Eugene Healy's work is featured at the Madelyn Jordon Gallery. The abstract seascapes are below for viewing!

Artist Spotlight Euguene Healy

As we reach the height of summer, we are pleased to highlight the work of Eugene Healy, whose luminous seascapes perfectly capture the shifting moods and atmosphere of the season.

VIEW WORKS

Eugene Healy 'The Boardwalk' 2022. Oil and mixed media on canvas, 30 x 30 in. /Frame: 30.5 x 30.75 in.

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For more than 25 years, Eugene Healy has lived and worked along the coasts of Connecticut and Rhode Island, drawing inspiration from the region’s ever-changing skies, waterways, and shoreline communities. Influenced by childhood memories of growing up on Long Island and a lifelong love of sailing, his work reflects a deep connection to the sea and its shifting moods. Celebrated for his distinctive collage-paintings and minimalist seascapes, Healy employs a variety of mediums , including oil, watercolor, encaustic, lacquer, and sand applied to fragments of canvas, board, and paper that gives the artwork a unique raised textured surface.  Inspired by artists such as Matisse, Vermeer, Richard Diebenkorn and Robert Rauschenberg, Healy distills his landscape into harmonious fields of color, balancing representation and abstraction. His work captures the interplay of light and atmosphere, evoking the quiet poetry of the American coastline.

Eugene Healy 'Hurricane Light' 2025. Oil and mixed media on canvas, 40 x 36 in. / Frame: 40.5 x 36.5 in. INQUIRE

Eugene Healy 'Montauk Light' 2021. Oil and mixed media on canvas, 30 x 40 in. / Frame: 30.5 x 40.5 in. INQUIRE

Eugene Healy 'The Front' 2022. Mixed media and oil on canvas, 30 x 40 in. / Frame: 30.5 x 40.5 in.

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Eugene Healy 'Stonington Point' 2024. oil and mixed media on canvas, 48 x 60 in. / Frame: 48.5 x 60.5 in.

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Eugene Healy 'Summer Squall' 2022. Mixed media and oil on canvas,36 x 36 in. / Frame: 36.5 x 36.5 in.

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For any inquiries, please send us an email or call us at (914) 723-8738. We look forward to welcoming you to the gallery!

Madelyn Jordon Fine Art 31 Mamaroneck Ave White Plains, NY 10601 T: (914) 723-8738 E: Madelyn@madelynjordonfineart.com W: MadelynJordonFineArt.com Hours: Wed-Fri. | 10:00 - 5:30 #MadelynJordonFineArt Follow Us: Instagram | Facebook | Twitter   Visit Us at: Madelynjordonfineart.com

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The Fremin Gallery~OverExposure~group exhibition July, 16,202

Fremin Gallery has curated a fun , well executed group show. Take A look the works below!! 

Fremin Gallery is pleased to present Overexposure, a summer group exhibition featuring  Emilie Arnoux, Rob Strati  Jonas Leriche, Aurelien Couput, Benoit Lupi, Marliem Kulsdom, Antoine Rose, Lina Condes,  and  Creola Carla Cristofari Opening reception on July 16th at 6pm. Overexposure, a term associated with the world of photography, brings together artists whose work explores the effects of light, surface, texture  and saturation across painting, photography and mixed media.  In photographic terms, overexposure occurs when too much light enters the image, dissolving details and transforming perception. In this exhibition, that idea expands into a broad visual and material language. Color becomes heightened, surfaces become tactile, and images shift between clarity and distortion. Benoit Lupi - "Golden Tide" - Acrilic, Gold Leaf on Canvas In this exhibition, each of the featured artists approaches exposure through a distinct technical process.  Arnoux’s sunlit bodies, pools, and coastal scenes translate heat, water, and leisure into bright and vivid compositions. Leriche merges photography, digital construction, gold leaf and relief surfaces to allow cracks, texture and imperfections to catch light as part of the image. Couput starts his work with sketches, removing figures and narrative to bring forward landscape and atmosphere through expressive paintings atop intentionally exposed surfaces. Lupi uses acrylic and gold leaf to create luminous horizons which shift gently with light. Kulsdom constructs layered compositions where neon tones, natural forms, and traces of revision emphasize the existing tension between the digital and physical reality. Rose's aerial bird's-eye view photographs provide a profound sense of weightlessness from the sky. Condes' "Splash Symphony" sculptures transcend the movement of jumping into the water, capturing a unique and powerful energy. Cristofari works with a palette knife, acrylic, structural paste, and color to create impasto surfaces where classic images are translated into movement, texture, and new intensity. Lina Condes - "Splash Symphony" - Stainless Steel & Titanium Together, these artists’ practices form a conversation around the image pushed beyond simple representation. Overexposure considers how light can reveal, obscure, intensify, and transform the information we receive. Through radiant color, and altered references, this exhibition invites you to fall deep into the sensation of viewing reflective materials and layered surfaces. Rob Strati - "Sailing the Sound" - Broken Plate, Ink on Paper Fremin Gallery 520 West 23rd street, New York City Info@fremingallery.com 212 279 8555 You received this email because you signed up on our website or made a purchase from us. Unsubscribe #fremingallery#fineartmagazineblog.blogspot.com #sunstormfineartmagazine.com#artforall#artforfun#artforsummer#artforlove

THe Lwe Allen Galleries exhibits the Legacy of Forrest Moses: Early Works. The works are more than beautiful , they bring a window of the natural life into view.

Forrest Moses's work showcased by the Lew Allen Galleries below is worth viewing weather your a collector or lover of art. The colors captured bing the landscape to life. 

LEGACY OF FORREST MOSES: EARLY WORKS In Santa Fe, 1971. Photo by Charles Gallenkamp. At right, clockwise from top left: at Pratt, 1962; in Carmel, 1969; Santa Fe, 2000, photo by Athi-Mara Magadi; Santa Fe studio, 1984, photo by Herb Lotz. Forrest Moses (1934 – 2021) eloquently translates the transcendent, living pulse of the natural world into brilliant, rhythmic compositions of color and line, firmly establishing his legacy as a master of American abstracted landscape painting. His early works—deeply influenced by the fluid movement of rivers and water—recreate the sublime sensory totalities of the landscape with an evocative, poetic grace. Rather than settling for simple geographical replication, Moses captures the cool whisper of a mountain breeze or the quiet echo of morning birdsong, inviting the viewer into a space of pure, immersive contemplation. Forrest Moses, Tesuque Watershed, Detail #7, 1970s, oil on canvas, 36 x 40.25 in In these foundational years, Moses skillfully balanced a deep reverence for classical landscape traditions with a fiercely contemporary, modern approach. Rejecting the straightforward label of Impressionism, he channeled the lively, pioneering abstractions of John Marin and the expressive, nature-inspired gestures of Joan Mitchell. His canvases deconstruct the physical environment into beautifully orchestrated patches of subdued color and calligraphic marks, transforming literal branches and vistas into profound, spiritual meditations on being present in nature. Forrest Moses, River Run, 1971, oil on canvas, 60 x 48 in Born in Danville, Virginia, in 1934, Moses earned his Bachelor of Arts in fine arts from Washington and Lee University in 1956 before embarking on a formative tour of duty with the U.S. Navy. His military service exposed him to the aesthetics of Japan, Hong Kong, Guam, and the Philippines—catalyzing a lifelong affinity for Eastern philosophy and the elegant principles of wabi-sabi. After a year immersing himself in the "art of history" across Europe, Moses sharpened his structural eye by studying architecture and design at the Pratt Institute in Brooklyn. Forrest Moses, Chama Meadow, 1970, oil on canvas, 32 x 36 in It was there, enveloped by the electric Abstract Expressionist movement of 1950s New York, that Moses began painting in earnest, synthesizing a highly disciplined, meditative craftsmanship that allowed his brush to flow directly from an intuitive, open heart. Enchanted by the unique, radiant light and raw majesty of the High Desert, Moses relocated to Santa Fe, New Mexico, in 1969. This dramatic shift in environment immediately unlocked a profound philosophical and artistic clarity. It is brilliantly evident throughout his early career works of the 1960s and early 1970s—a pivotal period capturing his initial fascination with the Southwest that defines the very origin of his enduring legacy. ​ View More by Forrest Moses VIEW IN A ROOM

LewAllen Galleries 1613 Paseo de Peralta Santa Fe, NM 87501 505.988.3250 Mon - Fri  10 - 6 / Sat 10 - 5 Inquire