Kabinett: Curated group and solo exhibitions spotlighted at Art Basel in Miami Beach

Kabinett: Curated group and solo exhibitions spotlighted at Art Basel in Miami Beach 

A diverse range of curatorial concepts drive the Kabinett sector at the 2013 Art Basel show in Miami Beach. Chosen by the show's Selection Committee, 25 galleries present tightly focused exhibitions within a designated section of their booths, including group and solo shows by historical figures and emerging artists. 

A celebrated sector of the Miami Beach show since 2005, Kabinett gives gallerists a strong platform to display the curatorial aspect of their work. Bridging the gap between performance and the exhibition space, Kavi Gupta Gallery features Theaster Gates’s 'Migration Rickshaw for German Living', a presentation of one of the 12 ballads for the Huguenot House, which the artist created for Documenta 13 in Kassel, Germany. Henrique Faria Fine Art’s exhibition ‘Body: Air, Water and Earth’ documents Yeni and Nan’s most emblematic photographs, video art and the groundbreaking action-based art from the 70s and 80s. Luciana Brito Galeria exhibits the results of Marina Abramović’s extensive research on the Brazilian countryside, with a series of works never seen before – the groundwork for a project planned for Brazil in 2015. 

Kabinett’s appeal reflects the potential to discover unknown artists as well as to rediscover established artists. Hirschl & Adler Modern presents a selection of drawings from the remarkable Outsider artist James Edward Deeds, while Francis M. Naumann Fine Art features a thoughtful consideration of Man Ray’s work as a printmaker. A rare series of small scale painted wooden objects of the 1950s and early 60s by Leon Polk Smith is on show at Valerie Carberry Gallery. Yvon Lambert's Kabinett is dedicated to an installation by Damir Očko focussing on a poem by the artist titled 'We saw nothing but the uniform blue of the Sky'. Alexander Gray Associates presents a focused selection of historical works by Luis Camnitzer, executed between 1972–73. 

Reflecting Latin America's vibrant art scenes, Kabinett presents a wide range of work by artists from and tied to the continent. Galerie 1900-2000 dedicates its Kabinett presentation to drawings by Marius de Zayas, a Mexican artist, writer and art gallery owner who was influential in the New York arts circles of the 1910s and 1920s. Galerie Thomas Schulte features a selection of new works across a variety of media, including found objects and assemblage by Danilo Dueñas. Presenting Raymundo Colares alongside José Bento, A Gentil Carioca juxtaposes two generations of Brazilian artists. For his solo exhibition at Rhona Hoffman Gallery, Luis Gispert continues his meticulous anthropological study of American subcultures to re-appropriate traditional codes of photography and 20th century sculpture. Exhibited works portray Gispert’s fascination with the fetishization of Latin American modernism, Latin American music, and the Black Power movement of the 1960s. Additional highlights in Kabinett include Sam Francis’s historic paintings at Van Doren Waxter, Sean Scully’s pastels on paper at Galerie Lelong and recent works from Mel Kendrick’s complex sculptural practice, plus works on paper, at David Nolan Gallery. Lehmann Maupin presents the gestural sculptures of Tracey Emin’s latest series alongside a series of self-portraits. Al Taylor’s prints and mixed media works at Niels Borch Jensen Galerie, presented in collaboration with David Zwirner, draw into question the perception of reality by blurring the real, the imagined and the illusional. A related inquiry is found in Galerie Urs Meile’s presentation of Hu Qingyan’s 'Edition of 8', eight marble sculptures carved precisely according to the original model of a single rock that the artist selected in Hebei, China. Art : Concept’s installation of works by Richard Fauguet includes a Moleskine notebook containing 117 drawings created through 

frottage – rubbing over a textured surface – that creates a dialog on the nature and perception of the image. Further presentations include a sculpture and neon by Claire Fontaine at Metro Pictures, and Richard Meier at Galerie Gmurzynska. 

Finally, Kabinett’s format allows perspectives on an artist’s long-term practice. Galerie Nathalie Obadia’s solo show of Martin Barré presents four works from between 1959 and 1992, showing the evolution and influence of his work over more than 40 years. Mehdi Chouakri’s exhibition of recent works by Gerold Miller reflects a dramatic shift in the work of an artist concerned with the most fundamental questions of sculpture, relief, painting, and installation. Kicken Berlin presents a survey on the theme of night time, made manifest through a tightly curated selection of photographers from all over the world, while Galerie Krinzinger shows a selection of artists from the gallery's long-running international residency program. 

The full list of artists presented as part of Kabinett is available at artbasel.com/miamibeach/kabinett. 

Important Dates

Opening Day (by invitation only): Wednesday, December 4, 2013 

Public Show Dates: Thursday, December 5 to Sunday, December 8, 2013 

Premier selection of galleries to participate in Art Basel's 12th edition in Miami Beach

Premier selection of galleries to participate in Art Basel's 12th edition in Miami Beach 

In 2013 the Art Basel show in Miami Beach will feature 258 leading international galleries, drawn from 31 countries across North and South America, Europe, Asia, and Africa. The show presents artwork ranging from Modern masters to the latest contemporary works and includes, for the first time in Miami Beach, a sector dedicated to editioned works. Art Basel in Miami Beach, whose Lead Partner is UBS, will take place at the Miami Beach Convention Center from December 5 to December 8, 2013. 

The 2013 Miami Beach show asserts again its status as the premier destination for galleries from the United States and Latin America, with nearly half of this year’s exhibitors coming from those regions. Galleries with exhibition spaces in 31 countries across North America, Latin America, Europe, Asia and Africa, including Argentina, Austria, Belgium, Brazil, Canada, China, Colombia, Denmark, France, Germany, Greece, India, Italy, Japan, Mexico, Monaco, Norway, Peru, Poland, Portugal, Singapore, South Africa, South Korea, Spain, Sweden, Switzerland, Thailand, Turkey, United Kingdom, United States, and Uruguay are participating at this year's show. For the full gallery list, please visit artbasel.com/miami-beach/exhibitors. 

A select group of younger American galleries are taking part in the show for the first time, including Elizabeth Dee and Corbett vs. Dempsey in the show’s Galleries sector, 47 Canal in Nova, and Bureau and Real Fine Arts in Positions. Reflecting the international show’s growing link to Asia, new galleries from the region include Tang Contemporary Art and One and J. Gallery, both in Positions, and Singapore Tyler Print Institute in Edition. 

The focus of the show remains its Galleries sector, which includes 195 of the world’s best established galleries. Long-time exhibitors are joined by first-time participants such as Pace/MacGill Gallery, one of the leading international photography galleries. After a brief hiatus, Art Basel in Miami Beach also welcomes returning galleries Foksal Gallery Foundation, Galerie Jocelyn Wolff, P.P.O.W, and Timothy Taylor Gallery. Several galleries who previously exhibited as part of Nova or Positions have progressed to the main sector of the show, including Gavlak Gallery, Ingleby Gallery, Kavi Gupta Gallery, Galerie Mezzanin, Proyectos Monclova, Ratio 3, Reena Spaulings Fine Art, Galeria Nara Roesler, and Wentrup. For the full gallery list, please visit artbasel.com/miami-beach/galleries. 

This year’s Nova sector, which offers younger galleries a platform to present work made  in the last three years by one, two or three artists, offers a focused selection of 34 participants. Highlights include works by the artists Aaron Bobrow and David Diao (at Office Baroque Gallery); Deyson Gilbert and Marina Simão (at Mendes Wood); Pamela Rosenkranz and Keiichi Tanaami (at Karma International); Saâdane Afif and Karsten Födinger (at RaebervonStenglin); Oliver Laric and Aleksandra Domanović (at Tanya Leighton Gallery); Charles Atlas (at Vilma Gold); Bharti Kher, Sheela Gowda and Prabhavathi Meppayil (at GallerySKE); Sam Falls, Wyatt Kahn (at T293); Teresa Margolles, Pedro Reyes and Jill Magid (at Labor); Daniela Ortiz, Rita Ponce de León and David Zink Yi (at 80M2 Livia Benavides) and Matthew Chambers and Phil Wagner (at Untitled). For the full list of galleries and artists, please visit artbasel.com/miami-beach/nova. 

Positions focuses on curated booths presenting a single artist. In 2013, this sector comprises 16 artists, including Ulrik Heltoft (at Andersen`s Contemporary), Gabriel Acevedo Velarde (at Arratia Beer), Lourival Cuquinha (at Baró Galeria), Tom Holmes (at Bureau), Jorge Pedro Nuñez (at Galerie Crèvecoeur), Dove Allouche (at Gaudel de Stampa), Vijai Patchineelam (at Ignacio Liprandi Arte Contemporáneo), Stefanos Tsivopoulos (at Kalfayan Galleries), Nicolás Consuegra (at La Central), Juan López (at Nogueras Blanchard), Seung Yul Oh (at One and J. Gallery), Oriol Vilanova (at Parra & Romero), Nadira Husain (at PSM), Mathieu Malouf (at Real Fine Arts), Laercio Redondo (at Silvia Cintra + Box4), Wang Yuyang (at Tang Contemporary Art). For the full list of galleries and artists, please visit artbasel.com/miami-beach/positions. 

Following the long success of a dedicated sector for prints and limited-editioned works at Art Basel's show in Basel, the Edition sector premiers now in Miami Beach with 13 exhibitors, including first-time Miami Beach participants Alan Cristea Gallery, Crown Point Press, gdm, Pace Prints, Paul Stolper Gallery, and Singapore Tyler Print Institute. For the full list of galleries, please visit artbasel.com/miami-beach/edition. 

The Public sector will for the first time be curated by Nicholas Baume, Director and Chief Curator of New York City's Public Art Fund. Both the Public and Kabinett sectors will feature expanded significant offerings in 2013, with an increased number of participating artists and galleries. Further information on Public, the Kabinett and Film sectors and Art Basel's Conversations and Salon series will be released during the fall. 

For the past 11 years, Miami Beach’s leading museums and private collections have timed their strongest exhibitions of the year to coincide with Art Basel in Miami Beach, and 2013 is no different. Miami’s leading private collections – among them the Cisneros Fontanals Art Foundation (CIFO), the de la Cruz Collection Contemporary Art Space, The Margulies Collection at the Warehouse, the Rubell Family Collection and World Class Boxing – will be opening their exhibition spaces to guests of the international art show. The museums of South Florida will be staging important exhibitions to coincide with Art Basel. The Pérez Art Museum Miami will open its new Herzog & de Meuron designed building in December with exhibitions including 'Ai Weiwei: According to What?' and commissioned projects by Yael Bartana, Bouchra Khalili, Hew Locke and Monika Sosnowska. On display at the Bass Museum of Art will be 'Piotr Uklański: esl', while the Museum of Contemporary Art, North Miami will present 'Tracey Emin: Angel without You'. 'Phyllida Barlow: HOARD' will be on view at the Norton Museum of Art and the Wolfsonian-FIU will show 'The Birth of Rome' and 'Rendering War: The Murals of A. G. Santagata'. 

The premier destination for the world’s most prominent design galleries, DesignMiami/ runs from December 4 to December 8, 2013. For further information, please visit designmiami.com. 

Important Dates:

Opening Day (by invitation only):
Wednesday, December 4, 2013

Public Days: 
Thursday, December 5, to Sunday, December 8, 2013

Jaimie Warren, "The Whoas of Female Tragedy II" opens January 10th

Self-Portrait as Kali Conner, digital C-print, 2012 JAIMIE WARREN The Whoas of Female Tragedy II January 10 - February 9, 2013 OPENING January 10, 6-9PM The Hole is proud to announce a new solo exhibition by Kansas City-based artist Jaimie Warren. In photographs that explore different female stereotypes from both art history and celebrity culture, distorted through the internet’s bizarre juxtapositions, disposable imagery and memes, this new body of work features the artist and her friends in roles as diverse as Zsa Zsa Gabor, Easy E, The Virgin Mary, Lana Del Rey or Picasso’s Les Demoiselles d’Avignon. Like a digital age, Midwestern Cindy Sherman, Warren camouflages herself in handmade costumes, sets and extensive makeup to impersonate internet-distorted celebrities, including a section of “food-lebrities” which you can perhaps imagine (“Lasagna Del Rey”). Unlike self-portrait artist Nikki Lee who aims to “pass” in various subcultures, Warren with her Rubenesque body, big blonde hair and rosy cheeks never quite fits in anywhere, perhaps best as her idol Roseanne Barr. The juxtaposition of her non-celebrity appearance with the sculpted and contrived publicity shots of Lil' Kim or Madonna bring the unreachably idealized form back to its much funner corporeal reality. The everyday disruptions of reality or offences to taste, perhaps, put her in some relationship to Wegee or Martin Parr, while her work overall defies specific reference to the history of photography, as perhaps she has more in common with the history of camp and the films of John Waters. The works feel as they came out of a young lady in the Midwest with a vivid imagination who had to make her own fun with her friends, and she has indeed collaborated with long time friends and fellow Kansas City artists Cody Critcheloe (SSION) and fashion designer Peggy Noland. Warren writes: “The self-portraits have always been a way of entertaining myself, as I live in a smaller city, and I have been taking them long before any one noticed let alone requested more. This is also why I co-created Whoop Dee Doo [a faux public access television show for children] as we are always creating our own projects and entertainment, essentially out of necessity” In this exhibition there are three different series of new works: one where Warren is re-creating found Photoshopped paintings from art history; the second body of work takes on found Photoshopped images that mix celebrities with food; while the last is from totallylookslike.com where people pair images of celebrities with objects, animals, food, other celebrities, etc. to show how they humorously look alike.  Warren puts in an enormous amount of handmade energy to recreate these Photoshop Frankensteins without the use of Photoshop, and all works in the show are unadulterated photographic prints.  Part of the insanity is to figure out why. Warren is interested in the anonymous nature of “bored at work” Photoshoppers especially in the art history series where venerated works of art history are ridiculously and abjectly altered in the most curious ways. Many sites feature famous paintings that are “pimped out” by adding Versace clothes and glittery phones or even racy lingerie to paintings of nudes. The ersatz humour of the internet and the slightly creepy concoctions of the public when bored with the barrage of celebrity images all fit well into her vaudevillian, Roseanne Barr-ean sense of humour that pervades all her art and performances. Jaimie Warren (b. 1980 Kansas City) is a photographer, performance artist and curator known for her theatrical, humorous self-portraits set in various scenarios and locations, whether constructed or real.   Her first solo exhibition was at Higher Pictures in NYC in 2009 and was reviewed in Artforum and many other well-known publications.  Warren’s first monograph was published by Aperture in 2008. Her work was debuted on tinyvices.com by curator Tim Barber who has also included her work in many group shows. She has participated in group exhibitions at Max Wigram in London, The MACRO Museum in Rome, Colette in Paris, Deitch Projects, NYC and many more. She and Matt Roche are co-directors of Whoop Dee Doo, a faux public access television show for kids. This exhibition is variation of The WHOAS of Female Tragedy presented at the Miami Dade College Museum of Art and Design this past fall. Warren collaborated with artist Lee Heinemann who created custom costumes and props. The Hole is open Tuesday through Saturday, 12 – 7PM For available works please contact kathy@theholenyc.com

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VIP Vernissage | January 2013 | International Art Exhibition

Nina Torres Fine Art | 1800 N Bayshore Dr, Suite CP1 Contact | 305.395.3599 | www.ninatorresfineart.com | info@ninatorresfineart.com

January Fresh From The Studio: Paul Wackers

Paul Wackers They Always Fly Away (2012) Acrylic On Panel, 12h x 9w in  $1,500 Paul Wackers' work favors the often overlooked nuances in life, consisting of surreal paintings of abstract objects and geometric landscapes. These non-specific places feel oddly nostalgic, like a fleeting memory of familiar forms, feelings and situations. Pulling inspiration from moments in film, articles read, or a walk down the street, these whimsical paintings move in and out of reality, focusing on the delicate interactions between objects in these newly fabricated worlds. Click here to see more work by Paul Wackers. *Fresh From The Studio is a monthly email offering from a gallery artist of a single available signature work that has been recently completed.  Current Exhibitions: Kim McCarty: Boys & Girls Michael Velliquette: In Spaces and Other Places October 25, 2012 - January 12, 2013 Upcoming Exhibitions:  David S. Allee: Frame of View THE STUDY Project Space: David Fertig January 17 - February 16, 2013    The Armory Show: Kysa Johnson March 7 - 10, 2013 Piers 92 & 94 | New York City      535 West 22nd Street New York, NY 10011 email: art@morganlehmangallery.com phone: 212.268.6699 fax: 212.268.6766 web: morganlehmangallery.com

MCA Chicago: "Color Bind" Opens + Curator Announcement

COLOR BIND: THE MCA COLLECTION IN BLACK AND WHITE    November 10, 2012 - April 28, 2013          Marilyn and Larry Fields Endow MCA Curatorship Madeleine Grynsztejn, Pritzker Director of the Museum of Contemporary Art Chicago, announced a $2 million gift from Marilyn and Larry Fields to endow the MCA Curator position currently held by Naomi Beckwith. Color Bind: The MCA Collection in Black and White is the first collection-based exhibition curated by Naomi Beckwith, whose new title is Marilyn and Larry Fields Curator at the MCA Chicago.

Color Bind: The MCA Collection in Black and White Works of art using a single color has been a major strategy for artists throughout the 20th and 21st centuries, from Ad Reinhardt's mid-century black paintings to Imi Knoebel's contemporary forms that attempt to imagine infinitude. Color Bind: The MCA Collection in Black and White, which runs from November 10, 2012 to April 28, 2013, investigates the museum's rich collection through one of art history's basic formal lenses: the use of the colors black and white. Color Bind looks broadly at the MCA Collection to show how color can be used literally, formally, and metaphorically in art, and to reveal how formal considerations are often rooted in social issues. Many artists represented in the exhibition, such as Robert Ryman, significantly limit their palette or produce works of one color in order to explore and emphasize the most basic formal aspects of art making, such as line, color, and technique. Beyond these formal aspects, artists such as Richard Serra and Félix Gonzáles-Torres use minimal color tones as a critical take on art's representational role. Other artists intentionally use specific techniques combined with a black-and-white palette as a method of introducing social and ethical dimensions into art practice. For example, Raymond Pettibon, Marlene Dumas, and Howardena Pindell appropriate the inky form of newspapers and comic books as a way to comment on conflict and violence. Kara Walker adopts 19th-century silhouette forms to present racially exaggerated bodies, and Glenn Ligon, who does the same in his print series, also uses the monochrome canvas in his paintings as both a metaphor and a foil for depictions of race. Artists such as Bruce Nauman and Barbara Kruger use text to demonstrate how basic language can be co-opted into polemics, or "black-and-white" forms of discourse. With a variety of works in all media, Color Bind considers the ways that the words 'black' and 'white' evoke both simple formal notions and metaphors for race, politics, and historical movements. Set to coincide with the US elections, this exhibition calls attention to the ways seemingly impartial formal terms assume moral dimensions that, in turn, complicate and politicize the very works assumed to be neutral. Marilyn and Larry Fields Curator: Naomi Beckwith Madeleine Grynsztejn, Pritzker Director of the Museum of Contemporary Art (MCA) Chicago, has announced a $2 million gift from Marilyn and Larry Fields to endow the MCA Curator position currently held by Naomi Beckwith. In recognition of this significant gift, the MCA has established the "Marilyn and Larry Fields Curator" endowment, naming this curator's position. "This tremendous gift is a tribute to the Fields and their extraordinary support for the MCA and their long demonstrated passion for curators and their work," said King Harris, Chair of the MCA Board of Trustees. "What is most rewarding about this position being named by Marilyn and Larry Fields is that they both have had a significant history of supporting curatorial work," said Madeleine Grynsztejn. "Even prior to Larry's tenure as an MCA Trustee, he and Marilyn invested in our collection and in the work of our curators who are our thought leaders and creative engines of the museum. We are very honored by this generous gift from the Fields." MCA Trustee Larry Fields said, "We are delighted to be able to make this gift to the MCA. It is very fitting that the first Marilyn and Larry Fields Curator is Naomi Beckwith, an incredibly intelligent and talented curator who is just beginning her career at the MCA, but has already shown remarkable scholarship as a curator who is energizing the museum." "I am thrilled and grateful to Marilyn and Larry for their early and ongoing support, and for this gift, said Naomi Beckwith. "It's an amazing validation of the work that I do on a daily basis while also making an investment in the MCA's future programming. I'm so proud to carry their name into the art world." Marilyn and Larry Fields are avid and knowledgeable art collectors who are very supportive of the MCA and Chicago's art community, as well as the national and international art world. At the MCA they've supported numerous exhibitions, most recently Phantom Limb: Approaches to Painting Today, Rashid Johnson: Message to Our Folks, and This Will Have Been: Art, Love & Politics in the 1980s. The Fields have also given numerous significant works to the collection, including Alec Soth's Charles(from Along the Mississippi series), (2004) and Daniel, Niagara Falls, Ontario (2004); Jennifer Allora and Guillermo Calzadilla's Ruin (2005); Thomas Ruff's zycles 3065 (2008); Rivane Neuenschwander'sFound Calendar (2002); Trisha Donnelly's Untitled (Leopard) (2005); Paul Pfeiffer's Study for the Morning After the Deluge (2001) and Memento Mori (2004); Eve Sussman's The Rape of the Sabine Women (2006); Yang Fudong's City Light (2003), and Leslie Hewitt's Untitled (2007) in honor of Naomi Beckwith. Larry Fields has been a member of the MCA Board of Trustees since 2005 and serves on the Executive and Collection Committees. Marilyn has been involved with the MCA Chicago since 1999 when she became a member of the Woman's Board. She served as President of the Woman's Board from 2004-07, during which she spearheaded the Family Education Initiative that engages volunteers in the MCA's family education programs. She most recently co-chaired Vernissage, the MCA benefit that kicked off the EXPO Chicago art fair. ______________________________________________________________________________________     Images: Luisa Lambri, Untitled (Barragan House, #08A), 2005. Collection Museum of Contemporary Art Chicago, restricted gift of Verge: The Emerging Artists Advisory Group of the MCA and Bernice and Kenneth Newberger Fund. © Barragan Foundation, Switzerland. Photo: Nathan Keay, © MCA Chicago. Barbara Kruger, Untitled (We construct the chorus of missing persons), 1983. Collection Museum of Contemporary Art Chicago, restricted gift of Paul and Camille Oliver-Hoffmann. Photo: Nathan Keay, © MCA Chicago. Marilyn Fields, Naomi Beckwith, and Larry Fields. © MCA Chicago.

Invitation : Le mois de la photo à la Galerie L'Oeil du Prince (Invitation: The Month of Photography at Gallery Eye of the Prince)

Jeudi 15 novembre de 19H00 à 22H00

Dans le cadre du mois de la photo à Paris, la galerie L’Oeil du Prince

a le plaisir de vous inviter au vernissage de l’exposition de groupe de :

Thursday, November 15th from 7:00 p.m. to 10:00 p.m.

Within the Month of Photography in Paris, the gallery The Prince O eil

is pleased to invite you to the opening of the exhibition group:

Sylvain Demange

Fabrice Deutscher

Yannick Toral

Hv

Christine Mathieu

Yann Deshoulières

Galerie L’Oeil du Prince

30 rue Cardinet

75017 Paris

Métro Wagram ou Monceau

01.42.26.50.49

Yann & Laetitia Deshoulières

info@loeilduprince.com

www.loeilduprince.com

http://fr-fr.facebook.com/pages/Galerie-LOeil-du-Prince/103154583081326

mardi au samedi 11H - 19H30

dimanche 15H00 - 19H00

Gallery The Prince O eil

30 rue Cardinet

75017 Paris

Monceau Wagram Metro or

01.42.26.50.49

Yann & Laetitia Deshoulières

info@loeilduprince.com

www.loeilduprince.com

http://fr-fr.facebook.com/pages/Galerie-LOeil-du-Prince/103154583081326

Tuesday to Saturday 11am - 7:30 p.m.

Sunday 3:00 p.m. to 7:00 p.m.

Call to Artists - Future is now! Your EXHIBITION in Venice / New VENUES available!

Future is now! Set up your own EXHIBITION in VENICE

 

Have you always dreamt about your own exhibition in VENICE? Now you can make it real!

International ArtExpo offers you the great opportunity to set up an exhibition in Venice, in some exclusive locations, two prestigious buildings located a few meters from the Ponte di Rialto on the Canal Grande with more than 1.000 mq of exhibition area, and a third one located between San Marco square and the Arsenale, one of the main exhibition spaces of the Biennale of Venice. This ambitious new project is open to any kind of artist, in fields of painting, sculpture/installation, photography, video art and performing art.

 

To realize your own exhibition, we will provide the following:

 

. Exhibition space: availability of the exhibition space during the period required by the artist
. Mounting and taking down service: we will create a mounting project for the exhibition and provide with a person in charge to mount it and take it down
. Technical equipment: we will provide with the needed technical equipment for your exhibition (digital projector, DVD player, computer and audio system)
. Opening reception: we will organize an opening reception for the exhibition
. Hostess service: we will provide with hostess service during the whole exhibition
. Promotional web page: we will create a permanent promotional web page on International ArtExpo Official website, announcing the exhibition with all artist’s contacts
. Press office: It's LIQUID Group will cover the press office service announcing the exhibition on Italian and International art magazines and on various art-related sites, managing relations with the media: print, TV, on-line magazines. More details about It's LIQUID Group at www.itsliquid.com
. Banner advertising: a banner advertising for the exhibition will be placed on International ArtExpo website as well as on It's LIQUID website
. Invitations by email: invitations to the exhibition will be emailed to It’s LIQUID press office mailing list of over 80,000 subscribers
. Digital invitation cards: we will design digital exhibition invitation cards to be mailed to the artist and to a select group of International ArtExpo clients

 

It's LIQUID will manage your relations with the media: print, TV, on-line magazines and will invite critics, writers, curators, dealers and other visual arts professionals to your exhibition.

 

Make a concrete move to improve your artistic career and share you talent. Spread your work in VENICE! For more details, contact us to lucacurci@lucacurci.com

 

International ArtExpo is a not for profit organization that provides a significant forum for cultural dialogue between all artists from different cultures and countries. We work with a number of national and international galleries as well as publishers, museums, curators and critics from all over the world. We help artists through solo and group exhibitions, gallery representation, magazine reviews and advertisements, press releases, internet promotion, as well as various curatorial projects.

 

International ArtExpo
Corso Vittorio Emanuele II, 33
70122 Bari (Italy)
+39.0805234018
+39.3387574098
lucacurci@lucacurci.com
www.lucacurci.com/artexpo

Whitney - The "Ingenious" Wade Guyton, plus Fireflies on the Water

OCTOBER 10–23 See the exhibition heralded as "beautiful" (The New York Times) and "ingenious, and also moving" (The New Yorker). Wade Guyton OS is a striking installation of Guyton's innovative work that explores our changing relationship to images and art through the use of technology. Yayoi Kusama’s Fireflies on the Water continues through October 28. Special timed tickets are required for Fireflies, so see our website for information before your visit. We hope to see you at the Whitney! Exhibitions ‬Family Programs Shop Other Events Become a Member Exhibitions BACK TO TOP Signs & Symbols "Works whose essentials anyone anywhere could relate to"—The New York Times Through October 28 Drawn from the Whitney’s collection, Signs & Symbols sheds new light on the developments of abstraction in American art during the 1940s and 1950s. Looking beyond Abstract Expressionism, toward the figurative and calligraphic “signs and symbols” present in much of the highly controlled work of this period, this exhibition features works by seminal artists including Mark Rothko, Jackson Pollock, and Adolph Gottlieb, among others. Oskar Fischinger: Space Light Art—A Film Environment "At once relaxing and stimulating, and possibly hypnotic"—Artinfo Through October 28 This exhibition presents one of the first multimedia projections ever made: Oskar Fischinger’s Raumlichtkunst (Space Light Art), a re-creation of his multiple-screen film events, first shown in Germany in 1926, and recently restored by the Center for Visual Music in Los Angeles. Radical in format, its display of abstract shapes and colors produces, according to Fischinger, “an intoxication by light from a thousand sources.” Fireflies on the Water Through October 28 Yayoi Kusama’s depictions of seemingly endless space have been a central focus of her artistic career. Kusama’s Fireflies on the Water (2002)—with its carefully constructed environment of lights, mirrors, and water—is one of the outstanding examples of this kind of installation, which creates a space in which individual viewers are invited to transcend their sense of self. Special timed tickets are required for entry into Fireflies on the Water. Tickets are free with Museum admission and available day-of-visit on a first-come, first-served basis. We recommend you arrive early. Wade Guyton OS "The Whitney Museum has a hit on its hands: a beautiful show organized by a young curator that makes a cogent case for the work of a young artist."—The New York Times Through January 13, 2013 Over the past decade, New York–based artist Wade Guyton has pioneered a groundbreaking body of work that explores our changing relationships to images and artworks through the use of common digital technologies, such as the desktop computer, scanner, and inkjet printer. Guyton’s purposeful misuse of these tools to make paintings and drawings results in beautiful accidents that relate to the ways in which we haltingly navigate the visual and technological barrage of our time. . . . as apple pie On continuous view Images, like words, can trigger a cultural or emotional response to a shared national ethos. Artists have employed images—sometimes straightforwardly, often obliquely—in order to comment on a country, its people, its political or social goals, and its self-image. This exhibition explores this phenomenon through a rotating installation, drawn from the Whitney’s collection, of works on paper by a diverse group of artists including Robert Bechtle, Enrique Chagoya, Howard Cook, William N. Copley, Edward Hopper, Willard Midgette, Joseph Pennell, Benton Spruance, and Stow Wengenroth. Family Programs  BACK TO TOP Whitney Wees: Shapes, Lines, and Symbols For families with kids age 4–5 October 13, 20, and 27 10:30–11:30 am From circles to squiggles, artists often develop their own special vocabulary to create their work! Families will explore sculptures, paintings, and more in Signs & Symbols and other exhibitions. $10 per family. Admission to program includes Museum admission. Registration is recommended; drop-ins are welcome if space is available. Family Fun Art Workshop: Playing with Printmaking For families with kids age 6–10 October 13, 20, and 27 10:30 am–12:30 pm Discover how Wade Guyton uses technology to print—and misprint—his breathtaking works. Families will try their own hands at printmaking. $10 per family. Admission to program includes Museum admission. Registration is recommended; drop-ins are welcome if space is available. Shop  BACK TO TOP Wade Guyton OS $55 / $40 for members This catalogue illuminates Wade Guyton's unconventional working methods and the development of his techniques, showcasing the visual flair and conceptual provocation inherent in his art. Wade Guyton: Drawings for a Small Picture $65 / $58.50 for members In conjunction with his exhibition at the Secession in Vienna, Guyton produced this artist’s book, which enacts his creative methods across more than sixty color pages. Other Events  BACK TO TOP Film Forum Presents: Bel Borba Aqui Through October 16 Film Forum West Houston Street (West of 6th Avenue) For the past thirty-five years, Bel Borba has been transforming his hometown of Salvador, Brazil with an amazing array of works of public art. Using paint, sand, tiles, clay, metal, wood, and just about anything else he comes across, Bel Borba makes art that is a natural extension of his exuberant personality. Set to the rhythms of Brazil, Bel Borba Aqui introduces a one-man life-force who proves that his country is a lot more than favelas, soccer, and drugs. For more information and to buy tickets, visit filmforum.org. Just for Members: Preview Day: Richard Artschwager! October 24 12–6 pm This major retrospective surveys nearly five decades of the work of Richard Artschwager and explores his relationship to major movements in American art. Open to all members, plus one guest. JOIN NOW For further information, please email memberinfo@whitney.org or call (212) 570-3641. Thank you for supporting the Whitney! IMAGE CREDITS Wade Guyton (b. 1973), Untitled, 2006 (detail). Epson UltraChrome inkjet on linen, 89 × 54 in. (226.1 × 137.2 cm). Private collection. © Wade Guyton. Photograph by Lamay Photo Adolph Gottlieb (1903–1974), Vigil, 1948. Oil on canvas, 36 × 48 in. (91.4 × 121.9 cm). Whitney Museum of American Art, New York; purchase 49.2. Art © Adolph and Esther Gottlieb Foundation / Licensed by VAGA, New York, NY Oskar Fischinger (1900–1967), still of Raumlichtkunst, 1926/2012. Three screen projection: three 35mm films transferred to high-definition video, black-and-white and color, sound; 10 minutes, looped. © Center for Visual Music Yayoi Kusama (b. 1929), Fireflies on the Water, 2002. Mirror, plexiglass, lights and water, 111 × 144 1/2 × 144 1/2 in. (281.9 × 367 × 367 cm) overall. Whitney Museum of American Art, New York; purchase, with funds from the Postwar Committee and the Contemporary Painting and Sculpture Committee and partial gift of Betsy Wittenborn Miller  2003.322. © Yayoi Kusama. Photograph courtesy Robert Miller Gallery, New York Wade Guyton (b. 1973), Untitled, 2006. Epson UltraChrome inkjet on linen, 89 × 54 in. (226.1 × 137.2 cm). Private collection. © Wade Guyton. Photograph by Lamay Photo Stow Wengenroth (1907–1978), Bird of Freedom, 1942. Lithograph, 21 9/16 × 15 1/16 in. (54.8 × 38.3 cm). Whitney Museum of American Art, purchase  42.13. Digital image © Whitney Museum of American Art In the sculpture court, families design their own comic strip, 2011. Photograph by Sean Carroll Family Fun participants create wacky installations, 2012. Photograph by Sean Carroll Still from Bel Borba Aqui, directed by Burt Sun and André Costantini Whitney Museum of American Art        whitney.org