Showing posts with label issuu.com/fineartmagazine. Show all posts
Showing posts with label issuu.com/fineartmagazine. Show all posts

Friday, August 5, 2022

CORSCADEN BARN GALLERY SUMMER 2022

CORSCADEN BARN GALLERY SUMMER 2022


Hours: FRI. SAT. SUN. MON.  
12:00 to 5:00 p.m.










RAKING SHADOWS BY MICHAEL GAUDREAU PSA
17.5”X19.5” pastel recently exhibited at the National Pastel Society of America Exhibit

Martha Corscaden
Cell: 518-576-9850

58 Beers Bridge Way


Keene Valley, NY 12943
#corsacdenbarn#fineartmagazine#summerartfun

Tuesday, July 26, 2022

Lowell Ryan Projects presents Allison Lu Wang splash, drip, drip, woo, splash July 23 - July 31, 2022

Allison Lu Wang
splash, drip, drip, woo, splash
July 23 - July 31, 2022

Wednesday-Sunday 12-6pm

***Silver Lake: 
3118 Sunset Blvd.
Los Angeles, CA 90026

Allison Lu Wang
nightcall , 2022
Archival ink on linen
48h x 36w in / 121.92h x 91.44w cm
AW-006

“Well dreams, they feel real while we're in them, right? 
It's only when we wake up that we realize how things are actually strange. 
Let me ask you a question, you never really remember the beginning of a dream do you?” 
- the character of Cobb in Christopher Nolan’s Inception


Lowell Ryan Projects is pleased to present a solo exhibition by Los Angeles-based artist Allison Lu Wang (b. 1994, Los Angeles, CA) titled splash, drip, drip, woo, splash. Composed of nine paintings, 48h by 36w inches in scale, all archival ink on linen, this will be Wang’s first exhibition with the gallery. In these recent works, Allison Lu Wang depicts various landscapes that are a reflection of the world she lives in both literally and figuratively. Her cinematic use of color and manipulation of imagery create works that take the viewer on a journey through time and place within the blink of an eye.

Wang’s process of landscape painting—or one might call landscape building—pulls from disparate sources in her life, imagination, experiences and fascinations. Her process begins in an analog format sourcing various printed images cut from magazines, books, etc., as well as directly painted elements, such as an orchid in her studio rendered in oil paint. Entering the digital realm, photographs of these collages and painted images are further expanded upon and manipulated on the computer. There is always a sense of place, whether a more direct image from a street in her native Los Angeles or a scene from a favorite movie or video game. Pictorially no subject matter is treated with more or less importance, however direct cinematic and pop-cultural references can take on greater significance conceptually to the artist. Anakin Skywalker’s transformation into Darth Vader—consumed by paranoia, power and greed, and Cobb’s team in Inception standing on a street awaiting an unknown force take on both emotional and contextual significance to the artist—references to real life emotions played out in a fantastical realm.
 
In a world increasingly separating itself from a grounding force, the emotional ramifications of one’s psychological existence are explored through both formal process and subject matter. While not immediately evident at first glance, the artist has placed an image of herself in each work. An obvious signifier of the personal nature of the work, but also a nod to the human experience and our emotional capacity to understand the shift from the Information Age into the Age of Imagination.

VIEW MORE
Allison Lu Wang
nightcall (detail), 2022
AW-006
 
Allison Lu Wang
why’d you only call me when you’re high, 2022
Archival ink on linen
48h x 36w in / 121.92h x 91.44w cm
AW-004
Allison Lu Wang
why’d you only call me when you’re high, (detail) 2022
AW-004
 
Allison Lu Wang
ocean drive, 2022
Archival ink on linen
48h x 36w in / 121.92h x 91.44w cm
AW-008
Allison Lu Wang
ocean drive (detail), 2022
AW-008
 
Allison Lu Wang
slippery [’scuse me], 2022
Archival ink on linen
48h x 36w in / 121.92h x 91.44w cm
AW-010
Allison Lu Wang
slippery [’scuse me] (detail), 2022
AW-010
 
For more information contact: info@lowellryanprojects.com
 
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#lowellryanprojects#fineartmagazine#artsummerfun

Saturday, May 21, 2022

The United Nations Supports World Bee Day 20 May

A bee drinks nectar of a flower
Three out of four crops across the globe producing fruits, or seeds for use as human food depend, at least in part, on bees and other pollinators.
PHOTO:Photo FAO/Greg Beals

We all depend on the survival of bees

Bees and other pollinators, such as butterflies, bats and hummingbirds, are increasingly under threat from human activities.

Pollination is, however, a fundamental process for the survival of our ecosystems. Nearly 90% of the world’s wild flowering plant species depend, entirely, or at least in part, on animal pollination, along with more than 75% of the world’s food crops and 35% of global agricultural land. Not only do pollinators contribute directly to food security, but they are key to conserving biodiversity.

To raise awareness of the importance of pollinators, the threats they face and their contribution to sustainable development, the UN designated 20 May as World Bee Day.

The goal is to strengthen measures aimed at protecting bees and other pollinators, which would significantly contribute to solving problems related to the global food supply and eliminate hunger in developing countries.

We all depend on pollinators and it is, therefore, crucial to monitor their decline and halt the loss of biodiversity.

Bee engaged: Celebrating the diversity of bees and beekeeping  systems

World Bee Day 2022 poster20 May 2022, 13:00–14:45 CEST
Agenda Register | Webcast

Beekeeping is a widespread and global activity, with millions of beekeepers depending on bees for their livelihoods and well-being. Together with wild pollinators, bees play a major role in maintaining biodiversity, ensuring the survival and reproduction of many plants, supporting forest regeneration, promoting sustainability and adaptation to climate change, improving the quantity and quality of agricultural productions.

This year FAO will celebrate World Bee Day through a virtual event, under the theme ‘Bee Engaged: Celebrating the diversity of bees and beekeeping systems’

The event featuring bee and pollinator experts and practitioners from across the world will open with a video message by FAO Director-General QU Dongyu. The event will raise awareness on the importance of the wide variety of bees and sustainable beekeeping systems, the threats and challenges they face and their contribution to livelihoods and food systems.

The event will be available in English, French, Spanish, Arabic, Chinese and Russian languages.

 

Do you know all the different pollinators?

infograph of different pollinators

We need to act now

Bees are under threat. Present species extinction rates are 100 to 1,000 times higher than normal due to human impacts. Close to 35 percent of invertebrate pollinators, particularly bees and butterflies, and about 17 percent of vertebrate pollinators, such as bats, face extinction globally.

If this trend continues, nutritious crops, such as fruits, nuts and many vegetable crops will be substituted increasingly by staple crops like rice, corn and potatoes, eventually resulting in an imbalanced diet.

Intensive farming practices, land-use change, mono-cropping, pesticides and higher temperatures associated with climate change all pose problems for bee populations and, by extension, the quality of food we grow.

Recognizing the dimensions of the pollination crisis and its links to biodiversity and human livelihoods, the Convention on Biological Diversity has made the conservation and sustainable use of pollinators a priority. In 2000, the International Pollinator Initiative (IPI) was established (COP decision V/5, section II) at the Fifth Conference of Parties (COP V) as a cross-cutting initiative to promote the sustainable use of pollinators in agriculture and related ecosystems. Its main goals are monitoring pollinators decline, addressing the lack of taxonomic information on pollinators, assessing the economic value of pollination and the economic impact of the decline of pollination services and protect pollinator diversity.

Along with coordinating the International Pollinator Initiative (IPI), the FAO also provides technical assistance to countries on issues ranging from queen breeding to artificial insemination to sustainable solutions for honey production and export marketing.

Discover other initiatives, national and international, dedicated to the protection of pollinators.

>> Facilitated by FAO

How can we do more?

Individually by: 

  • planting a diverse set of native plants, which flower at different times of the year;
  • buying raw honey from local farmers;
  • buying products from sustainable agricultural practices;
  • avoiding pesticides, fungicides or herbicides in our gardens;
  • protecting wild bee colonies when possible;
  • sponsoring a hive;
  • making a bee water fountain by leaving a water bowl outside;
  • helping sustaining forest ecosystems;
  • raising awareness around us by sharing this information within our communities and networks; The decline of bees affects us all!

As beekeepers, or farmers by:

  • reducing, or changing the usage of pesticides;
  • diversifying crops as much as possible, and/or planting attractive crops around the field;
  • creating hedgerows.

As governments and decision-makers by:

  • strengthening the participation of local communities in decision-making, in particular that of indigenous people, who know and respect ecosystems and biodiversity;
  • enforcing strategic measures, including monetary incentives to help change;
  • increasing collaboration between national and international organizations, organizations and academic and research networks to monitor and evaluate pollination services.

More tips on how to help bees and other pollinators

#unworldbeeday#fineartmagazinebeefun#savethepolinators

Tuesday, April 19, 2022

Historic Yves Klein Announced as Highlight of Phillips’ 20th Century and Contemporary Art Evening Sal



 

 


Historic Yves Klein Announced as Highlight of

Phillips’ 20th Century and Contemporary Art Evening Sale

 

Relief Éponge bleu sans titre (RE 49) to be Offered on 18 May,

Estimated at $14-18 Million

 

Exhibition Opens 30 April at 432 Park Avenue

 




Yves Klein

Relief Éponge bleu sans titre (RE 49), 1961

Estimate: $14,000,000 - 18,000,000

 

NEW YORK – 19 APRIL 2022 – Joining Phillips’ 20th Century & Contemporary Art Evening Sale lineup is Yves Klein’sRelief Éponge Bleu Sans Titre (RE 49), 1961, a masterwork from his monumental Relief éponges series of 1958-1961. Dedicated to Klein’s close friend and legendary photographer Charles Wilp, the work was created in the pivotal year of the important exhibition Yves Klein: Monochrome und Feuer at the Museum Haus Lange, Krefeld, which marked the only institutional retrospective of the artist’s lifetime. Relief Éponge Bleu Sans Titre (RE 49) will be offered at Phillips on 18 May with the estimate of $14-18 million, marking the first time that the work will be exhibited and offered in over a decade.

 

Cheyenne Westphal, Global Chairwoman, said, “Relief Éponge Bleu Sans Titre (RE 49) is a masterpiece of the artist’s most sought-after series with its grand scale and historic provenance. Unifying the two most important material discoveries of the artist’s career – International Klein Blue and the incorporation of sponges on canvas – the work is the perfect embodiment of Klein’s enduring legacy and profound impact on post-war art. We are delighted to showcase it along with the other 20th century masters in Phillips’ most exciting sale to date.”

 

In Relief Éponge Bleu Sans Titre (RE 49), natural sponges and pebbles are drenched in Klein’s signature color, the topography appearing to infinitely evolve before the viewer’s eyes as light and shadow play across the velvety surface. Conjuring the mysterious depths of the ocean floor or the graveled lands of extraterrestrial worlds, the accumulation of sponges and pebbles in Relief Éponge Bleu Sans Titre (RE 49) reflect Klein’s advancement of his two-dimensional IKB monochromes into the next dimension with the relief éponges. For Klein, sponges were the perfect vehicle to encapsulate his lifelong inquiries into materializing the immaterial. With their porous and absorbent qualities, sponges embodied the artist’s endeavor of subsuming the viewer into his mystical realm of color. 

 

Following its execution in 1961, Klein gifted the work to his friend, Charles Wilp. A student of Man Ray, Wilp was an innovative German photographer, film editor, artist, and advertising designer at the center of the post-war avant-garde milieu. His multifaceted endeavors led him to closely befriend Klein, Andy Warhol, Joseph Beuys, Lucio Fontana, and ZERO group founders Otto Piene, Heinz Mack, and Günther Uecker—among many other celebrated figures. Wilp notably documented Klein working on his monumental project of sponge relief murals for the foyer of the Gelsenkirchen Opera House from 1958-1959, as well as the artist’s iconic performance spectacle Anthropométries de l'époque bleue at the Galerie Internationale d'Art Contemporain in March 1960.

 

Klein dedicated the present work to Wilp on a label on the reverse: “d'abord il n'y a rien, ensuite il n'y a un rien profound, puis une profondeur bleue chez Wilp!” (“first there is nothing, then there is a profound nothing, then a blue depth in Wilp!”)—a play on his famous quoting of Gaston Bachelard’s Air and Dreams at his 1959 lecture at the Sorbonne: “First there is nothing, then there is a deep nothing, then there is a blue depth.”

 

Auction: 18 May 2022

Auction viewing: 30 April - 18 May

Location: 432 Park Avenue, New York, NY 10022

Click here for more information: https://www.phillips.com/auctions/auction/NY010322

                    

 

ABOUT PHILLIPS

Phillips is a leading global platform for buying and selling 20th and 21st century art and design. With dedicated expertise in the areas of 20th Century and Contemporary Art, Design, Photographs, Editions, Watches, and Jewelry, Phillips offers professional services and advice on all aspects of collecting. Auctions and exhibitions are held at salerooms in New York, London, Geneva, and Hong Kong, while clients are further served through representative offices based throughout Europe, the United States and Asia. Phillips also offers an online auction platform accessible anywhere in the world.  In addition to providing selling and buying opportunities through auction, Phillips brokers private sales and offers assistance with appraisals, valuations, and other financial services.

Visit www.phillips.com for further information.

 

*Estimates do not include buyer’s premium; prices achieved include the hammer price plus buyer’s premium.

 

PRESS CONTACTS:            

NEW YORK – Jaime Israni, Public Relations Director, Americas     jisrani@phillips.com  

 

PHILLIPS NEW YORK – 432 Park Avenue, New York, NY 10022

PHILLIPS LONDON – 30 Berkeley Square, London, W1J 6EX

PHILLIPS HONG KONG – 14/F St. George’s Building, 2 Ice House Street, Central Hong Kong

3Phillips#franzkleinauction#fineartmagazine

 

ART FOR UKRAINE AUCTION NOW LIVE ON GALABID April Gornick BID! BID! BID





ART FOR UKRAINE AUCTION
NOW LIVE ON GALABID
April Gornick
BID! BID! BID!
And come see the work live on April 30, 12-6pm
at The Church, Grenning, Keyes, Kramoris and
Sara Nightingale Galleries!

RECEPTION AT THE CHURCH SATURDAY APRIL 30,  4-6PM

The Church is proud to sponsor an ART FOR UKRAINE art auction. Over 100 artist participants are generously donating 100% of their profits to help Ukraine in its effort to sustain Russia’s brutal invasion. The non-profit recipient will be RAZOM, an organization that directly supports Ukraine, recommended by The Washington Post, Financial Times, WNYC, and other many other news outlets.

Artworks are now available for bidding  at galabid.com/artforukraine, and bidding will continue until 6pm on April 30th.  Work will be on display at The Church and partnering galleries.

#artistsforukraine#fineartmagazine#arthelps

Thursday, April 7, 2022

Toronto Biennial of Art now till June 5, 2022


Logo
Performance by Jatiwangi art Factory at Small Arms Inspection Building

Explore Our West-End Sites

Spend your weekend on a mini art crawl of our west end sites! Just a few blocks from Dundas West Station or the Bloor GO, you can explore 15+ Biennial artists across the following four sites. 

Don’t forget, if you download a TBA Pass you can stop along the way and enjoy a discounted coffee at Ethica Coffee Roasters or a glass of house wine from Forno Cultural (MOCA). Simply show your pass download at the time of your purchase. Learn more about all our TBA Pass special perks HERE.

Upcoming Programs and Events: April 7-14
For our events calendar click here.

Repeating With A Difference: Tracing as a Counter-Archival Practice
Participant: Francisco-Fernando Granados
Fri, April 8 | 4:30–7:30pm
Location: 72 Perth Ave
In Person | Workshop
Register 
HERE

Babaylans and Encandadores: A Conversation with Paul Pfeiffer, Simon Speiser, and Stephanie Comilang
Participants: Paul Pfeiffer, Simon Speiser, and Stephanie Comilang
Fri, April 8 | 11am–12pm
Online | Talk
Register 
HERE

Weekly Storytelling Sessions

Visitors to the Toronto Biennial of Art preview week at Small Arms Inspection Building

Holiday Hours for April 15–17

Friday, April 15
Closed: 72 Perth Ave, 5 Lower Jarvis, Arsenal Contemporary Art Toronto, Mercer Union, Small Arms Inspection Building.
Open: Textile Museum of Canada, Museum of Contemporary Art Toronto, Colborne Lodge, Fort York National Historic Site.

Saturday, April 16
All sites open. 

Sunday, April 17
Closed:
 Arsenal Contemporary Art Toronto, Mercer Union, Small Arms Inspection Building, Textile Museum of Canada.
Open: 72 Perth Ave, 5 Lower Jarvis, Museum of Contemporary Art Toronto, Colborne Lodge, Fort York National Historic Site.

Pre-Order the Upcoming TBA Publication: Water, Kinship, Belief

About TBA

The Toronto Biennial of Art is Canada’s leading visual arts event focused exclusively on contemporary art from around the world. For 10 weeks every two years, local, national, and international Biennial artists transform Toronto and its partner regions with free exhibitions, performances, and learning opportunities. Grounded in diverse local contexts, the Biennial’s city-wide programming aims to inspire individuals, engage communities, and contribute to global conversations.

This event has been financially assisted by the City of Toronto, the Government of Ontario, and the Ontario Cultural Attractions Fund of the Government of Ontario through the Ministry of Heritage, Sport, Tourism and Culture Industries, administered by the Ontario Cultural Attractions Fund Corporation.

Image Captions: 

1. Jatiwangi art Factory performs Terrakota Route at the Small Arms Inspection Building on March 26, 2022 as part of the Toronto Biennial of Art. Photo: Rebecca Tisdelle-Macias.
2. Exhibition view of 72 Perth Avenue as part of the Toronto Biennial of Art (2022). Photo: Toni Hafkenscheid.
3. Exhibition view of Arsenal Contemporary Art Toronto as part of the Toronto Biennial of Art (2022). Photo: Toni Hafkenscheid. 
4. Lawrence Abu Hamdan, 45th Parallel. Installation view: Mercer Union, 2022. Courtesy the Artist. Photo: Toni Hafkenscheid.
5. Exhibition view of Museum of Contemporary Art Toronto as part of the Toronto Biennial of Art (2022). Photo: Rebecca Tisdelle-Macias.
6. Toronto Biennial of Art 2022 opening week at Small Arms Inspection Building. Photo: Rebecca Tisdelle-Macias.