Exhibitions at the GALERIA CATINCA TABACARU

XAVIER ROBLES DE MEDINA @ KÜNSTLERHAUS BREMEN    Xavier Robles de Medina, Gorillas in the Mountains of Southern Nigeria: World’s rarest great ape pictured with babies, BBCNews, 9 July 2020, 2022, Acrylic on wood, 114 × 200 cm Installation at Künstlerhaus Bremen, Germany. The Palliative Turn Curated by Nadja Quante in close collaboration with Kasia Fudakowski and Olav Westphalen  9 July – 3 October 2022 Am Deich 68/69, D–28199 Bremen, Germany   ARTISTS: Carla Åhlander, Louise Ashcroft, Simon Blanck, Christoph Draeger, Kasia Fudakowski, Anna Gohmert, Annemarie Goldschmidt, Teal Griffin, Harry Haddon, Ethan Hayes-Chute, Hjertström-Lappalainen, Per Hüttner, Nina Katchadourian, Alex Kwartler, Karin Kytökangas, Keith Larson, Mathias Lempart, Dafna Maimon, Marit Neeb, Laura Pientka, Sascia Reibel, John-Luke Roberts, Xavier Robles de Medina, Lydia Röder, Ruth Rubers, Maxwell Stephens, Anna M. Szaflarski, Nala Tessloff, Jana Thiel, Olav Westphalen, Gernot Wieland   The Palliative Turn is a project that spans across an exhibition, a program of events and a magazine that will be launched at the finissage. The project brings together contributions from artists, designers, a kinesiologist, a philosopher, a comedian, a grief and death counsellor, and a climate scientist, who have entered into an exchange within the framework of the Association for the Palliative Turn (APT). Founded in 2020, APT is an open-ended collaboration dedicated to discussing and promoting a palliative approach to, and in the arts. With an experimental, speculative and humorous approach, APT applies the concepts and approaches of palliative care to the current crises of civilization, viewing the period before systemic collapse as a time of insight, growth, and profound joy in all that is left. APT proposes no solutions, but an acceptance of the finitude of life and the limits of our remaining possibilities.   more details. CHIOMA EBINAMA @ NOTTINGHAM CONTEMPORARY   Chioma Ebinama, March of mothers, 2022 (detail) watercolour and coffee on handmade paper, 100 x 70 cm Hollow Earth: Art, Caves & The Subterranean Imaginary OPENING: September 24, 2022 Weekday Cross, Nottingham, NG1 2GB, UK   ARTISTS: Hamed Abdalla, Lee Bontecou, Sofia Borges, Brassaï, The Center for Land Use Interpretation, Steven Claydon, Matt Copson, Juan Downey, Chioma Ebinama, Mary Beth Edelson, Laura Emsley, Barry Flanagan, Ilana Halperin, Frank Heath, Ed Herring, Michael Ho, Hans Hollein, Peter Hujar, Athanasius Kircher, Alison Knowles, Antti Lovag, Goshka Macuga, René Magritte, Gordon Matta-Clark, Emma McCormick-Goodhart, Santu Mofokeng, Henry Moore, Nadar, Ailbhe Ní Bhriain, Pauline Oliveros, Lydia Ourahmane, Gordon Parks, Flora Parrott, Walter Pichler, Giuseppe Pinot-Gallizio, Liv Preston, Ben Rivers, Robert Smithson, Michelle Stuart, N.H. Stubbing, Caragh Thuring, Kaari Upson, Jeff Wall, Aubrey Williams, Joseph Wright of Derby   Nottingham Contemporary presents Hollow Earth: Art, Caves and The Subterranean Imaginary, a major thematic exhibition which brings together a wide range of responses to the image and idea of the cave. It includes painting, photography, sculpture, sound, installation and video, as well as archives and architectural models, stretching from 1960 to today, alongside works from the 18th and 19th centuries. Beneath Nottingham are over 800 caves, hand-carved into the sandstone bedrock. For centuries, they have played host to dwellings, mines, cellars and tanneries. Inspired by this subterranean city, Hollow Earth brings together 150 works by more than 50 artists to explore questions of thresholds, darkness and prehistory.   more details.   CATINCA MALAIMARE @ KUNSTHAUS NRW   Catinca Malaimare, Emergency Ex, 2022, Performance, 17 mins. Photo: Rocio Chacon Very Contemporary Performance-Festival cross-border IKOB presents Catinca Malaimare: Emergency Ex OPENING: September 24, 2022 Kunsthaus NRW, Abteigarten 6, 52076 Aachen, Germany   EUREGIO Very Contemporary 2022 network for the first time ever organises a joint art festival bringing together institutions from Belgium, Germany and the Netherlands to showcase selected performance works at the Kunsthaus NRW in Aachen-Kornelimünster. The participating institutions are Greylight Projects (Heerlen NL), IKOB (Eupen BE), Jester (Genk BE), Kunsthaus NRW (Aachen DE), Leopold-Hoesch-Museum (Düren DE), NAK Neuer Aachener Kunstverein (Aachen DE). IKOB presents the performance Emergency Ex (2022) by Catinca Malaimare: an intimate encounter between human bodies and machines. In a choreography of movement, sound and light, human and non-human actors become equal collaborators in creating a sensuous and otherworldly environment. Suggesting not just a technical, but an affective codependency between us and our screens, Emergency Ex conjures a not-so-distant future where face and interface have become indistinguishable. more details.

GALERIA CATINCA TABACARU Calea Giulesti, 14, etaj 3, Bucharest +40 (0) 722 430 430 #galeriactincatabacaeu#fineartmagazine#fineartnews

Untitled Art, Miami 2022 exhibitors list!

We are thrilled to announce that the Exhibitor list is now live on our website and featured on ArtNews. Please see the full list below and click here to explore over 140 participating galleries and non-profits from 31 countries. Untitled Art Miami Beach will take place from Tuesday, November 29 to Saturday, December 3, with a VIP & Press Preview on Monday, November 28. The fair will return this year with compelling booth presentations, site-specific installations, and performances as part of an expanded curatorial platform spearheaded by our Artistic Director, Omar López-Chahoud. Untitled Art’s Founder and Director Jeffrey Lawson says: “For this year’s edition of Untitled Art, we are looking to stage an ambitious and forward-thinking presentation that reconsiders the role of an art fair in today’s cultural landscape. In response to the growing commercialization of the art world, we are prioritizing collaboration, inclusivity, and providing space for collectors, art historians, curators, writers, and academics to interact, learn, and discover. We are excited to return with our strongest and most international program yet.” Highlights include— Our ‘Nest’ sector will return for its second year to provide subsidized booths to 20 young and emerging galleries and non-profits. This year we’re pleased to partner with Vortic as our Digital Partner to create 3D and VR experiences as an extension of ‘Nest’ as well as sponsor the fair’s ‘Nest Prize.’ In celebration of our commitment to Miami, we are pleased to continue highlighting leading Miami-based galleries and non-profit organizations as well as our longstanding cultural partnerships with local institutions. Continuing to provide a platform to non-profit organizations including Chicago-based Arts of Life/Circle Contemporary and Florida-based Long Road Projects. We are also partnering with Her Clique who will release three editions by 2022 women-identifying exhibiting artists and donate the proceeds to charity.  A new annual initiative to select one participating gallery to present a solo booth highlighting the work of an older or deceased artist who has made a significant contribution to contemporary art discourse: Galerie Christian Lethert (Cologne, Germany) showing the work of 82-year-old artist Imi Knoebel. The reignition of our ‘writers-in-residence’ program to support the crucial advancement of art criticism while cultivating the next generation of writers.  To read further, please view the press release here.   Our team looks forward to welcoming you at the fair this year, The Exhibitors for Untitled Art, Miami Beach 2022 are— [NAME] (Miami, FL) 1969 Gallery (New York, NY) 31 PROJECT (Paris, France) 50 Golborne (London, UK) Addis Fine Art (London, UK / Addis Ababa, Ethiopia) albertz benda (New York, NY / Los Angeles, CA) Allouche Benias (Athens, Greece) Anna Erickson Presents (Nashville, TN) Aperture (New York, NY) Artnueve (Murcia, Spain) Arts of Life/Circle Contemporary(Chicago, IL) Asya Geisberg Gallery (New York, NY) Badr El Jundi (Madrid, Spain) Benrubi Gallery (New York, NY) Bienvenu Steinberg & J (New York, NY) Bill Arning Exhibitions (Houston, TX / Kinderhook, NY) bitforms gallery (New York, NY / San Francisco, CA) Bode Projects (Berlin, Germany) C O U N T Y (Palm Beach, FL) CARL KOSTYÁL GALLERY(London, UK / Stockholm, Sweden / Milan, Italy) CARVALHO PARK (Brooklyn, NY) Casa Hoffmann (Bogotá, Colombia) Casemore Gallery (San Francisco, CA) Cindy Rucker Gallery (New York, NY) Cirrus Gallery & Cirrus Editions Ltd.(Los Angeles, CA) Cob Gallery (London, UK) COHJU contemporary art (Kyoto, Japan) Colector (Monterrey, Mexico) DANIELA ELBAHARA (Mexico City, Mexico) Davidson Gallery (New York, NY) De Buck Gallery (New York, NY / Saint Paul De Vence, France) Denny Dimin Gallery (New York, NY / Hong Kong) Diane Rosenstein Gallery (Los Angeles, CA) Dimensions Variable (Miami, FL) Dio Horia (Athens, Greece) Double V Gallery (Marseille, France) Eden Airlines (Richmond, VA) Eduardo Secci (Florence / Milan, Italy) El Apartamento (La Habana, Cuba) Eleanor Harwood Gallery (San Francisco, CA) Emerson Dorsch (Miami, FL) Erin Cluley Gallery (Dallas, TX) Espacio Valverde (Madrid, Spain) FABIENNE LEVY (Lausanne, Switzerland) Fran Reus (Palma de Mallorca, Spain) Fredericks & Freiser (New York, NY) G Gallery (Seoul, South Korea) GALERÍA ENRIQUE GUERRERO(Mexico City / Todos Santos, Mexico) Galería Espacio Continuo (Bogotá, Colombia) Galeria MPA (Madrid, Spain) Galerie Christian Lethert (Cologne, Germany) Galerie Droste (Düsseldorf, Germany / Paris, France) Galerie Julien Cadet (Paris, France) Galerie Nicolas Robert (Montreal / Toronto, Canada) Galerie Wolfsen (Aalborg, Denmark) Galleri Urbane (Dallas, TX) GALLERIA STUDIO G7 (Bologna, Italy) Gallery NOSCO (London, UK / Brussels, Belgium) Geary (Millerton, NY) General Expenses (Mexico City, Mexico) Goldfinch (Chicago, IL) HB381 (New York, NY) Henrique Faria (New York, NY) HESSE FLATOW (New York, NY) High Noon (New York, NY) Huxley-Parlour (London, UK) Il Chiostro (Saronno, Italy) ISCA Gallery (Oslo, Norway) Jane Lombard Gallery (New York, NY) JD Malat Gallery (London, UK) Johansson Projects (Oakland, CA) Jupiter Contemporary (Miami Beach, FL) KATES-FERRI PROJECTS (New York, NY) KLEINDIENST (Leipzig, Germany) Km 0.2 (San Juan, Puerto Rico) KORNFELD (Berlin, Germany) Kravets Wehby Gallery (New York, NY) Kristin Hjellegjerde Gallery (London, UK / Berlin, Germany / West Palm Beach, FL / Nevlunghavn/ Schloss Goerne, Norway) L21 Gallery (Palma de Mallorca / Barcelona, Spain) La Balsa Arte (Bogotá, Colombia) LaMontagne Gallery (Boston, MA) Laney Contemporary (Savannah, GA) LatchKey Gallery (New York, NY) Library Street Collective (Detroit, MI) Lonely ROCKS (The Interverse) Long Road Projects (Jacksonville, Florida) Luce Gallery (Turin, Italy) Luis De Jesus Los Angeles (Los Angeles, CA) MAIA Contemporary (Mexico City, Mexico) MAKASIINI CONTEMPORARY(Turku, Finland) MARC STRAUS (New York, NY) Marisa Newman Projects (New York, NY) Max Estrella (Madrid, Spain) MKG127 (Toronto, Canada) Morgan Lehman Gallery (New York, NY) National (San Juan, Puerto Rico) No place - Arróniz Arte Contemporáneo (Mexico City, Mexico) No place - NF/NIEVES FERNÁNDEZ (Madrid, Spain) No place - Nueveochenta (Bogotá, Colombia) OCHI (Los Angeles, CA / Sun Valley, ID) Pablo’s Birthday (New York, NY) Parallel Circuit Presented by Dastan Gallery (Tehran, Iran) PASTO (Buenos Aires, Argentina) Patrick Heide Contemporary Art (London, UK) PLAN X (Milan / Capri, Italy) PORTAS VILASECA (Rio de Janiero, Brazil) Praise Shadows Art Gallery(Brookline, MA) Richard Heller Gallery (Los Angeles, CA) Richard Saltoun Gallery (London, UK / Rome, Italy) Ronchini Gallery (London, UK) Room57 Gallery (New York, NY) SARAHCROWN (New York, NY) SARAI Gallery (SARADIPOUR) (Mahshahr, Iran) School of Visual Arts Galleries (New York, NY) Sean Horton (Presents) (New York, NY / Berlin, Germany) SEASONS LA (Los Angeles, CA) Selenas Mountain (New York, NY) SEPTEMBER (Kinderhook, NY) SEPTIEME Gallery (Paris, France / Cotonou, Benin) SGR Galería (Bogotá, Colombia) Shelter (New York, NY) SHRINE Gallery (New York, NY) Southern Guild (Cape Town, South Africa) Steve Turner (Los Angeles, CA) TAFETA (London, UK) TERN Gallery (Nassau, Bahamas) The Bonnier Gallery (Miami, FL / New York, NY) The Flat-Massimo Carasi (Milan, Italy) The Locker Room Gallery (Brooklyn, NY) The New Arts Foundation (Los Angeles, CA) The Next Contemporary (Toronto, Canada) THE PILL (Istanbul, Turkey) The Something Machine (Bellport, NY) Vigo Gallery (London, UK) Voloshyn Gallery (Kyiv, Ukraine) Webber Gallery (London, UK / Los Angeles, CA) WHATIFTHEWORLD (Cape Town, South Africa) Woaw Gallery (Hong Kong) Yancey Richardson Gallery (New York, NY) Yossi Milo Gallery (New York, NY) Zidoun-Bossuyt Gallery (Dubai, UAE / Luxembourg City, Luxembourg / Paris, France) ZieherSmith (Nashville, TN) Zielinsky (Barcelona, Spain) Zilberman (Istanbul, Turkey) The Official Partners of Untitled Art, Miami Beach 2022 are Chase Private Client, By Michael Miller, The Art of Shaving, and Vilebrequin. Our Digital Partner is Vortic, who is also one of our Premier Prize Partners this year alongside 21c Museum Hotels, CCA Andratx, Colección Solo, and Fountainhead. With the support of the Miami Beach Visitor and Convention Authority. #funtitledartmiami#fineartmagazine#fineartmaiminews

Bernard Goldberg Gallery presents, Expressions in Europe , and Modernism in America

AT OUR NEW YORK GALLERY by appointment Georg Klimt, 1867-1931 Art Nouveau Relief, ca. 1900 Copper with glass cabochons 23.5 x 23.5 cm   MODERNISM IN AMERICA AT OUR EAST HAMPTON GALLERY 58 Park Place John Sloan, 1871 - 1951 Bakery Wagon, 1908 Oil on canvas 9 1/8  x 11 3/8 inches Signed (lower left): John Sloan/ '08/ XXII Recording his thoughts about landscape painting, Sloan said, “a landscape is a portrait of a place. The face of the earth is an adequate and dignified inspiration for very great works of art.” He continued, “Don’t walk miles looking for a ‘subject’... Look down the road...”   bgfa.com  I  dr@bgfa.com  I  NY: 212.813.9797  I  EH: 631.527.5158 #bredarndgoldmangallery#fineartmagazine#fallfineart

Alice Rahon, La cuadra (1942-1950)

Gallery Wendi Norris Presents  Uncovering Alice Rahon  October 1– November 5, 2022 436 Jackson Street, San Francisco  October 1 opening night features a reading from Shapeshifter, a newly-translated collection of Rahon’s poems published by NYRB Poets. Exhibition coincides with gallery launch of an online archive of Rahon’s artwork. San Francisco, August 2, 2022: Gallery Wendi Norris presents Uncovering Alice Rahon, the artist’s first solo gallery exhibition in over forty-five years. With seventeen works on display, Uncovering Alice Rahon reveals Rahon’s mastery of oil and sand painting, assemblage, and sculpture. Her art has not been shown in San Francisco since 1953, when the San Francisco Museum of Art (now SFMOMA) presented a Rahon solo show. Almost seventy years later, Uncovering Alice Rahon underscores Rahon’s contemporary relevance and deepens Gallery Wendi Norris’ commitment to advancing the work of this remarkable artist, who was brought into the gallery’s program three years ago.    The exhibition is on view from October 1 through November 5, 2022, in a historic landmark building at 436 Jackson Street, in San Francisco’s Jackson Square neighborhood.     As with Rahon’s peers Frida Kahlo, Leonora Carrington, and Remedios Varo, scholarly inquiry and institutional support for Alice Rahon has surged over the last decade. Long overlooked as an artist in her own right, Rahon is likewise gaining international recognition by curators, collectors, and historians through museum exhibitions, magazine articles, and new publications. In concert with a team of scholars led by Rahon expert Tere Arcq, Gallery Wendi Norris will explore and expand this recent devotion through Uncovering Alice Rahon and with the launch of an online art archive, alicerahon.org, created to help professionals and enthusiasts learn more about Rahon’s work in the wider context of her life and practice.   “It’s an honor to showcase the work of Alice Rahon, and I’m thrilled for her to begin receiving the institutional and scholarly attention she deserves,” said Wendi Norris, founder of the eponymously named gallery in San Francisco. “We have worked for several years to put together this extraordinary group of paintings, and the launch of the online art archive promises to increase understanding and interest in Rahon while serving as a vital resource for collectors, scholars, and enthusiasts over time.” Alice Rahon, El tucán y el arco iris (1967) Uncovering Alice Rahon features seminal, rarely-seen works from the artist’s oeuvre. Included is El tucán y el arco iris or Homenaje a Wolfgang Paalen (The Toucan and the Rainbow or Tribute to Wolfgang Paalen) (1967), a luminous canvas with heartbreaking references to Rahon’s first husband, the artist Wolfgang Paalen, and the toucan they kept briefly as a pet. Visitors will also experience La cuadra (1942-1950), a brilliant example of Rahon’s unique pictography, with visible influences from cave painting and her friend and fellow artist Paul Klee. Rendez-vous des rivières (Encounter of Two Rivers) (1942), a sculptural composition alluding to the union of man and nature and of the real with the marvelous, will also be on view.   Rahon’s work has recently been acquired from Gallery Wendi Norris for the permanent collections of The Art Institute of Chicago, the Detroit Institute of Arts, and the Museum of Modern Art, New York. Rahon is a featured artist in the 59th International Exhibition of La Biennale de Venezia, The Milk of Dreams, curated by Cecilia Alemani. She was also included in Surrealism Beyond Borders at the Metropolitan Museum of Art, New York, and Tate Modern, London (2021-2022). In 2021, the Getty Research Institute in Los Angeles acquired Rahon’s entire archive of letters, photographs, and personal documents, which it is organizing and preserving for students and scholars.     In 2021, New York Review Books / Poets published Shapeshifter, a new translation of the artist’s poetry by renowned scholar Mary Ann Caws. On the opening night of Uncovering Alice Rahon, Gallery Wendi Norris will host a reading of this exquisite volume in collaboration with Caws and Small Press Traffic. Copies of the gallery’s recent monograph on the artist, featuring more than fifty full-color reproductions and original contributions by three Rahon scholars, will also be available during the run of the exhibition. Alice Rahon, Rendez-vous des rivières (Encounter of Two Rivers) (1942) About Alice Rahon Rahon’s childhood remains a mystery, but a brief account of her early years reveals an independent and charismatic young woman of prodigious talent. We know that at some point during her twenties she moved to Paris, where she created hats for the Surrealist-influenced fashion designer Elsa Schiaparelli. While there, she was introduced to Man Ray, for whom she modeled, and became friends with Joan Miró. In 1931 she met the Austrian painter Wolfgang Paalen (1905-1959), who brought her into the circle of Surrealists led by André Breton. She and Paalen were married in 1934.    Between 1936 and 1941, she published three volumes of poetry under her married name, Alice Paalen, with accompanying artworks by Miró, Yves Tanguy, and Paalen. In 1939, Frida Kahlo invited her to Mexico. With war on the horizon, she and Paalen made their way to Canada and then down the Pacific coast, studying and collecting indigenous artworks of the American West en route to Mexico City. Becoming a naturalized citizen of Mexico, Rahon remained there for the rest of her life.     In Mexico City, under the tutelage of Paalen and in the company of émigré Surrealists including Leonora Carrington and Remedios Varo, Rahon took up visual art. One can see the influences of her friends Paul Klee and Miró in her early paintings, but her deepest inspirations arise from the anonymous artists of Altamira and the indigenous artists of the Americas. When asked to which school of art she belonged, she famously responded, “I think I am a cave painter.”   Rahon made a practice of sgraffito, scratching through the surface of her paintings to reveal a lower layer of contrasting color. Utilizing various media (ink, gouache, crayons, sand, volcanic ash, iron wire) and found objects (feathers, leaves, butterfly wings), she created images rooted in landscapes, redolent of timelines, abundant with magic and ritual. The result is an iconography that is at once universal and personal, mysterious and immediate, thick with stories and secrets.    Once she started painting, Rahon was recognized almost immediately as an accomplished artist. Over the course of her lifetime, she created over 750 works of art and exhibited widely in the United States and Mexico, as well as in Paris and Lebanon.  About Gallery Wendi Norris  Gallery Wendi Norris is a leading international art gallery with headquarters in San Francisco, California. The gallery holds decades-long relationships with 20th century luminaries such as Leonora Carrington, Dorothea Tanning, Wolfgang Paalen, Remedios Varo, and Alice Rahon, artists whose nomadic and visionary practices interrogated the aesthetic, scientific, and philosophical movements of their times. The gallery also represents María Magdalena Campos-Pons, Chitra Ganesh, Julio César Morales, Ranu Mukherjee, Eva Schlegel, Peter Young, and other contemporaries, artists whose work similarly flows across disciplines, continents, and generations as they speculate on the present moment.   Opened in 2002, Gallery Wendi Norris remains committed to its founding principles of rigorous programming, development of artists’ legacies, public accessibility, and cultural significance. To those ends, the gallery hosts visiting academics, sponsors artist talks, and publishes highly-researched books with original contributions from international scholars. The gallery actively supports artists in engaging new audiences through influential commercial, biennial, and institutional collaborations. Pioneering an offsite exhibition model in 2017, the gallery produces public-facing artworks and shows wherever they might reach the widest viewership and provide the deepest impact. Working in concert with major museums, private collectors, and innovative curators, Gallery Wendi Norris builds enduring, well-represented collections for its respected array of international clients.   For more information about the gallery and its artists visit gallerywendinorris.com.   Media Contact: Jan Rothschild, Rothschild & Associates, jan@janrothschild.com 917-891-1126   CONNECT WITH US

Gallery Wendi Norris | 8 Octavia Street, San Francisco, CA 94102 415-346-7812 | info@gallerywendinorris.com   Copyright ©2022 Gallery Wendi Norris, All rights reserved. #gallerywendynorris#fineartmagazine#fineartfall