Japan Society, Transcending Time: Japanese Art & Technology Wednesday, January 31, 2024 at 6:30 pm ET,

Japan Society & Japan Institute of Portland Japanese Garden Present  Transcending Time: Japanese Art & Technology         Kenninji © Naoko Tosa Part of the Living Traditions Series, A Multi-Part Program Designed to Examine Iconic Facets of Japanese Culture From Ancient Roots to Modern Day Wednesday, January 31, 2024 at 6:30 pm ET - Japanese art has an allure that transcends time, from the resplendent beauty of paintings on golden screens to the elegant lines of ikebana flower arrangements. In modern times, new technologies are revolutionizing our engagement with these art forms. High-precision replicas of precious paintings can be created, allowing the originals to be safely preserved, while still being accessible to the public. Meanwhile, contemporary artists are using technology to express traditional Japanese artistic concepts in novel ways.   In the first ever in-person installment of Living Traditions, a public forum that explores Japanese culture, Frank Feltens, Curator of Japanese Art at the Smithsonian’s National Museum of Asian Art, and Japanese new media artist and Professor of Kyoto University Naoko Tosa, creator of Sounds of Ikebana, will examine the applications of technology in the world of Japanese art today. This conversation will be moderated by Monika Bincsik, Diane and Arthur Abbey Curator for Japanese Decorative Arts at the Metropolitan Museum of Art.    Program Details: This in-person event is free, with advance registration required.   Location: Japan Society, 333 East 47th St., New York, NY 10017   Date and Time: Wednesday, January 31, 2024 at 6:30 pm ET   For more information visit: https://japansociety.org/events/transcending-time-japanese-art-technology/   About the Living Traditions Series Many of today’s most popular and newest trends are rooted in ancient Japanese tradition going back centuries, if not millennia. The Living Traditions series unravels the historical journeys of some of the most iconic facets of Japanese culture through conversations between thought-provoking experts and cultural stewards on how they maintain deep-rooted traditions in the present day. Previous lectures focused on topics including Japanese gardens, Zen and spiritual practices, manga and anime and architecture. They can be viewed here.

Biographies:

Frank Feltens is Curator of Japanese Art at the Smithsonian’s National Museum of Asian Art. He holds a PhD in Japanese art history from Columbia University. Feltens is a specialist in Japanese painting with a focus on the late medieval and early modern periods. At NMAA, Feltens has organized a number of exhibitions, including Mind Over Matter: Zen in Medieval Japan (2022), Hokusai: Mad about Painting (2019/2022), and Japan Modern: Prints in the Age of Photography (2018–19). His books include Ogata Kōrin: Art in Early Modern Japan (Yale, 2021) and, with Yukio Lippit, Sesson Shūkei: A Zen Monk-Painter in Medieval Japan (Hirmer, 2021).

Naoko Tosa has been a Professor at Kyoto University since 2005. After receiving her PhD in art and technology research from the University of Tokyo she worked as a researcher at the ATR (Advanced Technology Research Labs) Media Integration & Communication Lab (1995-2001). As an Artist Fellow at the Center for Advanced Visual Studies (CAVS), Massachusetts Institute of Technology (2001-2004), she established a new research theme, “Cultural Computing,” which has been widely accepted by researchers worldwide. Tosa’s artwork has been shown and collected by the Museum of Modern Art. Also, her artwork has been exhibited by many museums such as the National Museum of Art in Osaka. In 2016, she was appointed as the 2016 Cultural Exchange Ambassador, visiting 10 cities in eight countries, and spent a month in in New York City, screening “Sound of Ikebana: Spring” on over 60 billboards in Times Square and conducting cultural exchanges.  Monika Bincsik is Diane and Arthur Abbey Curator for Japanese Decorative Arts at The Metropolitan Museum of Art, New York. From 2008 to 2009 she was a Jane and Morgan Whitney Research Fellow at The Met. Later she worked as a research assistant at Ritsumeikan University in Kyoto, where she earned a second Ph.D. on Japanese lacquers. She has organized numerous exhibitions for the museum, notably Discovering Japanese Art: American Collectors and the Met (2015); Japanese Bamboo Art: The Abbey Collection (2017); Kyoto: Capital of Artistic Imagination (2019); and Kimono Style: The John C. Weber Collection. She has published extensively on Japanese decorative arts and collecting history, recently in The Tale of Genji: A Japanese Classic Illuminated (2019) and Kimono Style: Edo Traditions to Modern Design (2022).

About Japan Society Japan Society is the premier organization connecting Japanese arts, culture, business and society with audiences in New York and around the world. At Japan Society, we are inspired by the Japanese concept of kizuna (絆)–forging deep connections to bind people together. We are committed to telling the story of Japan while strengthening connections within New York City and building new bridges beyond. In over 100 years of work, we’ve inspired generations by establishing ourselves as pioneers in supporting international exchanges in arts and culture, business, and policy, as well as education between Japan and the U.S. We strive to convene important conversations on topics that bind our two countries together, champion the next generation of innovative creators, promote mutual understanding and serve as a trusted guide for people everywhere who seek to more fully appreciate the rich complexities and abundance of Japan. From our New York headquarters, a landmark building designed by architect Junzo Yoshimura that opened to the public in 1971, we look forward to the years ahead, which will be defined by our digital and ideational impact through the kizuna that we build. Our future can only be enhanced by learning from our peers and engaging with our audiences, both near and far. Connect With Us! Follow us on Facebook, Instagram, Twitter, and YouTube. For further information, please visit www.japansociety.org.   About Portland Japanese Garden: Portland Japanese Garden is a nonprofit organization founded in 1963 as a place for cross-cultural understanding following World War II. A hallmark in the City of Portland and the state of Oregon, the Garden was founded on the ideals of peace and mutual understanding between peoples and cultures. Portland Japanese Garden is considered the most authentic Japanese garden outside of Japan and among the foremost Japanese cultural organizations in the world.     About Japan Institute: Japan Institute was established in 2022 as a global cultural initiative of Portland Japanese Garden. This sibling organization is the programmatic arm of Portland Japanese Garden, allowing us to share and expand our cultural programs more broadly around the world, deepen international partnerships, and continue to engage diverse people in shared experiences and conversations about peace, beauty, and connection of nature. Japan Institute consists of three centers: Global Center for Culture and Art, International Exchange Forum, and International Japanese Garden Training Center.    Portland Japanese Garden and Japan Institute share the mission:    Inspiring Harmony & Peace      Connect With Portland Japanese Garden! Follow us on Facebook, Instagram, Twitter, and YouTube. For further information, please visit www.japanesegarden.org

Living Traditions series is co-presented with the Japan Institute of Portland Japanese Garden and supported by the Government of Japan.   Japan Society programs are made possible by leadership support from Booth Ferris Foundation and the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Additional support for cultural programs is provided by an anonymous donor and the Sandy Heck Lecture Fund. #japansocietyportland#fineartmagazine#fineartfun

12th VisArts' Rockville Arts Festival Rockville Town Square, Rockville MD May 4-5, 2024 Application Deadline 1/12/24

12th VisArts' Rockville Arts Festival Rockville Town Square, Rockville MD May 4-5, 2024 Application Deadline 1/12/24 Apply Here Friday setup Limited to 130 Artists Past attendance 10,000-12,000+ Every Booth is a Corner Hotel on site with great artist rates Sunday artist hot breakfast Extensive PR and Marketing On-site experienced festival staff Live art demonstrations by VisArts professional artists Festival program sent to over 10,000 households prior to the festival Booth sitting 24/7 Police security Jury Fee: $35 Booth Fee: $495 (10'x10') | $990 (10'x20') Double Corner NOW ACCEPTING APPLICATIONS on ZAPP Application Deadline: January 12, 2024 Artist Notification: January 19, 2024 Booth Fee Due: February 29, 2024 If you have any questions, please contact Robin Markowitz, Festival Director at rmarkowitz@visartscenter.org or call 202-251-0637 Visit our Website for more information The 12th Annual VisArts' Rockville Arts Festival invites you to showcase your original art, May 4-5, 2024. This festival will create a beautiful outdoor pedestrian gallery on the streets of Rockville Town Square. This lively festival showcases the work of 130 artisans, has weekend long art demonstrations by VisArts artists, community art programing and is actively supported by the many City of Rockville cultural and artistic organizations. The Festival in 2023 attracted 12,000+ high income attendees from the Washington, DC Metro Area, and surrounding suburbs of Rockville, Bethesda, and Chevy Chase. This event is produced by VisArts is a 501 (c)(3) non-profit organization. Our mission is is create and maintain a vibrant, diverse community enriched and connected by the visual arts. #vsualsrtsrockville#fineartmagazine#fneartfun

Leila Heller Gallery's Holiday Group Show, inaugurating our new New York gallery location in the Fine Arts Building, at 22 East 80th Street.

Leila Heller Gallery is pleased to announce our Holiday Group Show, inaugurating our new New York gallery location in the Fine Arts Building, at 22 East 80th Street, ground level.   The show features works by Ana D'Castro, Antonio Diaz, Anton Bakker, Bahar Sabzevari, Bill Tansey, Christophe von Hohenberg, Darvish, Farideh Lashai, Helena Chastel, John Clement, Katya Traboulsi, Laila J, Mark Hadjipateras, Maxi Cohen, Melis Buyruk, Mouna Rebeiz, Naeemeh Kazemi, Nathaniel Aric Galka, Neal Rock, Nick Moss, Parinaz Eleish Gharagozlou, Ran Hwang, Roham Shamekh, Sarp Kerem Yavuz, Soheil Rad, Sumayyah Samaha, and Tarik Currimbhoy. Melis Buyruk Golden Bloom, 2022 Porcelain, 18k gold decorated 115 x 115 x 15 cm., 45.276 x 45.276 x 5.906 in. $35,000 INQUIRE Laila J Nolita, 2023 Print on Paper 17 x 14 in. $500 INQUIRE Anton Bakker                                                                  Anton Bakker Dual Knot Symphony, 2023                                               Infinity, 2023 Red-coated stainless steel on black marble base                 Stainless steel on black marble base 12 x 17 x 22 in.                                                              16 x 29 x 34 in. $19,000                                                                         $22,000 INQUIRE Bahar Sabzevari Untitled ( crown series ), 2023 mixed media on wood panel 14 x 11 in. $6,000 INQUIRE Nathaniel Galka "in my small garden....", 2021 aubergine ink on watercolor paper 30 x 22 in. $5,500 INQUIRE LEILA HELLER GALLERY   NEW YORK 17 East 76th Street New York, NY 10021   THE FINE ARTS BUILDING 22 East 80th Street, Ground Level New York, NY 10075   T: +1 212 249 7695 info@leilahellergallery.com     DUBAI I-87, Alserkal Avenue PO Box 410683 Al Quoz 1, Dubai, UAE T: +971 4 321 6942 dubai@leilahellergallery.com        #leilahellergallery#fienartmagazine#fineartfun

K E N I S E B A R N E S F I N E A R T, Cool & Collected' 24 Featuring Matt Barter, Joan Linder, Mary Tooley Parker, and Polly Shindler January 6 - February 18

K E N I S E B A R N E S F I N E  A R T

Exhibition dates: January 6 – February 18, 2024

Reception: Saturday January 6 – 4:00 – 6:00 PM, public invited

Gallery hours: Thursday – Saturday 11:00 – 5:30

Sunday 12:00 – 4:00

COOL & COLLECTED ‘24

Matt Barter, Joan Linder, Mary Tooley Parker, and Polly Shindler

Matt Barter’s paintings center on Maine, specifically the fishing industry in Frenchman’s Cove where he grew up. A self-taught painter, Barter is inspired by his own father who is also an artist, and by the great American painter Marsden Hartley. Matt Barter researches material for his work by spending time on the fishing piers chatting with the workers and learning about their lives/struggles. He calls this research "Downeast Anthropology”.

Cool & Collected' 24
Featuring Matt Barter, Joan Linder, Mary Tooley Parker, and Polly Shindler
January 6 - February 18
Public reception on Saturday, January 6 from 4 – 6 

Matt Barter

The Bait Bin, 2023

Signed on recto, signed, dated and titled on verso

oil on board

24 x 32 inches

(Barter005)

view large image

Joan Linder

Wegmans Large, 2020

ink and watercolor on paper

12 x 18 inches (unframed)

(Lind003)

view large image

Mary Tooley Parker

Hells Angels NYC Headquarters 1980s, 2020

Signed, dated and titled on label on verso

hooked tapestry

25 x 34 inches

(Tool002)

view large image

Polly Shindler

Pink Bathroom With Clawfoot Tub, 2020

acrylic on canvas

11 x 14 inches

(Shind001)

view large image

Best regards,

Lani Holloway, associate director
Direct line: 860 560 3085

K E N I S E B A R N E S F I N E A R T

PO Box 356, 7 Fulling Lane
Kent, CT 06757 860 592 0220
Hours: Thurs. - Sat. 11 - 5:30, Sun.12 - 4:00 and by appoint. 

sales and customer service
Tues. - Sat. 860 560 3085

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Casyey Chalem Anderson exhibits at the Georg Billis Gallery!

NYC: 527 W. 23 Street, Ground Floor NY NY 10011 CT: 1700 Post Road #3E Fairfield, CT 06824 212.645.2621 gallery@georgebillis.com georgebillis.com Voted #1 Gallery in Connecticut's Gold Coast for 2022 & 2023

#gerogebillisgallery#fineartmagazine#fineartholidayfun