gallery is operated. All works in both the working studio installation and the IN VIA exhibition will be available for acquisition through Deborah Colton Gallery. Public Viewing Hours will be Thursday through Saturday, 1:00 to 6:30 pm. or “By Appointment.” 

Born in Houston, Texas in 1994, Grayson Chandler has been exposed to the visual arts since a young age. He began practicing drawing and painting in junior high at Lanier Middle School and continued to practice at Lamar High School where he was awarded the most artistic in his graduating class. Although he graduated in 2018 from the University of North Texas with a BFA in Studio Arts, Grayson debuted at Deborah Colton Gallery in 2017 with his solo exhibition, Tautologies & Memoirs. Thereafter, Deborah Colton Gallery hosted two more solos of his - Cocoon in 2019 and Telos: After Thought in 2020. Grayson Chandler’s works have been exhibited throughout Texas and nationally, and he recently had a solo exhibition at the Pearl Fincher Museum in Spring, Texas, entitled Apophenia.

As Deborah Colton states, “Grayson Chandler has exceptional talent and has met with great success in his artistic career already. He is an outstanding role model for young students who are inspired to pursue a career as fine arts artists, and for those just graduating from university with their fine arts degrees. Having a good understanding of his artistic process and being able to convey this clearly is enriching for anyone coming into the gallery during this time. In addition to our Public Viewing Hours, we hope to have at least one Artist Talk and a Q & A video done during the summer also. These will be able to be accessed at any time on our website.” "I'm excited to launch this new project for Deborah Colton Gallery. I will create a space where the scope of our imagination is given ground to explore the ways we conceive meaning in a manner similar to how life evolves with its environment." Grayson Chandler
Deborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists world-wide, whose diverse practices include painting, works on paper, sculpture, video, photography, performance, conceptual future media and public space installations.
phone: 713-869-5151
2445 North Boulevard, Houston, Texas 77098
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Friday, May 27, 2022

NYWIF call for submissions: The Women Calling the Shots showcase of short films made by women filmmakers will take place at the

nywift.org

The Women Calling the Shots showcase of short films made by women filmmakers will take place at the 30th Annual Hamptons International Film Festival (October 7th – 16th, 2022).

A partnership between the Hamptons International Film Festival (HIFF) and New York Women in Film & Television (NYWIFT), Women Calling the Shotsis in its 19th year. The series gives voice to the creative visions of women through film and video, including scripted, documentary, animation and experimental works.

NYWIFT invites its members, as well as members of Women in Film organizations worldwide, to submit their short films for consideration for this program that is curated by NYWIFT and HIFF.

No submission fee is required for applications.

SUBMISSION GUIDELINES

 SHORTS ONLY: Films must be 20 minutes or less in running time. (There will be no exceptions for films with extended running times.)
– Completion Date: Films must have been completed after January 31st, 2021.
– Previous submissions will not be accepted.
– Submitted films must not have been released theatrically or have received a U.S. television broadcast.
– Submitted films must not have been released publicly online prior to the festival.
– You must be a member of NYWIFT or another WIFTI chapter in order to qualify.

Submissions must be received by Friday June 24th, 2022 (11:59pm Eastern Time).

(No exceptions for late submissions.)

Please Note: Submitting a film for the Women Calling the Shots showcase does not qualify it as a submission for the main slate of The Hamptons International Film Festival.

SUBMIT

 

ABOUT THE FESTIVAL

The Hamptons International Film Festival (HIFF) was founded to celebrate independent film—long, short, fiction and documentary—and to introduce a unique and varied spectrum of international films and filmmakers to our audiences. The festival is committed to exhibiting films that express fresh voices and differing global perspectives, with the hope that these programs will enlighten audiences, provide invaluable exposure for filmmakers and present inspired entertainment for all.

The festival is the premiere film event on New York State’s east end, and is an intimate showcase of some of the year’s best offerings in contemporary cinema from around the world. With cash and in-kind prizes handed out totaling more than $180,000, HIFF’s annual Film Festival hosts four distinct competitions, focused specifically on early-career filmmakers, bolstering their work at an important juncture, and gives six other awards: Conflict & Resolution, The Tangerine Female Filmmaker award, Social Justice award, Lifetime Achievement award, Creative Impacting in Acting award, and monetary awards for shorts by college students.

The 2022 Hamptons International Film Festival will take place October 7-16, 2022. 

The Glass House Summer Party Benefit Auction starts today May 27, 2022

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Summer Benefit Auction is Live on Artsy!

Bidding is open now through Saturday, June 11 at 4:00 pm EDT.


The Glass House Summer Benefit Auction is an annual event that offers the opportunity to discover and collect art from a curated selection. The auction also features luxury experiences and unique design items.


All proceeds provide critical support towards the preservation of The Glass House.


To view the complete auction of 130 lots click HERE.


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Ryan Schneider 

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Apparatus

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Jon Pestoni

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Alex Katz

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DABSMYLA

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Ruemmler

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Dashiell Manley

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Bjarke Ingels

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Alice Tippit

Click HERE to view the entire auction.

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Catinca Tabacaru Gallery is thrilled to announce Catinca Malaimare's participation in the 20th Pančevo Biennial opening tonight with a live performance work her "Best Boy Electric."



CATINCA MALAIMARE

20TH BIENNIAL OF ART PANČEVO 2022
raphinerymonastery

Opening TONIGHT
May 27, 2022 | 17:30-20:00
Live performance by Catinca Malaimare| @ 19:30
SK 12 Building Dr. Svetislava Kasapinovicá 12, Pančevo, SERBIA

CURATED BY: MAJA ĆIRIĆ
Through June 27, 2022
Catinca Tabacaru Gallery is thrilled to announce Catinca Malaimare's participation in the 20th Pančevo Biennial opening tonight with Malaimare's live performance work Best Boy Electric.

- How did you find the concept of your work for the Biennale?

I titled the work in the Biennial Best Boy Electric as a way of framing the encounter with the celestial machines and the complexities that arise with an infinite incarnation of technologies as our objects of attraction. Machines are very interested in watching and observing, but they are not discreet. Our encounters are more like confrontations and these dynamics keep getting exercised in my work. While with machines, we tend to realise how much the human sympathy for technology follows the formula of “like knows like.” We are capable of understanding them only through subjecting them to anthropomorphism or, in turn, we tend to technologise ourselves. There’s a lot of grey area I like to fill. This sense of kinship and sympathy, the sex appeal of the inorganic, is going to be present and playful. 
- Catinca Malaimare
Read Full Interview
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GALERIA CATINCA TABACARU
Calea Giulești 14, etaj 3, Bucharest
+40 (0) 722 430 430
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