Showing posts with label Leila Heller Gallery. Show all posts
Showing posts with label Leila Heller Gallery. Show all posts

Monday, April 1, 2024

LEILA HELLER GALLERY: opening April 2, 6-PM, NYC Rsvp Details below.

Leila Heller Gallery
RSVP HERE

Saturday, December 16, 2023

Leila Heller Gallery's Holiday Group Show, inaugurating our new New York gallery location in the Fine Arts Building, at 22 East 80th Street.


Leila Heller Gallery

 

Leila Heller Gallery is pleased to announce our Holiday Group Show, inaugurating our new New York gallery location in the Fine Arts Building, at 22 East 80th Street, ground level.

 

The show features works by Ana D'Castro, Antonio Diaz, Anton Bakker, Bahar Sabzevari, Bill Tansey, Christophe von Hohenberg, Darvish, Farideh Lashai, Helena Chastel, John Clement, Katya Traboulsi, Laila J, Mark Hadjipateras, Maxi Cohen, Melis Buyruk, Mouna Rebeiz, Naeemeh Kazemi, Nathaniel Aric Galka, Neal Rock, Nick Moss, Parinaz Eleish Gharagozlou, Ran Hwang, Roham Shamekh, Sarp Kerem Yavuz, Soheil Rad, Sumayyah Samaha, and Tarik Currimbhoy.

Melis Buyruk
Golden Bloom, 2022
Porcelain, 18k gold decorated
115 x 115 x 15 cm., 45.276 x 45.276 x 5.906 in.
$35,000

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Laila J
Nolita, 2023
Print on Paper
17 x 14 in.
$500

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Anton Bakker                                                                  Anton Bakker
Dual Knot Symphony, 2023                                               Infinity, 2023
Red-coated stainless steel on black marble base                 Stainless steel on black marble base
12 x 17 x 22 in.                                                              16 x 29 x 34 in.
$19,000                                                                         $22,000

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Bahar Sabzevari
Untitled ( crown series ), 2023
mixed media on wood panel
14 x 11 in.
$6,000

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Nathaniel Galka
"in my small garden....", 2021
aubergine ink on watercolor paper
30 x 22 in.
$5,500

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Wednesday, August 16, 2023

LEILA HELLER GALLERY, Exhibition Nathaniel Galka, "welcome to the fabled forest".


Leila Heller Gallery

Nathaniel Galka

"welcome to the fabled forest...", 2023

Oil on marble plaster on jute panel with gold leaf

43h x 65w in (109.22h x 165.10w cm)

REQUEST INFORMATION

Detail shots "welcome to the fabled forest..."

Artist Statement

 

Through a universal visual language, my paintings are fables created to communicate moral lessons about how we treat the world in which we exist. Fables are timeless devices to deliver, in a simple manner, what can be understood and enjoyed by viewers of all ages. The fable is one of the oldest and most lasting method of storytelling that is easily communicated through fictional examples with the main characters being plants, animals, birds, and insects. These non-human characters exist as human-like entities but still retain their own characteristics  giving purpose to why they are chosen for my narratives. For example, the bee symbolizes new beginnings, hard work, and wisdom. Hares are associated with the circle of life, and by extension, with spring, renewal, and immortality. Fawns represent the innocence and purity of youth.

 

As an artist, I present my narrative in a number of ways using a series of images that represent moments in a story or by selecting a central moment to stand for the story in its entirety. Unlike the traditional fable, I invent my own storylines leaving the viewer to imagine the narrative. As evident in every one of my paintings, the title is the introduction to the fable that I have presented for the viewer to create their own story.

 

Nathaniel Aric Galka

Thursday, May 11, 2023

Leila Heller Gallery , NYC, Land of Honey Curated by Emann Odufu


Leila Heller Gallery

Land of Honey Curated by Emann Odufu 

to Januar

William Buchina

Interior Scene #2: Drying Fabric For An Upcoming Occasion, 2023

Ink on Paper

49.25 x 35 in

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Nancy Baker Cahill

Lustful Trunk, 2023

Graphite on Paper 50 x 55 in. (unframed)

139.7 x 127 cm (unframed)

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Samuel Stabler

Untitled (Combine), 2022

Acrylic on Hand-Cut Paper

26.75 x 56.75 inches

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Naeemeh Kazemi

Untitled (La La Land Series), 2023
Oil on canvas
150 x 160 cm

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Wednesday, April 5, 2023

Leila Heller Gallery currents works!

Leila Heller Gallery
to Januar

Ana D ́Castro

“. . . a pastel symphony . . . ”

Oil on Canvas

120 cm x 220 cm, Diptych

REQUEST INFORMATION

Mouna Rebeiz

GIGAS

Plexiglass

148 x 50 x 6 cm.

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Melis Buyruk

Frog‘s Golden Habitat 

Porcelain and 18k Gold

71 x 71 cm

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Tarik Currimbhoy                     Tarik Currimbhoy

Pendulum Bronze                    Pendulum Stainless Steel 

18 inches                               36 inches

REQUEST INFORMATION

Monday, January 9, 2023

LEILA HELLER GALLERY, New York , and Dubai.


Leila Heller Gallery

NEW YORK

to Januar

Neal Rock

Pericardium

December 8th to February 10th

 

Neal Rock is a Welsh-born artist currently living and working in Charlottesville, Virginia. In a visual art career spanning twenty years, Rock has explored the material and conceptual boundaries of painting as its limits have been informed and redefined by other forms of cultural production such as film, sculpture and architecture, amongst others. His work came of age in the early 2000s and pays homage to previous generations of artists such as Lynda Benglis, Fabian Marcaccio and Bernard Frize, who set a foundation for what Rock has explored through his painting practice.

Underlying his work is a concern for painting as a time-based endeavor, one that encompasses both temporal and atemporal qualities – factoring differing notions of time into physical propositions in paint. As a monoglot who was socialized in an officially bilingual country, Rock is acutely aware of the role of language as that which contains performative acts of communication, opacity and protection. In this regard he has often titled his work with words no longer in everyday use, or by adjoining words from multiple languages as a means to discuss familiarity and estrangement in the material, corporeal aspects of his practice. He addresses human forms –  interrelational and entangled –  through a synthetic material that allows for abstraction and a perceptual immediacy. These accentuations have underpinned his work for over two decades and, in its current iteration, forms an oblique relationship to human bodies. Whilst the visceral and oblique might seem at odds with one another, Rock’s intention is to speak to this disjuncture stemming from his formative years, experiencing the Welsh language as optical, sculptural and perceptual rather than linguistic. As such, he understands estrangement as situated within the familiar – the immediacy of surfaces warped, becoming interior or sheathed membranes – a trope familiar within American ‘body horror’ films of the late 1970s and 1980s, to which his work remains indebted.

READ MORE

DUBAI

Robert Wilson

Video Portraits and La Traviata

November 12th to January 13th

 

The only way to truly experience theater is to be physically on one side of the proscenium or be a part of the more participatory theater where the proscenium has been dispensed with all-together. Video, film and photography are offered as documents of a performance but rarely come close to the three dimensional experience; the sounds as they radiate through the theater, lighting as it wraps around a hand, the anticipation of the audience, the subtle gesture of the individual actor.


Robert Wilson is one of the rare artists who works across artistic media without being buoyed by one method of making. The process of creation transcends a single medium and instead finds outlet within the archetype of an opera, the architecture of a building, the stains in a watercolor drawing, the design of a chair, the choreography of a dance, the rhythm of a sonnet, or the multiple dynamics revealed in a Video Portrait.

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Darvish Fakhr

Traveling Light

November 12th to January 13th

 

“Finding a means to live together without violence or antagonism will take a form of imagination and invention" Edward Said said in 1978.


Being half Iranian and growing up in America during the revolution, Fakhr faced abuse and shame he didn't understand as a child. Through his paintings, Fakhr processes these complicated emotions. In this collection, he illustrates the beauty of the multi-layered cultures he was constantly exposed to, by painting over his old work and layering them. Growing up in Boston he was taught a very traditional Western technique of oil painting. By superimposing Eastern philosophies through English and Farsi texts, he aims to celebrate the juxtaposition as a creative solution to an ongoing worldly conflict. In what he calls “gentle civic disruptions,” Darvish channels his influences and inspirations from Sufism to challenge our preconceived notions of culture and tolerance in performance work that strikes viewers with its surrealism, humor, and optimism. Though he is not a practicing Sufi, his work is meant to pay homage to the purity of Sufi mysticism, to the point where he describes himself as a "Sufi Skool Dropout". The guerrilla nature of such work is meant to disrupt the daily movement of our lives.

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OPENING SOON | DUBAI

Behrang Samadzagedan

The Missing Witness

January 18th

Lorenzo Quinn

Now and Forever

January 18th

Arash Nazari

January 18th

Thursday, June 16, 2022

Leila Heller Gallery Exhibits: Tarik Currimbhoy Sculpture in Motion from June 8th to July 16th, 2022.


Leila Heller Gallery

Tarik Currimbhoy Sculpture in Motion

Photography by Rahul Gajjar

Leila Heller is pleased to announce an exhibition of work by artist Tarik Currimbhoy on view in New York from June 8th to July 16th, 2022.

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Tarik Currimbhoy, Twist, Stainless Steel, 6 feet, Edition 2 of 4

Tarik Currimbhoy, Large Eye, Stainless Steel, 2 feet, Edition of 7

Classically trained in the arts, industrial design, and architecture, Tarik Currimbhoy is a trifecta of artistic prowess. Having earned a Bachelor of Fine Arts and a Master of Architecture from the Pratt Institute, as well as a Master of Arts from Cornell University, Tarik later went on to teach at both institutions (Drawing at Cornell and Design at Pratt).

 

In both architecture and sculpture, Tarik searches for tranquility, simplicity, and tactility, expressed in purity of both form and material. Inspired by ancient architecture of building blocks resting on each other in tension and compression, Tarik uses handcrafting and ancient casting techniques to create distilled forms driven by these forces of nature. His sculptures are “stories of structure and gravity,” held together under compression in stone and metal.


Tarik has mastered the juxtaposition of the old and the new creating sculptures that are modern and minimal in form. His design work has been published internationally and his sculptures may be found across the world in public spaces, and corporate and private collections.


The essential issues that are explored in Tarik’s sculptures are those of gravity, balance, movement, stasis and all addressed with formal beauty and fineness that belays the underlying exactitude of the mathematical calculations.


The scientific is presented with the magical imagination that compels us to probe into the world of rules laws not always associated with the subjective expressiveness of art. We partake in this feast of unexpected connections to learn about the endless possibilities of artists vision to shatter the accustomed understanding of creativity and perception of beauty.

 

-Written by Charlotte Kotik

Curator Emerita, Contemporary Art, Brooklyn Museum

 

Tarik Currimbhoy, Eclipse, Stainless Steel, 5 ft, Edition 1 of 8

Tarik Currimbhoy, Assortment of kinetic sculptures, Burnt wood and zebra oak

Tarik Currimbhoy, Reflections, Stainless Steel, 9 in. and 12 in., Edition of 30 (left) and 11 (right)

ABOUT THE ARTIST

Tarik Currimbhoy was born in Mumbai, India and currently lives and works in New York City. Tarik’s father was a playwright who would visit America where his plays were staged on Broadway and bring back toys for Tarik that had to be constructed. This is when Currimbhoy learned to love to build and design things. Currimbhoy came to New York to attend the Pratt Institute to be a painter but he found that sculpture appealed to him more. He studied and received a Bachelor of Fine Arts from Pratt with a major in Industrial Design. He then attended Cornell and received a degree in Architecture where one of his inspirations was Luis Barragán, the Mexican Architect/Sculptor. He later went on to teach at both of his alma maters (Drawing at Cornell and Design at Pratt). Classically trained in the arts, industrial design, and architecture, Currimbhoy is a trifecta of artistic prowess.


In both architecture and sculpture, Currimbhoy searches for tranquility, simplicity and tactility, expressed in purity of both form and material. Inspired by ancient architecture of building blocks resting on each other in tension and compression, Tarik's sculptures began as "stories of structure and gravity", held together under compression in stone. These became the genesis for studies in metal, which could express these concepts in dynamic fashion and sensual form.

Currmbhoy is an architect by profession with offices in New York and Mumbai. His design work has been published internationally and his sculptures may be found across the world in public spaces as well as corporate and private collections. Currimbhoy has created and co-designed some monumental sculptures and buildings – including the headquarters for McKinsey & Co. in Gurgaon, India; The Ellipse at the Omi Sculpture Park in upstate New York; The Raincatcher, an observatory installed in a private estate in New York; a 30,000 square foot Italian Renaissance style Mansion in Jaipur, India; and the Aura Skyscraper in New York.

 

Tarik Currimbhoy, Swirl, Bronze, 12 inches, Edition of 11

Tarik Currimbhoy, Pendulum, Stainless Steel and Bronze, 3 feet and 18 in.

Tarik Currimbhoy, Diya, Stainless Steel, 18’’, Edition of 7