Thursday, August 2, 2018

Philadelphia Museum of Art to Catch, Last chance: Modern Times

Philadelphia Museum of Art
August Newsletter
What Is Modern?
Modern Times: American Art 1910–1950
Through September 3
What does modern mean to you? Artist Odili Odita, WRTI jazz host Bob Perkins, and Artistic and Executive Director of BalletX Christine Cox stopped by to share their unique take on Modern Times.
Before the exhibition closes on Labor Day, don't miss your chance to see how Georgia O’Keeffe, Marsden Hartley, Jacob Lawrence, and others challenged convention and forged bold new styles to fit the times.
On View
Face to Face: Portraits of Artists
Through October 14
See how photographers helped craft the public personas of their creative subjects, in this stunning selection of rare photographs from the Museum’s collection.
Up Next
Larry Fink: The Boxing Photographs
Opens August 11
Larry Fink’s powerful, unsentimental photographs reveal the heart of close-knit communities. Here, he takes us inside what he calls “the deep fraternity” of the boxing gym.
Coming Soon
Yael Bartana: And Europe Will Be Stunned
Opens September 21
Blurring fact and fiction, artist Yael Bartana reimagines historical narratives to spur a dialogue about urgent social and geopolitical issues of our time.
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Hitting the Road
Marcel Duchamp Collection
Closes August 10
Most of our Duchamp collection is about to go on the road—to Japan, Korea, and Australia—so d’Harnoncourt Gallery 182 will be closing on August 10 to for the installation of a new selection of artwork. You'll still be able to see The Large Glass and Étant donnés on Saturday, August 11, and Sunday, August 12. The gallery will reopen Saturday, August 18, with The Duchamp Family, a new exhibition about Marcel, his brothers Raymond Duchamp-Villon and Jacques Villon, his sister Suzanne Duchamp, and her husband Jean Crotti—all of whom were talented artists.

Summer Highlights: Eric Zener at Gallery Henoch


GALLERY HENOCH


ERIC ZENER



Eric Zener, Rejoining Again, Oil on Canvas, 48" x 38"




























































Eric Zener, Rejoining Again II, Oil on Canvas,48" x 38"




































Eric Zener, All Clear Ahead, Mixed Media Resin, 31" x 41

Eric Zener, Summer Wormhole, Mixed Media Resin, 30" x 41"
August is around the corner, and dreams of relaxing by the pool are inspiring us to highlight Eric Zener's tantalizing paintings in the Summer Group Show.

Zener's Rejoining Again and Rejoining Again II put a surreal spin on a dip in the pool. At 48" x 38" these two modestly sized canvases are a rare combination to come out of the studio.

Zener's liquidy resin pieces, All Clear Ahead and Summer Wormhole, give us a poolside buzz just looking at them. Zener manipulates resin to mimic the transparency and vivid gleam of water.

Stop in to see these paintings, along with many others, at the Summer Group Show!

For more information, please contact the gallery.
#fineartmagazine

Wednesday, July 25, 2018

Want to Read a summer book? Builder Levy: Humanity in the Streets New York City 1960s–1980s Foreword by Deborah Willis.

Marching for their lives: three decades of civil rights in America.
DAMIANI
Builder Levy:
Humanity in the Streets

New York City 1960s–1980s
Foreword by Deborah Willis.
TO PREVIEW A PDF OF THE BOOK CONTACT: Logan Pettitlpettit@dapinc.com
**All images fully copyrighted by the publisher and artist. No reproductions either in
print or online are permissible without clearance.
Builder Levy: Humanity in the Streets documents the resilience and power of the multiracial population that American photographer Builder Levy encountered in New York City from the 1960s through the 1980s. In these turbulent decades, people around the world struggled for freedom and independence; across the United States, people marched in the streets to improve their lives and for justice and peace. On the streets of New York, Levy saw all this and more.

This comprehensive monograph gathers images of spectacular events and daily life alike. Included are photographs of civil rights and anti–Vietnam War protests in the 1960s, the peace march held in 1962 in response to the Cuban Missile Crisis and images of Dr. Martin Luther King, Jr. after his 1968 speech at Carnegie Hall. Also included are shots of the poverty-ravaged Brooklyn of the 1960s, '70s and '80s; the inner-city communities where Levy worked with teenagers as a public school teacher for almost 35 years; and marches and demonstrations in support of quality, integrated education for all NYC children and an end to police killings.

Combining the humanist spirit of social documentary with street photography's sense of timing and wit, and an intense awareness of aesthetics, the photographs in Builder Levy: Humanity in the Streets offer a beautiful and poignant document of a chapter in a city and a nation's history.

“Builder Levy’s Humanity in the Streets speaks of New York City and photography in a classic way…It is a remarkable visual story about beauty and humanity that must not be overlooked.” —Deborah Willis
#finearmagazine

Builder Levy  was born in 1942 in Tampa, Florida, and raised in Brooklyn; as an art major he studied photography at Brooklyn College. His photographs are included in more than 80 public collections, including that of the International Center of Photography, the Brooklyn Museum, the Smithsonian National Museum of African American History and Culture, the High Museum of Art, the Ringling Museum of Art and the Victoria and Albert Museum. He is a John Simon Guggenheim Memorial Foundation Fellow and the author of three previously published monographs of his photographs. Levy lives in New York.

DAMIANI
Builder Levy: Humanity in the Streets
New York City 1960s–1980s.
Foreword by Deborah Willis.
  • Elegant black and white spot-varnished tritone photographs in the streets of New York City from 1962 to 1989, including many powerful images of protest - from images of the civil rights marches to anti-Vietnam War protests.
  • Includes portraits of the people of the city, with a focus on young people and Black and Latino neighborhoods.
ISBN 9788862086127
US $49.95 CDN $67.50
Hbk, 9.75 x 12 in. / 136 pgs / 85 b&w
October/Photography
#fineaartmagazine

N E W O N L I N E E X H I B I T I O N: ADAM STRAUS WORKS ON PAPER




N E W   O N L I N E   E X H I B I T I O N:

ADAM STRAUS
WORKS ON PAPER

MOUNTAIN WITH AN UNRELATED STORY, 2018, oil and graphite on paper, 15.5 x 11 in. 39.4 x 27.9 cm.



Throughout American artist Adam Straus' nearly 40 year career, he has continued a close examination of mankind's relationship with the natural environment. The role that technological advancements play in society's ever-changing relationship with the environment is one of the main focuses of his investigation. The ways in which we coexist with nature is currently obscured. Our attention span is constantly pulled in different directions; our vision of the outside world is filtered through the screen, our virtual lives sharing little truth with reality. In his most recent works on paper, Straus explores a different method of painting that incorporates text and adhesion of layers of paper. These works integrate current New York Times articles and handwritten shopping lists. In some cases, the continuous words are illegible, their meaning perhaps not as significant as the awareness of their presence. These seemingly photo realistic paintings come loose at their edges, with subtle, and in other places, drastic subversions. Straus' notoriously uncanny ability to confront the viewer, transporting him into the scene, continues in these works on paper.

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Nohra Haime Gallery, 500 West 21st Street, New York, NY 10011
#fineartmagazine