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Save The Date: TBA 2024 | |||||||||||||||||||||||||||||
After welcoming 160,000+ visitors to our 9+ sites over 10 weeks in 2022, the TBA team is thrilled to announce that the third iteration of the Biennial will be taking place September 21 – December 1, 2024. Follow us on social at @torontobiennial, and stay tuned via our newsletters for more exciting announcements in the months to come! | |||||||||||||||||||||||||||||
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TBA Online Learning Resources | |||||||||||||||||||||||||||||
TBA continues to promote land-based learning and our kinship with one another through contemporary art. Engage with our Mobile Arts Curriculum learning tools on our website and download and print them for free! These 7 learning tools are Ontario Curriculum supportive and created in close collaboration with artists, educators, and contributors including Dr. Carolyn King, Timothy Yanick Hunter, and Ange Loft. Go on listening, learning, walking and creating discoveries with these MAC tools in hand! | |||||||||||||||||||||||||||||
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Upcoming Fall Events | |||||||||||||||||||||||||||||
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‘The sky held me’ by Tanya Lukin Linklater Program Description: This program is a part of the Creatives in Residence series by Ontario Culture Days, in partnership with Toronto Biennial of Art and the Textile Museum of Canada. | |||||||||||||||||||||||||||||
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Stay tuned for an invitation to our next Educators’ Event, hosted by the Textile Museum of Canada (TMC). You'll get an inside look at the TBA and TMC partner exhibition ᑕᑯᒃᓴᐅᔪᒻᒪᕆᒃ Double Vision, on now through March 2023, and a taste of our school programs and workshops, offered both in person and virtually! We will also be hosting upcoming Professional Development Days for teachers, so please check our website regularly for details. | |||||||||||||||||||||||||||||
TBA Publications | |||||||||||||||||||||||||||||
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About TBA The Toronto Biennial of Art is Canada’s leading visual arts event focused exclusively on contemporary art from around the world. For 10 weeks every two years, local, national, and international Biennial artists transform Toronto and its partner regions with free exhibitions, performances, and learning opportunities. Grounded in diverse local contexts, the Biennial’s city-wide programming aims to inspire individuals, engage communities, and contribute to global conversations. | |||||||||||||||||||||||||||||
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Wednesday, September 28, 2022
Think ahead!!!Toronto Biennial of Art Sept. 21-Dec, 1
Thursday, May 12, 2022
Toronto Biennial of Art Programming series continues: May 12-18. Catch the fun Story telling!
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Upcoming Programming: May 12–18 | |
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Fri, May 13Weekly Storytelling Sessions* Following the Afronautic Trail In Following the Afronautic Trail, artist Camille Turner invites participants on a two-day, multisensory exploration and interrogation of sites and monuments within the vicinity of the University of Toronto’s downtown campus. A part of the durational narratives explored within Turner’s body of work, including her 2022 Biennial works Nave and the Black Historical Navigational Toolkit co-authored with Yaniya Lee, this program brings often forgotten histories to the forefront—specifically, the evidence of Canada’s colonial linkages between the transatlantic trade of enslaved Africans and its ongoing legacies. This two-part program will take place May 13 and 14, 2022 from 12–2pm each day. Co-presented with the Art Museum at the University of Toronto. This program is supported by the Toronto Arts Council and TBA’s Women Leading Initiative. ASL Interpreted Storytelling at 72 Perth Join us at 72 Perth Avenue in Toronto for a special Storytelling session led by Jeffrey Canton and accompanied by an American Sign Language English interpreter. Presented in partnership with Toronto Sign Language Interpreter Service (TSLIS). | |
Sat, May 14Weekly Storytelling Sessions* | |
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Sun, May 15A Conversation About Being in Place In this talk, researcher and media producer, Jennifer Wemigwans and Grandmother Jacque Lavallée introduce Wendigo – The Dirty Talker, an Augmented Reality teaching. For Grandmother Lavallée, being Anishnaabe is to be kind and to always carry sacred tobacco: it is these two things that keep us connected to everything. Through the Wendigo, Grandmother Lavallée asks participants to look back to the north of this land and remember the ice. Part of a weekly programming series in partnership between Toronto Landscape Observatory and the Toronto Biennial of Art. Yaliyat Cocahq Quebecoise and Wolastoq (Maliseet) artist Ivanie Aubin-Malo presents a dance workshop drawn from her experiences in powwow circles and in connecting with other wolastoqiyik communities. Together with Aubin-Malo, participants will take part in a warm-up routine incorporating techniques from powwow dance, followed by various movement exercises inspired by Wolastoqey language and cultural elements. This workshop promotes the revitalisation of Wolastoqey culture and offers participants the opportunity to learn about the richness and vitality of Indigenous cultures while on the territory that gave birth to them. Co-presented by the Toronto Biennial of Art and Oakville Galleries. | |
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Post-Capitalist Architecture-TV: Ravine Screenings On Sunday, May 15, the Biennial will host an outdoor screening of 3 episodes of Post-Capitalist Architecture-TV in the outdoor courtyard of 72 Perth Ave, beginning just before dusk. Toronto’s ravine system is both location and subject for Joar Nango and Ken Are Bongo’s new artwork jointly commissioned and presented by AGYU, Evergreen, and TBA. Note: We suggest program attendants bring a blanket or lawn chair to sit on outside. If inclement weather occurs, the screening will take place inside 72 Perth. Presented in collaboration with the Art Gallery of York University (AGYU) and Evergreen Brick Works (Evergreen). Weekly Storytelling Sessions* | |
Coming Up:The sky held me (rainfall on hands hair lips) The sky held me (rainfall on hands hair lips) is a series of springtime site-specific performance investigations taking place at High Park over the course of five days. Building upon the interdisciplinary practice of artist Tanya Lukin Linklater and her work in the Biennial, Held in the air I never fell (spring lightning sweetgrass song), these process-based open rehearsals bring Linklater together with invited dancers Ivanie Aubin-Malo and Ceinwen Gobert, and composer/musician Laura Ortman to generate resonant embodied inquiries. | |
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*Note: Storytelling sessions are free and available on a drop-in basis. Groups can book a session in advance by emailing programmingandlearning@torontobiennial.org. #torontobiennial#fineartmagazine#artisticstorytelling#artfun |
Thursday, May 5, 2022
Toronto Biennial of Art, through June 5, 2022 features for the week: Water, Kinship, Belief,
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TBA launches its first ever publication!This week, TBA launched the publication Water, Kinship, Belief, co-published by the Toronto Biennial of Art and Art Metropole. Spanning the 2019 Biennial, entitled The Shoreline Dilemma, as well as our 2022 edition, What Water Knows, The Land Remembers, this book is a “third” site, a place where the continuities, resonances, and dissonances between editions are made evident. Water, Kinship, Belief is a means to bring together the artists, artworks, collaborators, and ideas that have informed the exhibitions and programs.Couldn’t join us for the launch? Catch up on what you missed here. Water, Kinship, Belief will be available to purchase at select TBA sites soon, but you can purchase your copy anytime when you click here. | |||||||||||||||||||||||||||||
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TBA Curatorial Fellowship HighlightThe Curatorial Fellowship Program, made possible by the generous support of TD Bank Group through the TD Ready Commitment, was conceived of as an experimental and collaborative process through which emerging curators can cultivate personal curatorial methodologies, and realize a substantial curatorial project within the framework of the Toronto Biennial of Art. The inaugural fellows are Sebastian De Line (Haudenosaunee-Métis-Cantonese/Canada) and Chiedza Pasipanodya (Zimbabwe/Canada). "Ngozi: We Might Listen for the Shimmerings" by Chiedza PasipanodyaNgozi: We Might Listen for the Shimmerings is an ongoing curatorial project surrounding belief, death, and embodied listening. Following a series of familial roadside deaths surrounded by myth and uncertainty, this exhibition embarks along tributaries of thought exploring the unfinished nature of death with three artists – Timothy Yanick Hunter, Anne Zanele Mutema, and Commissioned by the Toronto Biennial of Art, Ngozi: We Might Listen for the Shimmerings is made possible by the generous support of TD Bank Group through the TD Ready Commitment, and with support from the Toronto Arts Council and the Ontario Arts Council. "The Shape of Sound" by Sebastian De LineComprising over fifty multimedia artists, musicians, designers and curators, Jatiwangi art Factory’s (JaF) artistic practices emphasize local rural life in relation to land and the terracotta industry in Jatiwangi District. Clay is central to all of their artistic and cultural activities in the spirit of community empowerment. As April 2nd, 2022 marked the beginning of the month of Ramadan in Canada, JaF rings in the opening of the Biennial while calling forth a time of fasting, introspection, and prayer observed by many community members of Toronto. The material remnants of this performance remain at the Small Arms Inspection Building for the duration of the exhibition. The Shape of Sound is made possible by the generous support of TD Bank Group through the TD Ready Commitment, and in partnership with the Agnes Etherington Art Centre, Isabel Bader Centre for the Performing Arts, and the Gardiner Museum. Accommodations generously provided by The Drake Hotel. | |||||||||||||||||||||||||||||
In The Press
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About TBA The Toronto Biennial of Art is Canada’s leading visual arts event focused exclusively on contemporary art from around the world. For 10 weeks every two years, local, national, and international Biennial artists transform Toronto and its partner regions with free exhibitions, performances, and learning opportunities. Grounded in diverse local contexts, the Biennial’s city-wide programming aims to inspire individuals, engage communities, and contribute to global conversations. | |||||||||||||||||||||||||||||
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