Upcoming Exhibitions at The Whitney

MUSEUM HOURS UPDATE Due to the ongoing impact of Hurricane Sandy, the Whitney is changing its hours for Friday, November 2, to 11 am–6 pm. Pay-what-you-wish hours will not be in effect, but will resume on Friday, November 9. Read on for a list of exhibitions on view. Eleanor Antin: Conversations with Stalin and the Wade Guyton OS stroller tour scheduled for tomorrow, November 2, have also both been canceled. See the online calendar for an up-to-date listing of events and programs. Please note that the Whitney's phones remain inactive, and the Museum's administrative offices are closed. We hope to see you at the Whitney! Exhibitions Wade Guyton OS "The Whitney Museum has a hit on its hands: a beautiful show organized by a young curator that makes a cogent case for the work of a young artist."—The New York Times Through January 13, 2013 Over the past decade, New York–based artist Wade Guyton has pioneered a groundbreaking body of work that explores our changing relationships to images and artworks through the use of common digital technologies, such as the desktop computer, scanner, and inkjet printer. Guyton’s purposeful misuse of these tools to make paintings and drawings results in beautiful accidents that relate to the ways in which we haltingly navigate the visual and technological barrage of our time. Richard Artschwager! "The last great minimalist"—New York Magazine Through February 3, 2013 Richard Artschwager had his first solo exhibition at the age of forty-two, in 1965 at Leo Castelli Gallery. Since then his art has been shown throughout the world, and his enigmatic and diverse work has been influential, yet not thoroughly understood. This exhibition is a comprehensive review of Artschwager’s remarkable creative exploration of the mediums of sculpture, painting, and drawing, and is the first retrospective exhibition of Artschwager’s work since the one organized by the Whitney in 1988. . . . as apple pie On continuous view Images, like words, can trigger a cultural or emotional response to a shared national ethos. Artists have employed images—sometimes straightforwardly, often obliquely—in order to comment on a country, its people, its political or social goals, and its self-image. This exhibition explores this phenomenon through a rotating installation, drawn from the Whitney’s collection, of works on paper by a diverse group of artists including Robert Bechtle, Enrique Chagoya, Howard Cook, William N. Copley, Edward Hopper, Willard Midgette, Joseph Pennell, Benton Spruance, and Stow Wengenroth. IMAGE CREDITS Wade Guyton (b. 1973), Untitled, 2006. Epson UltraChrome inkjet on linen, 89 × 54 in. (226.1 × 137.2 cm). Private collection. © Wade Guyton. Photograph by Lamay Photo Richard Artschwager (b. 1923), Logus (Blue Logus), 1967. Formica on wood, 35 × 45 1/2 × 48 in. (88.9 × 115.6 × 121.9 cm). Museum Ludwig, Cologne/Peter und Irene Ludwig Stiftung. © Richard Artschwager Stow Wengenroth (1907–1978), Bird of Freedom, 1942. Lithograph, 21 9/16 × 15 1/16 in. (54.8 × 38.3 cm). Whitney Museum of American Art, purchase  42.13. Digital image © Whitney Museum of American Art Whitney Museum of American Art        whitney.org

Whitney - The "Ingenious" Wade Guyton, plus Fireflies on the Water

OCTOBER 10–23 See the exhibition heralded as "beautiful" (The New York Times) and "ingenious, and also moving" (The New Yorker). Wade Guyton OS is a striking installation of Guyton's innovative work that explores our changing relationship to images and art through the use of technology. Yayoi Kusama’s Fireflies on the Water continues through October 28. Special timed tickets are required for Fireflies, so see our website for information before your visit. We hope to see you at the Whitney! Exhibitions ‬Family Programs Shop Other Events Become a Member Exhibitions BACK TO TOP Signs & Symbols "Works whose essentials anyone anywhere could relate to"—The New York Times Through October 28 Drawn from the Whitney’s collection, Signs & Symbols sheds new light on the developments of abstraction in American art during the 1940s and 1950s. Looking beyond Abstract Expressionism, toward the figurative and calligraphic “signs and symbols” present in much of the highly controlled work of this period, this exhibition features works by seminal artists including Mark Rothko, Jackson Pollock, and Adolph Gottlieb, among others. Oskar Fischinger: Space Light Art—A Film Environment "At once relaxing and stimulating, and possibly hypnotic"—Artinfo Through October 28 This exhibition presents one of the first multimedia projections ever made: Oskar Fischinger’s Raumlichtkunst (Space Light Art), a re-creation of his multiple-screen film events, first shown in Germany in 1926, and recently restored by the Center for Visual Music in Los Angeles. Radical in format, its display of abstract shapes and colors produces, according to Fischinger, “an intoxication by light from a thousand sources.” Fireflies on the Water Through October 28 Yayoi Kusama’s depictions of seemingly endless space have been a central focus of her artistic career. Kusama’s Fireflies on the Water (2002)—with its carefully constructed environment of lights, mirrors, and water—is one of the outstanding examples of this kind of installation, which creates a space in which individual viewers are invited to transcend their sense of self. Special timed tickets are required for entry into Fireflies on the Water. Tickets are free with Museum admission and available day-of-visit on a first-come, first-served basis. We recommend you arrive early. Wade Guyton OS "The Whitney Museum has a hit on its hands: a beautiful show organized by a young curator that makes a cogent case for the work of a young artist."—The New York Times Through January 13, 2013 Over the past decade, New York–based artist Wade Guyton has pioneered a groundbreaking body of work that explores our changing relationships to images and artworks through the use of common digital technologies, such as the desktop computer, scanner, and inkjet printer. Guyton’s purposeful misuse of these tools to make paintings and drawings results in beautiful accidents that relate to the ways in which we haltingly navigate the visual and technological barrage of our time. . . . as apple pie On continuous view Images, like words, can trigger a cultural or emotional response to a shared national ethos. Artists have employed images—sometimes straightforwardly, often obliquely—in order to comment on a country, its people, its political or social goals, and its self-image. This exhibition explores this phenomenon through a rotating installation, drawn from the Whitney’s collection, of works on paper by a diverse group of artists including Robert Bechtle, Enrique Chagoya, Howard Cook, William N. Copley, Edward Hopper, Willard Midgette, Joseph Pennell, Benton Spruance, and Stow Wengenroth. Family Programs  BACK TO TOP Whitney Wees: Shapes, Lines, and Symbols For families with kids age 4–5 October 13, 20, and 27 10:30–11:30 am From circles to squiggles, artists often develop their own special vocabulary to create their work! Families will explore sculptures, paintings, and more in Signs & Symbols and other exhibitions. $10 per family. Admission to program includes Museum admission. Registration is recommended; drop-ins are welcome if space is available. Family Fun Art Workshop: Playing with Printmaking For families with kids age 6–10 October 13, 20, and 27 10:30 am–12:30 pm Discover how Wade Guyton uses technology to print—and misprint—his breathtaking works. Families will try their own hands at printmaking. $10 per family. Admission to program includes Museum admission. Registration is recommended; drop-ins are welcome if space is available. Shop  BACK TO TOP Wade Guyton OS $55 / $40 for members This catalogue illuminates Wade Guyton's unconventional working methods and the development of his techniques, showcasing the visual flair and conceptual provocation inherent in his art. Wade Guyton: Drawings for a Small Picture $65 / $58.50 for members In conjunction with his exhibition at the Secession in Vienna, Guyton produced this artist’s book, which enacts his creative methods across more than sixty color pages. Other Events  BACK TO TOP Film Forum Presents: Bel Borba Aqui Through October 16 Film Forum West Houston Street (West of 6th Avenue) For the past thirty-five years, Bel Borba has been transforming his hometown of Salvador, Brazil with an amazing array of works of public art. Using paint, sand, tiles, clay, metal, wood, and just about anything else he comes across, Bel Borba makes art that is a natural extension of his exuberant personality. Set to the rhythms of Brazil, Bel Borba Aqui introduces a one-man life-force who proves that his country is a lot more than favelas, soccer, and drugs. For more information and to buy tickets, visit filmforum.org. Just for Members: Preview Day: Richard Artschwager! October 24 12–6 pm This major retrospective surveys nearly five decades of the work of Richard Artschwager and explores his relationship to major movements in American art. Open to all members, plus one guest. JOIN NOW For further information, please email memberinfo@whitney.org or call (212) 570-3641. Thank you for supporting the Whitney! IMAGE CREDITS Wade Guyton (b. 1973), Untitled, 2006 (detail). Epson UltraChrome inkjet on linen, 89 × 54 in. (226.1 × 137.2 cm). Private collection. © Wade Guyton. Photograph by Lamay Photo Adolph Gottlieb (1903–1974), Vigil, 1948. Oil on canvas, 36 × 48 in. (91.4 × 121.9 cm). Whitney Museum of American Art, New York; purchase 49.2. Art © Adolph and Esther Gottlieb Foundation / Licensed by VAGA, New York, NY Oskar Fischinger (1900–1967), still of Raumlichtkunst, 1926/2012. Three screen projection: three 35mm films transferred to high-definition video, black-and-white and color, sound; 10 minutes, looped. © Center for Visual Music Yayoi Kusama (b. 1929), Fireflies on the Water, 2002. Mirror, plexiglass, lights and water, 111 × 144 1/2 × 144 1/2 in. (281.9 × 367 × 367 cm) overall. Whitney Museum of American Art, New York; purchase, with funds from the Postwar Committee and the Contemporary Painting and Sculpture Committee and partial gift of Betsy Wittenborn Miller  2003.322. © Yayoi Kusama. Photograph courtesy Robert Miller Gallery, New York Wade Guyton (b. 1973), Untitled, 2006. Epson UltraChrome inkjet on linen, 89 × 54 in. (226.1 × 137.2 cm). Private collection. © Wade Guyton. Photograph by Lamay Photo Stow Wengenroth (1907–1978), Bird of Freedom, 1942. Lithograph, 21 9/16 × 15 1/16 in. (54.8 × 38.3 cm). Whitney Museum of American Art, purchase  42.13. Digital image © Whitney Museum of American Art In the sculpture court, families design their own comic strip, 2011. Photograph by Sean Carroll Family Fun participants create wacky installations, 2012. Photograph by Sean Carroll Still from Bel Borba Aqui, directed by Burt Sun and André Costantini Whitney Museum of American Art        whitney.org

CLOSING SOON Yayoi Kusama at the Whitney

CLOSING SOON Yayoi Kusama Through September 30 "Heroic, barrier-crashing"—The New York Times Well known for her use of dense patterns of polka dots and nets, as well as her intense, large-scale environments, Yayoi Kusama works in a variety of media, including painting, drawing, sculpture, film, performance, and immersive installation. Born in Japan in 1929, Kusama came to the United States in 1957 and quickly found herself at the epicenter of the New York avant-garde. After achieving fame through groundbreaking exhibitions and art “happenings,” she returned to her native country in 1973 and is now one of Japan’s most prominent contemporary artists. This retrospective features works spanning Kusama’s career. Fireflies on the Water Timed Ticketing Special timed tickets are required for entry into Yayoi Kusama's Fireflies on the Water. Only one person is allowed in the installation at a time, and the viewing time is limited to one minute. Tickets are free with Museum admission and available day-of-visit on a first-come, first-served basis. We recommend you arrive early, as tickets are extremely limited and sell out early. Featured Events Free Daily Tours See Schedule Open Studio: Yayoi Kusama For families with kids age 4 and up Saturday, September 29 1–3 pm Yayoi Kusama covered shirts, dresses, shoes, and suitcases with materials like pasta and fake flowers. Drop by the Whitney Studio to create your own forward-looking fashions inspired by Kusama’s work. Free with Museum admission, no registration required. Shop   Shop Kusama-inspired items online or at the Museum. Remember, members also enjoy increased discounts at the Museum Store. Just for Members: Exclusive Access to Yayoi Kusama and Fireflies on the Water September 26, 27, 29, and 30 10–11 am 6:30–8:30 pm Enjoy Yayoi Kusama without the daytime crowds! During the last week of September, the artist’s blockbuster retrospective will be open in the morning and evening, exclusively for members. Kusama’s ethereal Fireflies on the Water will also be on view. Open to all members. For more information, visit whitney.org. JOIN NOW For further information, please email memberinfo@whitney.org or call (212) 570-3641. Thank you for supporting the Whitney! IMAGE CREDITS Yayoi Kusama in Yellow Tree furniture room at Aich triennale, Nagoya, Japan, 2010. Collection Yayoi Kusama. Image courtesy Yayoi Kusma Studio Inc.; Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; and Gagosian Gallery New York Yayoi Kusama (b. 1929), Fireflies on the Water, 2002. Mirror, plexiglass, 150 lights and water, 111 × 144 1/2 × 144 1/2 in. (281.9 × 367 × 367 cm) overall. Whitney Museum of American Art, New York; purchase, with funds from the Postwar Committee and the Contemporary Painting and Sculpture Committee and partial gift of Betsy Wittenborn Miller 2003.322a-tttttttt. © Yayoi Kusama. Photograph courtesy Robert Miller Gallery Inspired by Tom Thayer’s installation in the 2012 Biennial, Families make puppets in the new Whitney Studio, 2012. Photograph by Sean Carroll Whitney Museum of American Art        whitney.org