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Showing posts with label the art dossier. Show all posts
Showing posts with label the art dossier. Show all posts
Sunday, January 5, 2014
Art Dossire up date
Tuesday, January 31, 2012
David X. Levine - Amy Winehouse Exhibition
Steven Zevitas Gallery

David X. Levine: Amy Winehouse
January 20 - February 25, 2012
Reception: Friday, February 3, 5:30 pm
450 Harrison Avenue #47 | Boston, MA 02118
Boston – Steven Zevitas Gallery is pleased to present Amy Winehouse, an exhibition of new work by Boston-area native and New York-based artist, David X. Levine. The exhibition will be on view from Friday, January 20 through Saturday, February 25, 2012, with an opening reception Friday, February 3.
Over
the past two years, Levine has focused his energy on producing
large-scale works on paper. Amy Winehouse presents four such pieces -
including a twelve and a half foot wide triptych - as well as an
installation of smaller works that provide a lexicon of Levine’s current
pictorial vocabulary. Colored pencil continues to be Levine’s medium
of choice, and in the interest of allowing viewers to have a more
immediate relationship with the work’s inherent tactility and facture,
the decision was made to leave the show unframed.Music has always been a strong source of inspiration for Levine, and he intends for his work to function with the same unmediated directness. Upon hearing of her death in July of last year, Levine made the decision that his next exhibition would be titled Amy Winehouse. In her music, Levine finds a “raw openness and an ability to corral it into a finished experience” that mirrors his own goals.
Levine’s
work has been the focus of a number of one-man exhibitions, including
shows at Tony Wight Gallery in Chicago, Dust Gallery in Las Vegas,
and Eight Modern in Santa Fe. Group exhibitions include shows at
Spencer Brownstone Gallery in New York City and Cherry Martin in Los
Angeles. This is Levine’s third solo exhibition at Steven Zevitas
Gallery.
Click here for the review of Amy Winehouse on The Boston Globe by Cate McQuaid.
The artist will be present for an opening reception on Friday, February 3rd from 5:30 – 8:00 PM. You can also watch a time lapse video of Levine doing an installation of the 50 drawings he created for his show Amy Winehouse here.
For additional information, please contact Steven Zevitas at 617.778.5265 (ext. 22). Gallery hours are Tuesday through Saturday, 11AM – 5 PM.
For additional information, please contact Steven Zevitas at 617.778.5265 (ext. 22). Gallery hours are Tuesday through Saturday, 11AM – 5 PM.
Tuesday, October 25, 2011
Jim D'Amato
"Entity 2", 2011. Hand pulled serigraph on 100 % rag paper. Signed, open edition. 16.75" x 11". (50 USD).
Click here to purchase and to see more works by the artist.
When we first met Jim D’Amato we were visiting an art fair in Miami, we had a brief and friendly introduction and both parties were on their way. When we met him again we were at another art fair, this time in New York, and after this we ran into him at just about every other art event we went to. He is a busy man and supports his fellow artists in anyway he knows how, whether it is showing up, word of mouth or most recently curating his own show that included work from 12 of his peers. The man is everywhere not because he is a busy body but because he genuinely cares about his fellow artists, the state of the art world and supporting the artistic community as a whole. Above all this, he cares about educating his own eye and forging meaningful relationships with the world around him.
This commitment to his fellow artists translates ten fold in his commitment to his own work. Jim is an artist through and through, he is not a part time artist who dabbles in a bit of this and a bit of that, he lives and breathes art. He is constantly looking at what others are doing; constantly evaluating his own work and understanding how to make it grow and adapt, and looking at what has worked in his past work and what has not.
Part science fiction, part automatic drawing, this edition of silk-screen prints created exclusively for The Art Dossier exemplifies all of this. When we had our first studio visit with Jim, we fell in love with his intense, layered, thick, snaking, abstract paintings. These silk-screens are a smaller manifestation of those paintings and they are available exclusively through The Art Dossier Market at a price that makes them accessible to most.
Click here to purchase and to see more works by the artist.
When we first met Jim D’Amato we were visiting an art fair in Miami, we had a brief and friendly introduction and both parties were on their way. When we met him again we were at another art fair, this time in New York, and after this we ran into him at just about every other art event we went to. He is a busy man and supports his fellow artists in anyway he knows how, whether it is showing up, word of mouth or most recently curating his own show that included work from 12 of his peers. The man is everywhere not because he is a busy body but because he genuinely cares about his fellow artists, the state of the art world and supporting the artistic community as a whole. Above all this, he cares about educating his own eye and forging meaningful relationships with the world around him.
This commitment to his fellow artists translates ten fold in his commitment to his own work. Jim is an artist through and through, he is not a part time artist who dabbles in a bit of this and a bit of that, he lives and breathes art. He is constantly looking at what others are doing; constantly evaluating his own work and understanding how to make it grow and adapt, and looking at what has worked in his past work and what has not.
Part science fiction, part automatic drawing, this edition of silk-screen prints created exclusively for The Art Dossier exemplifies all of this. When we had our first studio visit with Jim, we fell in love with his intense, layered, thick, snaking, abstract paintings. These silk-screens are a smaller manifestation of those paintings and they are available exclusively through The Art Dossier Market at a price that makes them accessible to most.
Read below to learn more about Jim in Jim’s words as he discusses his process, his background and what went into creating this series of work. We hope you love them as much as we do.
1) You created this work especially for The Art Dossier, tell us a bit about your concept for this series of work.
This series of serigraphs explore a primal, multidimensional space, which has haunted my work for several years. They’re comprised of intricate, visceral forms that have evolved over time.
2) Can you talk about your process and methods used for creating this series.
It was important that the images could take on many permutations via their reproduction. I sought to create images that were graphically intense. In order to achieve this I made detailed black and white drawings, which eventually became images used in the silk screening process.
3) What is unique about this series of prints?
Every print is hand pulled and printed on 100 % rag paper. These are also the first open editions I’ve ever made. Recently I’ve become intrigued by the possibilities of infinite reproduction.
4) What are your traditional methods of working? How is this series similar and how is this dissimilar?
At times creating this series has typified my traditional process, and at other times it has forced me to work in opposition to it. All of my work is labor intensive, and comes from drawing. However preparing these images to be printed forced me to push myself, refine my process, and be patient.
Continue reading...
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Jim D’Amato (born 1978) is an American abstract artist. His work has been exhibited internationally in both galleries and museum stores. Jim attended the School of Visual Arts in New York, and studied with legendary artists Jack Whitten, and Mary Heilman, among others. He has been included in group exhibitions with Richard Serra, H.R. Giger, Alex Grey, and more.
Tuesday, October 18, 2011
India Art Fair 2012
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Saturday, October 1, 2011
Things You Should Know From This Week
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Thursday, September 1, 2011
Cutlog 2011
cutlog 2011
cutlog’s next edition will take place at the Paris Bourse de Commerce, October 20-23, 2011
The first selection is almost finished. A few booths are still available!
Please subscribe to: info@cutlog.org
cutlog, a Parisian, cutting-edge contemporary art fair dedicated to promoting international galleries which are supporting emerging artists, will hold its third edition from the 20th to the 23rd of October 2011. The galleries of cutlog 2011 will present artworks from their emerging artists, as well as the latest works from their established positions. cutlog is both an alternative and a complement to the other art fairs, focused on presenting under-the-radar galleries, it offers a platform to up and coming artists, as well a bridge between galleries and established collectors. Held under the dome of the Bourse de Commerce, France’s historical equivalent of Wall Street. It is a skip and a jump away from the Grand Palais, the Louvre and the Centre Pompidou. There, in the circular, 1000 meter square room, it disrupts th e typical, stern patterns of fairs and encourages a dialogue from galleries to visitors.A selection of 35 international and French galleries, will offer a new visibility and a move away from Parisian art fairs. Since its kick-off three years ago, Cutlog has steadily gathered the upper crust of worldwide press, collectors, museum directors, curators and art lovers. The fair opens to the Guest of Honour and for the press on Wednesday 19th, followed by 4 days of open views alongside thematic conferences and artists films.
Last year, cutlog welcomed 15 000 visitors from all other the world.
This « salon » confirmed his status as the most international French satellite art fair: more than ten countries will participate to cutlog 2011, galleries will come from Asia, USA and Europe.Described as “la crème de la fair” by Dazed and Confused and ”the most European art fair” by Beaux Arts magazine, it has steadily gathered the upper crust of worldwide press and buyers – and no less is expected for this year.
The Swiss bank Pictet & Cie has confirmed its support and commitment to contemporary art by being cutlog’s main sponsor. A pre-opening and a private dinner will be organized for the European Clients.
As one of culog’s main partners Mercedes Benz will provide a limousine service for collectors during the fair.For the second successive year, Bavaria will be supporting contemporary art by being one of cutlog’s main sponsors.
PROGRAMME:
Friday 21, the ARTE channel will give the ARTE / cutlog prize and will reward an artist exhibited at cutlog 2011.The prize will be presented at the Bourse de Commerce de Paris during the fair. A jury composed of personalities from the art world will award the winner a 5000 euro grant. Accompanying the winner’s ceremony will be leading art critics, collectors, museum directors and personalities from ARTE.
Saturday 22 and Sunday 23,
cutlog organize its first film festival. Theme: « Mediterranean »
The festival is still open!
To participate: film@cutlog.org
ARTE will propose a selection of artist films everyday.
Discussions and debates the all week end.
Performances and artists installations by ICOBA (USA), Bors & Ritiu (ROMANIA), Huang Zhi Yang (TAIWAN), Marc Gerenton (FRANCE)…
Monday, August 1, 2011
Ai Kijima: Non Stop Everywhere
212GALLERY
Ai Kijima, Judgement, 2011 (27 x 31 inches, textile)
Ai Kijima: Non Stop Everywhere
1 August 2011 – 15 September 2011
212GALLERY is pleased to present the fabric collages of Ai Kijima.
Ai Kijima crafts patchwork extravaganzas out of American pop culture. Following a generation of artists like Arturo Herrera, who began his career by using Disney character imagery as the raw material for a kind of subversive formalism, Ai Kijima combines the traditional hand-working technique of quilting with postmodern appropriation.
The nine candy-colored cartoonscapes on display at 212Gallery will range in scale from 20 inches to over eight feet and will absorb the viewer into their layered narratives of fantasy and subliminal associations that muse on consumerism, sexuality, superficiality and moral decay.
Scouring flea markets, garage sales and thrift stores from Asia, Europe and North America, Kijima uses disparate materials of varying iconography - a Pink Floyd T-Shirt, a Kimono, childrens’ “Disney” bedding. Stitched together, Kijimas wall hangings juggle American pop culture icons with traditional Japanese symbols such as the chrysanthemum and koi.
Kijima’s process is painstaking. What begins as an intuitive layering of images is then ironed to a fusible web to which she adds backing; then the sewing machine. The images bounce off one another suggesting connecting narratives. Kijima uses color-matched shiny polyester thread to sew minute stitches on the fabrics. When seen from afar, the large works, composed of hundreds of fabric pieces, appear as two-dimensional paintings. The intense, seemingly cacophonous imagery morphs into highly choreographed quilted collages. The end result is an astonishing array of beauty and intensity.
Tokyo born, Brooklyn-based artist Ai Kijima received her M.F.A. in Fiber and Material Studies at The School of the Art Institute of Chicago, Chicago, IL. She has been exhibited in solo and group exhibitions around the world and has permanent collections at the Mint Museum of Craft and Design, Charlotte, NC and the University of Chicago Comer Children's Hospital, Chicago, IL. She was recently awarded a residency at Miami, Florida’s Fountainhead Residency program.
Ai Kijima: Non Stop Everywhere
1 August 2011 – 15 September 2011
Opening Reception 2 August 6-9pm.
Images are available upon request. Please call 970-925-7117 for further details.
Ai Kijima: Non Stop Everywhere
1 August 2011 – 15 September 2011
212GALLERY is pleased to present the fabric collages of Ai Kijima.
Ai Kijima crafts patchwork extravaganzas out of American pop culture. Following a generation of artists like Arturo Herrera, who began his career by using Disney character imagery as the raw material for a kind of subversive formalism, Ai Kijima combines the traditional hand-working technique of quilting with postmodern appropriation.
The nine candy-colored cartoonscapes on display at 212Gallery will range in scale from 20 inches to over eight feet and will absorb the viewer into their layered narratives of fantasy and subliminal associations that muse on consumerism, sexuality, superficiality and moral decay.
Scouring flea markets, garage sales and thrift stores from Asia, Europe and North America, Kijima uses disparate materials of varying iconography - a Pink Floyd T-Shirt, a Kimono, childrens’ “Disney” bedding. Stitched together, Kijimas wall hangings juggle American pop culture icons with traditional Japanese symbols such as the chrysanthemum and koi.
Kijima’s process is painstaking. What begins as an intuitive layering of images is then ironed to a fusible web to which she adds backing; then the sewing machine. The images bounce off one another suggesting connecting narratives. Kijima uses color-matched shiny polyester thread to sew minute stitches on the fabrics. When seen from afar, the large works, composed of hundreds of fabric pieces, appear as two-dimensional paintings. The intense, seemingly cacophonous imagery morphs into highly choreographed quilted collages. The end result is an astonishing array of beauty and intensity.
Tokyo born, Brooklyn-based artist Ai Kijima received her M.F.A. in Fiber and Material Studies at The School of the Art Institute of Chicago, Chicago, IL. She has been exhibited in solo and group exhibitions around the world and has permanent collections at the Mint Museum of Craft and Design, Charlotte, NC and the University of Chicago Comer Children's Hospital, Chicago, IL. She was recently awarded a residency at Miami, Florida’s Fountainhead Residency program.
Ai Kijima: Non Stop Everywhere
1 August 2011 – 15 September 2011
Opening Reception 2 August 6-9pm.
Images are available upon request. Please call 970-925-7117 for further details.
Click here for more images.
212GALLERY features innovative, established and emerging international artists working across media including, photography, painting, sculpture and mixed media.
Wednesday, July 20, 2011
Art San Diego 2011
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Friday, July 15, 2011
Affordable Art Fair New York City
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