Thursday, February 19, 2015

Art Basel Crowd Funding / If your into the arts this is an interesting new media





February 19, 2015




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News from Bogotá

We would like to announce that FLORA ars+natura, a contemporary art space that specializes in the relationship between art and nature just launched a campaign on Art Basel's curated page on Kickstarter to raise funds to build a community library and documentation center at their residency space in Bogotá, Colombia. 

Simultaneously, the public art organization LAND (Los Angeles Nomadic Division) is very close to reaching their goal to realize a weekend of public programs celebrating the culmination of their cross country billboard art exhibition “The Manifest Destiny Billboard Project.” 

To learn more about the Crowdfunding Initiative, our short film offers a first-hand account from key participants of our initiative. 

Learn more about how you can support innovative non-profit art organizations around the world, receive creative rewards and engage with the projects directly through Art Basel's Crowdfunding Initiative.

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With our warmest regards,



Marc Spiegler
Director
Art Basel




Michèle Sandoz
Head of VIP & Visitor Services
Art Basel






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Exhibitions on View


If you are visiting Sydney or New York City over the next month, we encourage you to see these exciting exhibitions from two of Art Basel's Crowdfunding Initiative participants:


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4A Centre for Contemporary Asian Art
'Actions for Tomorrow' by Chinese art collective Yangjiang Group pushes the boundaries of traditional Chinese calligraphy by exploring ideas of collective action through large-scale architectural constructions, video projections and public performances. January 7 to March 7, 2015



SculptureCenter
'Araya Rasdjarmrearnsook' presented by SculptureCenter, is the Thai artist's first retrospective in the United States. January 25 to March 30, 2015.


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Wednesday, February 18, 2015

art on paper is moving inside to Pier 36, launching this March 5 - 8

Purchase Tickets

Your Complimentary Fair Pass for Art on Paper

art on paper is thrilled to announce our 2015 exhibitor list. With 55 galleries from around the world bringing the best in paper-based art to New York City's Pier 36, this year's art on paper is guaranteed to be March's top destination for collecting, learning, looking, and celebrating.

Pier 36 will be a dynamic hub of creativity with innovative presentations of paper-based art enhanced by museum-quality installations, exciting lectures and demonstrations, andexclusive access to favorite local restaurants, music, and cocktail programs. We are honored to have such incredible artists as Michael ScogginsWayne WhiteDave EggersMia Pearlman, and William Beckman activating art on paper's public spaces with their ground-breaking installations that will, in the words of The Art Newspaper, challenge the notion of "what a work on paper can be."

art on paper


art on paper will launch Thursday, March 5 with an opening night celebration supporting Beneficiary Parter Brooklyn Museum and its school programs. Morris Sandwich Shopwill feature their famously decadent, local & seasonal grilled cheeses and house-made cocktails throughout the evening. The beloved food truck's brick and mortar spot may be new to the scene, but it's already an institution, hitting Eater's Brooklyn Heatmap just last week. Brooklyn-based Live Footage, the two part jazz + classical = electronic band, will set the scene with their cinematic hip hop performance. Opening night guests, including top collectors, curators, museum directors, and artists, will have the first look atart on paper and the chance to support one of the city's most important institutions.

Programming will continue throughout the weekend with a live demonstration of metalpoint by artist Susan SchwalbThe National Gallery of Art and the British Museum are currently featuring Schwalb's work alongside drawings by Leonardo da VinciRaphaelRembrandt van Rijn, and Jasper Johns in a comprehensive examination of the history of metalpoint, so this is an opportunity that shouldn't be missed. Presenting Partner The Wall Street Journal will offer exclusive tours, receptions and complimentary passes for WSJ+ members, as well as free daily copies of the paper and WSJ. magazine to everyone at the fair. art on paper's Creative Director Sasha Wolfhas assembled a collection of limited edition artist books from around the country that will be available to the public at her beautifully curated art on paper bookstore in the upstairs lounge.

art on paper

We look forward to welcoming the public to what Artnet has dubbed "a new kind of art fair" on Pier 36 in a few short weeks.
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Catinca Tabacaru Gallery presents Gail Stoicheff: Distressed Blonde, March 1 - 29, 2015





Detail of Installation, Poisson, 2015, oil and dye on linen and canvas, Hydrocal, 61 x 52 inches
Gail Stoicheff: DISTRESSED BLONDE
March 1 - 29, 2015
250 Broome Street, New York, NY 10002

OPENING Reception:
Sunday, March 1, 6PM-8PM

Catinca Tabacaru Gallery presents Gail Stoicheff: Distressed Blonde, an exhibition of 13 white rabbits, one phoenix, a handful of medium-sized paintings and two large scale works for which the artist demanded new walls be built. This marks Stoicheff’s first solo exHibition in New York as well as the gallery’s first show with the Brooklyn based painter.

Stoicheff is a material alchemist with two broken fingErs. In her hands, base elements of linen, velvet, gypsum, dye and oil paint are transformed into an unknown alloy. Like a heavy case of jemais vu, she conjures weirdness from the familiar through quasi-magical imagery, mysterious surfaces and smalL cast objects. The work is simultaneously serious and Playful, often calling into question which is which---cute becomes ominous, common becomes strange.

The pieces presented here are visually bountiful. The large works evoke flags of imaginary countries with questionable ideologies or leftover artifacts from a commune that has collapsed into a cult. Her Manipulations of canvas manifest trompe-l’oeil hellish cave walls and dark sacred geometry one moment and bright hippie mysticism the next.  Upon these, marks of the painting process are allowed to coexist with intentional gestures, adornment and defacement at once. Small rabbits cast in Hydrocal or painted in oil populate the gallery, leaning against or sitting aloft larger works, inviting us to follow them down the rabbit hole that is Stoicheff’s eclectic practicE.

Fifi (detail), 2015, oil and dye on velvet and canvas, Hydrocal, metal chain, 96 x 72 inches
Raised in a small town in rural Pennsylvania, Stoicheff received her MFA from Bard College, Milton Avery Graduate School of the Arts, in 2005. She was the recipient of Robert Motherwell’s prestigious Daedalus Foundation Master of Fine Arts Fellowship in Painting, as well as The Elaine DeKooning Painting Award, and was recently the featured cover artist for Little Star Weekly literary journal. She has been with the gallery since its inception. 

250 Broome Street
Tuesday - Sunday 11am - 6pm
212-260-2481      www.catincatabacaru.com
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June Harwood, Louis Stern Fine Arts



JUNE HARWOOD (1933 – 2015)

“My paint application was (always) uniform,
that is to say that no brush strokes were evident,
creating impeccable, flat surfaces. Thus there would be no distraction from the intent, which was to create an interplay
of ‘colorforms.’ Jules (Langsner) used this term to mean that
color and form are one. One would not exist without the other.”
- June Harwood in interview

June Harwood made a name for herself in the 1960s as an inventive Hard Edge painter. She was included in nearly every important Hard Edge exhibition in and around Southern California, most significantly in California Hard Edge Painting curated by Jules Langsner in 1964 and in Dave Hickey’s invigorating 2004 homage to “The Los Angeles School” exhibited at Otis College of Art and Design.

Harwood was born in Middletown, New York and received a Bachelor of Fine Arts degree from Syracuse University and Master of Arts from California State University at Los Angeles.  Her training at Syracuse University, with an emphasis on the formal aspects of painting, reasonably predicted her interest in Hard-Edge- the term having been coined by her late husband, art critic Jules Langsner.

Harwood has exhibited widely on the West Coast, and her work is included in numerous private, corporate and public collections including University of Southern California, University of California Santa Barbara, California State University Los Angeles, Los Angeles Valley College, Long Beach Museum of Art, Newport Museum of Art, San Jose Museum of Art, Cedars Sinai Hospital, Los Angeles, Home Savings and Loan, Los Angeles, and Western States Producing Company, San Antonio.

In addition to her career as an artist, Harwood was a celebrated educator in the arts for many years, including her 1972-1994 tenure as Professor of Art at Los Angeles Valley College.


June Harwood is represented exclusively by Louis Stern Fine Arts.

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Sunday, February 15, 2015

The Lone Art Space: Tancredi Mangano Da Una Certa Distanza (B69) Feb. 27-April 3



Tancredi Mangano
Da Una Certa Distanza (B69)

27 Febbraio / 3 Aprile 2015
Lun. / Ven. ore 10.00-13.00 - 14.30-19.00
  
Inaugurazione: Giovedì 26 Febbraio ore 18.30 


DUCD #1456, DUCD #63 (dettaglio)

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Scope 2015 March 6-8





ALEX YANES, Untitled, 2014
Mixed media sculpture, installation
Courtesy of Joseph Gross Gallery



Thursday, February 12, 2015

12 February 2015, Amsterdam – King Willem-Alexander of the Netherlands officially opened the Late Rembrandt exhibition at the Rijksmuseum today.
























12 February 2015, Amsterdam – King Willem-Alexander of the Netherlands officially opened the Late Rembrandt exhibition at the Rijksmuseum today.

The Rijksmuseum’s Director and General Manager Wim Pijbes and Head of Visual Arts Gregor Weber accompanied King Willem-Alexander on a tour of the exhibition highlighted by masterworks including the Portrait of Jan Six (Six Collection), Self-Portrait with Two Circles (Kenwood House, London) and the Family Portrait (Herzog Anton Ulrich-museum, Braunschweig).

Late Rembrandt is the Rijksmuseum’s first ever presentation of a major exhibition dedicated to Rembrandt’s late works.  The exhibition provides a comprehensive overview of Rembrandt’s output between 1651 and his death in 1669 – including over one hundred works, all of which created in Amsterdam.  Complementing Rijksmuseum’s extensive collection of Rembrandt are works on loan from leading international museums and private collections, many never before shown together.

Late Rembrandt is created in collaboration with The National Gallery London, where the exhibition was held 15 October 2014 – 18 January 2015.

Image Caption:  King Willem-Alexander of the Netherlands (l) and Rijksmuseum director Wim Pijbes (r) in front of Rembrandt self-portrait at the opening of Late Rembrandt exhibition at the Rijksmuseum, Amsterdam.

For further information and images: