Showing posts with label opening reception. Show all posts
Showing posts with label opening reception. Show all posts

Tuesday, August 6, 2013

Andrew Schoultz: New Work, Opens Thursday, September 5


Andrew Schoultz, Engulfed Ship (Black Flags) (2013), Acrylic And Collage On Canvas Over Panel, 36h x 48w in
 
Andrew Schoultz: New Work
September 5 - October 12, 2013
Reception: Thursday, September 5, 6 - 8pm 
 
 
Morgan Lehman Gallery is very pleased to announce artist Andrew Schoultz's third solo exhibition with the gallery, titled New Work. The exhibition will open September 5, 2013 and run through October 12th, with an opening reception for the artist on September 5th from 6 - 8pm.

Andrew Schoultz's multi-faceted practice incorporates monumental wall murals, paintings, sculptures and mixed-media installations that investigate the urgency and perplexities of our modern time. Over the past decade, Schoultz has developed a frenetic visual vocabulary that stands to challenge the modern pursuit of accumulation and power. Dense with historical symbols of war, spirituality, and imperialism, Schoultz's work serves as a metaphor for contemporary American society, destined to repeat the errors of its past. Juxtaposing influences from 15th century German map making and Persian miniature paintings with highly-stylized graffiti and street art, Schoultz further cultivates this conversation between the past and present.

Often re-appropriating objects laden with cultural and historical implications, Schoultz provocatively confronts significant socio-political issues. In Para Trooping Skull Ship (2013), a green sky of $7,000 in shredded US currency cradles a ship with skull painted flags. Meditation Under Stress (2013) also resonates deeply with issues of corporate and political greed and excess, as, in his signature style, an actual American flag appears to drip or bleed in gold. Images of thrashing waters, erupting volcanoes and distressed trees are also prevalent in his new work, reminding us of nature's devastating fury and recalling the catastrophic realities of global warming. It is through the pulsing repetition of this historically loaded imagery, as it continues to be redefined in the face of a contemporary world, that Schoultz's cultural, political and environmental commentary can accurately reflect the turmoil of today's America.

Andrew Schoultz received his BFA from the Academy of Art University, San Francisco (CA). Schoultz's first solo museum show "In Process" is currently on view at The Monterey Museum of Art. This important exhibition features work from an extensive list of prominent collections and includes four major site-specific installations based upon the local histories of Monterey. His work is collected by major public institutions, including the San Francisco Museum of Modern Art (CA), Los Angeles County Museum of Art (CA), Frederick R. Weisman Foundation (CA) and the Progressive Art Collection (OH). His murals can be found in various public locations nationally and internationally. Schoultz currently lives and works in San Francisco, CA. 


For more information, please visit morganlehmangallery.com, or contact the gallery at 212.268.6699.

View more work by Andrew Schoultz here.

Saturday, February 16, 2013

2/17/13 SALON EXHIBITION / Art Sale Closing Reception to Benefit the Museum of Russian Art (MoRA)






MoRA Logo Text

INVITES YOU TO
THE CLOSING RECEPTION OF
SALON EXHIBITION and ART SALE
 
for the Benefit of the Museum of Russian Art (MORA)

 Art Sale Entrance



Sunday, February 17, 2013, from 3 p.m. to 7 p.m.
The doors open at 12:00 Noon!

ARTWORKS WILL BE ON VIEW
daily (except Monday) through Sunday, February 17, 2013, 
4 p.m. - 7 p.m.


High-quality art priced to sell
 all works priced from $50 to $500

MORA/Museum of Russian Art
 80 Grand St. Jersey City, NJ 07302
(near Exchange Place Path train Subway station)
For directions, click here.

For additional information email: aonthehudson@gmail.com or call: 201-451-4862

Tuesday, January 8, 2013

Jaimie Warren, "The Whoas of Female Tragedy II" opens January 10th




Self-Portrait as Kali Conner, digital C-print, 2012


JAIMIE WARREN

The Whoas of Female Tragedy II


January 10 - February 9, 2013

OPENING January 10, 6-9PM


The Hole is proud to announce a new solo exhibition by Kansas City-based artist Jaimie Warren. In photographs that explore different female stereotypes from both art history and celebrity culture, distorted through the internet’s bizarre juxtapositions, disposable imagery and memes, this new body of work features the artist and her friends in roles as diverse as Zsa Zsa Gabor, Easy E, The Virgin Mary, Lana Del Rey or Picasso’s Les Demoiselles d’Avignon.

Like a digital age, Midwestern Cindy Sherman, Warren camouflages herself in handmade costumes, sets and extensive makeup to impersonate internet-distorted celebrities, including a section of “food-lebrities” which you can perhaps imagine (“Lasagna Del Rey”). Unlike self-portrait artist Nikki Lee who aims to “pass” in various subcultures, Warren with her Rubenesque body, big blonde hair and rosy cheeks never quite fits in anywhere, perhaps best as her idol Roseanne Barr. The juxtaposition of her non-celebrity appearance with the sculpted and contrived publicity shots of Lil' Kim or Madonna bring the unreachably idealized form back to its much funner corporeal reality.

The everyday disruptions of reality or offences to taste, perhaps, put her in some relationship to Wegee or Martin Parr, while her work overall defies specific reference to the history of photography, as perhaps she has more in common with the history of camp and the films of John Waters. The works feel as they came out of a young lady in the Midwest with a vivid imagination who had to make her own fun with her friends, and she has indeed collaborated with long time friends and fellow Kansas City artists Cody Critcheloe (SSION) and fashion designer Peggy Noland. Warren writes: “The self-portraits have always been a way of entertaining myself, as I live in a smaller city, and I have been taking them long before any one noticed let alone requested more. This is also why I co-created Whoop Dee Doo [a faux public access television show for children] as we are always creating our own projects and entertainment, essentially out of necessity”

In this exhibition there are three different series of new works: one where Warren is re-creating found Photoshopped paintings from art history; the second body of work takes on found Photoshopped images that mix celebrities with food; while the last is from totallylookslike.com where people pair images of celebrities with objects, animals, food, other celebrities, etc. to show how they humorously look alike.  Warren puts in an enormous amount of handmade energy to recreate these Photoshop Frankensteins without the use of Photoshop, and all works in the show are unadulterated photographic prints.  Part of the insanity is to figure out why.

Warren is interested in the anonymous nature of “bored at work” Photoshoppers especially in the art history series where venerated works of art history are ridiculously and abjectly altered in the most curious ways. Many sites feature famous paintings that are “pimped out” by adding Versace clothes and glittery phones or even racy lingerie to paintings of nudes. The ersatz humour of the internet and the slightly creepy concoctions of the public when bored with the barrage of celebrity images all fit well into her vaudevillian, Roseanne Barr-ean sense of humour that pervades all her art and performances.

Jaimie Warren (b. 1980 Kansas City) is a photographer, performance artist and curator known for her theatrical, humorous self-portraits set in various scenarios and locations, whether constructed or real.   Her first solo exhibition was at Higher Pictures in NYC in 2009 and was reviewed in Artforum and many other well-known publications.  Warren’s first monograph was published by Aperture in 2008. Her work was debuted on tinyvices.com by curator Tim Barber who has also included her work in many group shows. She has participated in group exhibitions at Max Wigram in London, The MACRO Museum in Rome, Colette in Paris, Deitch Projects, NYC and many more. She and Matt Roche are co-directors of Whoop Dee Doo, a faux public access television show for kids.

This exhibition is variation of The WHOAS of Female Tragedy presented at the Miami Dade College Museum of Art and Design this past fall. Warren collaborated with artist Lee Heinemann who created custom costumes and props.

The Hole is open Tuesday through Saturday, 12 – 7PM
For available works please contact k
athy@theholenyc.com





 
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Saturday, November 17, 2012

Ivy Brown Gallery presents "Unleashed New York"

Ivy Brown Gallery presents 
"Unleashed New York" by Photographer Tracey Sides

Opening Reception with Artist, Wednesday, November 14th, 6pm-8.30pm
Exhibition: November 14th- December 19th, 2012
The Reception is a Dog Free Event
A portion of the opening night sales will be donated to the American Red Cross and to local animal groups involved in Hurricane Sandy relief efforts.


675 Hudson Street 4th floor
Btw 13th + 14th Streets
t.212 925 1111
Visit our new website at site.IvyBrownGallery.Org





"Until one has loved an animal a part of one's soul remains unawakened"- Anatole France


Tracey sees in the dogs eyes, the "windows to their souls". "There is no greater feeling for me than to capture a dog's true character: a moment in time when they go from being shy and curious to trusting and relaxed in front of my lens....and there is the perfect picture".

Over the past 15 years Tracey has been capturing the essence of a dog's soul with her camera. Her love of dogs is evident in the pictures she takes.

Mark Hogancamp: Crash Landing / "Guitar" up through 17th!

Mark Hogancamp: Crash Landing / "Guitar" up through 17th!
November 14, 2012
One Mile Gallery

Mark Hogancamp, Crash Landing!

  Opening Reception, Saturday, December 1, 2-7 pm



Opening Reception, Saturday, December 1, 2-7 pm

One Mile Gallery concludes its 2012 season with Crash Landing!, new and old works by Mark Hogancamp. This is the artist's first exhibition with the gallery. It continues through Saturday, January 5, 2013. 

Mark Hogancamp is a photographer who prefers to identify himself as a director, and with good reason. Mark is the creator of Marwencol, a 1/6 scale, WWII-era Belgian village in which he stages and photographs a complex narrative of Nazi intrigue, lesbian melodrama, and Sgt. Rock-style heroics. With his immense cast of dolls, Mark freely intermixes history and fantasy, allowing Kurt Russell to confront Goebbels, time-traveling witches to antagonize Hitler, and Mark himself to battle personal demons.

In 2000, Mark was the victim of an assault outside of a bar that left him with brain damage. Faced with significant memory loss, diminished hand-eye coordination, and crushing anxiety, Mark retreated from the real world into the imaginary one of Marwencol. Inclined to think of the project more as therapy than art, Mark worked for years in obscurity, accumulating thousands of photographs before his unique oeuvre was eventually discovered. A 2010 documentary, Jeff Malmberg's award-winning "Marwencol," earned Mark international attention and a significant new fan base. 

Works soon available for sale at www.onemilegallery.com


Closes This Saturday, November 17! 
My Other Guitar is a Paintbrush
  
Leavetaking, Tara Key
Leavetaking, Tara Key
My Other Guitar is a Paintbrush features work by seven visual artists who're more often recognized for their work as popular musicians: Sue Garner (Fish and Roses and Run On), Brian DewanGrasshopper (Mercury Rev), Lee Ranaldo (Sonic Youth), Georgia Hubley (Yo La Tengo), Tara Key (Antietam), Tara Jane O'Neil, and Rachel Blumberg (The Decemberists and M. Ward).  Works range from painting and photography to block prints and installations.

  

More information at www.onemilegallery.com


Directions to One Mile Gallery from NYC Take 87 (Major Deegan) to Kingston, NY (exit 19). Take exit 19 toward NY28 Kingston/Rhinecliff Bridge. At the traffic circle, take the 2nd exit onto Washington Ave and drive about a mile. Follow detour signs to Greenkill Ave and S. Wilbur Ave. Turn right onto S. Wilbur Ave. After about 1.3 miles, turn left onto Abeel St. Address is 475 Abeel. The gallery is a brick building with yellow trim. 


HOURS
One Mile Gallery is open weekends (Saturday 12-5 and Sunday 12-4) and by appointment. Contact the gallery at onemilegallery@gmail.com or telephone 845 338 2035 or 917 715 2877


One Mile Gallery
475 Abeel Street Kingston NY 12401
www.onemilegallery.com

onemilegallery@gmail.com

Wednesday, November 14, 2012

Artists Reception & Book Signing


Joséphine Sacabo - Nocturnes
Nocturnes $125
Oyemé con Los Ojos $75
Shelby Lee Adams - Salt and Truth
Salt and Truth $60
Louviere + Vanessa - Stratum Lucidum  - Moonshine
Instinct/Extinct $19.95
Coincidence $19.95
Keith Carter - Natural Histories - Imagining Paradise
Fireflies $60
A Certain Alchemy $60

Artists Reception and Book Signing:
Saturday, December 1, 8pm-10pm
Celebrating PhotoNOLA 2012 

A Gallery for Fine Photography
241 Chartres Street
Artist Reception and Book Signing:
Saturday, December 1, 8pm-10pm
Celebrating PhotoNOLA 2012




Joshua Mann Pailet, Chief
Edward R. Hébert, Director
A Gallery for Fine Photography/ Fine Photos, Inc
New Orleans

Saturday, October 13, 2012

Abstract Impressionist Susan Marx at A. Jain Marunouchi Gallery in November

Abstract Impressionist Susan Marx Exhibits Paintings at the
A. Jain Marunouchi Gallery, October 30 - November 24, 2012

Recent Works Painted in Montclair, New Jersey

Opening Reception: Thursday, November 8, 5:30 PM -7:30 PM
Gallery Address: 24 West 57 Street, Suite 605, New York, NY 10019
Gallery Hours: 11 AM - 5 PM, Tuesday through Saturday

 Susan Marx - "Rose Garden" (2012), 30"x 24", acrylic on canvas


Abstract Impressionist Susan Marx's devotion to startling jubilant color is contagious.  She is in love with color and with paint. 
Inspired by the French masters, Monet, Van Gogh and Abstract Expressionist Joan Mitchell,  Marx invigorates her canvases with colorful dynamic brushstrokes.  She approaches painting with the thoughtful spontaneity of an Impressionist.  Pastoral scenes are alive with spirited energy.  Marx's effervescent use of light pierces through her canvasses, stunning us into sensual appreciation of our natural world. 
Ardently devoted to painting en plein air, out of doors, Marx's dedication to nature is lithe with personal emotions.  Sensuous shapes tempered with vigorous color, breathe life into Marx's personal, dynamic compositions.  "Color, the use of warm and cool colors and their combinations are of extreme importance, as are my expressive brushstrokes, my personal handwriting," explains Marx.  "My painting is a result of my radical amazement at the visual world and my need to turn that visual experience into paint.  Nature is my starting point, but not my end result.  I try to capture the essence of a scene.  Its emotions and color.  And leave the rest to the viewer's imagination to bring him itso the painting."
Susan Marx is represented by and exhibits at the A. Jain Marunouchi Gallery, 24 West 57th Street,  the Agora Gallery, 520 West 25th Street and the Amsterdam Whitney Gallery, 531 West 25th Street in New York City.  She has also exhibited at the Fox Gallery, the Keane Mason Gallery and The Emerging Collector in New York and in New Jersey at the Robin Hutchins Gallery, the Korby Gallery, the Hait Gallery, Nitsa Fine Arts, the Marino Gallery, The Art Gallery of South Orange, The Gaelen Gallery East, The Tenth Muse, and The Right Angle.  She exhibited in Paris at the Musée des Duncan.  In Israel, she showed her work at the Museum of Printing Art in Safed and at the Artist's House in Jerusalem.
Marx's paintings are is in private collections in the United States and abroad. She lives in Orange, NJ and volunteers at the Montclair Art Museum and the Newark Museum.

Susan Marx - "Garden Abstract" (2012), 30"x 24", acrylic on canvas
Susan Marx - "White Irises" (2012), 30"x 24", acrylic on canvas

Friday, October 12, 2012

Flowers Gallery Presents Nadav Kander - Yangtze - The Long River

Flowers Gallery Presents
 NADAV KANDER:
Yangtze – The Long River
Chongqing VII (Washing Bike)
For additional images and inquiries contact: Danielle Grant | A&O PR
(P) 415.860.0767 | (E) danielle@aopublic.com
Opening Reception: October 18, 6 - 8pm

Exhibition Dates: October 19 - November 24, 2012


NEW YORK, August 13, 2012 — Flowers Gallery is pleased to announce the New York debut of Nadav Kander’s Prix Pictet award-winning photographic series, Yangtze — The Long River. For this body of work, Kander traveled the nearly 4,000-mile long Yangtze River, from mouth to source, photographing the landscape and the people living along its shores. Yangtze — The Long River is a body of work that captures the dramatic effects of a nation at the precipice of enormous industrial and economic change and considers the history and folklore of the waterway that runs through the blood of the people. The exhibition will run from October 19th through November 24th, with a reception for the artist on October 18th, from 6-8pm.

Flowing for a distance of 3,988 miles, the Yangtze is the longest river in Asia and the third longest river in the world. Roughly bisecting the country of China from West to East, the edges of this watercourse are home to a population larger than America’s. One in every eighteen people on the planet lives along its shores.

Over a period of three years, Nadav Kander made five trips to the banks of the Yangtze, traveling up-stream from mouth to source. Using the river as a metaphor for a world in flux, Kander attempted to relate and reflect the implications of modern-day China’s incomprehensible and seemingly unnatural pace of development.

Kander’s China is a country both at the beginning of a new era and at odds with itself. With the accelerated clip at which China’s economy continues to grow, this body of work examines how progress can dramatically affect the way the physical world shapes our perception of reality and our understanding of ourselves. Kander says in a statement about this body of work:

“China is a nation that appears to be severing its roots by destroying its past. Demolition and construction were everywhere on such a scale that I was unsure if what I was seeing was being built or destroyed, destroyed or built.” 

Viewers of this exhibition are taken on a meditative and meandering path beginning at the river’s coastal estuary, where thousands of ships leave and enter each day. Imagery of man-made evolutionary progress abounds: the renowned suicide bridges, coalmines and the largest dam in the world – The Three Gorges Dam. Further inland we encounter Chongqing - the fastest-growing urban center on the planet. In the upper areas of the Yangtze, towards its source on the Tibetan Plane, the dense architecture gives way to the mountains—a sparsely populated area where the stream, in its most glacial form, is mostly broken ice.

The human figures in these pictures are colorful wisps, often overshadowed by the monochromatic elements of industrial infrastructure and a climate that appears muted by humid weather and pollution. In his statement about the work, Kander draws references to John Martin’s and Caspar David Friedrich’s paintings “…where humans are dwarfed against the might of nature and God” and J.M.W. Turner's paintings, “…where tiny figures are lost in the seething violence of nature suggesting the ultimate defeat of all endeavor, the fallacy of hope.” Kander continues, “I felt the smallness of man pitted against huge ideas, the insignificance of man compared to the state."

These bright figures, so stunted in size by their encroaching habitats still manage to anchor Kander’s compositions, and provoke the viewer’s imagination about what the flow of life must be like at a time of accelerated progression.

In speaking about his work, Kander relates a friend’s personal narrative:

A Chinese friend I made whilst working on the project reiterated what many Chinese people feel: “Why do we have to destroy to develop?”...many of us can revisit where we were brought up and it will be much the same—it will remind us of our families and upbringing. In China that is virtually impossible. The scale of development has left most places unrecognizable. “Nothing is the same. We can’t revisit where we came from because it no longer exists.”

Born in Tel Aviv, Israel in 1961, Nadav Kander currently lives and works in London. His work forms part of some of the major collections in the world. In 2009, Kander received the prestigious Prix Pictet photographic award for a selection of photographs from Yangtze – The Long River. He is a regular contributor to many international publications, including The New York Times Magazine, for whom he photographed ‘Obama’s People’, a portfolio of 54 portraits of the Obama administration.


529 West 20th Street
New York, NY 10011
+ (1) 212-439-1700

www.flowersgallery.com


Thursday, October 11, 2012

Opening Reception - bau 94 Tom Holmes


BAU logo rusty
161 Main Street, Beacon, NY 12508 
bauinfo@optonline.net      www.baugallery.com 
 (845) 440-7584   

gallery hours Saturday and Sunday 12-6pm
bau 94  
Tom Holmes 



Opening Reception 

This Saturday 

October 13th 6-9 pm 
bau Gallery
161 Main Street
Beacon, NY

______________________________________________________________


bau 94   Beacon Artist Union presents
Tom Holmes

Tom Holmes..... lost in translation, Ice portraits, stone and steel.

Tom Holmes winter portrait
Tom Holmes opens at bau October 13th. He will be showing the ice portraits of winter 2011-2012. Faces of the lost, found and missing that crept into the winter frost to reveal their presence. The ice portraits of time frozen, stopped and dammed. The people of his past, present and future. The Blue Man of winter. 


Stone and steel will be featured as a single monumental piece, delineating the space between the frozen and thawed. The living and the received. The fundamental question of who we are in relation to the truth. Searching for what is and not imagined. The hard space of time..... lost in translation.



_______________________________________________________________

Opening Reception October 13th 6-9 pm
October 13th thru November 4th
Gallery Hours Saturdays and Sundays 12-6pm

bau gallery is open 12 to 6pm, Saturdays and Sundays, or by appointment.  


For more information, go to baugallery.com.




Beacon Artist Union
161 Main Street
Beacon, NY




Oana Lauric - Reflective Radiance

Oana Lauric: Reflective Radiance
October 13 - November 8, 2012

Wednesday, October 10, 2012

Opening Reception - Space Invaders



 Please join us for the reception of 
 SPACE INVADERS

Wednesday, October 17, 6-8:00 pm 

Kim Beck, Diana Cooper, Abigail DeVille, Dahlia Elsayed, Franklin Evans, Gandalf Gavan, DeWitt Godfrey, Rachel Hayes, Lisa Kellner, Nicola Lopez, 
Rita MacDonald, Robert Melee and Erik Hanson, Sheila Pepe, Mariah Robertson, Cordy Ryman, Carol Salmanson, Heeseop Yoon and Halley Zien 


Space Invaders, organized by guest curator Karin Bravin, features the work of eighteen artists who make use of the unique spaces at Lehman College - both inside the galleries and outside the building. Using the walls, the ceiling, the floor, or the balcony above the atrium, works appear to grow out of the structure, hang down, wrap around, or peer out from under. Working with a specific location in mind, the space becomes the artist's canvas. The outcome can be organic and free flowing, expressive and thought provoking. These site-specific installations will include floor-bound works arranged in sprawling configurations that appear to be organically inspired. Some of the artists use large sculptures that skillfully appropriate both indoor and outdoor spaces. Others use bits of material that might have once intersected with someone's life creating an expanding cultural collage, and some create installations that cascade from a ceiling or stretch from inside to outside. Each artist will inhabit the space differently, taking cues from the distinctive architecture - Lehman College Art Gallery is located in a building designed by Marcel Breuer in 1960.

Upon approaching the gallery from the center of the campus, the viewer will encounter Rachel Hayes' boldly colored fabric installation. Light and wind affect the piece as it is viewed from both indoors and outdoors. On the Goulden Avenue side of the campus viewers will find Dahila Elsayed's series of text-based flags. These festive, poetic, and suggestive visual markers metaphorically call to attention aspects of the campus with which one might not be familiar. DeWitt Godfrey's monumental steel tubes sit under an overpass, nestled between concrete walls. Kim Beck's work will lead us from the outside to inside with vinyl decals of commonly overlooked weeds that grow out of cracks and up walls.  

Inside, in the gallery lobby, Sheila Pepe will dress the atrium with a degree of craft and decoration that likely was never intended for Marcel Breuer's cast concrete; Rita MacDonald's large-scale wall drawing plays up the roundness of the foyer's walls with an image of a pattern caught in a spinning motion. Carol Salmanson's Hercules Lite, made of transparent green plexiglass, will mimic the shape of the building's massive support columns, emphasizing contrasting feelings of weightlessness and ephemerality.

In the galleries, Diana Cooper will combine fragmented photographs with three-dimensional elements, abstracted, but projecting an inherent sense of oppressive systems, networks, circuitry and surveillance. Heeseop Yoon's installation of black masking tape on Mylar will play with positive and negative space, void and solid, transforming the space into a busy network of lines that not only slows down the process of seeing and drawing but also suspends the viewer's gaze. Franklin Evans' work will explode the boundaries of painting with such disparate elements as books, sound recordings, sculpture, painting, artist's materials, digital images, drawing, and process residue. Abigail DeVille will transform the small video room using found and inherited domestic objects that make a connection to her personal universe and the one at large. Cordy Ryman's Rafter Web Scrapwall will be a sprawling 30 foot wall installation of recycled remains from a previous installation of painted wood pieces; Mariah Robertson will create a cascading floor to ceiling installation of unique photographs that are the result of darkroom experimentation.  Lisa Kellner uses the language of diseased cellular activity to make large-scale installations. She hand forms, paints and sews together thousands of organic, bulbous shapes out of silk organza. Nicola Lopez will create an installation using woodblock printed Mylar that will transform a portion of the space's sloping ceiling. Robert Melee's marbleized imitation wood and drop ceiling panels will cover a space that channels and explores the distinct, yet inter-related psychologies of the suburban home. His installation will include the paintings of fellow artist Erik Hanson. Gandalf Gavan's neon and mirrored wall installation will alter the viewer's perception of the exhibition space, and Halley Zien will make use of a hidden gallery kitchen that will be invaded by hundreds of her collaged and psychologically expressive characters.


October 2, 2012 - January 9, 2013 


Gallery Hours: Tuesday to Saturday from 10 am to 4 pm

For more Information about Lehman College Art Gallery
visitwww.lehman.edu/gallery
 


Our exhibitions and programs are made possible with the generous support from: The Institute of Museum and Library Services; The New York City Council through G. Oliver Koppell, Joel Rivera, and the Bronx Delegation; New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; The New York City Department of Cultural Affairs; Lily Auchincloss Foundation, Inc.; The Milton and Sally Avery Arts Foundation; The Cowles Charitable Trust; Jarvis and Constance Doctorow Family Foundation; IBM; JDAF Arts Foundation; Edith and Herbert Lehman Foundation; The New Yankee Stadium Community Benefits Fund; and United Way of New York City.  

Reception refreshments generously donated by Cabot Creamery.

Thursday, September 27, 2012

Curiouser & Curiouser | Opening Reception for Pop-Surrealist Nicoletta Ceccoli



The Art of Nicoletta Ceccoli
Reception November 17th, 2012 
Exhibition through February 3rd, 2013
 
 Contact Heidi Leigh / 212.226.7374 
Nicoletta Ceccoli Header

Nicoletta Ceccoli's most recent collection of paintings is inspired by the interplay between bitterness and sweetness. Sweets, whether cakes or candy, are universal icons of pleasure and desire and generally regarded as positive, happy things. Ceccoli turns our assumptions on their side by using sweets to highlight the pleasurable aspects of these sugary treats while at the same time showing us the conflict we feel towards our appetites. Her paintings depict dreams of lovely things, but with darkness lurking just behind them, like the dark side of childhood nursery rhymes. The new works will be unveiled at an opening reception on November 17th from 6 to 8 pm. The reception is free and open to the public with RSVP requested to rsvp@afanyc.com. Exhibition on view through February 3rd, 2012.


AFA is located at 54 Greene Street (corner of Broome Street), in the SoHo neighborhood of New York City. Hours are Monday - Saturday, 10am - 7pm and Sundays 11am - 6pm. To request more information contact Heidi Leigh at heidi@afanyc.com or 212.226.7374.

Nicoletta Ceccoli is from San Marino and graduated from the Institute of Art in Urbino. Her paintings are beautiful and intriguing, consistently striking a delicate balance between disturbing and enchanting. At first glance, her work masquerades as youthful and innocent but a darker narrative inevitably unfolds. Each painting is rife with symbolism that sparks the viewer's imagination and inspires a deeper level of consideration. Ceccoli's work has been exhibited worldwide including solo exhibitions in the US, Italy and France. 

 Beautiful Nightmares Exhibition | Artist Bio | Book

AFA | At AFA, we are inspired by wildly imaginative artwork that indulges the senses and engages the emotions with layers of  symbolism and dark complexity. We exhibit paintings, drawings and sculptures created by extraordinary established and emerging artists who are highly skilled and have a unique vision.


Artwork copyright protected. All Rights Reserved.